Apple-Obsessed Author Fella

Category: The Ramble (page 433 of 448)

Yammerings and Babblings

Flash Fiction Challenge: The Cocktail

First and foremost:

Last week’s flash fiction challenge is here — The Unexplained Must Be Explained. Stories may be coming in throughout the day, so feel free to check back over yonder.

Second:

Welcome back. It’s time, again, to play with flash fiction the way a cat plays with a dead mouse. Batting it back and forth. Bringing it to your owners to show off. Making little Prada handbags out of it.

Today’s challenge: choose a cocktail, and name your story after it. The great thing is, you have a lot of leeway here: the cocktails that exist in this world are nigh-endless. From the common (Dirty Martini, Tom Collins, Whiskey Sour) to the WTF (Satan’s Whiskers, Electric Smurf, Monkey Gland). The story doesn’t need to incorporate the cocktail, though you’re certainly welcome to do that.

Also: bonus points if you give the cocktail recipe after the story. Because, fuck it, we’re all lushes here, right? Right. High-five, those whose livers look like beach-balls or peach-pits.

Here’s the tweak:

You only have 500 words this go around.

And, the goal is still to use those 500 words to tell a full story, not just a vignette. Remember, flash fiction ideally has a beginning, middle, and an end; they’re just trimmed, sharpened, heightened.

Standard rules apply. Post at your blog. Link back here if you’d like. Then post a link (don’t rely on the trackback) in the comments in this post. Any questions, shoot ’em my way.

I think I will once more begin aggregating the links because, frankly, I think it made it easier to view the links. I’m going to try to keep on it as they come in, through, for ease of attack.

Get thee to writing, you ink-stained drunken baboons!

[EDIT: Doh, I didn’t make clear: You’ve got one week, till the close of next Friday, 4/15.]

The Stories

Lindsay Mawson, “A.S.S. On Flames

Josin McQuein, “Flaming Moe

Anthony Laffan, “Satan’s Whiskers

Quinn Slater, “Camel Piss

McDroll, “The Smokey Carburetor

Madison Morris, “Sex With Captain Or Babymomma

Aiwevanya, “Bloody Mary

Anthony Schiavino, “Jack Rose

Dan O’Shea, “Bloody Mary

AB, “The Corpse Reviver

Shauna Granger, “Irish Gold

Stephanie Belser, “Zombie

Sparky, “Rattlesnake

Eck, “Tee Many Martini

Neliza Drew, “Paradise

Tim Kelley, “Primal Scream

Bob Bois, “Lucy On The Floor

KD James, “Tom Collins

Pia Newman, “Swimming Pool

Angie Arcangioli, “Negroni Splash

Carolyn E. Bentley, “Mugging In Moscow

Tara Tyler, “J Is For Jello Shooter

Marlan, “Mad Cow Special

Seth, “Moscow Mule

Paul Vogt, “Snake In The Grass

Dan Wright, “Gin And Sin

Tribid, “G&T

Joseph McGee, “A Murder Of Crows

C.M. Stewart, “Tom Cullen

 

The Mighty Endjaculation

I love ending a story.

Here’s why:

Because eventually you reach a space where it’s the point of no return. You’ve been building. And building. Climbing the hill. Worrying at the bone with your teeth. And suddenly it’s all there. You can only go down. It all comes together how it has to come together and —

Well, use whatever metaphor you like.

Roller coaster cresting a hill.

Throwing up and purging after a long night of feeling like shit.

The climactic ejaculation — the blog-titular “mighty endjaculation.”

You either get there or you don’t. If you get there, you know it adds up. Maybe it’s not good, but sweet fuck, it adds up. And it happens fast, too. You have momentum. You use gravity. That’s the best part about writing an ending, or even a whole third act. No more confusion. Only a kind of weird eerie purity. The way is clear. Run, fuck, kill, or die. You’ve already jumped off the bridge. Now all you gotta do is fall.

It happened when I finished Blackbirds. I hit the last act and it all just burped out of me.

It happened when I finished the script for HiM. We knew where it needed to go and how it was going to happen and when the time came to bang it out, those last days of writing I was hitting 10, 15 pages a day.

It happened just now, 20 minutes ago, when I finished Double Dead.

Wrote 4k day before yesterday. Wrote 4k yesterday. Today? 7k.

Double Dead is double done.

