Chuck Wendig: Terribleminds

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Go Ahead, Shoot The Baby

Good news: I finished the novel. Better news: I still have to do some editing, so I’m reserving a portion of this week for that purpose. Best news: that means you still get some guest posts from some awesome human beings. First up this week is Stephen Blackmoore, an all around awesome dude and great urban fantasy writer. His first book, CITY OF THE LOST, drops next year, and the follow-up, DEAD THINGS, not long after. In fact, I just had the pleasure of reading DEAD THINGS, and it was one of the most gripping books I read all of last year. So. Here’s Stephen, then. Don’t forget to check out his website, LA NOIR, and follow the man on Der Twittermachine: @sblackmoore.

I’ve been watching a lot of film noir from the forties and fifties over at Noir City, the noir film festival going on this month at The Egyptian Theater in Hollywood, and I’ve noticed something that’s been bothering me.

There are a lot of happy endings.

Sure, people die. There’s betrayal, shattered dreams, physical and psychological torture. But come on, you don’t have that you don’t have film noir. But with few exceptions the protagonists not only survive, they fall in love and live happily ever after.

Seriously, what the fuck?

Take the film THE HUNTED (**spoilers ahead, but that’s okay because chances are you’ll never see this movie**) with Preston Foster and Belita, who’s got to have one of the weirdest careers in film noir history. It’s about a cop who sent his lover up the river for robbery four years before and she might not have done it. Now she’s out on parole after vowing (cue dramatic chord) vengeance.

There’s a creepy factor, Foster was 48 when he made this movie and Belita’s character is 20, which means his character was banging her when she was sixteen, so that’s nicely disturbing. But that one scene where everything is supposed to climax in a hail of bullets and they kill each other before discovering she’s been cleared of the robbery and a subsequent murder?

Doesn’t happen. He gets shot in the shoulder. Shrugs it off. Her Electra complex is in full swing so she forgives him for railroading her into Tehachapi for four years. They jet off to Paris.

This is film noir cock block at its worst. Instead of walloping you with the haymaker you’re waiting for it taps you on the cheek in a pissy little slapfight. An otherwise interesting little film gets ruined because it pussies out at the last minute.

And that’s the writer lesson for today. Don’t pull your punches.

Everybody’s got a line they don’t want to cross. Ideas they’re not comfortable with. And those lines tend to extend into the things they like to read. I’m not saying it’s a one to one. Most of us, well, most of you, don’t really want to murder people.

But we’re just fine watching it on teevee. At least until we run into one of our lines.

There’s this thing in publishing I keep hearing about how if you hurt animals or children in your book you’ll alienate readers and get hate mail. Everything else is fair game.

Go ahead, eat the dismembered corpse of your antagonist. Lop off his head and ram it onto a stick. Just don’t shoot the baby.

You know what? Fuck that. Shoot the baby.

Your readers’ boundaries are there to be used. Violence, sex, torture, whatever. Those lines they don’t want you to cross, beat on them with a baseball bat. They’re chinks in their emotional armor. They’re exploitable. And whether you like the idea or not, as a writer you’re a dirty, lying manipulator.

Case in point, the novel BOULEVARD by Stephen Jay Schwartz. It’s about an LAPD vice cop who’s a sex addict. So, you know, it’s got sex. Lots of sex. Oooooh. Sex. Sex sex sex.

And it makes your skin crawl.

Schwartz has got sex scenes in this book that make you want to bathe in turpentine. It’s awkward, uncomfortable, explicit. There’s nothing erotic in it. It’s like watching an alcoholic go on a weekend bender.

He doesn’t pull his punches and instead of titillating, it’s tragic. And when it clicks just how fucked up this guy’s life is Schwartz owns you.

Now there is one thing about this I will say you can’t, must not, never, ever, ever do. Really.

DO NOT FUCKING WASTE IT.

It’s like that Bugs Bunny / Daffy Duck cartoon where they’re competing for the best vaudeville act and Daffy wins by blowing himself up. The audience cheers and Bugs tells him they love the act. His response?

“I know, I know, but I can only do it once.”

You got one shot at this. Do not fuck it up. The only thing worse than pulling your punches is swinging and missing.

You see it all the time. A killing that’s just there because the writer is trying to be edgy. There’s no emotional impact. It’s not there for the story, it’s there so the writer can jump up and down and go, “Look at me! I’m one of the cool kids! Watch me swing my dick around! It does tricks!”

That right there is what we mean by gratuitous. Don’t be gratuitous.

Unless you’re showing nudity. Then be as gratuitous as you like.

