Chuck Wendig: Terribleminds

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Whatever, Screw That Jerk, You Totally Want To Be A Writer

Do As The Stone Says, I Guess

Man, last week? I read this post written by some guy? And it was all like, “Blah blah blah, seriously, you don’t want to be a writer because it sucks and I whine a lot.”

What a jerk, am I right? And by “jerk,” I really mean, “cock-waffle.”

You can borrow that, if you like. “Cock-waffle.” It’s all yours. I just made that up. I just wrote that. You know why? Because I’m a writer. And you know what? Being a writer is awesome. Hell, it’s not just awesome. It’s the tits. That’s what all the cool kids are saying, right? “The tits?” Like, “Dang, this McRib sandwich is the tits,” or, “Hoo boy, those Castilian Band poets — in particular, Patrick Hume of Polwarth — were the tits!” I dunno. Sounds right to me.

See, you’re over there thinking that being a writer is one big giant sack of squirming misery. That you’d be better off sticking your pink parts in a rat-trap. That the only way to be a writer is to be a starving, broke, syphilitic lunatic whose flesh is branded with the countless rejections he hath received.

No. Bzzt. Hell no. That guy who wrote that post? He’s just trying to rub out the competition. As someone said, he’s hoping to thin the herd. But don’t you listen to him. Let me invite you into the warm, nougaty embrace of the writer’s life. We will dance on mushroom tops. We will ride giant butterflies across rivers formed of spilling ink. We’ll tickle dragons until they vomit up words of encouragement and wisdom!

Here is why you should really be a writer. Sit back as I fill your head with dreams.

Because You Make Shit Up, And Then People Give You Money

You know what I did today? I wrote about a vampire. And that vampire was being chased by zombies. And someone is going to give me money for it. That is totally absurd. In the world? People are out there doing real work. They’re fitting pipes and jiggering transmissions and manipulating the stock market from secret underwater bunkers. But me? I sit here. I make up insane bullshit. And then someone sends me a check. It’s like getting paid to eat ice cream or invent Rube Goldberg machines. This should be illegal.

Because My House Is My Motherfucking Office

You work in a cubicle farm where they grow gray fuzzy walls. Did you know the fuzz on those walls is not only a sound-dampener, but also a soul-dampener? Pieces of your fleeing soul catch on the fuzzy bits — like clothing caught on rose-thorn — never to return. True scientific fact, that.

I do not work amongst cubicle walls. I have an office where I look out a pair of windows and I see deer frolicking, foxes hunting, and titmice eating. That’s right. I said titmice. Which is not, despite the name, a mouse with human breasts. (But just you wait. Now that Obama loosed stem cells upon the world, we’ll see titted-up mice overrunning our homes and schools before you know it. He’s like Hitler, that Obama.) When I take a break, I don’t go down to the break room. I don’t have to leave the house to eat a shitty fast food lunch. I go into my kitchen. I make eggs. Or get a salad. I play with the dogs. I take an hour to do some exercise. I drink some almond milk (which is so delicious and given half a chance I would have sex with it and hope to have its little milk-babies). I’m a free agent in my own life.

You get “casual day” at work. Where you get to “dress down.”

I get “pantsless day” at work. Which is all day, every day, baby.

Beat that.

Because You’re In Amazing Company

Becoming a writer — like, a hot-dang-I-got-something-published-writer — is joining a club full of kick-ass dudes and ladies. Everywhere you turn, you’re like, “Wow, I met Favorite Writer X,” and “By the milky sweat of Athena’s butt-dimples, is that Favorite Writer Y?” And nine times out of ten, they’re just crazy nice folks. They’ll buy you a drink. You can share a meal. Or some horse tranquilizers.

The small corner of my real-life and social-media world is filled with people that slacken my jaw at every moment. And I am mysteriously allowed in their company.

Like this guy! Or this lady! Or this dude! Or what about him? And what about her? Don’t forget this fella. Or this lass. And that’s just a tiny fraction of the awesome that surrounds me any given day. Sweet Crispy Christ on a Combination Lunch Platter, how is that not exciting?

Because, Did I Mention They’ll Give You Money? And It Doesn’t Suck?

Get this:

If you can write 1000 words an hour, and you can make five cents per word (a relatively low amount), you make — drum roll please as I quick do some math in my head (carry the one, calculate Pi to the thirty-seventh decimal, get out the Enigma machine) —

Fifty bucks an hour.