And by “double done” I mean “not actually done at all.” This is just the first draft. I gotta do a pass. Editor’s gotta do a pass. Writing is rewriting, after all. But I will say, it feels good. I’m happy. For today, at least. And I’m going to run with that. Run with it all the way home, cackling, giggling, doing cartwheels. Metaphorical carthwheels. If I tried to do the real thing, I’d break my fool neck.

For now, I breathe a big giant exhalation of air.

Who wants some whisky?

*clink*

Scenes From The Bookpocalypse

I feel like a war correspondent reportedly reporting from the front lines, but the war has already come and gone, the battle lost. What’s left now is just looting as thieves pick pocketwatches from corpses and steal high-priced TVs from shattered store windows. What’s left are bodies picked clean by crows and dogs and worms, scavengers fighting tooth-and-nail over a rib-bone here, a loop of intestine there. What’s left is an accounting of the dead. War’s over. The good guys got fucked by the bad guys. Now it’s the end of days. Or the end of books. Or, at least, the end of Borders.

* * *

I’m reminded of a scene on the news where a beached whale — dead, not dead, I don’t even know — is blanketed by squalling, complaining gulls. That’s Borders. Local store got the axe. Most of the Borders in the state are done, it seems. And now it’s a carcass on the beach besieged by those who smell a cheap pop culture meal.

I’ve never seen a bookstore that busy. You could hip-bump a hive of bees on its side and not get this kind of action. Everywhere, jostling bodies jockeying for books. The sci-fi and fantasy section is a parliament of owls: bespectacled readers hungrily looking for a genre fix. Mystery, too: a gaggle of detectives on the hunt for books about detectives. The children’s book section has, and this is no joke, no joke at all, three books left. Three nuggets of puckered meat clinging to otherwise bleached bones. One book about a wombat who is allowed, mysteriously, to play with a human infant. Children’s books can be very stupid.

The literature and fiction section is empty, though. Shelves, still full. One in a while, a lone reader wanders into the alcoves — not because it is where he wants to be but rather because he got lost, because he is the flotsam (or is it jetsam? are there any dictionaries left for purchase?) that washed up here from the churning chum-capped tides here in the bookstore. When he realizes where he is, he will shake his head as if clearing his mind of illusion and infection and then totter off again, buoyed by another belching current. Or driven by cheap prices the way a zombie is driven by his hunger for brains.

* * *

People still want books, it seems. They just don’t want to pay full price.

* * *

The prices are half-off and the shelves are half-empty and still I see books I’ve read and loved, books that I know to be popular, books by authors who I see on Twitter or even here at the blog, and for a moment I’m consumed by a dog-shelter moment. The Sarah McLachlan song cues in my mind. I see the books as sad pups and pooches: one with a scar on his brow, the other missing an eye, a third cowering in the corner equally afraid of me and desperate for my love. I want to sweep them all up in my arms and take them home and lather them with kisses and give them that thing they need most: my eyes to read them, my mind to process them, my mouth to share of their wealth. But then I remember that Borders is fucked, Borders isn’t paying out, and I don’t even know if the authors of these books will ever see what they’re owed from these sales. And I think, if I want to buy these books I should at least go home and buy them from Amazon. Of course, isn’t that what got us here in the first place? Is it? Isn’t it? I don’t even know.

* * *

Borders, of course, can’t pay publishers. It’s broke. Still wearing days-old diapers and a hat made of newspaper. And yet its hobo bindle must be heavy with secret hobo gold because Borders still intends to pay $8.3 million in executive bonuses. I’m sure I’m just naive in that I don’t understand economic realities, but it seems to me that someone should pay the writers via publishers first. Any executive looking for a hand-out should get one: and by “hand-out,” I mean “fist to the nuts.”

* * *

By the comic book shelf, a big pear-shaped dude is blocking the aisle while picking up one graphic novel after the next and reading them. Front to cover, from what I can tell. American Vampire. X-Men. Manga. Flip, flip, flip. Read, read, read. Eventually I see him gravitating toward the exit, no books in hand. Part of me wants to grab a magazine rack (on sale for $100 bucks, the whole fixture) and break it over his head. Or hurl a copy of a D&D book at his dumpy Baby Huey body as if it were the crazy shuriken from Krull. The other part of me thinks, eh, fuck it. Isn’t this what Borders always wanted? For us to hang out? Sit down? Read books and magazines? Sip a latte? Why spend money on books? Don’t we just want everything cheap and free now? Twelve dollar cappucino, hold the wordsmithy.