I mean, come on, that shit sells.

Like Gas On A Fire

Been quite a week. Saw the last ultrasound of my son before he’ll be born (poor boy, he looks like me). Finished a script, which is now off into the wilds, trying to gather financing like a big Hollywood Katamari ball. Started early development on another film project. Sent off two novel synopses. Wrote like a mad motherfucker and finished the novel, Double Dead, topping out at ~90,000 words.

And then last night I get home from “baby class” — where we were injected with deep panic regarding car seats — to discover that Writer’s Digest has named this blog one of the 101 Best Websites For Writers.

First, I must extend a sincere thank you to the folks at Writer’s Digest. I don’t know who was responsible, exactly, but they should know that I appreciate it. A wonderful surprise.

That said, I must also extend with that a sincere warning, as well.

You have made a terrible error. A grievous error. (Man, “grievous” is a great word.)

You know how sometimes you have an out-of-control toddler or a dog with bad habits, and someone inevitably rewards the child or dog and then someone has to step in to say, “Don’t encourage him?”

Mm-hmm. This is like that.

Good heavens, why would you encourage me? It’s like pouring gas on a fire. No, not even that. It’s like giving meth to a grizzly bear. Then giving the grizzly bear a jetpack and a Turkish scimitar. No good is going to come of that. Sure, you want to see what the grizzly is going to do. But it’s just not safe. It’s not even sane.

That scenario has no positive outcome.

The only result of putting this site on such an estimable list confirms that you’ve filled my head with the airy delusions of legitimacy. It’s like you’ve handed me a license from the government, and printed on this license are the benefits of said licensing, and those benefits listed include:

“The right to make up writing advice and claim legitimacy despite only threadbare authority;”

“The right to fustigate readers about the head and neck with false bravado and eye-watering profanity;”

“The right to use words like ‘fustigate;'”

“The right to guzzle a pony’s weight in liquor while doing all of the above.”

You’ve not only unlocked the cage door. You’ve thrown the key into a dark and endless abyss. This will have terrible repercussions. Twenty years from now, I’m going to be telling my then-20-year-old-son something and he’s going to say, “Dad, I don’t know if that’s right, I don’t think anybody actually found the Humbaba from the Epic of Gilgamesh in Lake Erie. You’re just making that up.” And I’m going to whip out my copy of Writer’s Digest and point to the 101 Best Websites For Writers, and I’m going to just tap #43 gently and clear my throat obnoxiously, thus indicating my false expertise in everything everywhere ever always. And then my son is going to ask me, “Dude, what’s a website?” And I’ll answer, “It’s like a dinosaur, except with more pornography. And don’t call me ‘dude,’ I’m your father.”

Then he’ll ask me, “What’s a writer?”

And I’ll just cry and remind him that writers all went extinct in 2013 when the price of e-books hovered roughly around “one possum tail and a handful of dried leaves.”

So, haters who think I’m gonna shut up? Oooh. Yeah, sorry. Like I said, gas on a fire. Conflagration, whoosh. Now I’ve a whole head full of illusion, my ego like a fatted calf.

Those who continue to dig on this site, well, buckle up, penmonkeys. The ride is only just getting going. Turns out, terribleminds ain’t going nowhere.

Thank you again to Writer’s Digest.

Now —

RELEASE THE METH-GRIZZLY!

*raaaaaar*

Flash Fiction Challenge: The Cocktail

First and foremost:

Last week’s flash fiction challenge is here — The Unexplained Must Be Explained. Stories may be coming in throughout the day, so feel free to check back over yonder.

Second:

Welcome back. It’s time, again, to play with flash fiction the way a cat plays with a dead mouse. Batting it back and forth. Bringing it to your owners to show off. Making little Prada handbags out of it.

Today’s challenge: choose a cocktail, and name your story after it. The great thing is, you have a lot of leeway here: the cocktails that exist in this world are nigh-endless. From the common (Dirty Martini, Tom Collins, Whiskey Sour) to the WTF (Satan’s Whiskers, Electric Smurf, Monkey Gland). The story doesn’t need to incorporate the cocktail, though you’re certainly welcome to do that.

Also: bonus points if you give the cocktail recipe after the story. Because, fuck it, we’re all lushes here, right? Right. High-five, those whose livers look like beach-balls or peach-pits.

Here’s the tweak:

You only have 500 words this go around.

And, the goal is still to use those 500 words to tell a full story, not just a vignette. Remember, flash fiction ideally has a beginning, middle, and an end; they’re just trimmed, sharpened, heightened.

