Apple-Obsessed Author Fella

Category: The Ramble (page 132 of 478)

Yammerings and Babblings

Macro Monday Soon Heads West, Young Man

We had a very nice snow this weekend, in that it dropped six inches on the ground, two on paved surfaces, was good for snowballs and snowmen, and hot chocolate and sledding, and then the day got warm and a lot of it went away.

I took a shot of a snowflake, seen above — it looked like a tiny little person hanging for dear life. I snapped the shot, and then my breath melted the icy tether holding it to the larger snowclump, and the little snowflake tumbled to the earth, where it was eaten by sharks.

Ice sharks.

Okay, I don’t know if there were ice sharks down there, I didn’t look.

WHATEVER.

Don’t @ me.

Anyway! What else is up.

I have a cold. So that’s nice. I mean, almost literally, it’s nice, because I guess it could’ve been the flu? I suspect I caught it from my six-year-old, who during dinner a few nights ago basically coughed on my food. He’s usually pretty good about controlling his aerosolized illness, but I dunno if the cough was a surprise or he was just like, “Fuck it, I’m sick, so you’re sick, *hackptoo*” but here we are, and now I’m sick.

So, to remind you, I’ll be at EMERALD CITY COMICCON starting next week. And that means it is time to reveal my schedule!

*pulls back curtain*

*blood and locusts*

Ha ha wrong curtain hold on

*pulls back different curtain*

*schedule is revealed!*

You can find a schedule for me here, but I don’t think it’s complete.

Here is a much better, more intimate look at my schedule.

*bats eyelashes*

*plays sex jazz*

Thursday, March 1

3:00 PM – 4:00 PM

SIGNING

Location: PRH Booth #1610 (Level 4)

6:00 PM – 7:00? PM

OFF-SITE — signing and panel at Brick & Mortar Books in Redmond, WA, with Fonda Lee and Alex Marshall

Location: Brick & Mortar Books, 7430 164th Ave NE suite B105, Redmond, WA

Friday, March 2

12:15 PM – 1:15 PM

PANEL: Pop Culture Throwdown

Me! Marko Kloos! Kevin Hearne! Cherie Priest! Mia Garcia! Django Wexler! Amy Bartol!

Location: WSCC 603

1:30 PM – 2:30 PM

SIGNING

Location: Writers Block – Autographing Table?

5:15 PM – 6:15 PM

PANEL: The Universe of Star Wars

Me! Delilah S. Dawson! Amanda Cherry! EK Johnston! Kevin J. Anderson! And more.

Location: WSCC 611

7:00 PM – 11:00 PM

WorldBuilders Party

Location: WSCC Room 3AB

(You should totally come to this! Pay in to charity, play games with a bunch of authors and creators. I’ll be running a game of Balderdash, baby. Old-school liary liar-faced game! Also because I’m way way behind on playing any modern board games! Shut up!)

Saturday, March 3

4:00 PM – 5:00 PM

PANEL: Star Wars Books

Me! Delilah Dawson! John Jackson Miller!

Location: WSCC 611

5:15 PM – 6:00 PM

POST-PANEL SIGNING

Location: Writers Block – Autographing Table?

Sunday March 4

12:00 PM – 1:00 PM

SIGNING

Location: PRH Booth #1610 (Level 4)

1:15 PM – 2:15 PM

PANEL: Writing the Future

Me! Jason Hough! Annalee Newitz! AdriAnne Strickland! Sylvain Neuvel! Michael Miller!

Location: WSCC 603

2:30 PM – 3:45 PM

POST-PANEL SIGNING

Location: Writers Block – Autographing Table?

So, there you go. That’s my schedule.

After that’s over, I will be running a writing workshop for the Austin Romance Writers of America (ARWA!) on Saturday, the 24th.

Then it’s Raven Con and PHX Comic Fest and, you know, some other fun stuff.

See you on the flipswitch, booty-scooters. Is that the hip lingo? Are the kids saying that to one another? No? Shit.

