It’s funny — I worked in pen and paper roleplaying games for a long time, and one of the hallmarks of that industry is people coming up to you and telling you about their characters. “I HAVE A LEVEL 14 SPACE JANITOR WITH THE SPECIAL FEAT: DEADLY JAZZ HANDS.” And you nod and smile and say, yes, that’s nice, but you learn to fear those not uncommon moments where someone wants to fix you to a spot and unload their entire character sheet into your brain.
But in fiction, people don’t do that. (Whew.) We’re trained to give a log line, a short elevator pitch (IT’S ALIENS MEETS GOOD WILL HUNTING AS A SPACE JANITOR PLAYS HOST TO A PARASITE NAMED ‘CUPID’ AND HE FINDS LOVE AND…). But really, we still need to be thinking about — and talking about — characters. Character is our entry point into a story. Characters are why we stick around. They’re how we relate. They’re why we give a shit.
So.
Whatever you’re writing right now? Tell us about the protagonist.
Don’t go on too long about it — a paragraph or two, no more — but tell us who they are. What they want. What drives them. What opposes them. Open that character up for discussion and critique. Think about whether or not the character works, or if there’s more you could do — and if there is, ask us. Let’s crowdsource it. COMMAND THE HIVEMIND TO WORK IN YOUR FAVOR.
Or something like that.
Note: if you post about your character, you should endeavor to talk to someone else about their character, too. Quid pro quo, Clarice.
(Extra credit reading: The Zero-Fuckery Quick-Create Guide to Kick-Ass Characters.)
Christopher Hickey says:
My protagonist is a magician specializing in making deals with otherworldly beings, trading for powerful techniques and artifacts. In his “cover” he works at a hedge fund management company; he uses his abilities to make money, and uses the contacts he makes at work to further his order’s goals. At the beginning of my novel he’s basically wasting his talents, focusing on sex and drugs and comfort, but he’s forced into a fight that causes him to grow up some by the end of the book.
April 20, 2015 — 8:08 AM
Dannielle says:
I love the contrast here. On one had we have street-smart, deal-making wizard; white-collar banker; and sex/drug addict (obviously those are quite exaggerated/not quite right but you get what I mean). I think this gives you a lot of potential to explore the different sides of him and how this makes him as a whole – since most people are multifaceted after all. In fact, I think this gives you a great opportunity to create a truly realistic character. Nice concept, mate.
April 20, 2015 — 8:21 AM
caroljforrester says:
I always love a modern twist on a classic archetype such as a wizard. There is definitely something darkly attractive about this character.
April 20, 2015 — 8:27 AM
L. N. Holmes says:
I like the idea of making deals with “otherworldly beings.” There seems to be a lot of potential for interesting conflict. 🙂
April 20, 2015 — 9:23 AM
tedra says:
I love this idea! Its almost like one of bounced around and never did anything with it, except mine was a woman in hiding as a fortune teller and the guy that she’d been hiding from walks in as this big wall street guy, just looking for shelter from the rain. He has no idea who she is and it screws with her because when they both get attack, she has to wonder what’s she’s been running from all this time. And why has dude lost his memory. Well, I guess its not much like your except the magician part…lol. Bug I like your story. Mine never went anywhere. I hope yours do.
April 20, 2015 — 10:53 AM
Jana Denardo says:
This has a lot of potential. I’d like to see what happens to him.
April 20, 2015 — 11:28 AM
tamara says:
Anna is a very religious Russian Orthodox young woman. Her care for her soul is absolute and unwavering. But then she begins to see sinister sides to the priests, and they begin to visit her dreams in various manifestations. Their aim is to drive her mad, so she will not see the truth. Her paranoia grows as the dreams worsen and bleed into everyday life. She is on the road to being assessed as mentally unstable.
She has visions of Orthodox saints, and it slowly becomes clear that Anna is the harbinger of a new truth that the Saints feel is time to express in the world. The priests are corrupt, their systems outmoded.
But Anna has always been a traditionalist. Her husband is the head of the family. She has always been a dutiful daughter and now wife.
Main driver: fear for her soul/damnation.
Main opposition: what happens when the source of your comfort turns out to be the source of all your fears?
Main problem for me: striking the balance between her trust in the church, and the rebellion that needs to come out of her at some point.
Question: is it more believable to have the rebellion be sudden – as in “this is the last straw”, or does it need to build over time as small thoughts that gradually add up?
April 20, 2015 — 8:10 AM
Dannielle says:
I think it’s a combination of both. Often the most dramatic ‘epiphanies’ are when people have been pushed on and on and on and on and on and then they just SNAP! i.e., something little happens that shakes her faith but she brushes it off because she’s never questioned her faith before (something little that shows how corrupt the priests are like stealing from the church plate or whatever. She would brush that off and think he must be doing something else). But then something else happens and it reminds her of the first incident, so she subtly questions the priest but he denies it in a way that’s supposed to reassure her (she acts reassured) but now it’s nagging at her worse than ever but she tries to go on with her life and not let anyone know anything’s up. But then something unmistakably bad/corrupt happens that she witness. This time she’s truly shaken and she doesn’t dare tell anyone (this is when I would make the first dreams/signs of insanity/stress appear). This slowly builds internally until she’s emotionally and psychologically unstable. Then you hit her with something personal. The priest’s corruption has now affected her personally, confirming all her doubts and fears whilst affecting her life. Cue big blow up and full-blown evangelical insanity.
I think that by building it up and then having a big, blow off you’ll achieve something that’s both deeply satisfying/horrifying/believable in the reader. That’s just my opinion though of course. All up, I absolutely love your idea. I love it so much in fact I wish I could read the finished book. I’m dead serious. In fact, if you wouldn’t mind, could I maybe email you sometime? I would absolutely LOVE to hear more about your character Anna. She sounds so interesting and the way you’ve written her has made me emphasize with her even though the only thin we have in common is being female. 100/10 bravo.
April 20, 2015 — 8:32 AM
tamara says:
Thanks Danielle – on all counts. You are right, the slow connected burn leading to a big blowup. Nice. It helps to get clearer! Yep, Anna is getting more and more things thrown at her right now, and it’s building like you said. It’s also taken a turn for the unreal – things in dreams/crows as priests or watchers for priests, and sudden miraculous events when Anna prays. She is now scared of praying. I admit to having not the first clue where this is going, but it’s fun!
And yes, do email if you want to, would like that – tamara at tamaraprotassow dot com. (better for the regular checking)
🙂
April 20, 2015 — 9:15 AM
Dannielle says:
Thanks! I’d love to have a writer friend. I’ll send you an email.
April 20, 2015 — 9:54 AM
ElctrcRngr says:
A crow with a white collar and cassock. I love the image!
April 20, 2015 — 4:55 PM
tamara says:
Yeah, they’re scary tho – who knew that dream crows turn out to be BIG? like knee high. I’m freaking myself out writing it…
April 20, 2015 — 11:14 PM
L. N. Holmes says:
You really do need the changes to be small. They need to add up over time. You’re talking about a belief that is set in stone and a sudden switch is not believable. Although, having a giant push at the end—after enough build up—could work.
April 20, 2015 — 9:27 AM
tamara says:
Ooh yes, thanks! Noted.
April 20, 2015 — 9:34 AM
addy says:
i agree with Dannielle, small thoughts, but also have an event that brings these small thought together.
April 20, 2015 — 9:35 AM
Matthew Harffy (@MatthewHarffy) says:
I love the sound of this character. I agree with Danielle that a slow build up, little by little, thoughts and ideas flapping around at the edge of her psyche and then – POW! An explosion of righteous rebellion on a cataclysmic scale!
April 20, 2015 — 10:17 AM
Ryan V says:
I do love stories of crises of faith. This sounds pretty cool!
April 20, 2015 — 9:28 PM
tamara says:
Hey all, thanks – loads of help here. Much appreciated! 🙂
April 21, 2015 — 9:28 AM
Xanda says:
Bianca Snow is a vampire ‘living’ in a modern, fictitious city in the south east of England, though she is a Scot, herself. She works at a quiet dive bar, Echo, where, as the story begins, a colleague is killed and left in the park opposite. Bianca didn’t know the girl well, and wants to stay out of the way of the police, as they are prone to discrimination against vampires, and she doesn’t want to draw attention to herself.
Bianca’s vampiric ‘parents’ created her only recently, she is fairly young for a vampire. She disagreed with her creator, who had thought to create a sort of slave of her, and ended up killing him after a massive argument. She is currently hiding from his mate.
Bianca is a fun person to hang out with, witty, dry-humour is her style, and she has strong ‘mother-hen’ tendencies towards her friends, but when push comes to shove, she will always choose to save her own skin, run away or sacrifice someone else. Until she meets and falls in love with Cassidy Thompson, a human who forces her to change her ideals completely. She eventually investigates her colleague’s murder with her help.
April 20, 2015 — 8:10 AM
tamara says:
I like the way you twist a semi-stereotypical character: “fun person to hang out with, witty, dry-humour is her style, and she has strong ‘mother-hen’ tendencies towards her friends” and give her the flaw of: “when push comes to shove, she will always choose to save her own skin, run away or sacrifice someone else.” This right here makes for interesting plot. I’d pick this up and read it!
April 21, 2015 — 9:30 AM
Dannielle says:
Ok, so my protagonist is a lower-class, 18 yrold male (caste-system dystopian society). He’s what you would call ‘chaotic good’ – lead by his conscience with little regard for what others expect of him. He makes his own way, but he’s kind and benevolent. He believes in goodness and right but has little use for laws and regulations. He hates it when people try to intimidate others and tell them what to do (which happens A LOT in the book) but is so repressed that he can’t do much about it other than make jokes and get pushed around a lot. He follows his own moral compass, which, although good, does not agree with society but he generally doesn’t get anywhere. All up, he is very frustrated and repressed. He lives in a strong patriarchal society that’s homophobic whilst having latent feeling for his male best friend. He struggles internally the whole book, dealing with repressed feeling and anxieties that aren’t released until he’s lost everything and there’s no point anymore. Very depressing really.
April 20, 2015 — 8:16 AM
Xanda says:
This is great, I’d definitely read this guy. He sounds like maybe the beginnings of a superhero-vigilante type character, and that way he fights for the goodness he feels, for what he knows is right, rather than bowing to the law that does no good.
April 20, 2015 — 8:27 AM
tamara says:
Ooh! Interesting. I like the contrast between his internal conflict [sexuality/behaviour/morals] and his external inability to ‘do much about it’. But his moral compass is good. Leaves me wondering what happens? Does he get pushed further and further and then fail in some way, leading to more pressure that finally sees him succeed? I know you say he’s lost everything and there’s no point anymore – is this the finish point, or is there more? [this is curiosity, not judgement!]
April 20, 2015 — 9:21 AM
Dannielle says:
My novel is a tragedy so his success is definitely bittersweet. His main goal is pretty much to have a happy, simple life with his friends and family. They are all very poor and looked down upon in society. This is jeopardized when he loses his job. Around this time the ‘outsiders’ attack their city and it is announced that they’re at war and under pressure from his family, he decides to join the war to help pay for all their (medical) bills. His grandfather is also very morally supportive of the war. His best friend (who is intersex) also decides to join the war because he hopes it will help solve his problems with not being ‘masculine’ enough. Stuff happens during training (very humiliating, debasing kinds of hazing) and James (MC) fails to protect his friend. He also can’t admit to himself that he’s in love with Micheal (friend) and when Micheal tells him he loves him, James breaks down psychologically but still can’t admit it because of his conditioning, causing Micheal to be incredibly hurt. Micheal ends up dying in the war. At this time, James is trying to convince himself that he’s in love with this chick who loves him when really he just admires her. More stuff happens and then his last family member dies in a riot (people aren’t happy about the war). he is now a failure and has failed at everything in his life. He then has a big bust up with Amber (chick) because she’s not who he though she was and now she makes him sick. He goes a little crazy and ends up with the enemy who are nothing like they’re supposed to be. In fact, apparently his side started the war no the other way around. He tries to help them but they are annihilated (but this time he is actively fighting and he becomes a little more empowered). Amber ‘rescues’ him from the massacred and takes him ‘home’ where he is a war hero. But now because he’s empowered and has status, he decides to fight back against his corrupt society. To counter this view, the prime minister reveals that she did what she had to because they desperately needed the resources and if she hadn’t of invaded the outsiders even more people would’ve been poor and starving (linking back to his original goal). The book ends with him on the balcony of his hospital room watching all the poor people protest in the streets an him finally being in a position where he could’ve helped his friends and family (except they’re dead and were disappointing in him before they died).
If you bothered to read all that I applaud you. I tried to write it more succinctly but I couldn’t. The main gist is that he is weak with good intentions, and then weak with grief, and then powerful without a cause. Kind of an alround bummer really.
April 20, 2015 — 10:15 AM
tamara says:
It’s certainly very involved, which is more plot than character that you’re describing here. James sounds like a good guy trying to do his best with the lot that life has given him. (aren’t we all?)
He seems to be motivated by family and loyalty and a wish to do the ‘right’ thing.
Then the ‘right’ thing seems to change – and this is the pressure he’s under. The interest for me is when characters are solidly one thing, then they get put in circumstances that either make them question, or behave, differently.
It’s a fun ride then!
Though your book is bleak, it’s a look at how life can just take someone and twist them any whichway, and the outcome is not always pretty and/or with a happy ending. Keep writing! 🙂
April 20, 2015 — 11:24 PM
tedra says:
I’m really confused on who your character is. I’m guessing at the end of it, he’s a rebel with a good heart who’s dealing with not only his sexuality but the role his world is trying to put him in. It could be an interesting book. I’m curious to see how he deals with such a demanding life. My suggestion would be to just go simple. Um, dont over explain. I would suggest doing a little more character work because a lot of your words contradicted each other and I had to read your passage over and over. But it seems like you have a good start. I wish you the best.