Standard rules apply. Post at your blog. Link back here if you’d like. Then post a link (don’t rely on the trackback) in the comments in this post. Any questions, shoot ’em my way.

I think I will once more begin aggregating the links because, frankly, I think it made it easier to view the links. I’m going to try to keep on it as they come in, through, for ease of attack.

Get thee to writing, you ink-stained drunken baboons!

[EDIT: Doh, I didn’t make clear: You’ve got one week, till the close of next Friday, 4/15.]

The Stories

Lindsay Mawson, “A.S.S. On Flames

Josin McQuein, “Flaming Moe

Anthony Laffan, “Satan’s Whiskers

Quinn Slater, “Camel Piss

McDroll, “The Smokey Carburetor

Madison Morris, “Sex With Captain Or Babymomma

Aiwevanya, “Bloody Mary

Anthony Schiavino, “Jack Rose

Dan O’Shea, “Bloody Mary

AB, “The Corpse Reviver

Shauna Granger, “Irish Gold

Stephanie Belser, “Zombie

Sparky, “Rattlesnake

Eck, “Tee Many Martini

Neliza Drew, “Paradise

Tim Kelley, “Primal Scream

Bob Bois, “Lucy On The Floor

KD James, “Tom Collins

Pia Newman, “Swimming Pool

Angie Arcangioli, “Negroni Splash

Carolyn E. Bentley, “Mugging In Moscow

Tara Tyler, “J Is For Jello Shooter

Marlan, “Mad Cow Special

Seth, “Moscow Mule

Paul Vogt, “Snake In The Grass

Dan Wright, “Gin And Sin

Tribid, “G&T

Joseph McGee, “A Murder Of Crows

C.M. Stewart, “Tom Cullen

 

The Mighty Endjaculation

I love ending a story.

Here’s why:

Because eventually you reach a space where it’s the point of no return. You’ve been building. And building. Climbing the hill. Worrying at the bone with your teeth. And suddenly it’s all there. You can only go down. It all comes together how it has to come together and —

Well, use whatever metaphor you like.

Roller coaster cresting a hill.

Throwing up and purging after a long night of feeling like shit.

The climactic ejaculation — the blog-titular “mighty endjaculation.”

You either get there or you don’t. If you get there, you know it adds up. Maybe it’s not good, but sweet fuck, it adds up. And it happens fast, too. You have momentum. You use gravity. That’s the best part about writing an ending, or even a whole third act. No more confusion. Only a kind of weird eerie purity. The way is clear. Run, fuck, kill, or die. You’ve already jumped off the bridge. Now all you gotta do is fall.

It happened when I finished Blackbirds. I hit the last act and it all just burped out of me.

It happened when I finished the script for HiM. We knew where it needed to go and how it was going to happen and when the time came to bang it out, those last days of writing I was hitting 10, 15 pages a day.

It happened just now, 20 minutes ago, when I finished Double Dead.

Wrote 4k day before yesterday. Wrote 4k yesterday. Today? 7k.

Double Dead is double done.

And by “double done” I mean “not actually done at all.” This is just the first draft. I gotta do a pass. Editor’s gotta do a pass. Writing is rewriting, after all. But I will say, it feels good. I’m happy. For today, at least. And I’m going to run with that. Run with it all the way home, cackling, giggling, doing cartwheels. Metaphorical carthwheels. If I tried to do the real thing, I’d break my fool neck.

For now, I breathe a big giant exhalation of air.

Who wants some whisky?

*clink*

How Not To Be A Dickface As A Writer

As you may know, I’ve a novel due in the next couple weeks. By the time you read this I may already be done said novel, but I still want some padding during these days to give it a once over and make sure it’s in tip-top shape before it leaps forthwith into the publisher’s open, loving arms. That means, over the next two weeks, you’re going to see a bunch — nay, a bushel — of guest posts here at Ye Olde Terryblemyndes bloggery hut (“Where the Elite Meet to Eat Sweet Treats”). Friday’s flash fiction will remain ongoing, however. Anywho, here then is a guest post from sinister ink-witch and terribleminds favorite, Karina Cooper. Her website is here. And don’t forget to follow her on the Twitters.

May I have your attention, please? Hi. My name is Karina Cooper. I am a writer. Are you all paying attention? Yes? Good. Ready?

Charlie Sheen.

You know that thing you just did? That tic? That, right there, is why you want to hear me.

Look, I get it. You’ve spent all this time reading helpful blogs, tips, articles and the like all about how to be a better writer. How to cleverly avoid adverbs, narrowly miss writing yourself into corners, sincerely query your agents and editors of choice. You’re told how to save a penny, earn a penny, make a buck. There’s excellent how-tos, dos and don’ts, tidbits and bite-sized morsels of help from all over.

