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Macro Monday Wants You To Have A Cookie

Break is now officially-officially over for me — like I was kinda back last week, but our child remained off of school for the week so we were still half-assing it, more or less.

It was a good break.

We saw Bumblebee, which was actually a lot of fun — a G1 Transformers adventure which really, more people should’ve seen. It’s like A GIRL AND HER PONY, except, her pony is a Transformer? Whatever. It’s a blast. Also saw Mary Poppins Returns, which was also a lot of fun and full of the light and whimsy and goodness I sorta needed to get my 2019 started — it drags maybe a little in the middle, with maybe one song too many, but overall, a joy to behold.

Christmas was good. New Years was good. Nothing particularly exciting — I mean, sure, we accidentally cooked Santa in the fireplace (ha ha my bad) and on the New Year I fired a rifle in the air in the ANCIENT WENDIG WAY, and the rifle bullet took a chip out of the moon? But that’s okay, I’m pretty sure that’s where the secret Nazi base was, so, for reals, YOU’RE WELCOME.

There is, of course, news.

First, if you were looking to pre-order Vultures and you wanted a signed copy with a customized death prediction, well, once again Let’s Play Books has you covered. Click here and they’ll get you set up. (You can actually order any of the books in the series this way, btw.)

I should also note that Vultures — out January 22nd! Two weeks (and a day)! — is in some people’s hands already in ARC form, and a head’s up to those people: the book ain’t right. It’s the wrong version of the book, pre-edit, and though I don’t think it’s dramatically different, it’s got enough errors and such that I’m kinda disappointed people might be using it for review copies.

Be aware, regardless.

Wanderers, on the other hand, has a longer road to publication (July 2nd!) but that book has already begun to collect fancy blurbs from a series of wonderful authors — I’m sitting on a very nice collection of very kind comments, and the publisher has posted a few of these, so I’m going to post the first three here, too —

Wanderers is wonderful—a suspenseful, twisty, satisfying, surprising, thought-provoking epic of a novel. Chuck Wendig has taken his considerable talents to the next level. Dig in.”

—Harlan Coben, #1 New York Times bestselling author of Run Away

“Chuck Wendig’s latest Wanderers is a magnum opus of both storytelling and prose. Epic in scope, yet told with an intimacy that hooked me from the first page. It reminded me of a technological version of Stephen King’s The Stand—but dare I say, this story is even better: a post-apocalyptic horror story that bares the best and worst of humanity in all its rawest forms. Don’t miss this tour de force. It left me awed.”

—James Rollins, #1 New York Times bestselling author of Crucible 

Wanderers is a stunning epic that deftly weaves together a deadly pandemic, ideological violence, and environmental collapse in a way that feels both fantastically mysterious and very frighteningly plausible. Wendig’s tale brims with the irresistible dread of The Stand and prose as sharp and heartbreaking as Station Eleven, but what sets this book apart and will keep you riveted until the end is its deeply compelling cast of characters—courageous, terrified, flawed, but most of all, full of hope. Simply put, Wanderers is a masterpiece.”

—Peng Shepherd, author of The Book of M

So, I’m definitely vibrating a little over here.

You can pre-order the book in Print or eBook.

There also a new episode of Thor: Ragnatalk, where surely, surely, Anthony and I cover the actual last ten minutes of the movie and definitely don’t spend our entire time eating and reviewing New Zealand snacks. I mean, probably.

And that’s it.

Have a great week, weirdos.

In 2019: Persist, Persist, Persist

Usually, I do a writing-related resolution for myself and other writers if they care to borrow it — but this year, all I got is:

Persist, writers.

Your stories will outlast this peculiar, fucked-up moment in history, but for those stories to outlast, you first gotta write ’em.

I don’t know who you are or what you write: maybe what you need to write is raw escapism, or maybe your form of resistance and persistence demands you use your stories to tackle the hinky fuckery going on. But resist, and persist, with art, and with narrative.

You can do it. But it won’t be easier. I expect it’ll be harder this year just as it was harder in 2018 — harder than it feels like it should be. But that makes it all the more worth doing. Don’t let your stories be lost to this bullshit. Save them. Write them.

Persist.

Persist. Forgive yourself. Write despite — or better yet, write TO spite. Embrace the game of inches and understand you won’t always sprint for miles. One word at a time, one sentence, one paragraph, one scene, a house built a brick at a time.

Some days will be harder than others. Turn away from the news when you can. Save time for yourself, give it to yourself as a gift before you give your time to anybody else, or to anywhere or anything else. Art hurts. Stories are squirmy. We live in strange times. Persist.

You need to do it. We need you to do it. Your stories are yours. Full of you. Full of what you believe and what you fear, brimming with your notions both conscious and unconscious, tied to all you’ve known, you’ve loved, you’ve hated. The world needs you and your tales.

PERSIST.