Words on a page like ants on snow. Poetic. And meaningless.

* * *

They’re selling everything. All the shelves. The racks. The end caps.

They’re even selling manila folders.

Two for a dollar.

Two used manila folders for one whole dollar.

One of the workers there, she’s snarkily telling a customer, “Would you pay that?”

He shakes his head. “No.”

She gives him a look like, Duh.

* * *

I can buy 100 manila folders new at Amazon for about ten bucks.

* * *

Three kids pinball between the sci-fi and fantasy shelves. Hoodies. Skull shirts. Mop-top hair. Kids today, with their hair and their clothes. “There’s nothing good here,” the one mewls, moans, whimpers, pules. I want to grab his face and drag it across the book spines the way you would a stick along a picket fence. I want to show him, “There’s so much good here.” But then I think, well, at least he’s in a bookstore.

At least he’s still looking at books.

* * *

One aisle down, a guy in his 20s is picking up a book. Hardback. Something pretty, but I can’t tell what. He says to his friend, “I think it’s a role-playing game.” He says this with some reverence, but also a kind of confusion, like he’s someone picking up something he’d heard of but never seen: a rotary phone, a Viewmaster, an honest Republican. He walks away with the book, planning to buy it.

* * *

I used to work at Borders.

It was like belonging to a cult. And not in a good way. Not in a, “We all love each other and sing songs and eat granola under the caring eye of Mother Moon” way. But rather in a, “Drink the Flavor-Aid and if you don’t drink the goddamn Flavor-Aid I’m just going to shoot you in the head anyway.”

I quit after a couple weeks.

* * *

The mood here is wildly vacillating. It is the frenzy of fishes and sharks, eyes rolling back and jaws clamping on books never-before-read without thought or meaning, a kind of predatory bliss. But here too is the sadness of prey, and some folks are stumbling around, faces vacant as they stare at a nowhere-nothing point. They look like the shell-shocked victims after a bombing, an earthquake, a zombie apocalypse.

* * *

My pregnant wife comes up to me and she’s got tears in her eyes, and I think, is she sad about Borders? I know I’m sad about Borders. Maybe not enough to cry about it. But still, a little sad.

She instead hands me a children’s book. She says with a sniffle, “Read this.”

And I think, now I’m like that pear-shaped douche standing here reading a whole book from front to cover, but a cursory glimpse through the book tells me I’m going to be able to read it in about 30 seconds. Okay. Fine. I read it. It’s called Remembering Crystal. It’s about a bird — a duck, maybe? Who has a friend who is a turtle and the turtle is old and then the turtle dies and the duck continues to look around for the turtle even though the turtle is dead. Eventually the duck-like entity goes to sleep, sad about the turtle, and there the duck realizes that he/she/it has found the turtle after all, in the duck’s dreams, in the duck’s heart. The memory of the turtle named Crystal is how the turtle still lives. It is adorable. And also horribly sad.

The book is for pre-school to age two.

It choked me up. I’m not even a pregnant woman.

Part of me recast the book, though. I am the little duck. I’m wandering the ends of the earth looking not for a turtle but rather for a Borders bookstore. Or any bookstore. Or even a book.

And by the end, I realize the only place they still live is in my head.

* * *

We go to checkout. My wife has some books on child-rearing. I have Patton Oswalt’s book. Our checkout person looks dazed. Sad, even. She’s slow, methodical, peeling off prices with this red plastic price-peeler that looks like some kind of little lobster claw. She’s saying little to us. Part of me thinks she might cry.

Her cohort at the counter is the precise opposite. She’s young, bubbly, talking to everyone. The bookpocalypse hasn’t fazed this one. Her head is probably full of Facebook and Farmville. I envy her.

An old man stands at the counter next to us. The bubbly one attends to his check-out. He’s got a book on writing. The Art of Storytelling or something like that. She chirps, “Are you a writer?”

He laughs a dismissive laugh, and shakes his head no.

“I bet you have lots of stories to tell,” the bubbly one says. She doesn’t say, but we all hear: because you’re totally old. She confirms this by adding, “My grandfather has lots of stories to tell. He’s not a writer, but boy he can tell stories. You should be a writer.”

