Apple-Obsessed Author Fella

Month: May 2012 (page 2 of 5)

Hive-Mind Me Some Toddler Books

The tiny human is now one, and he’s also now enamored of books.

He has recently become addicted to Goodnight, Gorilla, which is cute as all get-out.

The other day on Twitter, when I mentioned his newfound adoration of this book and many others (and also his abject disdain for Goodnight, Moon), many folks chimed in with suggestions, including this delightful parody, Goodnight, Dune. So, I figure this is a good time to poll you folks with kids —

Recommend for me some good books! Preferably board books, since that’s what the tot likes.

He just turned one.

We need books.

DELIVER UNTO ME YOUR TINY HUMAN BIBLIO-SENSATIONS.

Recommend away!

25 Reasons You Should Quit Writing

Time for my annual, “Nope, you shouldn’t be writing, quit now, run away, go on, shoo” post. This time, in the form of the “25 things” lists that all you crazy cats and kittens seem to love so much.

1. It’s Really Hard

OMG YOU GUYS. Writing? It’s hard. It’s like, you have to sit there? And you have to make stuff up? For a living? And there’s all this… typing involved. You know what’s easier? Being an adult Baby Huey. Diaper-swaddled. Able to just pee where you sit. Your food liquified into a nutrient slurry and fed to you via a tube pushed through the grate of your giant human hamster cage. Okay, I kid, I kid. Writing actually is work. Intellectually and emotionally. You actually have to sit, day in and day out, and trudge through the mire of your own word count. Quit now. Save yourself from pulling a mental hammy.

2. You Probably Don’t Have Time

Writing takes time you do not possess. You’ve got that day job and those kids and, hey, let’s not forget your 37th replay of the entire Mass Effect series. Your time is all buttoned up in a starchy little shirt. Sure, Stephen King carved out his first novel one handwritten line at a time in between moments at his factory job, but if I recall, that didn’t pay off for him. (He should’ve just stayed working at that factory. Uh, hello, have you ever heard of medical benefits, Stevie? A pension? Lunch breaks? Duh.) Besides, eventually you’re just going to die anyway. Time won’t matter and it’s not like they’re gonna let you read your own books in hell. Better to quit now. Free up some time for drinking and masturbation. Er, I mean, “parenting.”

3. You May Have To Write A Whole Lot

Recently it came out that for writers to survive, they might have to buckle down and write more. Well, that’s just a cockamamie doo-doo bomb is what it is. That means writers might need to write — *checks some math, fiddles with an abacus, doodles a bunch of dongs in the margin* — more than 250 words a day?! Whoa. Whoa. Slow your roll, slave driver! I mean, it’s not like writing is fun. It’s an endless Sisyphean dick-punch is what it is. (See, Sisyphus carried an old CRT television up a dusty knoll, and when he got to the top, a faun punched him in the dick and knocked him back down the hill. That’s Greek history, son.) Write more? Eeeesh. Better to complain about it, instead. Or, better still: quit.

4. I Bet You’re Not That Good

I’ve seen your work. C’mon. C’mon. This is just between us, now. It’s not that good, is it? Lots of spelling errors. Commas breeding like ringworm in the petri dish that is a hobo’s crotch. All the structure of an upended bucket of donkey vomit. The last time an agent looked at your work, she sent it back wrapped around a hand grenade. So, you’ll do what so many other mediocre, untested, unwilling-to-work-to-improve writers have done: you self-publish, joining the throngs of the well-below-average with your ill-kerned Microsoft Paint cover and your 50,000 words of medical waste. Why do that to the world? Have mercy!

5. Hell, Maybe You’re Too Good

Alternately, you might be too talented. Your works are literary masterpieces, as if Raymond Carver, James Joyce and Don DeLillo contributed their authorial seed and poured it on the earth where it grew the tree that would one day be slaughtered to provide the paper for your magnum opus. And meanwhile, someone goes and writes porny Twilight fan-fiction and gets a billion-dollar book deal thanks to the tepid BDSM fantasies of housewives everywhere. You’re just too good for this. As you seem unwilling to write the S&M fan-fic version of The Hunger Games for a seven-figure-deal… well. This way to the great egress!