There’s no map but the one you draw. No process of anyone’s you can borrow. You gain your groove by wearing it into the floor one micrometer at a time. It’s erosion. Water on stone to find its path. It makes it harder in times like these because we want it to be math. PERSIST.

You don’t know you can do it. You don’t know that you belong. You can do it. You belong as much as anybody. You’re an impostor, sure, because we’re all impostors, we’re all here unasked for, unbidden, uninvited, wearing our masks.

Persist anyway.

I worry for those just starting, just trying to begin — what a difficult time for you to try to start off on a creative path. But it’s vital you do it. We need your voice, your energy, your ideas. It won’t be right out of the gate. That’s hard. But true. And yet you persist.

Throw some of the fucks out of your fuckbasket. Autonomous functions get harder when we overthink them. Sleeping. Breathing. Writing is like that, too. Write anyway. Write without thinking too much, too hard. Offload your worry to Future You. Just write. And persist.

Bleed on the page if you gotta. Sing and scream. Be angry there. Be vigilant and sad and unsafe. Write madly and with undistilled fury. Write with love, too. Love for yourself even if you can’t see it. Love for the story and the process — even if you can’t feel it.

Persist.

There’s no one way forward. Forward isn’t always forward. Sometimes it’s sideways and sidesteps: hinky, wonky, janky-ass backroads and short-cuts and getting lost in dark forests. Sometimes you go BACKWARD. That’s okay, too. Whaddya do?

That’s right, you persist.

Sometimes writing isn’t even writing, sometimes storytelling is about thinking, about chewing on something, it’s just you revisiting it again and again, slow-roasting it over hours, days, weeks, months, even years. Recognize that. Persist through it.

And writing is rewriting, too. It’s getting it wrong before you get it right. Sometimes it’s getting it wrong, then even WRONGER, then fucking it all up before you can see it, lined up like a line of crystals in crepuscular beam of sunlight. That’s how it is, sometimes. Persist.

You got this. You won’t feel like you got this. I don’t feel like I got this. I feel overwhelmed by it. I worry I’m not good enough or that I don’t belong. Every book is harder than the last. But I keep on.

And so will you.

Persist, persist, persist.

Into 2019. And past it.

Merry happy fellow word-herders, ink-slingers, penmonkeys.

2018, Meet 2019: The Year Behind And The Year Ahead

And so it comes to pass that the year is nearly over, and I am left feeling a bit blurry and hazy on what happened, and what could possibly happen next.

Were 2018 to have an epitaph carved into its headstone, it would read:

2018-2018

THE YEAR THAT LASTED TEN YEARS.

REST IN PIECES, YOU WEIRD ASSHOLE.

I could get into a litany of profanity over world events, but I think it’s succinct enough to say: shit was real hinky in 2018, and 2019 probably isn’t looking any less hinky. That’s it. That’s all I’m gonna say about that, right now.

Personally and professionally, 2018 was a very, uh, curious year — generally speaking, I put out a handful of books every year, usually three or four, and I often write the same amount, too. This year? I only put out one book: The Raptor & The Wren. And I didn’t even write a book. I mean, okay, I did monster edits and rewrites on the very big book, Wanderers. I did edits on Vultures, the sixth and final Miriam Black book. And I wrote 80k on a new book, tentatively titled The Book of Accidents. I wrote a novella. I wrote a bunch of comic scripts, most of which you’ll never see —

*gives Marvel the side-eye*

That bit actually made quite a lot of news, which was bizarre.

And had a… movie made out of tweets between Sam Sykes and I?

I started a podcast about Thor: Ragnarok? With the inimitable Anthony Carboni?

I met Levar Burton?

See? 2018 was just fucking weird, man.

The good news is, I spent 2018 not actually feeling burnout — for the years prior, I’d been galloping parallel to the riptide current of total burnout, and though I never succumbed to it, it was pretty close. So, 2018 helped me reclaim some energy, and focus what energy I had on the books in front of me, which was good.

And that means 2019 sees those books come out.

Vultures, in January. (Preorder in print or eBook!)

And Wanderers, in July. (Preorder in print or eBook!)

Closing out Miriam’s story is satisfying and heartwrenching in equal measure — and though I have no idea if I did her story justice in the eyes of the audience, I feel happy with where I took that story. I’ve planned her story’s end for a while, and this is roughly always where it was going, and hopefully it feels earned. If it doesn’t… um, sorry? Can’t fix it now! *nervous laughter*

With Wanderers

Yow, that’s a bigger, unrulier, much trickier book. I didn’t have a hard time with it, exactly — it came pouring out of me, as I’d been chewing on parts of the book and other disconnected ideas for years. It all connected suddenly, and out came this book — both an artifact of this time and also one that, ideally, separates us from The Now and still gives a story that is relevant no matter when you read it. The thing is, the book was so damn big. Kudos to Del Rey for letting me write the book as I needed to write it — and for letting me keep it that way, too. I’m excited for people to read it. I’m sitting on (/humblebrag) a number of unusually amazing blurbs, and I’m feeling really fortunate right now.