Flash Fiction Challenge: A World Without Guns

Tough challenge after this week’s news — but I’ve seen some folks talk about what fiction can do or say about the (yet another) school shooting, and I think genre fiction has a chance to do something or say something interesting regarding it. Science-fiction, for instance, pretends to be about our future but it’s nearly always about our present.

So, your job is to compose a piece of flash fiction where guns are gone — for whatever reason, made illegal, never been invented, use your imagination. This is primed for sci-fi, but feel free to find a way to make it work as fantasy or horror or XYZ genre, too.

Length: You have ~1500 words.

Due by: Friday, Feb 23rd, noon EST

Post at your online space.

Drop a link to the story in the comments below.

My Cup Runneth Over: Quick Thoughts On Managing Anxiety

As I have noted in the past, I got me some anxiety.

Honestly, it’s hard not to, right now. The news is traditionally not a place you go for Good Feelings, but these days you turn on the TV for fifteen seconds or you give one quick scroll through Twitter and it’s a fucking assault, isn’t it? EVERYTHING WAS BAD AND HAS NOW COMPLETED ITS POKEMON-LIKE EVOLUTION TO A FULL-BLOWN NIGHTMARE, the news will have you know. What did Trump do today? you think to yourself, and then the news answers, THE PRESIDENT HAS GUARANTEED A NEW FOOD PROGRAM FOR THE POOR IN WHICH THEY ARE FED THE OTHER POOR WHO DIED IN THE HUNGER GAMES, WHICH IS LITERALLY JUST GAMES WHERE HUNGRY PEOPLE FIGHT OVER FAST FOOD, OH ALSO, KANSAS IS BEING EVACUATED AND IS NOW A MASSIVE BATTLEGROUND STADIUM FOR THE HUNGER GAMES, MAY THE ODDS BE EVER IN YOUR FAVOR, BUT THEY WON’T BE, UNLESS YOU’RE RICH

P.S. IN 25 YEARS NEW YORK CITY IS GOING TO BE UNDERWATER

P.P.S. DOGS ARE GOING EXTINCT AND CHOCOLATE IS NOW POISON

P.P.S.S. ELON MUSK HAS TAKEN HIS ANDROID SEX HAREM AND FUCKED OFF TO MARS, AND BY THE WAY, THE MISSILES ARE FALLING AND THAT BOSTON DYNAMICS DOOR-OPENING ROBO-DOG IS GOING TO HUNT YOU THROUGH THE WASTELAND, BLACK MIRROR-STYLE

So, it’s a very good way to feel bad.

In fact, it’s a very good way to trigger one’s anxiety. (For me, anxiety tends to manifest first as a physical sensation — like a feeling of ants somewhere in the space between my heart and my stomach — and then as a kind of pattern of obsessive thinking and hypervigilance. Hypervigilance in this case being a whole lot like tonguing a broken tooth to see if it’s still broken, which only causes it more pain, but yet there you go, keep on poking at it.)

(Poke poke poke. Ow. Poke poke poke. OW.)

And of course, anxiety exists even on good days. It’s not just a thing that happens when the world is bad — it can happen like clear sky turbulence, everything’s going along fine, and then suddenly OH MY GOD I’M DYING OF CANCER or WHAT HAPPENS WHEN EVERYONE FINALLY FIGURES OUT I’M A FRAUD and there you are, alone and shaking like a pee-filled chihuahua on a cold winter’s evening. There’s also anxiety related to my writing career — and I expect that anxiety and depression are common in creative folk, though I also suspect it’s a chicken-and-egg question. We live so completely in our heads, are we more prone to anxiety and depression, or is there some relationship between the two?

Who the hell knows?

Anxiety is a demon. It’s a chattering, vicious monkey. It’s a bag of gut-worms.

But, I deal with it.

And I thought I’d talk a little bit more about how I deal with it, and how I deal with it has a lot to do with how I view it.