April 20, 2015 — 10:48 AM
Byron Lagrone says:
This is a short comment, but personally I’d suggest avoiding the ol’ D&D hierarchy of alignments. Chaotic Good especially tends to be overused as a descriptor. For example: Rather than say “Slippery Jim DiGriz is a Chaotic Good thief,” I might say “Slippery Jim DiGriz makes a living robbing banks and running elaborate scams, all while refusing to kill people. As he hops from planet to planet, he fills the coffers of those he considers good — mostly himself, but sometimes others.”
April 20, 2015 — 12:51 PM
caroljforrester says:
Tara Woodfall is the daughter of a despot king, terrifyingly good at killing and terrible at choosing the men she takes to bed.
Honestly, she doesn’t give a damn about being Queen and the possibility of an encroaching rebellion is more of an annoyance than a worry. However, she’s the one who’s been tasked with rooting out the rebel camps in the Northern Mountains and convincing the remaining Witch tribes to come to Kerlin’s aide despite the numerous attempts from her father to eradicate as many of the witch tribes as he could.
In exchange for their help the Witch Council want Tara to usurp her father and take his place, others want both Tara and her father dead and the Old King’s son restored. To keep Kirlin safe Tara will have to work around her maniac of a father, the witches and the rebels, forging more than one contradicting alliance and discovering more than one unexpected threat as she goes.
[I hope that’s not too long. I’m counting this as my dissertation break for the day, so back to the eighteen century letter I go! I suppose if I ever finish Darkened Daughter I’m going to have to write a thank you to Chuck in it somewhere for his blog posts and reminding me to actually hit the keyboard for something other than University work. Thank you Chuck.]
April 20, 2015 — 8:24 AM
tamara says:
Very cool plotline and protagonist! I particularly like the first sentence here, tells us almost all we need to know about Tara. Love her already. [Yeah, finish the coursework and write the damned thing. Some of us want to read it!]
April 20, 2015 — 9:24 AM
el Flashor (@elFlashor) says:
I’d be interested in reading how she manage to cover all that stuff and balance these alliances! I suppose (hope so ?) being terrible at choosing the men she takes to bed will gets in her way more than once 🙂
April 20, 2015 — 10:02 AM
Jana Denardo says:
Oh I like her. This has the potential for a lot of drama. Also, good luck on the dissertation
April 20, 2015 — 11:34 AM
Wendy Christopher says:
Sounds like a rip-roaring ride – and a feisty female character for the win! ( I didn’t use the term ‘strong female character’ ‘cos some of the interpretations of that term are starting to become a bit of cliché in fiction now, and Tara sounds like she’s anything but a cliche. Kudos to you for that.)
And no, this definitely isn’t ‘too long.’ If anything, it made me want to know more. That first sentence is killer, for a start – would be great for the book cover blurb. 🙂 Who’s Kerlin? Are the Witch tribes predominantly female, or are they not ‘witches’ QUITE that literally? You’ve hooked me now, I wanna know this stuff!
April 20, 2015 — 2:30 PM
caroljforrester says:
Thanks for the positive feedback, I’m really glad to see that people seem so interested. Kerlin is a place, and the witch tribes vary from group to group but your comment has me mulling over some new possibilities.
April 20, 2015 — 2:36 PM
Professional Liar says:
Kirlin is the despot or the kingdom? What do you imagine as Tara’s arc?
April 20, 2015 — 6:00 PM
writerprincess8 says:
I’ve been working on writing an urban fantasy novel for a while now. The original version had something of a cliche protagonist. Brooding, tough, revenge-driven, good with weapons and fighting and stuff. His entire motive through the first book was nothing but revenge, which wasn’t really gelling with me.
So instead I took a different character from that book and decided to work on his story. Lucas/Lucy is transgender, more specifically gender-fluid. In a world of magic and monsters he has the rare ability of Runecalling. He yearns for freedom from his coven, his family, but he’s young and naive and wouldn’t know what to do with true freedom. He has been repressed for so long he questions who he is while his family, his grandfather – the leader of all Magi – in particular, push him into being what they want him to be, and that certainly isn’t gender-fluid. When he does achieve what he thinks is freedom he finds himself in a war between monsters that he is not prepared for.
I don’t do a great job of describing him. I find it hard to convey what’s going through my mind and typing it out. I worry that the character is bland (which had been a problem of mine in the past), and I worry that people will think making him gender-fluid is nothing but a gimmick. Sometimes it even feels like that to me, even though I am transgender myself. I’ve never seen or read of a Trans character in an urban fantasy novel, especially not the main protagonist, and I wonder if I’m trying to cram too much in with my gender-fluid Runecaller magi.
April 20, 2015 — 8:25 AM
Dannielle says:
No! Don’t doubt yourself! Whether it’s a gimmick or not (I don’t think it is) having more diverse protagonists is an ABSOLUTELY GREAT THING! If you’re worried about him being bland, try adding conflict to his personality? What does he want most? To be free? Then make his fear the opposite – to be repressed. How is he repressed? By his gender. So make him constantly feel the pressure to conform. The fear and pain of always being in a place that’s suffocating him. Make the male/female aspects of him constantly knock at his door an irritate him until he starts doing things irrationally. Why? Because (reasonably) irrational characters do interesting things.
That was a bit giberish-y but I hope that helps anyway.
April 20, 2015 — 8:39 AM
writerprincess8 says:
It helps a lot, thank you. I’ve doubted myself for along time whether or not a character like this would be interesting at all. Thank you for helping me put those doubts to rest.
April 20, 2015 — 3:39 PM
caroljforrester says:
I don’t think I’ve ever read about a transgender character in this genre. I’d say it’s great your trying to write one and I’d definitely encourage you to keep at it. I wouldn’t say you’re trying to cram too much in either, or that making him gender-fluid is gimmicky. Write the book and then worry about cramming too much in.
April 20, 2015 — 8:43 AM
curleyqueue says:
I see no issue in the gender-fluid aspect of your character, and don’t think it will read as a gimmick unless it’s the sole focus of the tale. Personally, I get invested in characters whose gender and sexuality are only a part of who they are, and while I would love to see how you’d develop Lucas/Lucy’s coping with the challenges of gender-fluidity, I think you’d sell yourself short if the larger (and universally relatable) family issues and struggle to find himself is neglected. Don’t think you need to worry about bland though- this character has the potential to be anything but!
April 20, 2015 — 9:20 AM
EJ says:
Do it! I’m in total support of your fluid Runecaller. It will only be crammed if you info-dump your character’s life story onto the reader. If you just let the narration take things as they come, it’ll just be your character having a rich, full life with struggles on all sides.
What I’m hearing from you, when you say “gimmick,” is that you’re worried that his gender identity will be the only notable thing about your character. So keep working on him! Keep writing his story until you get to that point where you’re like, “Man, I wish Lucas were here, he’d totally love this (thing I’m doing now).”
Also, here’s how I look at things: straight, cisgender people are allowed to write entire novels full of straight, cisgender characters, and nobody bats an eye. Queer folks should be accorded the same consideration.
April 20, 2015 — 9:20 AM
Katherine Hetzel says:
This is a really interesting character – I picked up on ‘what he thinks is freedom’…You have the interest in the character right there – because we need to the contrast between what he thinks is freedom and more importantly, what he actually gets. And when does he recognise what ‘real’ freedom is? I like it. Stick with him/her…
April 20, 2015 — 9:23 AM
writerprincess8 says:
Freedom just isn’t what he thought it would be. At least, his bid at freedom isn’t if I can make it work out well enough. We’ll see if he ever gets the chance to recognize “real” freedom.
April 20, 2015 — 3:42 PM
basilisksam says:
Yes I like the transgender aspect. After years of tough men we’ve had years of tough women in this genre. Having a transgender element should help you play off both of the existing stereotypes and fashion a new type of protagonist.
April 20, 2015 — 9:24 AM
MC Houle says:
You had me at gender-fluid… It didn’t read as a gimmick to me..
April 20, 2015 — 10:33 AM
tedra says:
I’m curious to see this one play out like everybody else. Your story is interesting, not only with the world but your unique character. O would suggest to pull out some things that are key to your character. Make note of what can or does hinder and help your character succeed or fail at what makes him tick then challenge him in the book. I don’t know how old he is but maybe a ball or some kind of formal gathering is coming up. Tell us about his conflict of passing up the store he wants to go in verses the one he has to go in. Show him, in a rare moment that he gets to be by himself and do his magic where he is so happy and free then drag him back into reality and let him long for that free moment again. That difference in personality, I think can make a big difference in your book and to you. Maybe he wants to join the army or be a cook, show him longing for something else. Once you have his internal conflicts down, I think that you would be able to shoot out that war with no problem, because then you would know who he is and how he would handle situation. It doesn’t matter if every scene doesn’t make it in your book, you’re just trying to fish out your character. Good luck. Keep us posted on this one.
April 20, 2015 — 11:28 AM
Pixel Prism (@pixel_prism) says:
I am definitely interested in this character — and like those above, I don’t think it’s gimmicky at all. I understand your worries though; my story is driven in part by my desire to see more representation for a lot of different folks so I worry about “gimmicks” all the time, but like the others said, as long as they’re characters in their own right and their sexual identities isn’t their main and only trait, it’s probably fine!
On a side note, I think it’d be incredibly interesting if the original protagonist became some kind of side-character or antagonist or something. Obviously an uninteresting character is an uninteresting character, but maybe he’d flourish more in a different role? I’m just intrigued by the idea of writing a book from one POV, scrapping it and changing characters, and then seeing how the new character would view the old one.
April 20, 2015 — 12:30 PM
Heather says:
I love the term Gender-Fluid. Have you heard of the first nations term two- or dual-spirits? That might fork for a character in that kind of world.
April 20, 2015 — 1:29 PM
Melissa Clare says:
As soon as you started talking about Lucas/Lucy you hooked me – right away. This sounds like a really interesting character that a lot of people would like to get to know. I don’t think the gender-fluid part is gimmicky at all. And he’s definitely more interesting than the first character you started to describe. I don’t think I’m alone in being a little tired of books with the same main character (type) over and over.
April 20, 2015 — 2:47 PM
lizaskew says:
I like the idea of gender fluidity in a fantasy novel. It’s fascinating to see a person who is totally at ease being a manifestation of not just two genders, but a whole new one. There’s something intriguing about a being who can represent all that’s fundamentally human in one unified form.
April 20, 2015 — 9:06 PM
Periodically Demented says:
I’m with everyone else on this. Write it. There’s a whole new art form ready to emerge in TG/TF writing and probably very few people are sure how to handle it. Break ground.
April 20, 2015 — 10:48 PM
writerprincess8 says:
I’ll do my best, thank you.
April 20, 2015 — 11:26 PM
Robert Sadler says:
Will Deslar is a 28-year-old man following the trail of his kidnapped son.
The hook – he’s a psychic. But not in the traditional sense. He’s more of a channel, or a transmitter. He absorbs feelings, emotions, thoughts, and any other experiences of those around him. Not only does he take these things in, but he also projects them out. His nausea could cause someone else to throw up. His fear could bring strike panic attacks into a room full of people. And he can’t control any of it.
Sometimes it works to his advantage, but it usually fucks him. Really, really fucks him.
April 20, 2015 — 8:26 AM
authorlady22 says:
I like this. There’s a lot of room for conflict which will make for some interesting prose. My only bit of advice would be to make sure you’re consistent. Don’t leave out reactions out of convenience.
April 20, 2015 — 8:52 AM
Robert Sadler says:
Thanks for the advice. The book is 99% done after 2 years of work, and one of the biggest challenges was making sure the powers were consistent and not used as magic wand to solve problems.
April 20, 2015 — 11:04 AM
Katherine Hetzel says:
I like the sound of this – especially the potential for conflict when the feelings are projected onto others…
April 20, 2015 — 9:17 AM
Robert Sadler says:
Thank you. Yes, the projections were some of the funnest parts to write.
April 20, 2015 — 11:05 AM
curleyqueue says:
I’d read this in a heartbeat- great ideas!
April 20, 2015 — 9:22 AM
Robert Sadler says:
Thank you so much!
April 20, 2015 — 11:08 AM
Beth Turnage says:
You are describing an empath. Most empaths take things in, not project them out, so you have a twist there. And yeah, learning how to control all of that takes some serious work and a good teacher. I see possibilities here. Hmmm.
April 20, 2015 — 9:23 AM
Robert Sadler says:
You are pretty much right, but I try to stay away from technical terms in the novel in order to keep readers from coming with preconceived notions. He’s not the typical empath, or the typical psychic, or the typical anything else. He has a specific mix of abilities/curses that I don’t think has defined name.
Thanks for the input!
April 20, 2015 — 11:12 AM
tedra says:
That is a nice idea. How does your plot play into his character?
April 20, 2015 — 11:37 AM
Robert Sadler says:
Thank you.
The plot follows Will as he tracks his kidnapped son. His ability, since he cannot control it, usually acts as a foil, getting him into trouble and making his search more difficult. They do occasionally work in his favor, though. And, since the powers tend to get stronger under stress, their intensity builds up throughout the story, starting mostly harmless and ending with devastating consequences.
April 20, 2015 — 12:20 PM
Pixel Prism (@pixel_prism) says:
Fascinating! I’m really curious how his powers will adapt and change over the course of the plot. Will he learn to control them with any degree by the end? Is this the first book in a series and he’ll have to take the long haul to get to a manageable place? How does he manage this ability in his every day life? How does he react to causing a scene?
I’d totally read this book.
April 20, 2015 — 12:33 PM
jack lee taylor says:
I would definitely read this! Great premise. I particularly like that the protag can’t control his powers. It’s like the bomb waiting to go off, and usually not in his favor (hopefully, it will though, and not when we expect it). You’ve pretty much covered it here. You got the wants, the conflict and the hook all there.
April 20, 2015 — 1:58 PM
Robert Sadler says:
I appreciate the kind feedback! It’s definitely a ticking bomb that keeps tension high.