Hopefully I’ll bring Book of Accidents home in an equally satisfying way. It’s also a weird book? Squirrelly. Tricksy. A little more straight-up horror for me, kind of a ghost story that becomes something more than a ghost story, or something separate from one and… well, I don’t want to give much of it away. Just know that it’s a curious specimen. It is weird to be sitting at a point in my career where I can see, looking back, looking at the present, looking forward, how my writing has shifted into what might be considered a new phase? Both of output and process? And even career?

Shit, I dunno.

We shall see.

As to what else 2019 brings? No idea. I’ll travel a good deal for Wanderers, I hope. Maybe I’ll pop in your area, I dunno! OR EVEN YOUR HOUSE, LIKE AN EVIL SANTA CLAUS IN JULY. I’ll know more as the new year clicks into place.

I think that’s it for me.

More as I have it.

It’s nearly game over, 2018.

And 2019, we’re watching you. No sudden moves.

Friday Newsplosion: Hey, Look, It’s Wanderers

So, here’s a thing — yesterday, Entertainment Weekly released their 50 Most Anticipated Books of 2019, and uhhh. *checks again to make sure it wasn’t a dream* It looks like Wanderers is on that list. I have never been on such a fancy list, nor do I ever anticipate being on one again, but for this precious moment in time, I share a special kind of literary interstitial territory with the likes of Samira Ahmed, Erin Morgenstern, and Margaret Atwood, so I’m just going to breathe deep, savor the moment, and try very hard not to barf on myself.

Also, the book is starting to go out to authors for blurbs, a rolling boil of that, as it were, and we’ve already gotten some incredibly kind blurbs back from folks, and I’ll be showcasing some of those in the new year. I am honestly very fortunate and super, super glad this book is actually working for people, because, whew. It’s been a journey.

Reminder: you can pre-order Wanderers (out in July, moved up a week to July 2nd) in Print or eBook.

I hope you like it.

What else?

The Mary Sue did a feature on six Star Wars characters they’d love to see get spin-offs, and three (!) of those six are from Aftermath, so that’s pretty fantastic.

After the new year I should also return with a pre-order for the last Miriam Black book from Let’s Play Books that gets you an autographed copy and a customized DEATH PREDICTION ooh-la-la you will be the fanciest folkperson on the block, what with your artisanal demise prophecy tucked in your pocket. You’ll make all your friends and enemies jealous.

Finally —

Episode 12: The Loki Awards is up at Ragnatalk, where Anthony Carboni and talk only about the greatest film ever made, Thor: Ragnarok, and maybe we’re supposed to cover the final ten minutes of the movie, but also, maybe we don’t do that and do something else instead. No spoilers! Go listen.

And I think that’s it.

Posting will be light next week because

*checks calendar*

It is some kind of HOOMAN HOLIDAY.

ANYWAY here have a cool macro photo of spraypainted noodles (from an ornament made by my child a couple-few years ago). Happy holidays, humans.

Recipe: Coconut Curry Garbage Ramen

We went to see Into the Spider-Verse and, you already know this because you’re all very smart people, but it’s fucking amazing. It’s the best Spider-Man movie, but only gets to be the best Spider-Man movie because of all the amazing Spider-Man movies (and comics, and cartoons, and games) before it. It’s great. It’s astonishing, spectacular, sensational, amazing. And not to mention really beautiful — one of the prettiest animated films I’ve seen in a very long time, experimental in a way that Pixar movies are not (and indie films often are).

ANYWAY.

That’s not the point of this post.

The point of this post is, we got out of the movie Sunday night, it was later than I wanted it to be, and it was starting to snow and ice a little bit. The original plan was to go out and grab food somewhere but the collective decision was: “We better head home and find dinner there.”

One problem, though —

It was Sunday night.

When I hadn’t gone grocery shopping.

The fridge and pantry were a fucking skeleton stripped of all its precious nutrients, dry as a mouse cough, and so I had no idea what I was going to make for dinner.

So, I went to my default:

GARBAGE RAMEN, or, TRASHCAN RAMEN.

Which is to say, I make a duly non-traditional version of ramen soup containing whatever shit I can scrounge up in my house at the time. Now! I do sometimes make a semi-proper ramen — miso, pork bones, tare, soft-boiled eggs, the whole fucking jim-jam. But garbage ramen is not this. Usually my garbage ramen is whatever broth I have conjured, plus whatever meat remnants I can find, and then at the end I add like, soy, ginger, garlic, splash of rice wine vinegar, mirin, maybe a tickle of sugar. But the recipe that proceeds is not that recipe.

I made something different.