Now, the caveat here is, as always, I am not a Certified Mindologist. You should not take anything I say with any kind of medical backing. I am not an expert on this subject; I am merely an expert on the subject of Me (and even there, my expertise is occasionally dubious).

Part of what inspired me to talk about this is this tweet from a friend, Mallory O’Meara

I like that metaphor. Metaphors help me think of the world in different ways, and help me come at problems from unexpected directions because, ultimately, metaphors are about making unexpected connections between things.

Here is the metaphor I tend to use regarding anxiety, and to look at that metaphor, it’s first necessary to look at another medical issue:

I’ve got allergies, and one of the ways that allergies have been described to me by doctors is that we all have an imaginary cup, and exposure to allergens fills up that cup, and if the cup is overfull and spills over, you must endure a proper allergic reaction. Now for me, that reaction isn’t life-threatening as it would be for some, but rather, it’s just irritating. I can be around a cat for just so long, and then my cup runneth over — and next thing I know, my eyes itch, my throat feels tight, I sneeze, and the longer I remain, the worse it gets. Eyes go puffy, nose goes full spigot, throat feels like it’s being bitten by tiny bugs, etc.

Being allergic to something is nobody’s fault, really. It’s just a thing that happens.

Anxiety is the same way.

And anxiety is, to me, like being allergic to, y’know —

*gesticulates toward the entire world*

All of that.

And —

*taps middle of forehead*

All of this too.

Meaning, you have an emotionally inflammatory response to — well, all kinds of things. It can be everything. It might only be some things. We all have triggers, and some of those triggers are expected, some of them are unexpected.

And, just like with allergies, we have a cup.

I like to suspect that this is true for everyone — everyone has this kind of emotional, psychological cup available to them, and the normal events of a normal day fill that cup up little by little. Traffic in the morning, add some to the cup. Doctor’s appointment, add more to the cup. Some good news at work, maybe pour a little back out of the cup. Some people are fortunate, I believe, to have buckets instead of cups: they were born with larger reservoirs of fortitude, or perhaps trained themselves to that point.

Others have smaller cups.

Cups that fill easily and spill over more often.

I like to think those people are people with anxiety.

So, for me, anxiety becomes less a thing to conquer and more a thing to mitigate — you find the things that fill the cup quickly, and you make effort to avoid those things. You also find the things that can help you pour some back out, and you make the effort to do those things, too. Like, okay, looking at the news is probably a thing that fills up the cup — honestly, I have to expect it fills up the cup for everybody, not just anxiety-sufferers — so, you either need to stop looking at it, or, if you’re going to (“I looked at the trap, Ray”), you need to countermand it with ways of emptying that cup, too. Balance it out with nice things. Funny stuff or doing some art or some meditation or hunting your enemies through the woods with an axe — every solution should be tailored to you, not to me, you have to find what works. What empties your cup?

(And by the way, you have to really attune yourself to this. “A thing I like to do” is not automagically synonymous with “a thing that empties the cup.” Certain video games and or media consumption can fill the cup rather than emptying it, even though I technically feel good about the thing I’m doing. Going out and taking photos is meditative for me, so I try to do it to empty the cup. I like coffee a whole lot, and it helps me write, but both coffee and writing do not empty the cup, really. You have to be astute, aware, and constantly measure and re-measure how you feel after Doing A Thing to see what effect it has on the Cup of Anxiety inside your heart.)

This isn’t an exhortation to JUST GO OUT INTO NATURE BECAUSE IT’S THE BEST MEDICINE, either — maybe the best medicine for you is actual medicine. Anxiety meds? No shame. You do what you gotta. Therapy? Also good in whatever form that takes for you. I’m not your boss. At least, not in this timeline. In Timeline 47199-B, I am your boss, however, and I’ll have you know that I know you stole my hole-punch, you motherfucker.