April 20, 2015 — 3:14 PM
theotaylorr says:
I like the last line. I like the chaotic nature of it. So many times a character has a power or ability that the reader can usually end up connecting the dots on how that protagonist will use that ability to dictate the plot. I like the unpredictability of it! Salute!
April 20, 2015 — 2:01 PM
Robert Sadler says:
You’re absolutely right with your comment about powers. Not only can you usually tell how it will work in their favor, but you can usually see how antagonists will use it against them. Superhero stories often suffer from this predictability. One of my main goals while writing was to keep the ability’s effects unique. I have many situations that I’m almost 100% positive have never been done before. It kept me intrigued throughout the writing process.
Thanks for the comment!
April 20, 2015 — 3:19 PM
Ed says:
My character Reginal is a detective. He is given an almost impossible case to solve. A top scientist is murdered on a highly secure military base. The military give Reginal nothing to go on apart from an autopsy report but despite this he perseveres, struggling through researching the victim’s life by tracking down those who worked with him. Slowly he starts to piece together that his victim’s research was mixing hard science with aspects of a theoretical nature, more specifically those relating to social and cultural.
What drives him? He hates un-resloved cases. A determined mind set that nothing cannot be explained without hard work.
April 20, 2015 — 8:27 AM
Still Trying says:
I immediately liked this character … though not for reasons perhaps normally expected. (Wait, who am I kidding? We’re all freaks and nothing we ever think is “normal.”) So anyway, I immediately thought of the lead character on “Better Call Saul.” I could not relate to him at all for the first several episodes of this season’s series, being forced to endure the show only because I couldn’t escape family time. But then … Wow. What a guy. It may not fit in with your theme, but who doesn’t love a bumbling professional who in the end outwits them all? Perhaps Reginal was only given this case because it WAS unsolvable and he was given it to keep him occupied and out of the way. Perhaps his methodology has been wasted on cases that ordinary people can solve and because he is so methodical, cases are resolved before he’s out of the chute. And this case opens up his very unusual qualities that are only required in the most demanding situations, those that otherwise would be “cold cases” forever.
April 20, 2015 — 9:34 AM
Beth Turnage says:
Ed, good start. But what are the conflicts in his personality? Does a part of him hate how persistent he is? Is there a part of his life where this persistence caused problems? Perhaps in past relationship? Usually a trait manifests in opposite forms in a personality, say, as example, he may be an utter bulldog when it comes to unresolved cases, but he forgets to pay his bills, leaving him quite literally in the dark when the electricity is turned off. Just saying.
April 20, 2015 — 9:49 AM
shelton keys dunning says:
In addition to the comments already made, I pose two questions:
Just to clarify here: What definition of “detective” are you using here, private-eye-gumshoe or the rank within the law enforcement community?
and
a potential plot hole: How does the death of a scientist on a highly secure military facility fall under the jurisdiction of your protag? Military concerns, even if the victim is a civilian, are generally handled in-house, especially when security clearances become extremely sophisticated.
Best of luck!
April 20, 2015 — 12:35 PM
Ed says:
Hi, Thank you for the kind comments and for raising some points i hadn’t considered. Reginal is the sort of person who would go to the ends of the earth to find the answer to any case. It is precisely this reason that he has been given the case. He is a more of a Governmental Investigator (my story is fantasy as a base) and normally i agree that this wouldn’t go to what i term GOI. The military have stated that they have investigated on site to start and have found no evidence or reason behind why and how the scientist was killed, hence they ask the GOI to pick it up and track it down outside. However they give nothing to go on other than the autopsy report.
The other points about his back story and how his personality manifesting itself are very good. As this is my first novel I’m still trying to figure things out. I’m already at a first draft stage and I’ve been past an editor who has advised that in terms of plot and story I’ve managed to create something original.
The main conflict in the story is trying to get across to the reader that Reginal believes (as we all do) that the world he lives in is normal. However early on, in the form of a prologue, i advise the reader that there are 3 main themes to come. Time, Dreams and the nature of reality. This is also closely linked to Quicksilver Volcano that spews Quicksilver not lava but floats in channels to the sea but vanishes just above the sea’s surface.
This “normality” is what is being challenged, with no evidence to go on how does Reginal navigate his way through the scientist’s past looking at how he worked with and what they worked on. Its this paradox (which is the theme of the first book) that drives the story forward. How can one reality live and coincide with another when the two are polar opposites. To help i provide theoretical discussions at points throughout the story to help the reader grasp why, despite Reginal’s best efforts, he isn’t making progress in the usual way.
I will plug away and see what extra details i can weave into the story that help buoy Reginal’s development as a character.
April 21, 2015 — 8:26 AM
Ray says:
My protagonist is Hayden Crutchfield, the son of a prominent Southern Baptist prosperity preacher. He’s being raised to follow in his father’s footsteps, but he has no real desire to preach. He feels like shit when his father takes up offerings. One of Hayden’s greatest fears is that his own sermons will be used to con more money away from his dad’s poor congregation, because Hayden knows he’s going to be a great speaker. He knows all the tempos, the pitch changes to drag emotion out of the crowd, the right time to signal the pianist to begin that slow, mournful soul-wrenching song to bring the people to their knees.
That all changes the night of his first message, when in the middle of it Jesus busts through the baptismal doors, clad in leather armor and screaming about the evil horde about to descend upon the church. Hayden learns that Jesus, a Warden, has been locked in a battle beyond the veil for the past two-thousand years. He willingly jumps into the fight–anything to not be a preacher–but when Satana’s daughter, Shira, begins turning his church into zombie-like creatures called Taken, it may prove too much.
It’s funny, so far the title of my story is ‘Jesus, Slayer of the Undead’ and yet he’s really a supporting character, though he does get some POV time. Is that misleading?
April 20, 2015 — 8:47 AM
tamara says:
OMG, how amazingly fun. I was with you already, then you had the Big J bust in, in leather armour, no less! So I get why Hayden is keen to jump in and avoid becoming like his Dad… does he ever doubt his decision? And where does he stand during and after all of this?
Re: your question. Um… title is good from the POV of sales and attention grabbing. Maybe there’s be a bigger role for Jesus in this than you currently think? Titles are funny that way – often point the way before you know what it is.
April 21, 2015 — 9:37 AM
authorlady22 says:
Shannon Friday just inherited a haunted house from her alcoholic father and she’s not exactly happy about it. She liked her one bedroom apartment in the city, thank you very much, and this whole “must live in the house” clause is one last dick move in a series of dick moves that made up her childhood.
A journalist by trade, Shannon’s curiosity often gets the better of her. While this works for her in her professional life, it propels her into wormholes of the past that,according to the ghost, ought to be left alone. But Shannon believes she is owed answers and will stalk, harass, and coerce anyone who might have them.
April 20, 2015 — 8:50 AM
L. N. Holmes says:
Ooooo! I like it!
April 20, 2015 — 9:20 AM
Beth Turnage says:
Great story, but what are her character traits beside curiosity and tenacity? What traits trip her up? What traits help her?
April 20, 2015 — 9:40 AM
tedra says:
You know I like your character. I can picture her already. The only problem in having is knowing where you began and she ends. I dont know if you were writing about her as you or if you were channeling her. I am curious though to know about her past and how it made her so curious today if it was so horrible. What happened to her? How does she know that her house is haunted? What was were dad doing when he died? How does that affect her being in the house? Does it affect her?…..
April 20, 2015 — 11:46 AM
Pixel Prism (@pixel_prism) says:
Ha! I like this. I’m very curious about how her character arc will pan out. Will she learn about (and sympathize with) her alcoholic father or is he beyond redemption? What kind of mysteries is the house keeping? What’s up with the ghost? This is awesome.
April 20, 2015 — 12:36 PM
Professional Liar says:
So, the ghost in this case is benevolent?
April 20, 2015 — 6:02 PM
Susan K. Swords says:
I like your description of your character and the story. As I was reading, I wondered how her situation would turn out of the “ghostliness” of the house resembled the characteristics of an alcoholic: unpredictable and unreliable, often drunk, perhaps sloppy, and unwilling to see its own problems. Perhaps that can create conflict between her and the ghost? Maybe the ghost has some of those characteristics, too? Or maybe you don’t need any of these ideas, lol. Just thoughts. I think you have good beginnings here.
April 21, 2015 — 12:46 AM
S.C Kross says:
I just want to say that I would totally pick this book up if I saw it; it sounds right up my alley. Nothing beats a determined character with some juicy backstory.
I like what a lot of the other commenters have touched base on but I’d like to add one suggestion.
I feel the story would definitely benefit if you tapped into some of the issues Shannon must have from being raised in that sort of environment. I imagine it would be especially difficult even for the toughest of characters to be living in place (I’m assuming she grew up in this house? Sorry if my assumption is wrong) where she had to deal with, at the very least, a less than stellar childhood. I’m very interested in what type of role that plays in shaping the person she is today and how it might effect the decisions she makes throughout the story.
I’m also interested in the ghost aspect and the sort of interactions that take place between it/them and Shannon, but that’s more my own curiosity than anything else. lol. Good luck with your story! I hope to see it published one day. 😀
April 21, 2015 — 2:01 AM
EJ says:
Hi, I’m new here!
My story is set in a world like ours, but where people are born as girls, grow into women, and become men after they give birth to a child. But there are outliers who are exceptions to the rules — this is science, after all.
Sabrina was unlucky in love, and while her friends were having kids and transitioning, she waited. But an accident traumatized her, and her body transitioned spontaneously. Now, Sabrin is grieving the loss of his old life — he’ll never be a mother, which was something he always wanted — while trying to get comfortable with his new gender. Brin has poor relationships with the men in his life, so his new friend Felix appoints himself Brin’s “man-tor” to teach him the ways of manliness.
Still finding my way to the plot — it started off as a hospital drama (Brin’s a surgeon), but I wasn’t in love with it, and I want to keep this as a short story, so maybe Brin and Felix are going on a road trip.
April 20, 2015 — 9:03 AM
Susan K. Swords says:
I really like your premise. It’s very unusual, and I can see so many amazing possibilities here. I’d read it.
So Brin is the nickname for Sabrin, who was once Sabrina? Nice twist.
What about Felix? Was he also once female? I’m curious.
April 23, 2015 — 2:55 PM
Katherine Hetzel says:
Lord Baraat; vicious as a result of his adopted father dying at the hands of The Shadow, a poisoner who is seeking revenge on Baraat’s conquering kinsmen and turns out to be his birth mother. She believed him murdered soon after birth during the invasion – hence her revenge. Baraat chooses to continue as the soldier, judge and executioner his adopted father brought him up to be, but meets a grisly end thanks to the sister of a dancer he disfigures when he takes his power too far… He’s driven by a desire to prove himself the son of his adopted father rather than one of the folk he has considered himself the conqueror of, yet yearns for the beautiful things in life to offset the violence he has both witnessed and perpetrated.
Normally, I write for children and I’m a pretty nice person(!) – so where the heck do vicious, nasty characters like Baraat come from? And why do I enjoy writing him so much?
April 20, 2015 — 9:15 AM
tamara says:
No idea, I’m asking myself the same question! (my character has gruesome dreams full of crows that turn flesh eating). I too have a normal job, and am a sunny person. Maybe it has to come out somewhere! Sounds like a fun read – keep going?
April 20, 2015 — 9:27 AM
A Citizen of the World says:
I’m wondering how you both do that – create such vicious nasty characters. I’m struggling a little in the villain department because I’m having trouble getting into the headspace of a sociopathic 13-year-old…
April 20, 2015 — 10:13 AM
thatcalamity says:
Look up cyber stalking and cyberbullying, that should help with understanding how nasty kids can get, without psychological hangups.
April 20, 2015 — 3:26 PM
A Citizen of the World says:
Thanks for the tip! 🙂
April 20, 2015 — 7:44 PM
Kaidan says:
LOVE IT. There is something really enticing about watching a character spiral into the depths of total evil, conscious or not. But does he have some redeeming qualities too? Something to make the reader care about the loss of who he used to be?
April 20, 2015 — 11:35 AM
Katherine Hetzel says:
Redeeming qualities…I suppose that was his love of beauty – good food, exotic company, fine clothes, jewellery. And the fact that he seems perfectly normal until he decides to do something really nasty. The dancer I mentioned? He loved her – that’s why he took his revenge by disfiguring her but not taking her life. Which is almost more cruel…
April 22, 2015 — 10:52 AM
tedra says:
Does he die and then spiral out of control? What makes him go crazy, that his dad died or that his mother killed him? Like what’s the motivation. Maybe its just me but I’m having a hard time following who he is and what he’s about.
April 20, 2015 — 11:54 AM
Katherine Hetzel says:
Baraat’s story is written backwards – you see him first at his worst, which brings about his demise but then go back in time through various shorts and flash fiction to see what made him the man he is using different characters to shape the entire story. But – as I’m planning to self-pub the collection in the not-too-distant future, forgive me if I don’t give too much away – the motivation becomes clearer as you read more…
April 22, 2015 — 10:55 AM
Susan K. Swords says:
If you or anyone else here figure that out, I’d love to hear the answer. My default setting seems to be wanting to see people happy, so I have a hard time making bad things happen to a character. I can’t seem to draw up any darkness – at least, not convincingly.
April 21, 2015 — 12:48 AM
Duncan Idaho says:
There are a number of ways to do so, but darkness is not a particulary good or bad thing, God knows about the grimfests fans of some series write.
If you want bad things to happen you could always look at Soap Operas or Sitcoms, arguments over the silliest thing that break friendships, doubts about the stability of a relationship, etc. all that can cause bad things.
April 21, 2015 — 1:40 AM
Katherine Hetzel says:
I prefer a happy ending too, believe it or not! I’ve had to fall back on theory that the ‘badness’/darkness I write actually comes from my worst fears, because I have never experienced viciousness like Baraat’s. And remember – viciousness can be found in simple things – like a look or unkind word. It doesn’t have to be out and out violence…
April 22, 2015 — 10:58 AM
L. N. Holmes says:
I have three protagonists that are siblings. The book switches back and forth between the three perspectives. Ruth and Ann are twins and their younger brother is Andy.