The old man offers another yeah, but no chuckle and shrugs in a way that suggests, “Why bother? Have you looked around? Do you know where you work? Don’t you see what’s happening? Be a writer. Sure. So my book can end up here. Unbought. In a mass grave. Squirrels nesting in its chest cavity. Maggots for eyes. My words serving as their own dirge, their own funerary incantation. I’ll get right on that, you empty-headed twit. Writer. Pfft. Pshhh. Pah!”

Then again, maybe that was all in my head, not in his.

Maybe he chuckled and shrugged the way babies do, and for the same reason. Maybe he just had gas.

* * *

The bubbly girl, finding no one behind the old man, talks to us as our own shell-shocked counter-jockey obsessively works to remove price stickers from our books.

“We’re efficient,” the girl says, proudly. “We get the job done.”

I can tell. Bureaucrat of the apocalypse. Again, the accounting of the dead.

Bubbly girl has another customer. She asks them, “Do you have your Borders Rewards card?”

Because such mighty rewards await us in the kingdom beyond.

* * *

On the way out, I say to my wife, it’s kind of sad, isn’t it? She agrees.

We get in the car and we leave, navigating the swarm of cars incoming and outgoing, book-hungry scavengers of the wordsmith’s wasteland, desperate for a taste, a taste at cut-rate game-over prices. They come only when they smell smoke. They come not for the meal but to pick the trash.

* * *

Now that my email is working, the remainder of this week will be guest bloggage by the Friends of Terribleminds. They’ll start tomorrow and will go into next week — note that regularly-scheduled Friday Flash Fiction challenges will continue, however. Keep your grapes peeled.

Flash Fiction Challenge: The Unexplainable Must Be Explained

Okay, I know I said something about blah blah blah, only 100 words, but fuck that, this challenge needs the full girth. So, you still get 1000 words. What’s the challenge, you ask?

CLICK HERE.

No, really. Do it. Click it.

That link takes you to 60 completely insane and largely unusable stock photos. They’re fucking weird, the whole lot of them. Which means we need to take a big bite out of that lunacy and spit out some flash fiction.

Pick one of those 60 photos.

Title it accordingly.

Write 1000 words — flash fiction, start to finish — about the photo you chose. Make sure to indicate somewhere what number you chose so we can all play along in our heads (though, I will note that it could also be fun to write a story based on one and then have people try to guess which photo you chose… you decide, I guess).

Challenge begins now.

And it ends next Friday. Since I’m no longer tallying the stories in the post itself (remember to yell at me if you’d prefer to have that practice reinstated), let’s just say you have till the end of next Friday day.

Now, you may be saying, at present:

BUT I CANNOT ENTER A COMMENT, YOU JERK

Which is a fair comment. Here’s the deal, though: I’m moving this website within the same host from one server to a cloud server, and it’s likely that any comments that get put here will go kablooey over the weekend, so I’m not going to open comments back up until Monday (Tuesday at the latest). So, write your stories, but you’ll have to link to them a little later, I’m afraid. I know. Life is hard. Wear a codpiece.

So, that’s that.

Flash fiction based on horrible stock photography.

Go.

Your Penmonkey DNA

My father was a natural storyteller. Just how he was. He’d come home from work and tell some story about how he pulled some prank on someone (often this guy’s Dad) or how he fought to get pay raises for his guys (Dad was a plant manager, had a team of guys who worked under him). Often he’d wander off into stories: stories of him getting into a knife fight or flipping his snowmobile or how he lost his pinky finger. (I’m not making any of that up. And if you knew the man, you’d grok that. He was well-armed and certain to not take any shit from anyone. Including cops. Or the government at large.)

Some of his stories, you know, I was a kid. I maybe didn’t get them or didn’t really care. But even still, I listened and I absorbed that — and, outside of realizing, “Hey, if there’s ever a zombie apocalypse, I’m trusting my old man to lead the charge against the undead horde,” I also eventually came to realize that some of my inclination toward storytelling is very much nurture over nature. I wasn’t born with it, but rather, it was kind of passed to me — not genes, probably, but memes. Skills and ideas that survive against others.

Of course, even still, it’s reasonable short-hand to call it DNA, I think. Because over time, even though it’s something you pick up rather than something that you’re born with, it still changes your fundamental material, still tweaks your human code a little bit.

So, the question I’m putting forth to you is, who’s in your storytelling DNA? It can be writers, too — hell, I know I’m the turbid broth of Robert McCammon, Douglas Adams, Joe Lansdale, Christopher Moore, and others. But go beyond just those you’ve read and look too to those in your life. Who flipped on that storyteller switch inside your head? Who taught you to love hearing and telling stories?

