Chuck Wendig: Terribleminds

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Transmissions From Baby-Town: “The Face Of My Father”

It happens once a day, maybe.

My son will be looking at me — he’s five-and-a-half-months now, you see — and then comes this moment. It’s not one thing: it’s the alchemy of muscle movements, facial tics, of whatever unseen elements constitute our faces. All of it adds up to a single sum, an equation answered by my father’s face. Staring back at me.

It’s pretty weird, seeing your father’s face. In infant form. It’s like seeing a ghost. A ghost that has taken over my baby — but then you realize, that’s not it, that’s not right at all. The ghost hasn’t taken over my baby.

This is my baby.

Holy shit.

I mean, it makes sense, of course. Genetically, the baby is in part the product of me and I am the product of my father and By The Mighty Scepter Of Science I conclude that, yes, indeed, it totally tracks that certain physical traits will make themselves known over the course of our lives. It goes deeper than that, however. Our faces are more than just the features. It’s more than just a delicate twining of DNA spawning certain recurrent elements. This equation has imaginary numbers.

Here’s what I mean:

When my father passed away, I was present. And when he died, I knew he was gone — no longer present — before any of the signs and signals were made clear. It wasn’t merely the slackening of features — you could tell that something had gone. Poof. Vanished into the ether. I don’t mean to suggest you have to believe in a soul, but just the same, life is different from death (a-duh), and so when life vacates the body, the body changes. The body and the face become reflective of that inert state.

Life has left the building.

The body, given up the ghost.

But now sometimes I see the ghost — my father’s life — on my son’s face. The way he moves his nose. Or the way he smiles. My father used to get this puckish grin on his face — curiously, the same look I sometimes saw on my grandmother’s face, even after she had her stroke — and now there it lives, sometimes floating to the surface on this cute round little baby head. Again, I don’t know that you can even pinpoint it.

It’s just… there.

I have it in me, too. Maybe not the face. I don’t look at myself often enough to see it. But I hear it. In my voice, in my words. Something in the tone or tenor. Word choice, maybe. (My father, after all, is where my love of profanity was born. He celebrated profanity, and now I do, too, for better or for worse.)

I’m named after my father.

My first name is his.

My first name and his first name is also my son’s middle name.

Charles.

It’s too early to see how else or how often that glimmer of my father will appear in my son — maybe it’ll come and go and then leave for a time, or maybe it’ll always be there. My son is strong. Independent and stubborn. Like my father and, perhaps to a lesser degree, like me. He’s already good with his hands — my father worked with his hands. Maybe I’m just making all this up. Perhaps I’m hungry to see connections that aren’t there. That’s what some will say. That’s what some will think. Maybe they’re right.

Maybe they’re just assholes.

Who knows?

What I know is, I’m sad my father never knew my son. While the last thing I want to think about is my son one day passing on, but perhaps some day long and far away from here and now the two of them will travel together in the great Happy Hunting Ground up in the sky. Some of the things my father taught me, I’ll teach my son. Some of the things he taught me, I won’t. But other things I can’t stop and don’t want to stop. The ghost lives on. The ghost persists. The soul — or whatever that passes for it, whatever uncertain and spectral vehicle is the thing that carries that ember of life, that living mask, that visage as unique as a fingerprint — is here in my son’s eyes and smile and in the shape of his nose.

And I’m happy for that. It’s the only way he’ll know his grandfather.

That, and the stories we’ll tell.

Putting the name and the life to the face.

Filling in the ghost.

Happy birthday, Dad. You would’ve been 68, today, I think.

Go bag a great big heavenly elk and use his antlers to fight the Devil and give him what-for.

Blackbirds: Now Up For Pre-Order

Blackbirds is a horror story, a traveling story, a story of loss and what it takes to make things right.  It’s a story about fate and how sometimes, if we wrestle with it hard enough, maybe we can change it.  Blackbirds is the kind of book that doesn’t let go even after you’ve put it down and nobody else could have made it shine like Chuck Wendig.” — Stephen Blackmoore, author, City of the Lost and Dead Things

Psst.

Hey, you.

That’s right, BLACKBIRDS is now up for pre-order.

You can pre-order at Amazon.

You can pre-order at B&N.

An e-book is in the cards, of course, but you can’t pre-order that. Not yet, anyway.

It’s a buck cheaper at B&N, but my assumption is that discount will also be the case at Amazon. (Amazon has that pre-order price guarantee, wherein you’ll get any price drops that occur between now and delivery.)