Not a lot of jobs:

a) Let you make shit up

b) Let you work without pants

c) Pay you fifty bucks an hour.

I’m sorry, why wouldn’t you want to be a writer again?

Because You Have More Options Now Than You’ve Ever Had

The Internet has changed everything.

I mean, more than just making sure that we have access to the freakiest, dag-nastiest porn available to any member of history across any civilization ever.

Information is truly democratized. It takes nothing to get your story into the hands of an agent or an editor. Or, if you want, skip ’em. You can cut to the chase and get right to an audience with blogs, with Twitter, with Amazon, with Smashwords, etc.etc.

Your writing will reach the gatekeepers faster, or if you so choose, it can kick the gatekeepers in the snacks and run right into the warm embrace of your readership. Your work doesn’t even have to be all that good anymore. It can just — poof! — exist in the world with nary a thought on your part!

Fly free, crappy words! Fly free!

Hell, if you’re a genuinely good writer, you can get out there easy-breezy lemon-squeezy.

Because “Cock-Waffle”

Seriously. “Cock-waffle.”

Cock-waffle, cock-waffle, cock-waffle, cock-waffle, cock-waffle.

Because The Fucking Snooki Book, That’s Why

Listen. Snooki got a book deal.

And Snooki is, what, some kind of subterranean homunculus that crawled up out of a burbling sewer hole somewhere? Ye gods, if that nuclear CHUD can manage to get a book deal, I’d say you have a pretty good shot. It’s clear they let any mule-kicked chimp write a book, so all you have to do is meet that barest of requirements. I’d put money that you’re a better writer than that big-haired donkey.

Irregular Creatures: The Contest

A Flying Cat

See that cat? The one with the wings? C’mon. You can’t miss it.

You can win that cat.

That’s right. I’m giving away that winged cat figurine. My wife pointed it out the other day. I nabbed it. And I said, “Someone will have this cat. I will foist it upon them whether they like it or not.”

I mean, c’mon. How apropos. Irregular Creatures is home to… well, at a rough guess, hundreds of flying cats. And some cats that don’t fly, to boot. And one pussy, but we won’t talk about that.

So, here’s your chance to win that very flying cat figurine (value, $15.00) and a $10.00 Amazon gift certificate (value: $10.00, duh). Wanna know how?

You need to do two things:

a) Buy IRREGULAR CREATURES and give me some proof that you bought it. If you procure a PDF or ePub from me directly, that’s easy. Because, hey, I’ve got the proof right there. If you buy from Amazon, then ideally you’ll show me a glimpse of a receipt or you’ll snap a photo of you reading the e-book on your das crazy Kindlemaschine. Proof of purchase goes to: chuckwendig [at] terribleminds [dot] com. [EDIT: You don’t have to show me a receipt or a picture if you don’t want. Email me, and I’ll ask you a question about one of the stories, and you can toss me the answer. Dig?]

Then:

b) You’ll leave an IRREGULAR CREATURES review up at Amazon.com. It doesn’t have to be a positive review. Hey, you hated it the book, you hated it. I won’t make you give it a kick-ass review (though I’d certainly appreciate it). Obviously, I also want you to have read the collection before leaving a review.

That’s it.

You have one week to do this. This contest ends next Monday, January 31st, at 7:00AM.

I’ll pick one of you crazy cats and kittens at random. That person will receive the flying cat and the Amazon gift certificate (I’ll pay for shipping). I’ll ship the cat to you and probably just email you the certificate (unless you’d rather that be printed out and sent along).

This contest is only open to those who currently live in the United States. Not that I don’t love you fine feathered international peeps, but I can’t afford the $786.23 necessary to ship the little cat to, say, Shanghai.

If you have already procured the book and left a review, great. Just make sure I know you’re in the running by emailing me at the above address and flashing a little proof.

If I don’t get an email, I won’t know you’re in the contest. So: be sure to email me.

That’s it, kids. It’s that easy.

Buy the book.

Leave an Amazon.com review for it.

Then tell me that you did so I don’t have to use my psychic powers to discern your involvement.

Good luck.

You can buy IRREGULAR CREATURES

Here (PDF, ePub).

Amazon (Kindle).

Smashwords (ePub, PDF, etc.).

If you require a final sales pitch, well, here it is.

Irregular Creatures Cover, By Amy Hauser

Join The Story, Save The Infected: Pandemic at Sundance

2: Pandemic at Park City (Sundance 2011)

Did you hear the news? There’s a new flu bug going around.