Loud Noises! Pots Clanging! Frothy Spittle! I Like Yelling At Writers!

This shall be the culmination of this month’s Penmonkey Boot Camp, wherein I take a more, erm, “aggro” tone with you fine young upstarts. This post in particular is juicy with NSFW-isms, and may in fact be NSFL, or “Not Safe For Life.” Those with frail constitutions, weakened aortic walls, or little wormy egos in pink Barbie dresses should probably just skip this and go somewhere to glumly masturbate. If you find yourself offended during this post, I apologize. Please see me after class, I will hand you a Xanax.

I’d like to thank you for coming today.

It doesn’t really matter why you’re here. Could be that you find my dubious writing advice somehow useful (“He just told me that writers write! Genius!”). Could be that, instead, you find me a hateful little gnome and want to know if I’m secretly planting conspiratorial codes about you into my work (“This whole blog post is a ROT13 cipher about my weird nipples!”). Maybe you just like watching me body slam the plexiglass walls of my enclosure and leave poopy handprints everywhere (“I think that one looks like a turkey”).

The point I’d like to make today is that, holy shit, I really enjoy yelling at you guys. It just gives me a total boner. And I don’t mean a real boner. I mean a — oh, hell with it, yes, I mean a real boner. A good firm — grr! — baby’s arm kind of erection, you know? With a little fist on the end you can use to punch out goblins.

POW.

I enjoy yelling at you in part because it’s also me yelling at me, and that is also one of my favorite pastimes. I figure I’ve got a lot to learn yet about This Thing That I Do With The Pen And The Ink And The Storytelling and I learn best through hateful booze-soaked tirades against myself and others.

Oh, did I mention I’ll be drinking during this post?

I’ll totally be drinking during this post.

At the moment, the drink of choice is Basil Hayden’s Bourbon.

If I were singing a song I’d say, “sing along,” but instead I’ll pause and also ask you to pause and say — hey, go get a drink. Drink along with me. Won’t you join me? Do it. Yes. Nice.

Good? Got a cup of the ol’ sauce in hand? Right on.

Think of this like a Gallagher show. Get a tarp or a rain-slicker or steal a fucking sneeze-guard from the salad bar at Wendy’s (preferably one speckled with minimal phlegm-flecks). Beware my froth.

Now — hold still while I yell at you, goddamnit.

Stop Cheating On Your Manuscript With New Ideas!

What a word-slut you are. There, on the desk, is that sad lonely manuscript. And what are you doing? You’re out behind the shed, cornholing some new idea, bending over some pretty young thing with big “characters” and pointy “plot points.” You adulterous whore-badger. Listen, I get it. The one thing that really feels like it can derail a novel is the wandering eye of other awesome ideas. But you better learn how to deal with that. That is, in part, what writers are. We’re idea antennae, constantly receiving insane frequencies from beyond the margins of our brain. If you can’t manage that noise, you’re fucked. Stop acting like a hyper-sensitive spider-monkey with fetal alcohol syndrome. Calm down. Manage your new ideas. Your ideas won’t amount to a hill of beans if you can’t take one and drive it like a herd of cattle toward execution. Shelve new awesome ideas. Marry the manuscript, and divorce it only when it’s yielded to your marital creative power. New ideas, take them out of your brain, write down some notes, stick them in a jar and pop them on a shelf. Now write the thing you were supposed to write.

Stop Slagging On Editors Or Agents, Cock-Waffle

Editors? Rule. Agents? Rock. Fuck the narrative that says they’re part of big publishing and they don’t care and blah-de-blah-de-blippity-bloopy-bloo. (Too much with the hyphens? Too bad! Ha ha! Bourbon!) You may have some gnawing scarab stuffed up your ass about gatekeepers, but seriously, grow up. I’m happy if you take the indie path, but editors and agents are not your enemies. They’re good at what they do. Moreover, given the state of the industry it’s not like they’re doing this so they can finally afford their own personal robotic colonic technicians. They do it because they care. Because they love it. They’re in this for the same reason you are: because they really like books. Yes, yes, fine, the world is home to some shitty agents and editors. They’re the exception, not the rule. End of story.