Ruth is the eldest (by a minute) and is the head of what is left of her family. Her father—who died from a worldwide environmental disaster—instructed Ruth to protect her siblings. Due to this, Ruth feels she cannot focus on anything else other than survival for her family.
Ann is a vegetarian pacifist whose views clash with her twin’s. Despite everything, she still clings to her beliefs. She’s in denial about the idea that one day she may have to choose between her sibling’s safety and that of a stranger’s.
Andy, although the youngest, secretly wishes his father had made him the protector of the family. Along with the need to prove himself, Andy is worried about Ruth, as she seems consumed by her need to ensure their survival. When Andy finds a gun lying on the side of the road, he feels he has been given the opportunity to show his sisters he can take care of all of them.
April 20, 2015 — 9:18 AM
A Citizen of the World says:
I like where this is going – you’ve got lots of tension and potential drama set up with this clash of personalities.
I’d be particularly interested in seeing how you handle the twins because twins have even tighter bonds (that can get complicated) than non-twin siblings.
Question: While the twins are diametrically opposite in their approach to life, what traits to they share because their similarities would probably help with developing interesting complications in their relationship and how it impacts everyone and everything around them.
April 20, 2015 — 9:36 AM
L. N. Holmes says:
Thanks for the feedback!
A point I want to make with the twins is that they are two separate people. My mom and uncle are actually twins, but they are very different, and I want to express that more in my writing because I think sometimes writers will make twins like a divided single character.
That said, they will have some similarities. I agree that it would make for interesting complications in their relationship. First, they are identical in looks. Second, Ann and Ruth have some mannerisms that are similar. Third, well, it’s a surprise because I hope to publish it one day. 😉
April 20, 2015 — 9:42 AM
upickdandelions says:
Your mom and uncle, although twins, were fraternal and so no more genetically similar than siblings born at different times. Your twin protagonists are identical, though. If you believe in Jungian psychology, personality is genetic, meaning these sisters will have many preferences in common unless something happened to one of them early in life, say by age three, that shaped them a bit differently.
April 20, 2015 — 8:12 PM
L. N. Holmes says:
Thank you, upickdandelions! That’s a good point that my mom and uncle are fraternal twins and not identical twins. I’m not familiar with Jungian psychology—although I’d like to research it now.
If we look at identical twins in literature, many of these duos are portrayed as having similar personalities. One famous example is Fred and George from the Harry Potter series. But even Fred and George are different—Fred being the more mischievous one and George being a bit more thoughtful. (My sources are the Harry Potter books and this website: http://hpcompanion.com/essays/fredgeorge/).
I still think identical twins have two distinct personalities and here are some sources to back up that theory if you are interested:
NPR:
http://www.npr.org/blogs/health/2013/05/14/182633402/how-can-identical-twins-turn-out-so-different
The New York Times:
http://www.nytimes.com/2005/07/05/health/05gene.html?_r=0
io9:
http://io9.com/how-do-identical-twins-develop-different-personalities-497857032
Discover:
http://blogs.discovermagazine.com/d-brief/2013/05/09/how-twin-mice-develop-different-personalities/#.VTWaxWRViko
About Health:
http://multiples.about.com/od/funfacts/a/differenttwins.htm
April 20, 2015 — 8:53 PM
upickdandelions says:
I know you’ll have fun with this. I’m intrigued!
April 21, 2015 — 8:48 AM
L. N. Holmes says:
Thank you! 🙂
April 21, 2015 — 10:12 AM
sarmcwordery says:
I find this really interesting and the dynamics between the siblings is what grabbed at me most. I echo what Citizen offered regarding the twins and exploring similarities – perhaps either of them discovering they’re more alike than they like to admit? Perhaps people want to treat them as halves of a whole instead of being their own person and that factors into any tension. Perhaps the ‘whole minute older’ aspect really is a point of contention between them when they both are ardent in their stances regarding decision making for the remains of the family. My sibling and I aren’t twins, but people sure did like to try to treat us as if we were the same. And for Andy, sounds like there’s some potential to mine when it comes to any ideas of what makes him him in relation to what societal roles exist in their world. I feel like that could also build some drama. Even more so if hints of balancing protection and freedom to discover who they all are as people are peppered in.
April 22, 2015 — 10:11 AM
L. N. Holmes says:
Thank you, sarmcwordery! I was actually thinking of using a lot of the ideas you mentioned. Considering your feedback, I think I’m on the right track! 🙂
April 22, 2015 — 8:28 PM
Vikki Jankowski says:
My proitagonist is an entire medical corporation, one of many corporations who run the government in each segment of the US, and over the years they have conned soldiers into upgrading their augmentations with their new programs, which either kill them or turn them into killer drones.
April 20, 2015 — 9:23 AM
addy says:
A corporation is difficult to follow and relate too as they are a collective rather than one person, it’s also harder to follow if they are evil.
Would it be better to follow an employee? Or even the CEO. Following evil characters can be great (breaking bad and house of cards to name a few) so long as their reasons for being evil are clear. Or have an employee find out what these augmentations do to people and have him/her stop it.
April 20, 2015 — 9:32 AM
Vikki Jankowski says:
That’s part of it. An employee triggers the killer in the hero and initially you see him as the protagonist, but he’s not. He’s doing it in order to take down the evil corp… or at least help the hero do that with his new superhero powers. There will be evil people, but the protagonist as a whole is the corp…or more pointedly, the government, because they are one and the same.
April 20, 2015 — 2:52 PM
addy says:
gotcha. that sounds interesting. difficult to pull of so good luck, it would be interesting to see why the hero needed the augmentations.
April 21, 2015 — 4:16 AM
Vikki Jankowski says:
It’s mandatory for special ops miltary, it allows them to share information while in combat without speaking.
April 21, 2015 — 8:00 AM
Curtis Edmonds (@Curtis_Edmonds) says:
Corporations ARE people, my friend.
April 20, 2015 — 10:47 AM
Vikki Jankowski says:
Indeed
April 20, 2015 — 2:53 PM
addy says:
thats what they want you to think *puts on tim foil hat*
April 21, 2015 — 4:17 AM
ceswiedler says:
Michael Prasad is a twelve-year old boy living on Mars who has just found out that his parents are separating and his father is going to work at a new colony that’s under construction a few hundred miles away. Michael is worried that his father may never come back, and so he decides to get his environment suit certification so that he can visit his dad, and maybe even go live there and do all the awesome exciting stuff that he pictures his dad doing without him.
After getting his certification, though, his parents both tell him that he can’t visit the construction site because he’s too young. He and a friend decide to steal a rover and drive there on their own, to prove that he’s not just a little kid.
April 20, 2015 — 9:24 AM
L. N. Holmes says:
I like the potential here.
April 20, 2015 — 9:29 AM
A Citizen of the World says:
This is going to be one helluva road trip – Boys’ Own Adventure meets On The Road?
April 20, 2015 — 9:47 AM
Professional Liar says:
Tom Sawyer on Mars? I like it.
April 20, 2015 — 5:03 PM
Professional Liar says:
Also, can his friend be a robot?
April 20, 2015 — 6:08 PM
A Citizen of the World says:
Oooh! I second this!
April 20, 2015 — 7:45 PM
A Citizen of the World says:
I’m writing a YA Urban Fantasy ensemble piece following a group of gifted kids through their training at a special academy to become Housekeepers, Caretakers, Historians etc for haunted houses, buildings, and areas. They are all aged 12/13 at the start of the book. Here are just 4 of them:
Poppy Westhaven and her mother are on the run after one brutal night when her raging alcoholic father killed the dog and nearly battered them to death. During that traumatic event, Poppy develops a mischievous (sometimes malicious) poltergeist who accompanies her everywhere and wreaks havoc wherever they go and expresses feelings she can’t express. Poppy and her mom end up returning to her mother’s family where Poppy discovers that she’s the only scion whom their family’s Haunted House would accept as the next Housekeeper (by bloodline). Poppy has PTSD which not just manifests itself in the form of her poltergeist but also causes her to have mood swings, has trust issues, and sees everything as a competition. Her powers include being able to “reverse ghost” – that means she can do to ghosts when they do to the living – For example: she can grab them when she wishes and fade so they can’t touch her.
Easter Loveless is an introvert who can literally “hide” herself in the space between worlds whenever she wants to. This is pretty handy given that she prefers to literally disappear in school so everyone can leave her in peace. She is a whiz at technology and discovers that she can see the dead and cross them over to the afterlife. She also has a very strong sense – almost vigilante-like – of justice and is compelled to use her abilities to stand up to bullies and protect those weaker than her. One day, her single mother disappears and she’s sent to her mother’s family… only to discover why her mother left: they are a family of sociopaths and her return also marks a murder competition to find out which of her generation in the family gets to live to go on to be trained as Housekeeper…
Ed Morland is a gentle boy who got left on the doorstep of St Julien’s Orphanage as an infant. The other kids at the orphanage keep away from him because when Ed gets overwhelmed by his emotions, strange things happen. He can literally see everything in the colour of a particular emotion: yellow for happiness, red for anger/rage, blue for depression/sadness, green for jealousy etc. During his negative emotional states, he attracts wounded/damaged spirits who harass him and follow him around. He’s afraid of them and he thinks he’s going mad. After the accidental death of his only friend at the orphanage during a bullying incident gone wrong (ending in one of the spirits he attracts drowning her in ectoplasm), Mother Superior arranges for him to go to the special academy to learn to control his emotions, and therefore his unusual abilities.
Grace Slasher and her uncle have always been a tight unit ever since Grace’s parents got killed in an accident and her uncle got guardianship of her. They drift from town to town following whatever work her uncle can pick up (he’s a retired boxer who is hired muscle). She’s a tough, wisecracking, fearless kid (unusually tall for her age) who is used to making do with anything. They finally find stability when her uncle gets hired regularly by a bunch of Ghost Hunters. When Grace’s ability to track down *any* supernatural being asserts itself when she hits puberty, the Ghost Hunter club’s president has plans to use her to improve the club’s track record of hunting down ghosts and thus putting them on the map. Grace’s uncle objects one thing leads to another and Grace gets found by one of the academy’s talent scouts before the club president can force her to work for him.
April 20, 2015 — 9:26 AM
Heather says:
For YA Paranormal, I like the fact that you have some very interesting powers with your characters as I feel the standards have been over done. I’d love to hear some of the plot sometime, but I know that’s not really what this is about.
April 20, 2015 — 9:50 AM
A Citizen of the World says:
Thanks! I figured out their powers based on the world I built around them and the basic premise of that world – everything has to link/tap into the world of haunted spaces/buildings, the Afterlife, supernaturals, horror tropes etc.
Then I make it part of their growing pains – it’s that big figurative mountain of puberty they have to climb.
I love spending time with this gang – they keep things interesting 🙂
April 20, 2015 — 10:03 AM
tedra says:
I love where this is going. If you need anything from me, I would love to be apart of this in someway. This sounds amazing. Good luck to you.
April 20, 2015 — 12:02 PM
A Citizen of the World says:
Thanks! I’m on the lookout for a small but active online writer’s group. My current one has gone a bit quiet because everyone seems to be having writer’s block or some life crisis.
Eventually I’d love to have beta readers who aren’t my friends and who will pull no punches with their critique. in the meantime, I’ve got a bunch of kids ready to beta read when I’ve got a beta reader draft ready (they’ll probably be in their mid-teens by then as I’m working on it pretty slowly) – they would probably be the most no-holds-barred critics out there. I’m quaking in my boots just thinking of it. 🙂
April 20, 2015 — 8:02 PM
Robin says:
A great bunch of cool characters!! I like that the traditional trope of teenage cliques is turned on its head here in that there’s a single boy amongst three girls. (Is Ed picked on by his more chauvinistic classmates because of it?) I always love the inclusion of an introvert/quiet character, perhaps being one myself. Easter Loveless’s (great name-giving, btw!) sense of justice seems to stand in direct conflict with her introvert nature; is it her character arc to overcome ‘standing on the sidelines’ and take direct action?
I have to say that I would love to see these guys join forces by choice, by means of a personal quest of some sorts, rather than meeting ‘by chance’, i.e. being classmates in a special academy… it would provide a stronger agenda IMHO.
Anyway, excellent work!
April 22, 2015 — 3:54 AM
A Citizen of the World says:
There are two more boys in the mix (one is a scheming sociopath, the other is a goodie-two-shoes learning to toughen up) but I thought it might be over-stretching Chuck’s hospitality here on the blog to present 6 characters.
Yes, many gender and teen tropes get turned on their heads in this book (series?). Some of them are done deliberately, others surprised me when I read over what I’ve written.
Ed was certainly a surprise – I was just busy creating him and then someone else pointed out that he’s not the traditional alpha male. You’d think that the emotion-controlled power would be assigned to a female character but for me, it’s Ed all the way.
You’d be surprised how Easter manages to marry her introverted nature AND her powers to get justice for other kids 🙂
The kids meet at school but it’s not all roses with them in the beginning. Lots of friction and personality clashes and personal issues to work out before they can work as a team.
April 22, 2015 — 11:01 AM
addy says:
I follow two protagonists in my fantasy WIP i’ve called “the wolf and king” so I have:
Alistair Dowshan who is the king of the Draken isles, an honourable man who does his best by his people and would avoid violence if possible but not afraid to go their if need be. Although he is a powerful king he suffers from anxiety, insomnia, sleep walking and night terrors which only seem to get worst after his best friend and general betrays him. Now he is personally tracking down his friend for answers, but as he does so his conditions get worst.
Amin Nightcoat is a wolfling, a man with the coat, claws and head of a wolf, his tribe is attacked by bandits, during which he loses his father and wife, now lives as a refugee. Since then he has been filled with grief, anger and restlessness. The mistreatment from the human city doesn’t help and while the general ignores their plight he starts a rebellion. When the general flees from both him and the king, Alistair and Amin team up to track him down, although unlike the King, Amin wants his head.