6. Ugh, Learning, Ptoo, Ptoo

“All you have to do to be a writer is read and write,” they said. Which seems true of anything, of course — “All you have to do to be a sculptor is look at sculptures and sculpt some stuff,” or, “All you have to do to be a nuclear physicist is read signs at a nuclear power plant and do a shitload of nuclear physics.” But then you went and read books and blogs and Playboy magazine articles and the backs of countless cereal boxes and then you tried writing and oh snap it turns out you still have more to learn. And learning is yucky. Ew, gross. Dirty, dirty learning. Not fun. Takes effort. Bleah.

7. Finish Him, Fatality

“I’m writing a novel,” you say. And they ask you, “Oh, is this the same one you were writing last year? And the year before that? And the year before that?” And you say, “No, those were different ones. I decided that–” And at this point you make up some excuse about publishing trends or writer’s block or The Muse, but it all adds up to the same thing: you’re not very good at finishing what you start. Your life is littered with the dessicated corpses of countless incomplete manuscripts, characters whose lives are woefully cut short by your +7 Axe of Apathy. You’re so good at not finishing, embrace this skill and quit.

8. Rejection Will Make You A Sad Koala

You will be buried in the heaps and mounds of rejection. And it’s never nice, never fun. Sometimes you’ll get the cold and dispassionate form rejection slips with a list of checkboxes. Sometimes you’ll get the really mean, really personal ones that stab for your heart with a sharpened toothbrush shiv (I once got a rejection slip early in my career from author and then-editor Thomas Monteleone that pretty much… savaged me rectally). Rejection will ruin your day. And, if you do get published, bad reviews will haunt you the same way. Did you know that every time I get a one-star review for Blackbirds, my eczema flairs up? I get all scaly and itchy and then I’m forced to fight Spider-Man as my supervillain persona, “The Rash-o-man.” (My comic book is told from multiple perspectives!) Anyway. Point is, rejections and reviews hurt. Don’t thrust your chin out so it can get punched. Hide in your attic and eat Cheetos, instead.

9. You Don’t Want It Bad Enough

You have to want this writing thing really bad. Sure, the saying goes that “everybody has a novel in them,” but thank fuck most of those people are too lazy to surgically extract said novel. I’ll just leave this one to the wisdom of Ron Swanson: “Never half-ass two things. Whole-ass one thing.”

10. Writing Really Cuts Into Your Internet Addiction

The Internet is like a… delightful hole you fall into, a Wonderland of porn and memes and tweets and porn and hate and cats and porn. I’m always wishing I had more time to just drunkenly fumble around the Internet, feeling its greasy curves and exploring its hidden flesh-knolls, but all this damn writing keeps getting in the way. “Oh, god, if I didn’t have this stupid book to write I’d be tweeting scathing witticisms and scouring the web for free ‘people-dressed-up-as-trees-and-flowers-and-pollinating-one-another’ porn.” (If people who dress up as animals and do it are called “furries,” what are people who dress up like plants? “Leafies?” “Greenos?”) Anyway. Quit now. Free up your time.

11. Writing Isn’t Just Writing, Which Is Super-Bullshit

The title “writer” is the piss-pooriest description of the job I’ve ever heard. Total. False. Advertising. Man, writers have to like… edit, blog, market, learn good business practices, engage in public speaking, train on typewriter repair, cultivate liver constitution, and learn how to select and seduce mates based on the strength of said mate’s health care plan. That’s a bummer. A major bummer. Hell, it’s an ultra-bummer.

12. Rife With Indignities And Disrespect

Admitting to someone you’re a writer is like admitting to them you like to you’re a closet My Little Pony fan, or you’re a self-made eunuch, or you like to have sex with raccoons. Tell someone you’re a writer and she’ll nod, embarrassed for you, and then take a gentle step back so she doesn’t catch whatever cat-shit parasite made you crazy enough to want to be a writer in the first place.

13. Hullo, Mister Fatbody

Writing is a sedentary activity. You sit on your butt all day. The only parts that move are your flitting eyes as they follow the cursor and your fingers as they piston-pound out text. The rest of your body slides inevitably toward atrophy, layers of blubber and gristle slowly wreathing your frame in its salty slugabed deliciousness. You’ll probably get fat and then people will make fun of you and then you’ll die.

14. Back And Eye Problems

In addition to becoming a lumpy word-goblin, you also sit there all day in one chair staring at a freakishly bright square of light and the ant-like words and images that dance across it. Your back will become a quilt of twisted muscle, your eyes like grapes covered in a greasy film. Save your body. Quit now.