Why pre-order? For one, it lets the publisher know of demand for the book. That’s valuable information. For two, it lets the publisher know of demand for the author — and that’s good to know, too.

Got other cool things in the works for BLACKBIRDS, including two special treats at the back of the book. But I shan’t talk about those — not yet, anyway.

If you’re looking for fiction from yours truly right now, I might recommend:

SHOTGUN GRAVY, about a troubled teen girl taking on some high school bullies with naught but spunk, grit, and a .410 scattergun. (Oh, and Adderall!)

Or:

DOUBLE DEAD, about a pissed-off vampire who awakens only to discover that most of his food supply has been turned to the shambling undead. He must transition from predator to shepherd to protect his food supply. This ain’t Twilight, folks: the only way Coburn glitters is if he kills and eats a stripper.

And that’s all she wrote. Thanks, folks!

Flash Fiction Challenge: “Corporate Abuse”

Last week’s worldbuilding challenge –“The Gods of Blackbloom!” — is still open. Going to leave it open until 12:01AM on Friday, so when I wake up, I will choose the gods and begin a new worldbuilder challenge.

Yesterday I talked a little about the Occupy Wall Street movement and how that relates to writers (Writers Are The 99%). And there I talked about the power of fiction to act as lies that deliver truth.

And then I also tweeted something about how, in a way, the OWS movement is (ideally) trying to prevent the worst corporate cyberpunk futures — and even the dystopia of The Hunger Games. (Though one could argue there the abuses are more governmental.)

Just the same, corporate abuse makes a nice theme, then, for this week’s challenge.

So, that’s your task.

Write about…

Corporate abuse.

Any genre is apropos.

1000 words.

Write at your blog and link back here. Make sure we all know how to get there and read it.

You’ve got one week: 11/11/11, at, well, noon.

Writers Are The 99%

Writers — and, frankly, other creatives — should realize they’re part of the 99%.

And they should act on that realization.

Why?

Because unless you’re Stephen King, a big-time screenwriter, or Snooki, then the one-percent — corporations in particular — doesn’t give trash-truck full of donkey crap about you.

Writers are not considered part of the larger ecosystem. Creativity and art are afforded little value in today’s corporate culture. It’s a lie, of course — writers are everywhere. Our work is ever-present yet our role remains unconsidered. The written word is a powerful support structure, and it’s everywhere you look. Magazines, billboards, instruction manuals, marketing copy, and, oh, I dunno, the entire Internet. Nearly everything begins with the written word, and yet, despite this significant contribution, writers and other creatives exist as a marginalized group. Further, our support system is eroding.

Bookstores aren’t going away because people aren’t buying books. Bookstores went away because mismanagement by large business entities porked the pooch. Some publishers may go that way, too — and other publishers survive by trying to hammer writers into troubling and unreasonable contracts (which many writers sign because they feel they have no other choice, which is of course where the value of self-publishing makes itself a known quantity).

It’s one thing if you’re a writer inside a company — though even there you won’t find nearly as much value placed on the writer as you could and should — but it’s a whole other bucket of ugliness if you’re out there on your own doing the freelance or indie thing.

Ever try to get a mortgage? Or health care? Or, uhh, you know, a little bit of respect for what you do? Despite our omnipresence and the critical support the words of talented writers provide, we’re often relegated to the same bracket of financial and emotional respect as a Medieval rat-catcher. “Yes,” they say, “we know we need you, but couldn’t you go catch rats in the dark when none of us can see you? Bye!”

The question then becomes, how do you act on it? How do you join the occupy protests?

How do you rebel against marginalization?

First, obviously: join the protests if you’re able.

Second, consider looking at and joining with Occupy Writers: OccupyWriters.com.

Third, and here is the real kicker, the corker, the critical 20: you’re a writer and so the way you occupy is you occupy with words. You write support for the movement. You write your own experiences. You tell stories — true and fictional — about it, because stories have power and stories are subversive and a little bit of subversion is what the world needs right now. Your weapon is the pen and the keyboard, so it’s time to join the war. And this calls to mind two more things:

Number one, and I’m probably not the guy to arrange this, but it’d be great if we had a day — one day soon — to write about being a part of the 99%. Or maybe it’d be a Tumblr. I dunno.