It’s probably nothing to worry about.

Or is it?

People aren’t feeling well. Coughing, sneezing, stuffy noses, low-grade fevers.

They want to sleep. During the day, at least.

At night, the sickness changes form.

Those in its thrall might be seen sleep-walking. Or sleep-eating. Some hoard objects. Others wander the streets unaware. And this is only the beginning.

Rumor: Is it true that the flu only affects adults? What is it that makes an adult, anyway?

Park City is the nexus of the outbreak, but it’s happening everywhere.

And it’s only the second day.

You have 120 hours to become part of the story.

Tweet with the hashtag #pandemic11. Whether from your own account or another of your creation.

Follow the stories of our characters — characters like Anna, like Billy, like Bree. Or like the others. Look for the Twitter accounts with the yellow backgrounds and black numbers.

Tell your tale. Whether it’s one tweet or 100, maybe what you tell the world can save it from the spreading sickness. Or maybe it’ll be a record left behind by the next generation.

If they’re still alive. And if they’re still sane.

What do you see? Are you sick? Are your parents sick? Follow the story. Then tell your own.

Don’t forget to check the Hope Is Missing YouTube channel.

Or the Facebook page (check out the faces of the 50).

And if you’re on the ground at Park City: head to Mission Control at Sundance: New Frontier to see how you can make a difference. Maybe you even want to request a scare

Minecraft: The Collapse

During the day, I explore. At night, I dig.

And in all hours, I build.

I build a boat so that I can cross the ocean without having to hop and splash through the waters like a drunken moose. I build a miles-long underground tunnel connecting my spawn point and my rat’s warren canyon. Upon my spawn point I build a glass house so that I may watch the sun set and the moon rise. At the top of my glass house I build an air bridge traveling to the peak of the nearest mountain.

And it is near to this peak that I find my first dungeon.

It’s already pre-carved out of the side of the hill. I descend into the deep, placing torches along the way so I can find my way back. Down there in the dark I hear the first rheumy growls: zombies.

Sure enough, there they are: a trio of the blockheaded assholes, playing a game of clumsy grab-ass. Ah. But a waterfall and stream separate us. It’s easy for me to wade into the water, hack at them with my diamond-edged sword, and cut them into little puffs of pixillated smoke.

But somehow, more of them show.

They’re coming from somewhere back there. In the dark. Spawning endlessly.

I cross the water. I quick throw torches on the wall just as a zombie tries to paw my face with his rotten box-hands. Then another, then another. I back to the wall, I cut ’em down with my blade, and then I see more of this room: mossy stone, two chests, and a burning cage in the center with a little zombie effigy doll in the center, endlessly spinning.

I kill the zombies.

I flood the room with torchlight.

I end the spawning.

I open the chests and claim my booty: gold and iron and arrows.

I am the hero, triumphant.

The Hero, Descendant (Or, “The Hero Shits His Pants Multiple Times And Falls Down Into The Deep Dark Where He Must Contend With Lava And Evil”)

I continue to dig, build, and explore.

Fact is, I want to find another dungeon. The dungeon made me feel like an intrepid hero-architect, a builder of great things but also a slayer of demons, a gatherer of treasure.

I find my second cavern opening not far from the first: just a quarter-day’s walk. I see the deep dark grotto. I gather torches. And I wade into the mouth of shadow.

This one goes deep. Much deeper than the last. Every step is a step down, a step around a corner, a step around a stream of falling water or past tunnel mouths where I hear spiders hissing or the rattle of a skeleton archer’s bones. I’m getting worried.

But I’m also getting pretty fucking geeked.

I travel for a long time — sometimes falling a few blocks without certainty of how I’ll get out (I can always build steps, I tell myself), until finally I reach the bottom.

I know it’s the bottom because, ye gods, it’s full of lava.

In the center of this canyon tumbles a massive column of lava, a lavafall coming from way, way up there. Up there in shadow. Up there where monsters roam.

It’s easy to see that this is a special place. The walls are lined with precious kit: gold and diamonds and redstone and so much iron, so much coal. I even see some lapis lazuli and some obsidian.

I hear water. I fling up torches. I step into the heavy current.

And — b-d-d-d-ing.

The sound of a bowstring drawn and loosed. A skeleton archer’s arrow pierces my heart. Then another. Then another. I die there in the water, my inventory exploded around me.