What I have never found? A reminder. One that Charlie Sheen dished out just by example. One that a handful of other prolific writers and wanna-be authors really should have been told. Shut up. Pay attention. Stare hard. I want these words branded in your brain:

Don’t be a dickface.

Ooh. Sorry, is that too much? Let me couch it in terms my agent said to me: “Don’t be a whack job online.”

Better? Good. Let me give you some background.

Once upon a time, there was an incredibly prolific writer who kept a blog. In this blog, she wrote all about the fact that her main character looks like her. And a fuckwit character in her books (a man whose character growth seemed to expand or retract based on this author’s whim) was actually based on her abusive ex-husband. In this same series, the weirdly perfect new hero was based on her now-husband, a man who used to stalk her. Are you creeped out, yet?

In a galaxy far, far away, another prolific author took to Twitter to share that the new work in progress sucked. That it was a bad day, but the sucky book was finished, and would be ready for readers to pony up $8 a pop for this sucky work of suckitude. Whine, whine, and one hand out to collect the earnings. Pity sales would skyrocket for sure… OR WOULD IT?

Meanwhile, back in Manhattan… An author took to roundly scolding every reader and reviewer who dared leave a less than stellar review on various review sites. This author would stalk the web for any mention of name or books, and leave trash-talking comments (sometimes anonymously), insulting everything from the reviewer’s taste to affiliations to intelligence.

…Are you sensing a trend?

Listen, my delicious friends, it’s a simple fact. Sitting behind the anonymous screen of your own computer makes you God. It makes you Zuul. It makes you untouchable and popular and ohmygodcrazy. They love you. They REALLY love you.

I’m here to tell you: don’t be fooled. It’s tempting to grab a beer and sit back on your digital porch, cranking out banjo tunes and shooting off your shotgun (overly complex metaphor is overly complex), but don’t. People are listening. No, really, read that again: people ARE listening. Once-fans or potential readers who don’t feast on drama and rage. Editors and agents who sure as shit are Googling your name upon receiving a query.

Have a blog about eating babies with a nice glass of cranberry juice? A Twitter rant about how stupid Editors X, Y, and Z are? An article extolling the virtues of the First Religion of Anal Bleaching? Congratulations. You’ve just shared with prospective employers three things: 1) you’re non-engagingly weird, and possibly a serial killer, 2) you can’t be professional and certainly can’t be trusted not to stir shit in what amounts to a place of business, and 3) you have an overly zealous obsession with harsh chemicals in delicate places.

None of these things are what we’d call “excellent business sense”.

Let me put it in very clear terms: Writing is a business. Editors, agents, these are your employers (and although it could be said that agents work for you, it’s you that has to earn them, see?). You DO want to get out there and be heard, but you want to be remembered for who you are, your own charming self, your awesome hair, and most importantly, what you’re writing and not what you’re frothing at the mouth about.

“But, Karina,” you whine, “I can only be me!” Okay, fine. The you with the spiky colored hair and facial piercings is eccentric. The you with the porcelain doll collection is quaint. The you with the ongoing obsession with neon pink polka dots and red armpit hair is… unfortunate, but you are what you are.

The you with the undying need to argue with people who don’t like your work, the you with the unhealthy desire to overshare about your sex/political/religious life, the you with seriously unresolved issues treating your blog like a therapist maybe should stay behind closed doors. That means off the net, out of the limelight, stuffed in a closet and beaten with sticks.

You want to write? Pfft, ANYONE can write.

You want to make it as a writer? You want to become an author by career? Then you gotta walk the walk. Talk the talk. Have attitude all you want, but don’t let it get the best of you.

Don’t, in fact, be a dickface.

I know this stuff. I’m a romance author. I’ve got magenta hair and more piercings than I know what to do with, I have a Twitter feed a mile long, I spam the ever-living hell out of the online community, and despite all of this weirdness I present, I am not a dickface, either. I can be ME without opening up my dirty laundry to the world.

Come, friends. Let us not be dickfaces together.

Oh, and you should totally go out and get my first book. It’s called Blood of the Wicked, and it’s out May 31st, 2011. Check it out on Goodreads! Actually, only do that if you or someone you know loves witches, romance, blood, murder, death, sex and gratuitous use of the word “fuck.” And happy endings. I love me some happy endings. Otherwise, just enjoy my glistening spam-meats over at Twitter.