15. The Disintegrating Value Of Your Words

The professional pay rate for short fiction is now “a half-of-a-Dorito per word.” The average advance for a novel is a punch to the neck and a nuclear-fuchsia Snuggie. Analysts predict that most self-published works of fiction are trending toward an average price of $0.13 per 120,000-word novel. Which leads to…

16. The Average Salary Is $9000 A Year

The federal poverty level is at $11,170, and the average author annual salary is $9,000 a year. Homeless people earn better salaries. Seriously. If a homeless guy can beg thirty bucks a day, he’ll do better than you. You clearly cannot make a living writing. Studies show that only four writers alive make a living writing, and those jerks have the whole thing sewn up. They’re like the 1%-ers of authors, those dicks. Better to quit now before you find yourself on a ruined mattress under the overpass, eating bedbugs for sustenance.

17. Your Chances Ain’t Good, Hoss

Everybody and their ugly cousin wants to be a writer. You know how many query letter submissions the average agent gets per day? Enough to crush the skull of a Tyrannosaurus Rex. (In fact, that’s how the dinosaurs went extinct: they all wanted to be writers and starved to death. The meteors were just a cruel afterthought by an unmerciful god.) The chances of your work ever being seen — by an agent, then by a publisher, then by an audience — are about as good as the chances of you giving birth to a zebra riding a jet-ski. Which, admittedly, I have seen a few times. And it isn’t pretty. Oh, and don’t forget about…

18. The Septic Tide Of Self-Publishing

Now everybody and their ugly cousin can be writers! All it takes is a hasty lack of afterthought and a shameless willingness to click a PUBLISH button on the Internet. Abracadabra, your poorly-cobbled-together word-abortion is now available for anybody who cares to see it! Am I saying that good authors don’t self-publish? Hell no! Many great authors have self-published. Oh, but here’s the rub: discoverability on the Internet sucks. Trying to discover a new author on the Amazon or B&N marketplaces is about as effective as searching an above-ground pool full of dirty adult diapers for a half-eaten Snickers bar. Your work is just one more diaper on the pile. Or one more candy bar lost beneath the waste.

19. Gatekeepers? More Like Hatekeepers, Am I Right?

You know who’s preventing you from getting published? A buncha jerks. Editors and agents and publishers — all grumpy bouncers at the door of this SUPER-ELITE WRITER’S CLUB and any time you try to come on through they Taser you in the face and laugh as you flounder around in the gutter for an hour. The system is a Rube Goldberg machine that powers itself on your shame. Don’t let the bullies win. Better instead to take a nap and forget the whole thing.

20. Have You Been To A Bookstore Recently?

The bookpocalypse is upon us. All Barnes & Noble sells anymore is coffee and board games, except in the back where you can find a couple Franzen novels and 72 copies of a 1989 Pontiac Grand Am user manual. Indie bookstores appear haunted by the damned — it’s all trauma-bombed eyes and trembling gray shades, each of them willing to show you on the doll where Amazon touched them. I drove by a bookstore the other day and it was filled with feral cats. Caution. Cuidado. Verboten.

21. Publishing Is Now One Big-Ass City-Stomping Kaiju Battle

The Big Six publishers have formed into some kind of drunken papier mache Voltron in order to fight the tentacled galactic e-beast known as Amazon, and all us little writers are getting tromped by their stompy feet. Sure, try to show the world your novel: you’ll get lasered in the face. Better to hide in a bunker somewhere, wait out this monster battle. Your wordsmithy will just get you killed.

22. When The Great EMP Comes, All Our E-Books Will Be Destroyed

Print books are being hunted in the streets like stray dogs. E-books will soon be all books, but then eventually China’s going to attack us with an elecromagnetic pulse or Russia will invent an ion cannon like from Star Wars and then all of our books will evaporate in the data-blast. All your hard work will be lost — ephemeral information cinders on the wind. Why even try?

23. And If Not, The Future Will Be All Writer-Bots Anyway

It’s not going to be long before spam-bots figure out how to produce new content. The next wave of self-published books will be written — sorry, “written” — by a hive-mind colony of self-aware spam-bots. They’ll have titles like “The Girl Who Kicked Over The Cialis Machine” or “Ugg Boots Informational Article Post” or “Ituqxufssjcmfnjoet The Real Estate Computer Repair Warrior.” Don’t get in the spam-bots’ way.