Number two, and this is something that came up online between Monica Valentinelli and Chad Underkoffler (two authors and game designers) and I: it’d be interesting to see an anthology based on the 99% notion — not the movement itself, I don’t think that necessarily needs to be fictionalized — but, rather, fiction about the economic circumstances that lead up to and currently inform this movement. Viet Nam had protest songs. Why not protest stories? As I’ve said before, stories are lies that tell the truth, and that’s no small thing. Can’t there be a way to harness that?

As to what you can do as a writer to not be marginalized? That, I don’t know. What you do has value, so claim value for what you do. Make sure you’re not getting screwed on contracts. Make use of self-publishing — not always, but sometimes, as self-publishing can help you assert greater (though imperfect) independence. Be protected. Don’t get borked by clients who don’t pay. Spread the word to other writers if you’ve found an independent health care provider that doesn’t, at the last moment, slide a shiv between your ribs just as you discover you’ve got a medical condition that mysteriously they now don’t cover. Be a part of a community. Keep your eye on the critical resource that is Writer Beware.

In the end: stay frosty, and help others do the same.

500 Ways To Be A Better Writer

Hungry for another double-barrel buckshot of questionable writing wisdom unloaded into your brain-guts? Ohhh, I have just the thing for you, my little ink-fingered word-cobblers.

Available today: 500 WAYS TO BE A BETTER WRITER.

At present, the book is $0.99 — but! That price will go up after one week (around Wednesday November 9th) to $2.99. Those who buy the PDF now are able to select a “pay what you want” price ($0.99, $1.99, $2.99) if you care to pay more for the book. Absurd? Maybe. But you’d be surprised at how often it happens that folks tell me they want to pay more than a buck for books like this. Consider it an experiment!

[Please note: current sale is over!]

Okay, let’s get our procurement options on the table:

AMAZON (US)

AMAZON (UK)

B&N





(A note about buying direct: if you buy direct, I send you the file — er, directly! — via email. This is generally very fast unless extenuating circumstances prevent this. Like, say, if I’m asleep. Or if Paypal delays sending me the head’s up. Or if I experience a massive power outage. You’ll generally have your file within an hour, unless it’s at night, at which point you’ll have it very early in the morning.)

What The Hell Is This?

This is the sequel to 250 THINGS YOU SHOULD KNOW ABOUT WRITING, and, as many sequels go, this one is bigger and badder — twice the size, in fact, of its predecessor.

It features 20 “Lists of 25” from the blog-bound pages of this very site.

What lists, you say? Well, here’s what’s in it:

Prologue: 25 Things You Should Know About Writing Advice

25 Questions To Ask As You Write

25 Reasons You Won’t Finish That Story

25 Things You Should Know About Endings

25 Things You Should Know About Mood

25 Things You Should Know About NaNoWriMo

25 Things You Should Know About Queries, Synopses And Treatments

25 Things You Should Know About Self-Publishing

25 Things You Should Know About Social Media

25 Things You Should Know About Theme

25 Things You Should Know About Writing Horror

25 Virtues Writers Should Possess

25 Ways To Be A Better Writer

25 Ways To Defeat Writer’s Block

25 Ways To Fuck With Your Characters

25 Ways To Make Exposition Your Bitch

25 Ways To Plot, Plan And Prep Your Story

The Life Cycle Of A Novel (In 25 Steps)

Appendix 1: 25 Sleep-Deprived And Also Drunken Thoughts On Writing

Appendix 2: 25 Brief-But-Hopefully-Potent Writing Exercises

Now, four of those are brand new and are not found here at terribleminds — Endings; Mood; Sleep-Deprived And Also Drunken Thoughts; and the writing exercises.

All told, it’s around 50,000 words of total content.

None of it is replicated from 250 THINGS.

Why Buy?

Because this is a mega-explosion of thinking and talking about writing.

Got a big bad case of the writer’s block? Exposition a barnacle-crusted colostomy bag around your hip? Don’t know how to cinch that perfect ending, or describe that perfect mood? Doing NaNoWriMo and want a little something-something, some idea-coal for the story-furnace? Or maybe you just want to hear my drunken ramblings about writing? If any of those apply, then this might just be the book for you. Plus, like I said — for the next week, it’s naught but a dollar.

Alternately, maybe you want to support the blog. Maybe you say, “Hey, I come here every week and Wendig hoses me down and delouses my writer-fed delusions and I come away smelling of rye whiskey and — quite curiously — butterscotch, so why wouldn’t I want to throw a couple coins into the ol’ terribleminds coffers?”