April 20, 2015 — 9:27 AM
Sabrina Howard says:
I’m particularly interested in Alistair. Mentally disturbed characters are always interesting, and also difficult to write. I recommend doing a lot of research to make his psychological state more realistic. Good luck.
April 20, 2015 — 9:32 AM
addy says:
Thanks! I agree, disturbed characters are always great to work with, especially if they can’t afford to doubt themselves.
I can speak personally about my own anxiety but nowhere near as bad as Alistair’s and as I write I see how difficult it is to describe. Especially his night terrors since dreams don’t make much sense (which kind of adds to the mystery).
April 20, 2015 — 10:18 AM
basilisksam says:
It’s 1959. Alex is a man of science, a teacher of physics, an ex-military man. He believes absolutely in the scientific method and the use of logic. His girlfriend Maxine says that she is a witch and although Alex humours her he doesn’t believe in magic. When he and Maxine buy a house together he becomes obsessed with the camera obscura he finds in the attic and sets about restoring it. He never suspects that once it’s working it will open a portal that takes him back to 1859.
Now Alex is stranded in early Victorian England and the only way he’s ever going to get back to his own time is to learn to wield the magic he doesn’t believe in. That, and learn how to live as a Victorian until he is able to return.
April 20, 2015 — 9:27 AM
A Citizen of the World says:
Your book is going to be an interesting read because this is a period piece *within* a period piece.
Not only is Alex going to be a fish out of water in a different time, your readers are going to enjoy seeing him move from one point in the past to another instead of from a contemporary setting to the past.
I’d read this when it comes out!
April 20, 2015 — 9:42 AM
Heather says:
Very intriguing. Will you have other elements (steampunk?) or strictly set it in a true Victorian setting?
April 20, 2015 — 9:47 AM
basilisksam says:
I’m trying to be as authentic as possible so the Victorian elements are all based around real historical facts and the witchcraft in 1959 is all based on practices from that time rather than more modern versions.
April 20, 2015 — 11:02 AM
persimmonromance says:
Oh, I like that. 1959 is just long enough ago for the mind-set to feel different from the modern one, and I love the idea of contrasting that with Victorianism.
April 20, 2015 — 10:05 AM
Beth Turnage says:
Thank you, Chuck, for giving us this forum. Arekan Mor’a’stan (sssh, I don’t want to hear about apostrophes in names or how it sounds to much like other famous characters, because I created him way before the others came out) is the sole survivor of the ousted ruling line of the Kyn Empire. So far, trope, right? But there is a twist here. Another line of his family lives in Kyn, part of them in the ruling class of the “New Empire” living under assumed names. When Arekan arrives to claim his birthright, he finds that part of his family complacent in their roles, and ill prepared to take up the fight to regain the throne. They don’t want him there and make no bones about it. On top of this Arekan is young (22), and although he’s smart and his fighting skills are superior, he is socially rough around the edges and ill prepared to work the politics of his family. Furthermore he’s a smart-ass, likes to play pranks, and enjoys a good fight. In other words, he’s too immature for the position to which he aspires. At the same time, due to certain life experiences, he is very slow to trust, and a bit paranoid, which in this situation fits, because they are out to get him.
April 20, 2015 — 9:38 AM
persimmonromance says:
I write gay (m/m) romance so most of my protagonists are gay or bi men. I currently have several irons in the fire, including one in edits, but I just finished a story for a charity box set, and I’ll tell you all about that protagonist. Will is eighteen, he just finished high school, and he’s an artist. He knows he’s gay, but he hasn’t come out to anyone yet. His parents love him very much but they’re not very good at seeing him. He’s entering a BFA program in the fall, and his mother is very concerned about practicality. She also keeps asking him about girlfriends.
At the beginning of the story he sneaks off to NYC Pride by himself, and then, over the course of a year, very gradually falls in love with an older man he strikes up an acquaintance with. What I’ve tried to do, and hopefully succeeded in, is to make his voice grow older as the year progresses and he grows into himself, comes out, and starts thinking about the shape of his adult life. He’s introspective and tends to avoid conflict, and much of the tension in the story involves his increasing willingness to deal with difficult things when necessary.
April 20, 2015 — 9:42 AM
MC Houle says:
I really want to read this. Can you say which charity box set, or at least your pen name so I can follow you?
April 20, 2015 — 11:30 AM
persimmonromance says:
I’m D.C. Williams. The charity set is called Finding Love. It’ll be out in June, and it will be in two volumes, but I don’t yet know which one I’m in. This is me on Goodreads. Thanks!
https://www.goodreads.com/author/show/7044804.D_C_Williams
April 21, 2015 — 11:10 AM
Whitley Gray says:
I like this. Sounds like a good character arc.
April 20, 2015 — 1:00 PM
el Flashor (@elFlashor) says:
Dren is a young lad, almost an adult, and like many of his fellows, is locked in an Institute, one of the many institutions built to hide them from the other citizens : in a world where magic is as common as sleeping or eating, they are without the power, they are a disease nobody wants to see. All he wants is to be normal, to be able to live and to create Runes like everybody else. The day he turns 20, he finally manage to create a stable spell but is soon denounced and forced to break out from the Institute, pursued by the henchmen of the local Duke.
Sheltered in a community for those in need, he meets a Life Weaver, these uncommon individuals that can read the soul, and this one reveals him that he shares his soul with another presence, a powerful creature that is bound to reshape the flow of Magic itself. He tries to reject it, wanting to live a quite life, but he cannot get rid of it.
Discovering that the community that host him is in fact a secret order fighting to overthrow the Emperor, he is soon confronted to an order of Priests and assassins, and this presence in his mind, apparently the soul of the God itself, makes him their target. He’ll have no other choice to help it to achieve its quest, or be seeked and killed by these fanatics.
I know this is not a perfect protagonist, nor a perfect starting idea. It’s motivation comes from outside and not from inside (which is always better of course). But… yeah, that will be for the next time 🙂
April 20, 2015 — 9:45 AM
Heather says:
Dr Charlene Keil (or Charlie for short) is an architect for super villains suffering from PTSD. She grew up in Communist Germany shortly before the fall, where her father, a mechanical engineer donned the guise of Metall Mann to usurp communism, and vowed never to put her family at risk the way her father did. She has no qualms working with villains, since one man’s utopia is another man’s dystopia, until her family is put at risk once again, and she is forced to help the Ghost, a superhero who can vanish into thin air.
April 20, 2015 — 9:46 AM
A Citizen of the World says:
This is an intriguing premise. It reminds me a little of The Incredibles and Brandon Sanderson’s Steelheart.
Your character seems to have chosen to be amoral and it’ll be an interesting journey to watch her navigate her way and (finally?) choose a side.
April 20, 2015 — 9:58 AM
Heather says:
Yeah, it started a bit tongue-in-cheek criticizing both Architecture and the Superhero genre and developed into something more. And yes, she’s chosen to be amoral, at least for the time being…
April 20, 2015 — 10:13 AM
MC Houle says:
She choose to be amoral, but it made sense to me. I can see her point, though I wouldn’t have done the same thing. Of course, her choice is flaw, as villain are villain, and working with them is as dangerous as working against them.
Colour me intrigue.
April 20, 2015 — 11:35 AM
fakedtales says:
That’s a really interesting idea for a character, I guess someone needs to build the lairs.
April 21, 2015 — 7:05 AM
Curtis Edmonds (@Curtis_Edmonds) says:
Karen Boyd is six years old, five feet tall, and will never grow another inch. She has a titanium skeleton and a small microprocessor in her brain. Her body was designed and printed to perform in a low-gravity environment, which is all she has ever known. She is a naval officer aboard a colony ship moving across the galaxy at one-tenth the speed of light.
Almost since the moment when she was first printed, the microprocessor inside Karen’s head has been giving her information. It has told her that she will never leave her ship. It has told her that the ship will never reach its destination in her lifetime. It has told her that her mission and her sacrifice are important for raising a new human colony on a new world. But after the unexplained murder of her ex-lover, Karen is starting to wonder if the chip – or anyone around her – is telling her the truth.
April 20, 2015 — 10:00 AM
el Flashor (@elFlashor) says:
This symbiosis reminds me very much of one that can be seen in the book Étoiles mourantes, by Ayerdhal and Jean-Claude Dunyach (it probably exists in english, but I don’t know the title, sorry :s. Very good book by the way!)
I like a lot the idea of having something part of the character telling her what to do and what to know, and her rebelling in a sense against it. This announce of lot of mind-bending jousts between her and the chip 🙂
April 20, 2015 — 10:07 AM
Maggie Maxwell says:
Wow, this has seriously got my attention. Six-years old? Printed? But still has a life span and feelings and lovers? I’m also partial to sci-fi with completely normal, old-fashioned names. Karen seems like a fascinating character, and you’ve got me very curious about her and the setting.
April 20, 2015 — 10:35 AM
M T McGuire says:
I love the sound of this. Totally out there with just enough grains of truth to ring really true.
April 20, 2015 — 11:34 AM
tedra says:
Maybe not lead with the six year old thing. Or word it differently because I got that she is 6 and has a lover. That made me go what? So I had to read it again. Bit your story sounds very good and very Wall-E for adults. Coolies.
April 20, 2015 — 12:11 PM
Vikki Jankowski says:
Same here. Love the premise though. Sounds intriguing.
April 20, 2015 — 4:03 PM
Wendy Christopher says:
Like this a lot! Loads of intriguing details, and you made me care about something that’s (presumably) some form of artificial intelligence (?) right from the first paragraph. Although it sounds like she has some sort of finite lifespan (“the ship will never reach its destination in her lifetime”) which is another unique twist. You’ve certainly made me want to know more.
April 20, 2015 — 2:49 PM
legreene515 says:
Cora is a seven year old girl with a secret. She lives a simple, rural life, but every year the people of her community take part in a “cleansing ritual.” They have a forgetting box, and they dispose of one bad memory a year. Cora has realized, at a young age, that sometimes good memories are tied up with bad. Since she can remember, Cora has been replacing her memory, often written by her mother or father, with a blank sheet of paper. Cora holds onto the memories her family is forgetting, and in the end Cora will discover how important memory is and what happens when people forget to look back at the past.
April 20, 2015 — 10:16 AM
Curtis Edmonds (@Curtis_Edmonds) says:
Does the ritual work if your parents write it down for you?
How many bad memories does a seven-year-old have?
April 20, 2015 — 10:42 AM
legreene515 says:
I’m still working out the details. Her mother is the other main character. But the world is not like ours. It’s an alternate reality, and life is harsh. It’s a rural-farming community, and Cora’s mother loses a baby, and then tries to write the baby out of the family’s memory, because she can’t deal with the pain.
April 20, 2015 — 11:03 AM
Dark Matter Zine says:
I think this is a really powerful storyline.
I knew a family in real life who wrote their daughter out of their lives. The only reason we knew they’d had a daughter was because they’d been in a terrible car accident, both parents spent 9 months or a year in hospital and neither had fully recovered. Their son who was at one side of the parents escaped either with minor injuries or none (it’s been a long time so I’m not sure) but no mention of a daughter. Mum visited their house regularly and told me about the family photos featuring a family of four. So they hadn’t destroyed or hidden those photos but they never ever mentioned their daughter.
If you’ve read any John Bradshaw or other family therapy self-help type books, you’ll know that which you run away from, cut off and keep secret has immense power.
April 21, 2015 — 5:39 PM
Maggie Maxwell says:
Sort of makes me think of The Giver a little. 🙂 Cora sounds like a clever girl. I wonder how many other people are getting away with a similar trick, and how they’re getting away with it… and why they have to get rid of bad memories at all. Cool idea!
April 20, 2015 — 11:03 AM
Wendy Christopher says:
Great concept! I can see lots of ways you could work with that. I like the idea of her mother and father writing memories for her too – that element of targeting which memories they think she ‘should’ forget is eerily similar to real-life families with dark secrets who ‘don’t talk about thing that happened’ with some wayward family member all those years ago. 😉
Would cora get found out eventually? I sort of imagine whoever collects the box at the end of the ritual not being able to resist having a sneaky peek and finding the blank pages. Obviously they wouldn’t know who it was though…
April 20, 2015 — 2:56 PM
Robert Sadler says:
This is a really cool idea. Cora replacing the papers not only leads to a lot of plot potential, but also fits with the mischievous mind of a kid. Kinda has a Neil Gaiman feel to it, along the lines of “The Ocean at the End of the Lane.” Good luck with bringing it to completion!
PS – A word of advice that you may or may not already have ironed out: I would make sure that you have the rules of the disposable memories (as in the physical/magical rules or laws that let it happen and dictate how it happens) figured out and that they are solid. Your concept is one of those concepts that may have a lot of potential for plot holes (supernatural things like that generally do). Keep a lookout, and nip ’em in the bud.
April 20, 2015 — 3:56 PM
Matthew Harffy (@MatthewHarffy) says:
The main character in my debit novel, THE SERPENT SWORD, is Beobrand. He is a fictional character, but his life is intertwined with figures from history as he leaves his native Kent and travels to the Northumbrian kingdom of Bernicia.
The story is set in 633 AD. It mainly takes place in Bernicia, the northernmost kingdom of Northumbria. Northumbria in the seventh century is a melting pot of races and religions. The Angles vied for supremacy against the native Britons. Christianity was also beginning its inevitable conquest over the old religions of both the Britons and the Anglo-Saxons.
The shifts in power and the battles between the different kings of the period provide a perfect backdrop for Beobrand’s story.
Beobrand is a young man, just seventeen. He travels north in search of his last remaining kin, his older brother. Arriving at the fortress of Bebbanburg, Beobrand discovers that his brother is dead. He is desolate and vows to find his killer and avenge his murder.
He is relentless in pursuit of his enemies and the challenges he faces change him irrevocably. Just as a great sword is forged by beating together rods of iron, so Beobrand’s adversities transform him from a farm boy to a man who stands strong in the clamour and gore of the shieldwall.