Point is, this is normal, you’re not alone, and if you treat this like it’s an average run-of-the-mill problem, I think you gain some power over it instead of letting it be this mythic thing, this monstrous wave, this all-consuming identity. It’s not that, it’s just a disorder, like allergies, that can be managed up or down. You don’t control it, precisely, but it also doesn’t control you — you can balance the scales and file down the monster’s teeth.

Know what fills the cup.

Know what empties the cup.

Practice self-care accordingly.

Have a nice day.

* * *

THE RAPTOR & THE WREN: Miriam Black, Book Five

Miriam Black, in lockstep with death, continues on her quest to control her own fate!

Having been desperate to rid herself of her psychic powers, Miriam now finds herself armed with the solution — a seemingly impossible one. But Miriam’s past is catching up to her, just as she’s trying to leave it behind. A copy-cat killer has caught the public’s attention. An old nemesis is back from the dead. And Louis, the ex she still loves, will commit an unforgivable act if she doesn’t change the future. 

Miriam knows that only a great sacrifice is enough to counter fate. Can she save Louis, stop the killer, and survive? 

Hunted and haunted, Miriam is coming to a crossroads, and nothing is going to stand in her way, not even the Trespasser.

Indiebound | Amazon | B&N

Macro Monday Shells Shellseas On The Shoresea

Macro Monday would also very much prefer to be somewhere beachy and warm instead of this cold damp. (Though, I’ll note, I do kinda like the foggy Twin Peaks vibe our woods have been giving off lately.)

I don’t have much to put here — I have various snidbits of news, none of which I can properly share, as yet, so mostly I’m sitting here biting a belt, wincing as I say nothing. Meanwhile, if I’ve been a bit scarce here recently, it’s because I’m face down in the Editing Trench with Wanderers. Currently, I’m on page 400 of… *checks document* 1100 which ha ha ha is only 700 pages to go, that’s fine, I’m sure that’s fine.

So, that’s where I’m at.

Waiting on Vultures edits, soon.

Here’s a nice review of The Raptor & The Wren from Adventures in Poor Taste (excerpted below, click link for whole enchilada):

The Raptor and the Wren pulls off a near perfect balance of new revelations connecting with prior knowledge and events. Story-wise, it’s another fantastic chapter in Miriam’s unending (and possibly futile) quest to send her demons back to where they came from. As always, the supporting cast is brilliant, terrifying, and tragic. Just like her.

Also, if you thought the ending to the Thunderbird made you mad, then make sure you have something to hit and/or squeeze after the last page of this one.

Also, here’s a couple reviews of Damn Fine Story.

This one, from Milliebot Reads:

“Wendig is comical and relatable, yet delivers excellent writing advice. Oftentimes writing guides can be dry, or maybe too full of personal experience to be helpful (depending on what style works for you). Wendig’s book is primarily filled with his “rules” and the pop culture examples he uses to help illustrate them – which I found insanely useful – and then a few personal moments here and there. I’ve never enjoyed a writing guide so much before.”

And another, from Reads & Reels:

“For me, this guide is a must-read, and a must-reread, that will serve as a reference right near my writing desk. Wendig puts his unique spin on some craft techniques you may already be familiar with. I found myself making notes and underlining valuable passages throughout the book, but even more so in the second half. The section on the building blocks of tension, the one on character motivation—I can’t thank Wendig enough for those. He covers almost every aspect of craft, including pacing, dialogue, character arcs, themes…and symbols, motifs—and on and on. Get your highlighter handy!”

SO YAY BOOKS.

Have a great week, humans.

AND FUCK YOU, ROBOTS

YEAH I SAID IT

The Raptor & The Wren: print | ebook

Damn Fine Story: print | ebook

Yes, You Can Hiss Without Sibilance

This is for you writers and copy-editors out there, since I see it pop up from time to time on YE OLDE TWITTERS, so here is my opinion as a writer (though most certainly not an editor) —

Yes, goddamnit, you can jolly well “hiss” something without there being a sibilant sound (i.e. an “s-sound”) associated with it.