Or — or! — maybe you say, “Well, a ding-dang-doo, that is one cute baby. I would love a guilt-soaked appeal to whatever instincts drive an adult’s need to protect a tiny big-eyed human, and if I can contribute money toward this kid’s diapers-and-college fund, then that makes me feel warm inside, like freshly-baked bread.” See? There he is, all dressed as Babyzilla. And, apparently, pointing at his crotch. So much like his father! Which is, uhh, presumably me? I do often dress like a monster and run around town pointing out my crotch, so I’d say the bloodline has manifested itself elegantly.

Those are just three potential reasons to procure this e-book.

Other reasons might include:

A love of profanity!

Syphilitic insanity!

A hatred of money and so you must spend it as fast as you get it!

A zealous love for all things self-published!

An obsessive and ever-mounting collection of e-books!

The beard! THE BEARD!

And so on.

If you procure? Then you have my thanks. If you don’t nab a copy? I definitely do not wish a plague of bed-bugs upon your home. That would be rude of me. Now, if you’ll excuse me, I have to read this book of ancient hexes. Whyfor? Oh. Uhhh. What? No reason. Just buy the book already.

The Inkslinger’s Invocation: The Writer’s Prayer II

It’s that time. It’s NaNoWriMo.

Not just that, but I know a lot of authors right now rocking big word count and page count on projects unrelated to this month of novel-writing debauchery. So, I thought — hey, you know what? Let’s pluck the second writer’s prayer from the pages of REVENGE OF THE PENMONKEY and see if it doesn’t get some folk’s inky juices a-flowing. (The first writer’s prayer — “The Penmonkey’s Paean” — is right here if you care to read it. Feel free to spread ’em around if you think people might like ’em.)

Oh, quick sidenote:

500 WAYS TO BE A BETTER WRITER is coming soon. (Cover here.)

Anyway. Here, then, is the Inkslinger’s Invocation.

Repeat after me —

I am a writer, and I am done fucking around.

That which has prevented me lingers no longer. I am wind and storm and lightning and I shall huff and I shall puff and I shall blow all the barriers down. Then I will drink whisky made from the fear-urine of my loudest detractors and find power in their disbelief.

I don’t have time. I make time. I reach into the universe’s clockwork brain and I take whatever time I jolly well need. I cobble time out of sticks and mud and the finger-bones of naysayers. I am a motherfucking time wizard and with a wave of my pen shall create universes to conquer. Pockets of possibility. Born of my desire to have them made.

Fuck doubt. Doubt is a goblin on my back. I will reach for him with my ink-stained hands and grab his greasy head and fling him into the infinite nothing. His screams will thrill me. The resultant word-boner shall be mighty, and with this tremendous oaken stalk I shall swipe it left and swing it right and sweep all the road-blocks and brick-walls out of my way.

My distractions whimper and plead, their backs pressed against the wall, but I am no creature of mercy. Triple-Tap. Mozambique Drill. Two in the chest and one in the head. I laugh as they fall because their death clears the way and gives me purpose.

I will put myself on the page. I’m all in, with every card face up on the table. I am my stories and my stories are me. I do not merely write what I know: I write who I am. I’ll reach into my own chest and pluck out my still-beating heart and milk its juices like an overripe grapefruit. Squish.

That’s my blood on the page. The helix-spirals of my DNA wound around every word, every character, every plot point and page number. If CSI came here right now with one of those UV lights, you’d see the spatters and stains of my many penmonkey fluids because I can and will no longer contain my seed. You’ll take my inky seed and you’ll like my inky seed. It is a delightful moisturizer.

I do what needs doing. I ride the Loch Ness Monster through the gates of Carthage. I learn forbidden power words from the Undead Shamans of the Tulsa Underground. I kung-fu-kick a hole in the fabric of space and time and stick my head through to see what exists on the other side. I eat planets. I drink oceans. I piss rivers and I shit mountain lions. No task exists that I cannot accomplish on the page.

I write from a place of honesty. My stories are lies that speak truth.

Nobody tells me who I am or what I can’t do. I tell stories. I write characters. I make true shit up out of thin air. And nothing is more perfect than that.

My doubt is dead.

The dream is no longer a dream.

My desires are made manifest.

This is my reality now.

It’s time to load the guns, brew the ink, and go to work.

Because I am a writer, and I am done fucking around.

Amen.

Happy writing.