At the start of the book, Beobrand is in a very dark place. His family are all dead and he finds himself thrown into a world of battle and conflict he had only dreamed about in the way boys dream of being soldiers.
On his journey, Beobrand fights in several battles, both small and large. He is also witness to atrocities that haunt him for the rest of his life. It is his desire to right the wrongs he has seen, and to mete out vengeance for his brother, that drives him forward.
In the first instance Beobrand seeks only vengeance. Later he also strives to bring justice to those he has seen commit terrible crimes.
But in the end, his most defining goal, even though he himself may not be aware of it, is to find a place to belong. Like most people, Beobrand seeks love and home. Unlike most people, he is a natural with a sword, and finds himself embroiled in more than his fair share of intrigues and battles.
April 20, 2015 — 10:20 AM
Matthew Harffy (@MatthewHarffy) says:
ROFL at my typo. “debit novel” should, of course be “debut novel”.
A debit novel sounds like a real throwaway book!
April 21, 2015 — 9:52 AM
Maggie Maxwell says:
You can always depend on the necromantic cult to be evil villains, all black cloaks and human sacrifices and walking dead. For Patella, it’s the only life she’s ever known. Raised as a good little worshiper of the god of death for almost sixteen years, she’s a week away from becoming a full-fledged adult in the eyes of the congregation when a family fight drives her out into the world she’s never seen. Just for a week, she swears. She’ll find a job, earn some money, maybe make some friends, and then be back home in time for her initiation ceremony.
But the world is bigger, stranger, and darker than she could have imagined, and a week later, she’s being broken out of a prison by a runaway king and her skeletal babysitter. With them at her side, she sets their destination for further from her family and deeper into the unknown. Patella intends to learn more about life, death, magic, and being an adult than the cult ever taught her, as long as she can avoid the swords and pitchforks of a society that is terrified of everything she is.
April 20, 2015 — 10:23 AM
Curtis Edmonds (@Curtis_Edmonds) says:
She left home for a week, and she’s already in prison? Did she sacrifice someone and not realize that it wasn’t a good idea?
April 20, 2015 — 10:50 AM
Maggie Maxwell says:
Nah, nothing so careless. Just a case of wrong place, wrong time with a living skeleton. Public panic’s not pretty.
April 20, 2015 — 10:59 AM
M T McGuire says:
That does sound like a helluv a week. I’m guessing, from Patella’s name, that there are elements of humour in this one. It sounds fun and she sounds quite feisty.
April 20, 2015 — 12:04 PM
tedra says:
It sounds like a dark story with a side of humor. I dont know if thats where you’re going but that’s what I got. This description is all plot. I want to know what motivates her? Is she funny, sarcastic? Naive? Whiny? Fearless?
April 20, 2015 — 12:18 PM
Maggie Maxwell says:
Ah, yeah, I was trying, but I guess I didn’t quite get there. Patella is an almost-16 year old soon-to-be necromancer who has been kept safe, sheltered, and away from the rest of the world for her whole life. She’s a bit of a rule-breaker, and when she gets an idea in her head, not even common sense can stop her. After not having much to do in the cult, she’s eager to learn and willing to work hard in the outside world, although in a rush to do well, she skips steps and messes up. She’s snarky, careless, a little clueless, but utterly devoted to the friends she makes in the outside world and willing to form her own opinion of the world despite what the cultists have raised her to believe. She’s motivated by selfishness and loneliness at first, but becomes more eager to learn and see the world with her friends after a few humbling, enlightening experiences. And, well, the desire to not die just yet.
April 20, 2015 — 1:46 PM
tedra says:
This can be so good! I’m excited. Good luck with this.
April 22, 2015 — 6:45 AM
sarmcwordery says:
I like your concept and I’d want to read more just to find out about Patella’s Week. Patella, from what you described also sounds like she’s the kind of impatient stubborn of (No, I’ll do it/can do it) that leads to some of those humbling experiences you hint at too. This also has hints of her finding a family she chooses- which sounds like an avenue to find out what really makes her tick. I wish ye luck!
April 22, 2015 — 10:51 AM
Jana Denardo says:
This sounds interesting. I’m wondering about a family who would name their daughter knee cap.
April 20, 2015 — 5:07 PM
fakedtales says:
Lena Parker is invincible. She’s been this way all her life but only in the last year she’s started to lose her sense of touch, just as she’s starting to discover friends, boys and things to do other than sport. She generally believes the best in people despite being massively competitive and thinking fighting may solve problems. Lena’s actually yet to have a fight but comes from an unnecessarily heroic family and likes to show willing.
April 20, 2015 — 10:24 AM
Curtis Edmonds (@Curtis_Edmonds) says:
If you’re invincible, would you really be that competitive? If no one can best you, or even hurt you, then it seems that you wouldn’t have to try that hard to compete with them…
April 20, 2015 — 10:44 AM
fakedtales says:
Lena finds a way. One of the reasons she is awful at fighting to begin with is because it’s no fair if there’s no risk of harm so she generally sticks to sports where it’s not so much of a thing. It also meant activities like roller derby or fencing where the bruises and injuries are often treated as a badge of honour kind of fall flat.
April 21, 2015 — 7:16 AM
Byron Lagrone says:
She’s started to lose her sense of touch in what way? As in, she can no longer feel things physically, or emotionally losing her connection to people?
This is an interesting idea but it needs serious additional work to make the story interesting. Does the fighting have unintended consequences, leading Lena to question whether her powers are good? Is the heroic willingness borne of naivete or actual heroism? I feel like this is an interesting starting point for a character (invincibility) but for we greedy readers to care we need to see what motivates her and why we should care.
April 20, 2015 — 11:39 AM
Pixel Prism (@pixel_prism) says:
I had a friend whose sense of touch was dulled, and it was terrible for her — which might be an interesting thing to mine for this. For example, she had a hard time feeling physical contact from other people, and it was very isolating. You might want to explore how those powers affect your character’s psyche, how that sense of human connection is lost when you can’t feel other people around you. It would be an interesting conflict to have her striving to live up to her family’s heroism while struggling with the fact that she’s becoming more and more disconnected from the friends she’s made.
April 20, 2015 — 12:45 PM
sarmcwordery says:
I feel similar to Pixel Prism, maybe consider the invincibility being seen as a boon or a ‘quick in’ with family legacy at first, particularly with the advent of the loss of a sense. You could couple it with a feeling of earning – that’s what I get when I read about the competitive streak. It also sounds like a yearning to know a limit – is it true invincibility or more along the lines of harder to injure? Like damn near impossible to injure? Like seeking confirmation she’s earned something (a place in the family legacy) perhaps. Perhaps as she continues to lose that sense of connection/touch, she takes more risks, blurring or conflating intention about helping people with helping herself. It’s an interesting starting point – I mean when you think of invincible, it sounds like it would be a great thing. What happens when that turns out ot be ‘not so much’? I wish you luck!
April 22, 2015 — 11:02 AM
deb says:
(The setting the – sex, drugs and rock&roll ’70s, NY metro area. Since it’s a para-normal romance, I have two balls to juggle)
Jackson is 19. A happy-go-lucky, drug dealing ladies man and part-time assassin with psychic skills and an odd affiliation with the Catholic church, meets the one woman he’ll mend most of his ways for. A ‘sort of pagan’ and new age con artist herself, half a gen older than Jack, Annabea has her own brand of psychic ability using it as a jury consultant for the highest bidder. She has a low opinion of people in general and a troubling history of being on hand for timely deaths.
When they meet, he’s on the lam from the life and trying to save his own neck and she’s lonely – trapped in a bogus marriage to a gangster wannabe who is blackmailing her to keep her in line, using her skills for his criminal dealings.
Cosmic lust comes before trust, but J&A have to learn to work together in order to thwart her husband’s plans to sell her and her secrets to settle a deadly debt.
“So, just how do we turn this darkness into light?” she said and shuffled the cards. The deck was old and soft and made a purring sound in her hands. He picked up her thick braid, squeezed it gently and whispered in her ear,
“One well-deserving motherfucker at a time.” Then he wrapped the braid around her neck, tilted her head back and kissed her between the eyes.
April 20, 2015 — 10:39 AM
Byron Lagrone says:
I really like this. I am interested to know if Jackson’s past deeds or relationships come back to haunt him or his relationship with Annabea in any way — or even throw some additional trouble into the mix with their schemes to spirit Annabea away from her two-bit mafioso spouse. I also wonder about Jackson’s innermost wants. Is he more interested in a no-commitment lifestyle but changes through the story (thanks to Annabea’s timely involvement), or did he just get sucked into working to free her?
Full disclosure: I’m not normally a romance-novel aficionado, but this sort of thing really fluffs my flankers, if you will. Loved the description and had to comment.
April 20, 2015 — 11:47 AM
blewnose says:
Holly, my beautiful red-haired protagonist, small town girl, represses her horrific childhood but is recently having nightmares about her past. She is unable to love another because of trust issues. All she wants is find her brother’s murderer, and why. This character shows us how courageous she is in the face of conflict and determination. When confronted by her brother’s murderer, her memories resurface, only to discover that this horrible man is the same man who raped her, repeatedly, as a child. She is looking into the evil eyes of her step-brother, Nick McNeil.
April 20, 2015 — 11:05 AM
percykerry923 says:
Goosebumps!
April 20, 2015 — 11:40 AM
blewnose says:
Thanks for your input.
April 21, 2015 — 10:01 AM
virginiallorca says:
Why did you make her a redhead? (Research question.)
April 20, 2015 — 1:39 PM
cameronwalker27 says:
Not to hijack a thread, but virginiallorca I wrote my thesis on red hair if you want to read it: http://ecameronwalker.blogspot.com/2012/09/thesis.html
April 20, 2015 — 5:30 PM
blewnose says:
Holly presented herself to me as a redhead; her doing, not mine.
April 21, 2015 — 10:03 AM
A. E. Lowan says:
Winter Mulcahy is many things to Seahaven, Washington. The City of Peace. The city with the highest per capita preternatural population in the world. She is a physician. Wizard. A woman of gentle intelligence and compassion in a world where ruthlessness and cunning reign, she is the last flickering light of law keeping political chaos at bay.
She holds the city together by the skin of her teeth, the blood of her friends, and an addiction to stimulants that is killing her. The young wizard is approached by a tarnished faerie knight who claims that her city is harboring a fugitive who has kidnapped a prince, and that he is on a mission to rescue him.
They investigate, and what they find are wild magic, rifts between realms, and the deadly waters of preternatural politics all colliding to rip the city both figuratively and literally apart.
She’s losing the fight with her personal demons. He’s been hiding from his for centuries. Together are they strong enough to save the city and themselves?
April 20, 2015 — 11:07 AM
M T McGuire says:
This one really appeals to me, too. Hell, I am liking all of these. I’d like to meet her and see how she and the wizard get on. Will they be friends, lovers, rivals or uncomfortable allies? Actually, I guess you can’t say. 😉
April 20, 2015 — 11:41 AM
A. E. Lowan says:
Thank you so much! Only time, and the story, can tell. 😉
April 20, 2015 — 1:06 PM
tedra says:
Bethany is a very damaged, angry and sensitive girl. She just wants to feel like she belongs somewhere. So she has a tendency to cling to whoever and whatever she can that makes her happy for the moment. She was traumatized as a child by a boogieman of sorts. No one believed her which caused her to cling to a bad group of friends who not only said, we can’t take away the boogieman but we can accept you to. And that worked for a while then it didn’t and a friend got killed, and she blames herself for it. The boogieman came back, so she tried to get right and be a “good girl”. But that didn’t last either. Everyone turned against her, labeling her mostly as a murderer again because she was caught standing over her best friend’s dead body. Everyone still remembers, what she recalls, as the “black years” so its easy to believe that the wild child could’ve done it.
So when my story starts off in present day, she is no longer trying to make up for her past. She’s trying to forget it and people don’t make it easy for her. They lash out, she lashes back, chaos erupts. Throw in some supernatural and some bits of a psychologically thriller and we have a Bethany Daniels book.
I hope that was clear. Let me know if I confused you.
April 20, 2015 — 11:08 AM
Jana Denardo says:
That sounds really interesting.
April 20, 2015 — 11:27 AM
percykerry923 says:
Interesting character. I like such ‘Dazed and Confused’ sort of people- you can never tell what they’ll do next :D. Happy writing.
April 20, 2015 — 11:37 AM
tedra says:
Thanks you guuuuys!!
April 20, 2015 — 12:32 PM
gloriousmonsters says:
Yeah, it is a bit confusing. Why did she think the bad group of friends could make the boogieman leave? Why are the years she was getting attacked called ‘the black years’ and why does that make it easy for people to believe she did it? Also, I’d imagine it’s hard for people to forget she was found standing around over dead bodies – did she actually get arrested for murder, or was there just talk? And what happened to the boogieman who was chasing her in the first place?
It sounds like she’s an interesting character, but it’s a little hard to sort through the info you gave.
April 20, 2015 — 2:05 PM
tedra says:
The bad group of friends introduced her to drugs that kind of numbed the boogieman. They promised her that life is better with the drugs. Drinking just came along with the party life.
I refer to “the black years” because growing up she was normal till about 6 or 7 then she started to see things, hear voices, stop walking and just start screaming. She claimed that some man was following her. The town searched and searched and came up empty. Her house caught on fire and she blamed him. The town blamed her and labeled her as a troubled child. Her parents were already absent as is, so that makes the situation worse. She got caught up in the wrong crowd and grew up there. She fought everyone, had no respect for herself or anyone else. She was just wild until the car accident that killed her friend and she somehow survived. It was very sobering for her. So she worked hard for people to see her in a new light. And it was working until Thomas died.
Its like those who know of people thats messed up in the past, those others sort of hold their breath, waiting for them to mess up again. And that’s the town’s reaction to her good girl life. The way the bodies were found, they believe there is no way she could’ve done it, so she was just questioned. The town is wrapped in a supernatural occurrence thats happened twice now, way in the past, so the town is formed between that and believing Bethany did it or will bring it about. As far as the boogieman, he comes back of course, right before life spirals out of control.