24. You Just Don’t Like It Very Much

I don’t think you like writing very much. Mostly you just complain. Boo-hoo pee-pee-pants sobby-face wah-wah existential turmoil. Writing is hard, publishing is mean, my characters won’t listen to me, blah blah blah. I don’t get the sense you really enjoy this thing, so why don’t you take a load off? It’s not like the pay-off from writing is huge. If it’s just an endless gauntlet of miseries, maybe go find something else to do. I’m sure the nearest bank is hiring. Or, as we’ve discussed, hobos do pretty well for themselves. And hoboing is an unbridled delight! Ask any hobo and he’ll say, “At least I’m not a writer.”

25. Because Some Asshole On The Internet Said So

If you’re willing to listen to me, and my words have given you pause, then you really should quit writing. And there’s no shame in that. Most folks who want to do this thing honestly never will — and maybe it’s best to maximize your opportunity and find your bliss somewhere else. But, if you’re reading all this and all you feel is the repeated urge to come find my house and flat-punch me in the trachea, good for you. If your response is to kick and hiss and spit and assert your writerly rights and then push past me so you can plant your pooper down in the chair to write your aforementioned pooper clean off, then to that I give you a high-five, a chest-bump, and a sloppy open-mouthed kiss (here, have my gum). Because to want to do this thing, you need that kind of fuck you, I’mma do it anyway attitude. And the last thing you need to be doing is listening to some Internet Asshole telling you to give up. Shut up. Go write. Be awesome.


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Revisiting The Fevered Egos Of Self-Publishing

First, go read this:

The Man Who Thought He Was King.” About a self-published author who gets kind of… well, crazy? Uppity? I don’t know. I’m not even sure what he’s pissed about, honestly.

Read it? Done? Cool.

One of the biggest things holding self-publishing back is the attitude of some — not all, not most and not even many — but some self-published authors. What you will find in the self-publishing (or DIY or “indie pub”) community is a handful of maggot-chewed bad-apples bobbing noisily in the barrel. They’re loud. They’re entitled. They’re oddly defensive (methinks thou doth protest too much). They often have books that look and read like they were written by a fourth grader on a high-test ADHD drug cocktail.

And they’re more than willing to get up in your face about it.

Don’t be that guy. Don’t be a cock-bag. A douche-nozzle. A righteous scum-topped cup of dickhead soup.

My message to the generic That Guy:

First, learn to write. Not just fiction but, say, forum posts. Tweets. Your own name. Whatever. UR JUST MADD COS I SELL TONSZ OF BOOKS AND YOURE SLAVE TO THE GATEKEPERS is not a compelling — or, frankly, cogent — message. Which leads me to:

Second, stop using your sales numbers as a bludgeon. BUT I SELL FOUR BILLION EVERY TEN MINUTES may or may not be true, but what it most certainly is is irrelevant. Is that how Neil Gaiman tries to end an argument? “WELL I’M A BESTSELLING AUTHOR SO EAT MY POOP.” I suspect he does not. (Though now I secretly kinda hope he does? I would give multiple pieces of my anatomy to have him on YouTube yelling that very thing — a boy can dream, can’t he?) Your sales numbers are not interesting. Nor do they represent a useful data point as the lever in whatever argument you happen to be in right now. Sales are not an indicator of quality. And it’s very difficult to establish if your sales numbers are even accurate. Take them off the table. Stop screaming them in people’s faces.

Third, please be advised that the number of books you write is also not an indicator of anything — certainly not quality. I could, if I chose, write a book a week. Each book would be a festering midden-heap, a clumsy orgy of misspelled words feeling up awkward sentences in the dark in order to give birth to a one-legged moaning monstrosity of a story, but I don’t. Yes, I do believe that authors in the 21st century will find increased productivity useful, but what that doesn’t mean is, “Vomit out as much poor-quality content as you can purge into the world.” Yelling, BUT I HAVE 137 BOOKS FOR SALE, leads people to suspect that you’re just another self-published whackaloon with poor impulse control.

Fourth, stop being mad at “gatekeepers.” Blah blah blah agents, publishers, editors. Every time you yell about traditional publishing it just looks like a dumptruck full of sour grapes. Which leads us all to what is likely the correct conclusion: you self-publish because you were rejected and your peen is in a twist about it, not because you have a great story you want people to read, not because you want the control that self-publishing affords you.