And what I made was accidentally awesome.

I have not yet tried to replicate it, but I am going to put the recipe here, for you to have, so you can try your hand at it, see if it comes out as good as it did — more to the point, far far better than I could have possibly expected.

So, first, the broth.

This I had already made ahead, as I do often.

The broth is this:

Bunch of shiitake mushroom stems (8-10, I think — just stems!)

One carrot

One celery rib

Two hot cherry peppers

Quarter onion, chopped

Bundle of cilantro

Splurp of minced garlic

Sploop of minced ginger

2 tbsp coriander seed

2 tbsp cumin seed

1 tbsp fennel seed

1 tbsp mustard seed

dash of turmeric

a scattered smattering of black peppercorns

probably don’t need much salt, if any

3-4 cups of chicken broth

And I cooked that bubblin’ brew for *mumble mumble* a couple-few hours. Then, strained out of all the stuck it in a container, and into the fridge it went.

UNTIL THE HOUR OF TRASHCAN RAMEN WAS UPON US, as the prophecy foretold.

Soup time.

Get the broth boiling and into it ye shall placeth:

Three carrots, choppity-chopped

One celery rib, sliced into slicey bits for its crimes

Half a green pepper, carved into nifty thin strips

Quarter onion, diced

The caps from the shiitake mushrooms (above), sliced

one can of coconut milk

Three tbsp fish sauce

1 tbsp soy sauce

pinch of sugar

juice of one lime

You don’t need long with this — five minutes starts to soften the vegetables but still lets them feel crisp and fresh, like my buttocks on a spring Sunday morning.

*checks notes*

*notes say: ‘stop mentioning your butt in recipes’*

*nods sagely*

Moving on.

Now, the ramen noodles.

I tend to use these noodles right here, and they’re pretty good — nice texture and what-not. But in this case I only had your standard $0.19 packs of ramen, and I took three of them and those were the noodles I used because they’re oddly very satisfying. The trick is, usually when I make ramen, I make the noodles separate, in their own water, and then dole them out into the bowls of soup. In this case I was lazy and just tossed the NOODLE BRICKS into the soup and —

You know, they soaked up a lot of the broth, which is not ideal, but also, made it weirdly satisfying in that it wasn’t entirely soup anymore? And then for the piece de resistance, a thing I never do, I used the fucking chicken ramen flavor packet. I just sprinkled it in there. Just one. Not all three. I never use these things so I have a small library of those packets hanging around, and…

Okay, listen, this isn’t good in the sense that it’s a refined meal. This is the furthest thing from fine dining. But it’s good in a weird, deeper, more satisfying way — deeply umami, rich and creamy, with the vibe of macaroni and cheese but… not macaroni and cheese, not at all. I need to try making it again, see if I can capture this curious meal for a second time.

Lemme know if you try it.

REPORT BACK, HOOMANS

Friday Newsbump

Okay let’s start with the most important news of them all: yesterday I took a photo of a red-tailed hawk firing a rocket of pee-poo out of its clearly weaponized cloaca.

Yes, I know, I know —

You’re welcome.

Seriously, I was sitting here in the shed and the hawk — who I assume is a lady, as she is ginormous, and the ladyhawks are bigger than the brohawks — flew right in front of my window, then landed in a tree across our driveway. I make a habit every day of bringing my camera out just to have it, and so I quick started snapping some shots…

When the tail lifts, and the bird exorcises a ribbon of ghost poo.

As captured in that photo, above.

The photo does not capture the sheer distance achieved, however.

Anyway, this is the news you crave, I know.

LET’S SEE, WHAT ELSE IS UP.

Well, a little movie based on some authorial shitposting is now available on Shudder, as well as on Amazon and iTunes — that’s right! You Might Be The Killer is now watchable at home. (I know this isn’t necessarily internationally true; I don’t control that.) You can buy it. You can rent it.

So that happened.

The new episode of Ragnatalk is up.

Also, I know that I didn’t do a Macro Monday post — hey, it’s the holidays, we’re all kind of flying a little loosey-goosey here. Expect one Monday. OR DON’T. You never know with me.

Finally, the sixth and final (gasp) Miriam Black book is out — Vultures. It wraps up the series, tackling the one outstanding mystery: who, or what, is The Trespasser? You can pre-order it in print or eBook. That’ll be out on January 22nd, with an audio edition coming, too. There’s also a new Miriam-universe novella, following the character of Wren with a story that takes place between The Raptor & The Wren and Vultures, and has a bunch of cool psychic slasher-killer stuff going on. That’s gonna be in the three-novella collection Death & Honey, alongside fellow penmonkey cohorts Delilah S. Dawson and Kevin Hearne. You can preorder a limited edition signed/numbered hardcover, or nab in eBook. That comes out February 28th, with a cover by Galen Dara.

AND I’M OUT.

BYEEEEEE