I hope that clear some things up. If not, I’ll try to explain more.
April 22, 2015 — 7:03 AM
virginiallorca says:
I write omni so you can kind of freely pick who you like and who you don’t. But all my stories revolve around cute redheads who are brilliant, diminutive, and fuck like bunnies.
April 20, 2015 — 11:23 AM
M T McGuire says:
Andi Turbot is a gay student misfit doing Museum Studies (with an art restoration module) at university. At the same time, she’s trying to make it as a stand up comedienne. She’s overdoing it a bit and keeps hearing voices, thinking thoughts that feel like they are not her own and feeling as if someone is in her head with her. She deals with this in the time honoured British manner, by ignoring it and hoping it goes away. But it doesn’t and it’s difficult to ignore that she’s hearing voices when she only has one friend. She is in college/halls, on a floor with a bunch of fashion students who are about as different from her as it is possible to be. Her sole friend is Eric, who is studying fine arts. He is Norwegian and incredibly eccentric. Andi’s father works for an oil company so she grew up in the gulf and later the far east. She’s been away from home before, knows how to cook, how to use a washing machine, how much drink she can hold and how to live in the adult world. She’s not set for a great time at uni until the folks around her catch up. She is in halls and most of the students on her corridor are diet crazy fashionistas who are secretly taking their washing home to Mum at the weekends.
Things don’t improve when Andi learns that the voices in her head are there because she’s telepathic, that they are mostly Eric and it turns out that he is not Norwegian at all but is a a 7ft space lobster projecting a telepathic blind to make him look like a human. There is only one sex of space lobster but it takes 3 of them to bud and fertilise an egg so Eric has 2 spouses, Neewong and Smeesch. But it gets even worse when she discovers that Earth is about to be hit by a meteor and the entire human race wiped out. The only chance of saving it is if Andi can persuade Eric’s fellow space lobsters that the human race is sentient, by their standards, and stop it. But all of the space lobsters are telepathic to a certain degree – it varies – how else would you deal with non verbal communication when you have a rigid exoskeleton and no mobile facial features? Andi, on the other hand, is the only human on the whole planet, with proven telepathic skills, that Eric can find at any rate. So as the only one of us who comes close to their level it’s up to Andi to persuade the space lobsters to help Earth. But Andi has never responded well to pressure. She has no clue how to control her new found skills either and the space lobster who is making the decision has a fair amount of interest in seeing her fail.
Andi comes to see her telepathic ability as the equivalent of a large bomb in her head, that could go off at any time. She lurches from crisis to cock up to crisis trying to save the Earth by proving her lobster-level sentience and impressing less and less in her efforts.
So, in short it’s about a young woman who’s more grown up than she realises handling pressure, alone, far from her family.
It’s an extremely silly book and after investing a lot of time and effort, and 80k words into it, I’m not even sure it’ll see the light of day. But there you go, that’s the MC of my WIP. 😉
Cheers
MTM
April 20, 2015 — 11:26 AM
A Citizen of the World says:
Okay, I read this:
“Things don’t improve when Andi learns that the voices in her head are there because she’s telepathic, that they are mostly Eric and it turns out that he is not Norwegian at all but is a a 7ft space lobster projecting a telepathic blind to make him look like a human. There is only one sex of space lobster but it takes 3 of them to bud and fertilise an egg so Eric has 2 spouses, Neewong and Smeesch. But it gets even worse when she discovers that Earth is about to be hit by a meteor and the entire human race wiped out. The only chance of saving it is if Andi can persuade Eric’s fellow space lobsters that the human race is sentient, by their standards, and stop it. But all of the space lobsters are telepathic to a certain degree – it varies – how else would you deal with non verbal communication when you have a rigid exoskeleton and no mobile facial features? Andi, on the other hand, is the only human on the whole planet, with proven telepathic skills, that Eric can find at any rate. So as the only one of us who comes close to their level it’s up to Andi to persuade the space lobsters to help Earth. But Andi has never responded well to pressure. She has no clue how to control her new found skills either and the space lobster who is making the decision has a fair amount of interest in seeing her fail.”
And dude – you HAVE to get this published. The world needs more wacky characters and stories like this! You could be the new Douglas Adams! 🙂
April 20, 2015 — 7:54 PM
M T McGuire says:
Ah… I wish.:-) and thank you. I will do my best to get it to the people. I may continue in the destruction of my authorly credibility forever and publish it myself. That’s worked reasonably well with my other books.
Cheers
MTM
April 21, 2015 — 2:16 AM
sarmcwordery says:
No pressure for Andi, none at all 😉 All I have really is for Eric – I’m wondering why Eric is on Earth to begin with.
April 22, 2015 — 11:20 AM
M T McGuire says:
Ah. Two reasons. Eric is part of the recognisance team. After the meteor hits the space lobsters intend to settle on Earth. He’s there to work out how to get the dust cloud down as quickly as possible, work out different scenarios for a strike, which volcanoes will be worst effected etc so they can get things ship shape and settle down as quick as possible.
However as well as studying and evaluating the planet, Eric is also studying Andi, without his superiors’ knowledge. He isn’t supposed to but he thinks that if she’s sentient he might have to commit mutiny and go blow up the meteor. He’s kind of like a Greenpeace protester weaving backwards and forwards in a rubber dinghy in front of a whaling ship. He believes we’re sentient and wants to save us. His superiors want the colonise the earth and although some of them think we might be sentient they aren’t going to look too closely.
Cheers
MTM
April 22, 2015 — 12:15 PM
Jana Denardo says:
Kaleo was born in a prison slum (think Escape From New York) to a mother wrongly convicted of murdering her father. He believes himself to be a child of rape (He’s wrong but he won’t know that until the last third of the novel). Kaleo is half human, half Mishani, an alien species that has a very peaceful reputation that Kaleo doesn’t buy into. He was very close to his mother until she was murdered protecting him. Kaleo had belonged to a protection gang, mostly made up of other kids born in the slum and dedicated to protecting people from rape gangs, pedophiles and the like. He broke a promise to his mother and joined a program that promised him his galaxy citizenship chip in exchange for five years of labor.
Instead, Kaleo is turned into a Toy. His brain centers are altered, along with a few other systems, creating a hypersexual state and he is trained to be a living sex toy. After he is given to Dr. Aneurin Shyroth as a gift, Kaleo has to learn to live with what has been done with him. Suicide seems the best option until he sees how kind Aneurin is. Worse, this good man and his research has been targeted for death and Kaleo’s protective nature kicks in. He has a new mission: to protect Aneurin and to expose the Toy market for what it really is, sexual slavery.
April 20, 2015 — 11:26 AM
upickdandelions says:
I like your premise and the character’s inner and outer battles. Depending on how graphically violent this is I don’t know that I could read it, but I’d be intrigued to know more.
April 20, 2015 — 6:05 PM
Jana Denardo says:
Thank you. Actually it won’t be graphically violent at all, really.
April 20, 2015 — 10:24 PM
Byron Lagrone says:
Grix, a touchscreen maintenance worker for a fast-food chain, spends his spare time as an odd-job hacker — none too picky about his clientele — with a penchant for dipping his fingers into the virtual cash pile during work. And his boyfriend just broke up with him. That’s in reality, of course. The Grix the reader meets is the computer simulation imprinted with Grix’s personality, who begins life just in time to see his real-life counterpart die from multiple gunshot wounds. Virtual Grix wants nothing more than to return to life in a real body, but if he can solve his own murder and get revenge along the way, hey — that’s just icing on the cake.
April 20, 2015 — 11:32 AM
percykerry923 says:
My character, called Mia, is an editor of an international feminist magazine, an author, and also owns and funds a shelter for women and girls. She is a hardcore feminist and lives to help women stand on their own and escape abuse and violence directed at them. She faced sexual abuse in her teenage years and never got justice for it. This has made her tough, resilient and closed-off from the world. Especially after her long-time boyfriend cheats on her, she develops a thick skin to men in general, yet hopes she will find a man who respects her for who she is, her ambition, her success, her intellect and her feelings. She is usually polite and affable, but if someone tries to harm her, violate her privacy or make a sexist remark against her or women in general. In the first novel, she’s pitted against a dangerous rapist-killer who claims to be from her dark past, and is killing women whom she has assisted to get back at her. I’m planning to make this into a series.
April 20, 2015 — 11:34 AM
Kaidan says:
I LOVE this idea. The fiction world just desperately needs more stories about survivors. Bear in mind that survivors, especially those who go on to help other survivors, tend to develop really strong empathy and compassion. Her anger at her abuser and the world could be really beautifully contrasted against the gentleness she shows for the people she protects. I really think you have the potential for a super dynamic and interesting character here! Make sure to let us know when your novel is complete 🙂
April 20, 2015 — 11:38 AM
percykerry923 says:
Good point, buddy. This story is already complete- am editing it right now 🙂
April 21, 2015 — 10:36 AM
Jana Denardo says:
This sounds fascinating. I would read this.
April 20, 2015 — 11:49 AM
Sara says:
I love her! There are never enough strong women and Mia sure is a true survivor! The premise of the story is also intriguing and I feel like your character fits very well in it and you have lots of space to change/develop things. Sounds great until now, good luck with writing it!
April 20, 2015 — 2:55 PM
blewnose says:
I would definitely read this. Mia reminds me of my protagonist, Holly.
April 21, 2015 — 9:58 AM
roni g says:
So I’m writing sci-fi, and I have two protagonists – one is the main protagonist for the book, the other is like, the protagonist of the arc? of books? Yeah.
So arc-protagonist is Captain Elizabeth Malone. She goes by either her title or her last name – her first name is off-limits to everyone except for her twin sister. (The story behind it is that she was named after her mother, who did those sorts of foolish things, and was called Beth for most of her life, but after a class project of researching names, she found out that Beth came from the old word ‘bet,’ or beta/second, and she sorta flipped her shit.) She’s biracial, and biromantic grey-ace.
SO Malone starts off as one of the higher-ups in the military, fighting in a war against draconian-humanoid lizards known as Valdairians. She’s very rule-driven, a firm believer in herself and that she knows best because she relies on the rules. Overprotective and almost endlessly loyal, her ties to her rules are tested when she’s ordered to kill her sister for fraternizing with the aliens (who had picked her to act as their translator – their language isn’t totally verbal but a ix of verbal/telepathic, and in her work as translator the sister totally burned out a part of her brain from the mental workload).
By the end, Malone is an AWOL vigilante on the run from the law with her sister, a pieced-together POS ship, and a merry band of guns-for-hire in the same boat as her.
April 20, 2015 — 11:42 AM
Kaidan says:
Carmen is a twenty-something Roma girl living in Florence circa 1494. She’s a young woman torn between worlds: the highly traditional and close-knit world of her Roma family, and the rapidly changing and twisted world of Renaissance Italy. Though the Roma face prejudice and often open hostility from the Florentines, she finds a friend in the charismatic and quirky young Niccolò Machiavelli. Their friendship and eventual romance are complicated by the divide between their peoples and their worlds, and their innocent affair takes a deadly turn when the mad monk Savonarola starts burning Roma girls as witches.
April 20, 2015 — 11:47 AM
cameronwalker27 says:
This sounds really interesting- I love the premise!
April 20, 2015 — 12:45 PM
Terri says:
You had me at Machiavelli! What a clever idea for a book.
April 20, 2015 — 12:50 PM
shelton keys dunning says:
The Machiavelli eh? Ambitious and intriguing. No affair is innocent though, especially when taking place between two opposing cultures. Very Romeo and Juliet. My suggestion is more plot related I guess, and would be to keep the tension as driving and dangerous as possible in the Florentine world so that the family dynamic of the Roma world is the only true sanctuary Carmen has, so when her people are threatened, especially if as a direct result of something she was caught doing in Firenze, the climax then could really have a gut punch for the reader. Make sense?
April 20, 2015 — 1:12 PM
Kaidan says:
Yeah, great suggestion! I’m preemptively mad at myself for some of the stuff I’m going to do to the Roma.
April 20, 2015 — 2:05 PM
shelton keys dunning says:
Don’t be mad at yourself. Your story can take the heat. 🙂
April 20, 2015 — 7:19 PM
M.A. Crosbie says:
This sounds fantastic! I want to read more…
April 21, 2015 — 5:53 AM
thatcalamity says:
Kiana is a career servicewoman in the Canadian military, called away from active service to deal with the murder of her grandmother in Detroit. Dealing with mild PTSD and a deep distrust of the local American authorities, Kiana struggles to balance her grief and the revelation that the FBI might have had a hand in her grandmother’s death.
In her mid twenties and from a mixed (but broken) family, Kiana was raised by her grandmother to be independent, smart and resourceful. With no money for education and few job prospects, when she turned 18, Kiana enlisted in the Canadian military. (Her father was Canadian, granted dual citizenship at birth.) She is brusque and efficient, keeping strangers at arm’s length until they’ve earned her trust. Once they have, she will do anything to keep them save. The problem is, separated from her squad and facing a generations-long conspiracy, Kiana doesn’t know who she can trust… if she can trust anyone at all.
April 20, 2015 — 11:52 AM
MC Houle says:
Hey hey. long time no see 😉
Sound interesting and full of conflict.
April 20, 2015 — 12:11 PM
devsmess says:
I’m a sucker for tough girls with guns who use it as a shield to what’s inside. I like the fact that she seems like a ‘give it to me and I’ll get it done’ kind of person, so she’s got the ‘grit’ that readers look for. And she’s clearly going to need to stand up on her own as per the last line.
I’d would totally read this. Good luck!
April 20, 2015 — 2:00 PM
thatcalamity says:
Thanks <3 It's really hard to get a personality down in two paragraphs. The story she's thrown into involves time travel and cold war era FBI, so she'll definitely need to stand up for herself.
also omg, just saw a typo that I can't fix. Nooooooooooo! **anything to keep them safe.