To the self-publishing DIY indie community at large:

Call these screeching moonbats what they are: screeching moonbats. I’ve long said that the self-publishing community needs fewer cheerleaders and more police — meaning, more folks willing to say, “That fruity nutball does not represent me, my work, my ethos, my nation, my planet, my species, or my very molecular structure.” Don’t let them be the loudest voices in your community.

Transmissions From Toddlertown: The First Year

I keep trying to find poetry in this. I’m looking for words. Big words. Small words. Any words. I keep wondering what I’ll say — maybe I’ll say something about the unit of time known as a year in which it feels like not much changes. Some new television shows, some crow’s feet digging into the skin around your eye, maybe a pay bump eroded by new bills. But then you have a baby and time takes on new meaning: it collapses in on itself and big things happen in small spaces while at the same time the whole thing blows out like elastic in old underpants, time an exploding star, a year passing in blink-and-you-missed it eruption.

Maybe I’ll say something about babies and new parents. Maybe something about change. Or chaos. Or life and love and madness. Maybe poop and pee, since those are certainly themes. Can I find poetry in a smooshy diaper? (It’s best not to ask, because you can be sure I’ll try.)

I don’t know what to say.

I try to get my head around this last year and I come up empty. Not of feelings or emotions. I’m giddy! And tired. And utterly in awe. And confused. And did I mention tired? No, the emotions are all firmly in place; they have their orders and they’re sticking around. What’s missing is a sense of perspective, of any kind of clean orderly thinking — I don’t have any great revelations or insights, I don’t have a thesis or theme on which to hang my hat. When I try to think, what would I say about this past year? I’m mostly left, mouth agape, lips working soundlessly, a slight breathy squeak emerging as my only answer.

What I do have is:

A one-year-old little boy.

A beautiful, smart, dangerous, insane, giggly, smiley, assertive little boy.

*blink blink*

Holy shit, it’s been a year.

Things move fast but feel like they’re slow.

Or maybe, things move slow but feel like they’re fast.

I still remember that night in the hospital. Baby boy screaming. Saturday Night Live muted on the television in what was to be the first of many sleepless nights. My wife pacing with the tiny human, me standing on guard, bleary-eyed and feeling useless. Eventually the nurse coming in and us asking her, “Is he sick? Angry? Did we already do something to upset him? Does he need a hug? A car? Is there a widget out of place that, were we to adjust it slightly, it would allow him to stop crying and go to bed? I think he’s broken? Did we break him or… is there a warranty department we can call?” The nurse taught us a new term — cluster feeder — and said it was all fine, no problem, no worries. And oh, good luck.

That night seems like yesterday. And it also feels like ten years ago.

It feels like yesterday that we brought him home. That he learned to smile. That he said his first “goo” and rolled over and climbed onto the couch and climbed to the top of the couch and climbed out of his crib and went from crawling to standing to walking two steps — then four — then eight — then one day decided that crawling was for suckers and walking was what all the cool babies did.

That was two months ago that he started to walk.

And it feels like yesterday. And it feels like two years ago. And it feels like a dinosaur’s epoch.

Time stretches like taffy. Collapses like a house of cards.

It was the hardest year of my life.

And the weirdest.

And the most wonderful.

All in equal measure, not warring for dominance moment by moment but somehow sharing the space of each moment — emotions normally left to act as enemies suddenly getting all chummy with one another. Arm in arm. Hand in hand. Traipsing along, la-la-la.

It’s the lack of sleep, in part. You start slashing those restful hours — a pair of scissors cutting ribbons from a piece of paper until you’re left with half of what you started with — and your normally sunny outlook turns into a piano string pulled tighter and tighter until all it does is scream and threaten to snap. It’d be one thing if you lost sleep but then got to, y’know, relax. Watch some television. Read a book. But you lose sleep and you’re expected to endure the irrational screams of a very small person, and you have to feed him and try to somehow wrestle him into a nap. Babies need love and attention and at the very early ages don’t seem all that interested in giving it back. They take, take, take, and you give, give, give, and you hit these points where it’s like, “We can just put him out in a box by the curb, right? We’ll write on the side FREE LAWNMOWER PARTS and someone will snatch it up.” Or you think, “At midnight, I’m going to quietly pack up some toiletries and underwear and I’m just going to start walking until I hit the coast.”