Of Course You Suck, We All Do, Get Over It Already

I don’t care that you think you suck or you’re having trouble writing or gosh this manuscript is haaaard. Shush up, Nancy. I know you suck. I suck, too, a lot of the time. But I don’t want to talk about it, and I damn sure don’t want to hear about it. Be a fountain. Not a drain. Or some other twee cliche bull-snot. Be positive. Be awesome. Own your role as storyteller. Stop sniveling. Do the task at hand. Your purported suck-fest doesn’t make for compelling reading. And you know what? Writing’s not even that hard. You know what’s hard? Kidney stones. You know what else is hard? Being born in oppressive country where the people have no food and no freedom. You know what’s really hard? My bulletproof abs. Okay, shut up about my abs. I know they have the firmness of a bean-bag pounded to a pulp by a ceaseless parade of dry-humping college students. You keep quiet. My point is, writers get the glorious chance to constantly rewrite. You have the ability to forever up your game. You’re telling stories. It’s pure. Perfect. Weird. Wonderful. Stop complaining about it or I will choke you with a sock full of your own teeth.

Shut Up, It’s Okay That We Talk About Writing

Writers are going to talk about writing. Get over it. Nobody said you had to read it. Nobody said you had to pay any attention at all. But I’m tired of the narrative that writers shouldn’t talk about writing. Listen, writing? Publishing? It’s some crazy shit. And we’re all crazy for doing it. If some of us don’t think about it or talk about it? Our skulls will rupture and monkey-demons (or demon-monkeys, I gotta be honest, I was never clear on this point) will escape. You don’t want that to happen, do you? Hell, you ever hear the phrase “talk shop?” This is that. What’s next? “Hey, teachers, stop talking about teaching. In fact, just stop teaching, teacher. It’s like that band says, leave those kids alone.” Every job I’ve been at, you know what they talk about? The job! Because it’s fucking relevant! Fnuh! Bbbt! See what you made me do? Now I’m just typing sounds. I’m not even making the sounds. I’m typing them. That’s the first sign of clinical insanity. I’m going to be over here still talking about writing sometimes. Don’t like it? Here’s my butt pucker. You can give it a little smoochy kiss and then hit the door. HA HA HA THAT’S NOT A DOOR IT’S A GREAT WHITE SHARK YOU JUST GOT SERVED

And Sweet Motherless Goat, Writers Are Cranky

YOU CAN’T SAY ANYTHING oh — damn, caps lock still on. Ahem. You can’t say anything anymore to other writers without someone getting their nipples into knots. You talk about traditional publishing, self-publishing, price, character, content, review, platform, and somebody out there is going to hike on the ol’ cranky-pants and cinch the drawstring good and tight. Mention something, anything about writing or the industry and somewhere a writer is quaking with inchoate rage or sudden venomous snark. What happened to having a reasonable response? It’s no longer, “Hello, I do not agree with you and here’s why,” but rather becomes “HOLY SHIT WHAT DID YOU SAY ABOUT MY MOTHER? No, no, I see what’s happening here, you said that thing about how science-fiction should be considered as important as literary fiction but what I heard was, your mother fucks hoboes on CSPAN.” Hell, haven’t you read the news? You say the wrong thing, something called a “YA Mafia” will hunt you down, shit in your mouth, then write nasty teen novellas about you. Holy crap, writers get so mad about stuff! Why are we so mad? What is wrong with us? Is there something wrong with our adrenal glands? Does writing cause mood cancer? Everybody, just chill. Yesterday in baby class they taught us soothing noises, and apparently that means I get in your ear and go SHUHHHHSHHHHHH SHHHHHHHH PSHHHHHHH FSSHHHHSHSHHHHHH. So. Imagine I’m doing that. Feel better? Of course you do. I am… the Penmonkey Whisperererer.

OMG YOU GUYS BOURBON

This bourbon — Bourbon? Capitalized? — is delicious. I was always a Scotch guy, you know? But, mmm. Bourbon is nipping at Scotch’s tartan heels, it is. You know what else is awesome? Bluecoat Gin. Best gin I’ve ever had. And it’s not only American, but it’s Pennsylvanian, and we do shit right in Pennsylvania. Hello? Soft pretzels? Cheesesteaks? Yuengling? The Amish? Hatred? We’re good at so much. Yesterday, the makers of Bluecoat, Philadelphia Distilling, sent me a box full of goodies. Big bottle of gin? Little bottle of gin? Little bottles of vodka and absinthe? And a hat? Yes to all of the above. Thanks to them for sending a writer alcohol. Smart move. Customer loyalty, earned.

