Terribleminds: Recent Bloggery
Intro (duh) –> Problem or Attack (duh) –> Initial Struggle (character first tussles with source of conflict) –> Complications (conflict worsens, deepens, changes) –> Failed Attempts (oops, that didn’t work) –> Major Crisis (holy goatfucker shitbomb, everything’s gone pear-shaped) –> Climax and Resolution (duh).
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All I gotta say is, Myke Cole? Bonafide bad-ass. Furthermore, an all-around nice guy. He’s also a guy with a book out this week — the military-meets-magic CONTROL POINT (AKA “Black Hawk Down” meets the “X-Men”). Here he sits down and submits to the terribleminds interview.
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As of late, a number of folks have noticed a phenomenon. You put your work up for free, and then when it once more re-enters paid gravity, suddenly the book becomes a Purchasing Magnet whereupon droves and flocks and herds and gaggles of Amazon readers come out of the woodwork to buy the recently-free book…
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The other day, I asked where lots of folks had problems with their stories. “Plot” and “structure” came up a lot (and I feel your pain). Hence, here we are with 25 things you might wanna know about narrative structure. Please to enjoy, ye funky penmonkeys.
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First, I’d like Atlanta Burns to meet some new readers. If this does that, win. I’m keen on finishing and releasing the sequel, BAIT DOG (now likely a novel, not a novella), but I’d like to get this book in more hands before I do so. If this does that? Then hey, score.
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