I respawn upon my glass house, I hurry to my stash of goods in the house, I snatch up a blade. I’m going back. Fuck that archer. Fuck him up his bony ass with his own damn femur.

Once again I descend into the void — this time, with only an iron blade. I follow the trail of light. I fall again into darkness. I wander aimlessly on the shores of scorching lava.

Finally, I see it: all my shit laid bare, floating there in the water like flotsam (or jetsam, whatever). This time it’s no skeleton archer but rather a creeper. But he can’t get to me on this ledge. He’s easy to dispatch. A swipey-swipe of the blade and he’s down, the dumb geek. Another jumps in: hack-slash, nighty-night.

I jump into the water.

I grab all my shit. My compass, my watch, my diamond sword.

And then a zombie appears out of nowhere and bashes my block-head in with one of his block-fists.

Fuckity-fuck.

Okay. Fine. My stuff’s still down there. I’ll just go back again. Except this time, I think, I’ll run back to my other stash and grab another sword, because I can’t go down there unarmed. This takes me a little time, but I manage. And — you know the story: again I stumble blindly into the booty hole.

Uhh. Rephrase that at your leisure.

This time, it’s different. I go down. I wander the trails. I follow the torches. I jog along lava.

No monsters this time.

And also: no stuff.

My shit is all gone. My compass, my watch, my diamond sword.

Little do I know: loose materials degrade to nothing after five minutes. Poof. Gone. It’s not here because I took too long fetching a sword. And ironically, the canyon has no more monsters for me to fight.

Frustrated, I still recognize that this is a bountiful canyon. I can easily make up what I lost just by spending some time down here, cutting away the precious metals and mystical materials.

So, I do that. I begin to mine.

I mine until my pockets are bulging with goodness. So many diamonds. So much iron. I’m filled to the tits with redstone dust and lapis lazuli. And the gold! I’m rich! I’m a king! Eeeee! Thing is, this place is even bigger than I thought. It goes on, and on, and on. I keep wandering. I keep digging.

I see a little more iron, so I cross a little stream to get it.

The stream has a current. I am pulled not two squares to my right, and I slip under a ledge because the water is deeper than anticipated.

And then I tumble into a pit of lava.

I struggle in the well, burning alive. Cooking. Hissing. Screaming.

I perish.

All my items explode out of my body. And then they hit the lava.

When they do, they go Sssss! and are gone. Burned up into the void.

I am once more a pauper. No longer the hero-architect, I am just a burned-up chump, a scarred buckethead fumbling around the dark, pawing at my junk with my impossible, fingerless hands.

And so it is that I think I must back away from Minecraft for a time. I achieved a lot in a short time, but I jumped for the brass ring…

…and fell into a hole filled with fire and death.

I retreat, beaten.

Let My Dulcet Voice Hypnotize You

Dan O'Shea

Yesterday, I received a phone call.

It was Dan O’Shea (pictured above).

Dan said, “Are you ready to do this?”

And I glanced down at the pants pooling around my ankles and the bowl of tapioca pudding sitting there at my desk looking at me all lasciviously (you naughty pudding, you nasty, naughty pudding), and I was like, “Can he see me? Does he have a spyglass on me from somewhere on the woods?”

Then I remembered: Oh. Ohhhh. Right. Right! The interview.

I told him he’d have to call me back in five minutes, at which point I did my business with the pudding.

Finally, when I finally toweled off, Dan did indeed call me back and we had a fantastic chat that took, what, 45 minutes? An hour? Who can say? By the time the Rufies wore off, I was bathed in fond remembrance.

So, what the hell did we talk about? Well. We talked about Irregular Creatures. We talked about self-publishing. About blogging. About pantsers versus planners. It was a thoughtful conversation, largely devoid of heavy profanity and any mention of cake and/or whores.

Shit, that probably sounds boring.

What I mean is, we spent an hour talking about pudding-fucking. Which is not a metaphor. I mean we actually talked about fornicating with various puddings. His favorite? Figgy pudding. He’s old school. That’s just how Dan O’Shea rolls, ladies. When it comes to Ye Olde Danimal, it’s always Christmas.

Anyway, if you’d like to listen to a thoughtful conversation about the craft of writing long treatise on the merits of banging a big ol’ glob of pudding, then Dan and I got you covered.

Dan’s review of Irregular Creatures is here: REVIEW.