Edit: Chuck also adds: Amazon has a pre-order button for Blood of the Wicked.

Be A Shark In The Waters Of Social Media

As you may know, I’ve a novel due in the next couple weeks. By the time you read this I may already be done said novel, but I still want some padding during these days to give it a once over and make sure it’s in tip-top shape before it leaps forthwith into the publisher’s open, loving arms. That means, over the next two weeks, you’re going to see a bunch — nay, a bushel — of guest posts here at Ye Olde Terryblemyndes bloggery hut (“Where the Elite Meet to Secrete the Tweets”). Friday’s flash fiction will remain ongoing, however. Anywho, here then is a guest post from game designer and big brain, the Evil Hat hisownself, Fred Hicks. His website is here. And don’t forget to follow him on the Twitters.

You’re online. You’re plugged in. You’ve already got the notion in your head that you are your brand. Your presence online is important. Building a community of fans is the key to making it all go. You take all of these as the givens of life as a 21st-Century Connected Persona.

And you’re completely at sea when it comes to social media, the dark waters of forums, Facebook, Twitter, and more. Even though you’ve already accepted the principles I mention above, it gets all wibbledy-wobbledy when you sit down to turn those principles into concrete action. It’s a big ocean, and you left your water-wings at home.

Time to become a shark.

Whuh? Huh? You heard me. One of those big fuckers with sharp pointy teeth. Never stops swimming or it dies. Always on the lookout for food. Shark.

That’s how you’ll survive those waters. You get in there, you hunt down what you need, you rip into it when you find it, and then you move on. That’s how you navigate the waters of social media, instead of those waters navigating you.

Here’s how it’s done.

Don’t Stop Swimming

For you, this means you don’t slow down and soak in any one location as you make your rounds. Breeze on through. Social media is chock full of stuff that will hoover onto your face given half a chance. This is essentially crap that will keep you from getting on to the rest of your life.

You know that thing about how there will always be more movies you could see than you ever possibly will in your lifetime? The amount of stuff you could waste your time on in social media is worse. Unless you’re planning on making a job solely out of keeping up with everything that’s floating around in these waters, it’s not worth your time.

This isn’t something you have to be perfect at: every now and then something will grab your attention. It’s fine to read that stuff, interact a little. But always remember: keep on swimming. Stay in motion.

If It Doesn’t Feed You, It’s Not Worth It

You’re a shark. You gotta eat. Look for the chum in the water.

In social media, that bloodylicious chum is in the form of your fans making an effort to contact you. It doesn’t take more than a quick thank-you or a funny one-liner response to make that fan’s day. Nobody’s (reasonably) expecting you to write a thousand-word treatise in response to their inquiry. So do the 100-character reply. Your fan will feel like they made a connection. The emotion that comes with that will strengthen the bond to you, and thus, the fandom. And that fandom’s what feeds you.

But sometimes you’ll need to hunt a little, too. Learn how to do a keyword search on Twitter, and save that search so you can run it regularly. Hook yourself up with Google blog search and give it your name and the names of your works. And whenever one of those pings with something new, that’s your blood in the water: get there, make a connection, and swim on, well-fed.

Let Them See The Fin

You’ve got a leg up on the shark. Your food wants you to eat it. So, if your fans are there to feed you, they need to be able to find you. The trick is in figuring out how to do it in a way that doesn’t slow down your swimming.

Automatic integration is the key, here. Make it possible for your blog to tweet when your post goes up, so those posts don’t happen in silence. Facebook makes it possible to automatically posts your wall messages to Twitter, or vice-versa — make that connection, so you don’t end up cheating one audience out of what the other one gets, and so you don’t have to manually push the same message twice.

Stay Frosty

Sharks do not care about how the other fish feel about them.

I’ll be the first to admit that this one’s tricky in the translation. Somebody takes a big crap on that story you wrote, it’s hard not to get all aflame about it. But there’s no percentage in letting others feel that heat. It’s a distraction. It doesn’t feed you. You’ll get in a fight, maybe you’ll both bite each other, and importantly you’ll limp away the worse for wear. Best to ignore it and swim along.

Or maybe do one better, and weaken this faux-predator with the gnashing teeth of kindness: thank them for taking the time to look at your stuff. Be polite, friendly, and awesome. They’ll look the ass, and folks who don’t like them will see a potential new connection in you.

Where’s The Blood?

Fellow sharks, sound off. Where are you smelling the blood? How do you stay swift, stay swimming? And where are you getting gummed up with social media? Let’s see if we can’t rip into your troubles and put you back in place as the apex predator of these here waters.