April 20, 2015 — 4:01 PM
shelton keys dunning says:
Don’t panic. It’s all good. You’re among friends.
April 20, 2015 — 8:07 PM
cameronwalker27 says:
Protagonist in Bellum:
Tallie Kemper, an apprentice wisewoman, must leave the Appalachian hills to rescue her kidnapped sister from the camp of a Confederate lieutenant.
She’s small and strong, works hard (chopping wood, foraging for mushrooms, trekking up and down the mountain checking on Linnet’s patients), grits her teeth and does what needs doing, but there’s a current running through her- like a bud on the cusp of flowering or that electric hum right before a thunderstorm. A kinetic stillness, perhaps. There’s something of the bee in her, but also the owl.
Tallie is the younger sister, and while she is following in Linnet’s footsteps, she doesn’t have her natural healing power. She has a different ability, one left undeveloped since it couldn’t save her parents, but one she must learn to use quickly if she is to save her sister from a similar fate.
She thinks that looking at her must be like viewing her sister Linnet in a dirty looking glass. Similar features but smaller, darker, meaner- of spirit, too. She doesn’t see her wildness, her stubborn, mule-like strength, her willingness to slog through mud and blood as positive traits. Enter Dutch Iseley, a soldier who joined up for retribution but learned he’s not willing to kill. He holds up a different mirror to Tallie and she loves her reflection in his eyes.
Is her strength enough to save her sister? How will she change in the midst of a war she never thought would touch her?
April 20, 2015 — 12:05 PM
tedra says:
I love her! I dont know how she looks to you but I can see her in my mind clearly. This story is just so amazing already. I wish you the best of luck with this. I can’t wait to read it.
April 20, 2015 — 12:30 PM
cameronwalker27 says:
Thank you so much! Looking forward to completing it!
April 20, 2015 — 12:48 PM
MC Houle says:
My characters met twenty some years ago when all they had in common was being boys living on the same street. They’ve been inseparable, and they all have a tattoo representing the three musketeers and the name of one of the character.
Jesse Dewitt is Aramis, a young christian man who’s really involved in either the Anglican Church or United Church of Canada, two LGBT friendly churches. He’s a organist and a mechanic. He is a bit more reserved than his friends, but he likes a good laugh.
Brandon Bradford is Athos, a hyperactive and hyper-competitive athlete. He’s loud and frat-boy like. He’s a sour loser, but a loyal friend and protector. Pal before gal is his motto.
Lloyd Hanson is Porthos, a fashionable wannabe actor who can’t seem to settle in past two dates with any girls. He can be superficial and over-dramatic, but he excels at pushing his friends to be the best version of themselves.
As the story goes, they have to deal with changes in their relationship with Jesse introducing his new boyfriend to the group and awkwardness when a dare exposes some unexpected feelings between Brandon and Lloyd.
April 20, 2015 — 12:06 PM
divynal66 says:
Diane Kilmara is not what you’d call your average woman: Abandoned young by her mother and raised by her father, grows up with few friends and few ties back home. Proud of her father’s military service, she joins the Army at a time when restrictions on women in combat are formally lifted. Her experience sharpen her mind and body, producing a veteran of the US war on terror and a wounded warrior.
Her takeaways from her life thus far are not without drawbacks as she deals with her injuries in extremes, leading her to vigilantism and alcoholism. Her small circle of friends are the few who will tolerate her radical nature in the hopes of bringing her back to a sense of normalcy. The story forces her to make several tough decisions that will put her friendships and her freedom at risk.
April 20, 2015 — 12:27 PM
willowj says:
Stories dealing with veterans and their return to the world make me incredibly happy, I’m extremely intrigued! It seems like you’ll be doing a lot of work with PTSD and the general shit that happens when you’ve been injured in combat; if your character is an amputee then I would do a lot of research on that because from my experience, the repercussions of losing a limb are quite intense. It’s nice to see a character with the realistic vices that would accompany someone who has seen war and death, but I know myself that I have a problem making my character have too many vices and not enough redeeming qualities. Maybe that’s what you could be going for, but I’m just saying that it’s always good to keep in mind that there should always be some sort of balance in characterization, in my opinion, though how fragile that balance is is completely up to you!
April 20, 2015 — 1:51 PM
bostonfoxed says:
Sam Serrano peered behind the veil and he’s… coping. With alcohol. He’s an ex-cop who put out his shingle and deals, alongside the more traditional fare that pays the bills, with folks who have fallen through the cracks like him. Drug addicts who don’t stay dead, a well-preserved rock star, a heroin-addled drummer having strange sex dreams, a senator’s wife who needs Sam to recover a strange sealskin dress her husband is using to keep her from leaving. The usual.
Now a case puts Sam’s tenuous grasp on sanity to the test. He’s seen vampires, mummies, succubae, and selkies. He even tangles with a werewolf gangster on occasion. But can he believe in fairies and go on living like the world makes sense?
Before the events of the novel, he was a cop who thought a teen killed at prom was a vampire slain by his girlfriend. He thought this because of an autopsy report that claimed the wounds appeared to be post-mortem. Naturally, that report was corrected, and the girlfriend is in prison for life. He turned to alcohol, and fell off the force. He sees himself as a knight, slaying monsters. The central conflict is with a nurse he helped once and who is helping him in the novel. She sees her role as treating patients, not killing monsters.
What Sam comes to learn is that the knight isn’t the fairy tale ideal he should hold himself up to. He should be the woodsman, someone who helps and empowers the innocents instead of merely protecting and rescuing them.
April 20, 2015 — 12:28 PM
theotaylorr says:
I like the dichotomy of the fallen hero. A cop, nominally an outstanding and well spoken figure fallen from the light. I like the embellishment of the fairytale at the end; the woodsman is often underrated whereas so many characters today are the knights in shining armor and Sam seems anything but! Excellent.
April 20, 2015 — 2:05 PM
bostonfoxed says:
Thanks for the input. Trying to get back into the Writer Gonna Write mindset (on personal leave, basically), and it is good to hear I’m on the right track.
April 21, 2015 — 7:58 AM
Beatriz Sasse says:
Theo, my protagonist, is a teenager like any other, except for the fact he is 100% sure he is a prophet and destined for greater things. For the reason he mutters prophecies under his breath and is struggling with his sexuality, he feels like an outcast at school, even though he has two great friends. Ever since they started dating, however, he is spending more and more time alone. He meets this group of really awesome, weird, funny people with whom he genuinely relates with. It’s the first place he ever came close to fitting in. Turns out they are pot-addicts, some are squatters, and others come close to prostituting themselves on a daily basis. Torn between leading a lonely life correctly or spending time with the wrong crowd, Theo wrangles his way through unrequited love, first love, school, bullies, and very bad influences.
April 20, 2015 — 12:33 PM
Terri says:
Baden Dwight is a balloon observationist in WWI. He’s the black sheep and has a problem with impulse control. I see him as ADHD as hell in an age where they didn’t know what that was. It makes him brilliant at some aspects of his job (anticipating enemy movement) and crap at others (following orders).
This is the middle story in my trilogy about siblings during the war and I just had to dump 30K in it because the story was just not compelling. His actions were predictable and there was nothing to pull the reader through the story.
He is also ‘inheriting’ a totem, passed down from his brother in the first story, which gives him a blessing/curse. Originally I had written it that it gave him the ability to see actions before they happen. This would be key for an observationist, but a little risky for someone who has poor impulse control. What the story seems to be missing (for me) is a heart. A compelling reason to read about this guy. (FYI, it takes place a little after the Battle of the Somme, but those events don’t have to be integral to the tale.)
April 20, 2015 — 12:48 PM
bluestowl says:
Sounds very promising for a different kind of POV. May I suggest a first-person narration? Like The Curious Tale Of The Dog In The Night-time, which is narrated by a person suffering from Aspergers Syndrome, it might give a deeper insight in this. I’d like to see whether you attempt to state it or just hint at it and allow readers to guess.
April 22, 2015 — 9:44 AM
iriel says:
Sofía, my protagonist, is a 12 year-old girl who happens to be in a wheelchair. She lives in a small town called Calandrias and the book starts in 1995. She spends her days doing physical therapy for an incurable condition, and she can hardly wait to get home and wrap herself by the window with a good book. She doesn’t have time for friends and she doesn’t talk much either. Sofía does not believe in miracles, but she believes in magic. She knows it’s out there, and she knows her adventure should begin at any moment when a young witch moves into her neighbourhood. Both girls become friends and get into a lot of trouble while Sofía is trying to learn about magic. It involves a castle in the sky where only two wicked siblings live.
I’m writing it in Spanish, of course 🙂
April 20, 2015 — 12:54 PM
Pixel Prism (@pixel_prism) says:
Workin’ on a comic right now, and feeling a little stuck on my characters.
The main protag is Aika, the only person in the world who can’t do magic. All she wants is to be able to live up to the society she lives in and be useful. Even military training and relentlessly learning how to adapt on her own hasn’t made her useful: with a mixture of pity and feeling at a loss for what to do with her, her commander mostly sends her out on scouting missions outside of combat.
Even the mission to go figure out why the dragons are dying (which, outside of mortal wounds, they have never done before) is supposed to be a throwaway mission.
Ultimately, her lack of magic is what’s going to help her solve the world’s problem. The world has so much magic because it was built on an older paradigm of magic that thrives on harmony. Unfortunately, the denizens of the world have developed a “more efficient” kind of magic: its power source is the magic that already exists, and that battery is starting to run out. It’s up to her and the friends she makes on her journey to reharmonize a broken world and bring its many peoples together before it’s too late.
—
For Aika, I’m a little worried she’s not interesting enough. She’s a bit introverted, a bit defensive, hates crowds; is relentlessly self-reliant, and simultaneously gets down on herself while swearing she can do her job as well as anyone else can. It’s all a bit … boring. But I can’t seem to come up with much else that suits her. Thoughts?
(Genre: Fantasy / Magical Girl)
April 20, 2015 — 12:57 PM
Mildred achoch says:
Here’s a suggestion just off the top of my head. What if instead of your protagonist not being able to do music, she actually REFUSES to do magic. That immediately makes her a more proactive character because refusing to conform means fighting the system daily, fighting her insecurities daily and maybe even fighting the few people closest to her. For example, if her love interest is high up in the magic hierarchy, her refusing to do magic will of course create conflict in their relationship. Plus, rebels make for interesting characters. And her refusing to do magic raises interesting questions that may help you fill in her background. Why has she refused to do magic? What does it cost her to not do magic? Is her health/well-being affected because she is not doing magic? Maybe she gets migraines or nightmares or starts sleepwalking etc. I hope this helps 🙂
April 21, 2015 — 10:09 AM
Pixel Prism (@pixel_prism) says:
Thank you SO MUCH for this comment. I’ve been thinking about it nonstop and you’e absolutely right that it will give her a more proactive role. I’m definitely going to work this in!
April 22, 2015 — 10:35 PM
mildred achoch says:
I am glad I could be of assistance 🙂 (Sorry about the typo: “magic” not “music”)
April 22, 2015 — 10:51 PM
Ray says:
(I thought I posted this earlier, but it’s not showing up. Unless Chuck has a filter that kills things with words like ‘church’ in them automatically.)
My protagonist is Hayden Crutchfield, the son of a prominent Southern Baptist prosperity preacher. He’s being raised to follow in his father’s footsteps, but he has no real desire to preach. He feels like shit when his father takes up offerings. One of Hayden’s greatest fears is that his own sermons will be used to con more money away from his dad’s poor congregation, because Hayden knows he’s going to be a great speaker. He knows all the tempos, the pitch changes to drag emotion out of the crowd, the right time to signal the pianist to begin that slow, mournful soul-wrenching song to bring the people to their knees.
That all changes the night of his first message, when in the middle of it Jesus busts through the baptismal doors, clad in leather armor and screaming about the evil horde about to descend upon the church. Hayden learns that Jesus, a Warden, has been locked in a battle beyond the veil for the past two-thousand years. He willingly jumps into the fight–anything to not be a preacher–but when Satana’s daughter, Shira, begins turning his church into zombie-like creatures called Taken, it may prove too much.
It’s funny, so far the title of my story is ‘Jesus, Slayer of the Undead’ and yet he’s really a supporting character, though he does get some POV time. Is that misleading?
April 20, 2015 — 1:25 PM
WillowJ says:
Faran Seamark is my protagonist’s name, and he’s sixteen years of age when the story opens. He’s a city-kid, born and raised in Lansing, Michigan, and a bit of a recluse -of his own volition for the most part. He’s skinny and short and wears red-rimmed glasses and his blond hair is always just a bit too long and has a penchant for soft sweaters. Upon the deaths of his absent parents, Faran expected to be left in the care of the family housekeeper, but he instead a relation whom he was never met -a grandfather on some ranch over in Montana- claims guardianship, and Faran finds himself on a one-stop plane to the middle of nowhere. Faran, while a bit selfish and pessimistic, is very perceptive and introspective; he knows how to read people and understands himself pretty well. However, even though the little dweeb has the potential to do great things, the crippling self-doubt that he forces upon himself and insecurities bog down that potential. Faran, on top of dealing with conflicting emotions towards his parents’ sudden deaths, the necessity for actually human interaction in this strange new place, and a loud ranch-hand with the most infuriating, fascinating eyes he’s ever seen, must pull his head out of his ass and realize that he must overcome his insecurities if he’s ever to pull his head out of his ass.
April 20, 2015 — 1:28 PM
myzania3350 says:
Sounds interesting…..
April 22, 2015 — 9:34 PM
curtisdibrelljr (@curtisdibrelljr) says:
My character is Timothy Trout. Timothy is a pre-adolescent who lives with his mom and dad. He is near sighted and short. He has a vivid imagination. He is very non-confrontational, and tries to not to be disruptive or problematic. He is curious about new things. He is the type of person who is not well-spoken, but who will always let someone know that he cares about them, either through gifts, or through physical contact. He prefers reading about adventures instead having them, but he can still enjoy them when they happen.
April 20, 2015 — 1:49 PM