And the interview (*.wav format) is here: PUDDING.

Please to enjoy.

Painting With Shotguns #64

Painting With Shotguns

Quicky update today (because I’ve got to go snowblow our surprisingly long-ass driveway), and for that I drag the ol’ Painting With Shotguns blog-mode out of the drawer. Forgive me, I suspect it smells a little like mothballs. And, curiously, like ferret musk. Don’t ask questions. Just read.

Arrugula Screechers

Irregular Creatures Cover, By Amy Hauser Want a sales update on Irregular Creatures? Can do, my little winged kitties.

I won’t break down the day-by-day because I suspect that’s just going to get boring, but suffice to say since last Saturday, I’ve been selling between three and five per day, with the exception of yesterday, where I somehow managed to foist eight copies unto an unsuspecting populace.

That brings total sales up to: 189.

Amazon: 128

Amazon UK: 11

PDF: 48

Smashwords: 2

Looks like on Amazon the entry finally reflects (as of yesterday) the “People who bought Irregular Creatures also bought…” I’m in, of course, good company there. Chris Holm’s 8 Pounds, the Terminal Damage collection, and Allan Guthrie’s Bye Bye Baby. Need to crossover a little bit and get into the hands of people who are buying a lot of fantasy and sci-fi, though.

Received some lovely reviews this week:

… From Stephen Blackmoore.

… From Dave Turner.

… From Andrew Jack.

Got giveaways and interviews up at Bubblecow and Indie Horror.

Got a straight-up giveaway at Andrew Jack’s blog.

And cover artist Amy Houser worked on a comic with author Cat Valente: “Deathless.” It’s up right now at the Tor-dot-com site, so hurry over and check it out.

For those who have not procured the book as yet, would love to know why? No harm no foul, just curious. If you’re willing to share, of course.

Pandemic Countdown

www.hopeismissing.com

Click that link. See that gas mask? See that countdown clock?

Pandemic is coming. Are you going to be infected?

The event will cross a span of several days and will take place both in Park City and outside it — which means you crazy kids at home can both watch and interact with the experience. (I’ll tell you — maybe tomorrow or the day after — how you can get involved in a big roleplaying experiment and become a part of the story and its damaged world.)

I’d like to personally thank some people who helped do some back-up writing for the experience: Andrea Phillips, Stephen Blackmoore, Will Hindmarch, Jason Blair, Jesse Scoble, Kari Hayes, Christopher Simmons, Wood Ingham. I did some writing myself and served as story editor of the Pandemic experience, and am excited to see how it all plays out.

Articles: “Disrupting What’s Expected” at Sundance site; “Weiler Brings A Pandemic To Park City” at the Wall Street Journal; “Sundance Is Ground Zero For Pandemic 1.0” at Wired.

Remember:

Avoid the sick.

Don’t sleep.

And beware strange objects.

More as it develops. Follow the #pandemic11 hashtag on Twitter.

Udder Work

Well, Double Dead continues apace. The novel, which could be subtitled, “A Vampire In Zombieland,” is hella fun to write. Part of me thinks this is the key to writing — find projects that are fun as hell to write because the fun projects write themselves. Not to say you shouldn’t get deep and personal and moody and whatever — serious is good. But man, I forgot how much fun it is to write crazy awesome shit.

Speaking of vampires, just did a Vampire: The Requiem SAS for White Wolf and the ever-excellent and always-charming Eddy Webb. And one assumes that sometime in the next 15 years, Danse Macabre will actually hit shelves, so look for that when you’re old and gray.

I have two other gaming projects… lurking in the wings, but neither have entirely manifested yet. I only see gauzy shapes and trembling clouds, but I think they’re going to materialize soon. Er, I hope they are.

But that also tells me to tell you:

Hey! I’m open for freelance work. It’s the new year. And soon enough I’m going to have another mouth to feed what with the birth of our genderless centaur baby human boy come spring.

Know of any work?

I would be ever-gracious if you nudged it my way, or nudged me in that direction.

Just in case you forgot:

No, Seriously, I’m Not Fucking Around, You Don’t Want To Be A Writer.

But, I am a writer, and this penmonkey needs a task.

Link Sausage And Blog Bacon

#cakeandwhores!

Confessions of a Recovering Dilettante” at Dan O’Shea’s blog.

Best webcomic ever? Romantically Apocalyptic.

The Adventures of Huck Finn — Modified For Modern Sensibilities!