Commerce Is Not A Dirty Word

Writing for me is a business. It doesn’t have to be for you. I don’t care. You can write My Little Pony fanfic for all of eternity — and, if my vision of Hell is accurate, that’s exactly what you’ll be doing. I need to make money with my writing. If I don’t, I cannot feed myself, my wife, and my upcoming spawn, then I will have to stop writing. So, it’s something I need to think about. And talk about. It’s not a dirty word. Try to make me or any other writer feel like a shit-heel for having to earn out and I will collapse your trachea with a broom-handle. In fact, let’s get shut of a whole bushel basket of dirty words — social media, self-pub, pantser, plotter, theme, fuckface, literary, young adult… wait, wuzzat? “Fuckface” is a dirty word? Are you sure? Says you. Pfft. Pssh! Whatever. Point is, just because you don’t dig on something or don’t consider it important doesn’t mean that other people don’t. You’re allowed to not dig on it. Just don’t be a fuckface about it. Now go back to stroking your My Little Ponies. IN HELL. (See? Cranky! Bourbon!)

That Greek Semen Lady Isn’t An Emblem Of Anything

(Sorry, what? It’s Greek Seaman? Is there a difference? Oh. Oh! There is? Really? I always thought my little man-seeds were actually tiny ocean divers. With the big bell-helmets? I had biology all wrong. What were we talking about again? Oh! Oh, right. Crazy author lady.) The other day, some cranky froth-badger got on the Internet (first mistake) and responded to a somewhat negative review of her self-published novel (second mistake), and then kept on responding (third, fourth, fifth, etc. mistake). The post — found here, if you care — went viral pretty fast among writers, publishers, and editors. The narrative that resulted initially was, “This is how not to act like a professional writer,” but then morphed into something about self-published authors. No! No. The Greek Semen lady isn’t an emblem of anything but total farking space-bats who get on the Internet and act like, well, total farking space-bats. “But this is why I don’t trust self-published writers!” No, this is why you don’t trust lunatics. Plenty of self-published writers act like very nice, generally sane folk. And plenty of “traditionally-published” authors have gotten on the Internet (first mistake) and ranted at reviewers or said stupid shit or made asses out of themselves. This lady isn’t a standard-bearer for anything but unprofessional whackaloons. She doesn’t deserve your heaps of scorn, nor does she deserve this much attention. Stop rubbernecking and move on.

Thinking About Publishing Is Like Having A Brain Parasite

We think too much about publishing. And it’ll drive you nuts. (Actually, that might explain why so many of us writers are cranky.) Seriously. You gaze into the abyss, and that abyss not only gazes back, it’ll flick a lit cigarette in your eye. “Oh my god, advances are down. I have to write a query letter. What are the royalties on e-books again? Borders is closing? Barnes and Noble stock is down? I could self-publish! I could make some cover art with dried pasts and Elmer’s glue. What are the trends? Young adult paranormal dystopian giraffe porn? Vampiric zombie dieselpunk middle-grade romance? Will Oprah like my book? Why is my mouth filled with blood? OH MY GOD I BIT MY TONGUE OFF.” Guess what? All this publishing crap doesn’t matter. I mean, okay, it matters, and I’m not saying you shouldn’t pay a little attention. But a lot of the time, it’s like watching the news. You can’t personally do a lot about what you see on the news. Same with publishing. Books aren’t going extinct. So write one. If it’s good, it’ll have a place to land. But not if your head explodes from thinking too hard about publishing trends, first. Which leads me to…

For God’s Sake, Shut The Hell Up And Write Already

Your task is to write.

Write! Write write write write write. Write every day. Write until your heart flops out onto the desk like a bloody catfish and thrashes around, squirting your creative blood all over the wallpaper.

The only way through is to write.

Learn how to write better. Then write some more.

And keep on writing until you explode and die.

And there you go. A super-soaker full of my unfocused rage, sprayed in your face like projectile vomit. If you feel so inclined and are equally full up of such wanton and incalculable vigor, stomp on down into the comments and leave your own deposit of weasel scat rambling pejoratives about writers and writing.

Again, should you find yourself offended, I’d casually remind you that I am including myself as a target of my own sputtering spit-up because I’ve done most of this shit once upon a time.

If you remain offended, then you can now have your Xanax.

This way to the great egress.

*drops mic, walks off stage, falls into the orchestra pit, dies*