If you’re a copy-editor who unswervingly believes this, that’s nice, but weird, and you should maybe uncurl your pale, bloodless fingers from the idea for five minutes to hear my take on it. And put down that red pen. I know you want to stab me with it.

So. Hiss.

Some copy-editors say that to hiss something, a character must be hissing something with the letter S in it, as in, “I STUDIOUSLY ASSERTED MY DISSERTATION ON THE SUBJECT OF ASSONANCE IN THE SONG STYLINGS OF PHIL COLLINS’ SUSSUDIO, STEVEN,” Mary hissed.

But, is that accurate?

I SSSSSAY NAY, IT ISSSSS NOT.

Let’s assume that Merriam-Webster is a fair authority, yeah?

Go to their definition of hiss, please.

You will note that their definitions include:

1to express disapproval of by hissing

2to utter or whisper angrily or threateningly and with a hiss

Just in case we’re not clear, let’s look at their sample sentences, one of which is:

‘“Leave me alone!” he hissed.’

See? It’s okay. Some people get caught up in the literal definition where it requires sibilance — but even there, you’re in tricky territory, because writing fiction is not like writing a fucking software manual. Not everything has to be literal. If I say someone growled something, they don’t first have to be a wolf or a fucking Yeti to do that. When I say, “We dug up new information,” it doesn’t require a literal shovel, nor is a backhoe required when I say, “She dug the idea.” We all understand she liked the idea, not that she had to excavate it physically. And when we say that someone hissed something, we do not explicitly require them to have snakily-sibilantly-hissed it at them. Because language is a fucking playground and we can have some fun with it. We can attempt to evoke with metaphorical or phrasal verbs. Language is fluid. It shifts and changes. So must our expectations of it.

Now, of course, the caveat to that, dear writers, is you need to calm down a little, too. Everything can’t be HISSED GROWLED SNARLED SPAT EJACULATED. Dialogue tags are best when minimal. Evocative language is at its greatest effect when used sparingly. It’s not a machine gun, you don’t need to chew up scenery with it.

Though, hey, maybe that’s your style, I dunno.

Point is then to know what is your style, your voice, and what is not. You shouldn’t rely on bad writing or error-filled prose by calling it your ‘style,’ but you also can’t lean too heavily on technically perfect writing, because technically perfect writing is bland as unpainted drywall.

Increasingly, as I deepen this writing career of mine, I have learned more and more to cultivate the intuition necessary to know what darlings must be killed…

…but also, what hills you gotta die on.

Anyway! All this is just my opinion, and you are free to discard it.

But I say, writers, use hiss, use it sparingly, and use it even without sibilance.

And copy-editors, it’s good to check our shit, thank you, you do the good work — but on this one, maybe relax just a little tiny itty-bitty bit. Because I’m gonna stet the shit out of it anyway.

* * *

DAMN FINE STORY: Mastering the Tools of a Powerful Narrative

What do Luke Skywalker, John McClane, and a lonely dog on Ho’okipa Beach have in common? Simply put, we care about them.

Great storytelling is making readers care about your characters, the choices they make, and what happens to them. It’s making your audience feel the tension and emotion of a situation right alongside your protagonist. And to tell a damn fine story, you need to understand why and how that caring happens.

Whether you’re writing a novel, screenplay, video game, or comic, this funny and informative guide is chock-full of examples about the art and craft of storytelling–and how to write a damn fine story of your own.

Out now!

Indiebound | Amazon | B&N

Flash Fiction Challenge: Strange Photos

Here is your challenge this week.

Go to Google.

Go to Google IMAGES.

Type in “Strange Photos.”

You will find a panoply of, well, weird-ass images.

Pick one.

Use it as inspiration for a piece of flash fiction. (In the fiction, make sure to link to the photo or post to page, with all credit to photographers or designers, please.)

Length: ~1000 words

Due by: Friday, 2/16 noon EST

Post at your online space.

Drop a link to the story in the comments below.