As parents you fight and yell and his yells jack up your yells and you wonder:

What the hell were we thinking?

And just what the hell were we thinking? We waited to have a baby until things made sense, until it was the “right time” to do so. We lined up all our ducks in perfect quacking rows, arranging our life in impeccable order. Which is a lot like setting the perfect dinner table for a guest who is a coked-up chimpanzee with a loaded handgun. It’s like building a wonderful house in the path of a tornado.

“What were we thinking? Did we make a terrible mistake? What keeps us keeping on?” — and then the tiny human reminds you why. He smiles or laughs or does something so cute you wish that he and a baby seal and a trio of puppies had a television show where they travel around the country just being totally adorable, and then your mind unfolds an infinity of good thoughts for his future — his first taste of ice cream, his first day of kindergarten, his first Prom — and once more time goes all wibbly-wobbly and the weird and wonderful parts sandbag the difficult ones and you are again reminded why you do this thing you do.

They change month to month. Week to week. Moment to moment.

That first year is a year of transitions.

Talking to not talking. Laying to rolling to crawling to walking to oh shit he’s running (and sweet mercy can this kid run — often into the hardest object into the room). Liquids to liquidy-solids to solids to sharp teeth to holy-crap-I-think-he-just-gnawed-the-cabinet. He hates books and thinks they’re food or objects for throwing until the day comes when he starts bringing you books, one after the other, for him to read. He crawls in your lap and stares at you expectantly and may the gods help you if you don’t start reading double-quick because by gosh and by golly, baby wants a story.

So many transitions.

One day he can’t see you, then one day he can. Babies move from this internal locus of solipsism (I am the only thing in this universe) to realizing that more exists beyond the borders of their eyes and fingertips (I am just one part of this place and OOOOH PUPPY).

Every day a new experience.

Today he got a balloon. Yesterday he had some pizza. Soon he’ll have cake and, c’mon, cake. He walks. He runs. He jumps. He dances. He knows where his ear is, where my nose is. He says “Mom, Dad, dog, door, yes, turtle, book.” Not all at once of course, for that is the cheat code that destroys the universe.

It’s an endless series of firsts, one tumbling after the next.

But the biggest transition is from take-take-take to give-give-give.

He gives. He tries to make us laugh. He gives kisses. He gives hugs.

When he sees you, he squeals and runs toward you to grab your legs and squeeze them tight.

He takes love. But now he gives it, too.

It melts even my crunchy dry ice heart, it does.

You play this game with yourself, and this game is not the “fun” kind of game so much as it is the kind of game where you see if you can beat yourself about the head and neck with a club made of delusion.

The game is this:

You say, “It’ll get easier when _________.” And you fill in the blank with some foolish dipshit milestone, some magical pivot point where things are supposed to turn suddenly and get easier. You say, ahh, soon as he starts eating solid food? Easier. Soon as he can walk? Easier. Soon as he can entertain himself? Easier.

Ah, self-deception. Sure, he eats solid food, but then he learns to splurt it into your hair. Sure, he starts to walk, but then he learns to run into hard objects. (The other day, he literally stopped in the middle of the hallway, paused, turned his body toward the wall, and ran straight into it. Then cried for five minutes.) Sure, he can entertain himself now, and one of the things that entertains him is opening drawers and accidentally slamming his fingers in them. Or trying to touch the dog’s tail which often means miscalculating and reaching for the dog’s butthole. Or trying to eat pieces of mulch he finds on the floor.

As one thing gets easier, another thing gets harder. It’s like leveling up in a video game — you hit your level, ding! — and you get new powers and new toys but at the same time you have to fight a harder class of creatures and it’s not easier or harder so much as it is different. Which, at the least, keeps things interesting.

Oh, I’m not kidding when I say he’s active.

Some babies are lump babies.

Some are not content with such lumpishness.

We sometimes wish we had a lump, but it was not to be.

When only his head had popped out of the womb he was already looking around, bright eyed and curious. Probably wondering what he could grab and break. A trend that continued. You think babyproofing works? Good luck with that. This kid rips those babyproof plug covers right out of the wall. We can’t get them out with our adult gorilla fingers, but this little ninja flings them away like they’re nothing at all.

Here’s the secret, though.

After that first year, things do get easier. That’s the milestone that matters. That’s when the game is played and the game is won — if only for a short time, at least. Because by the time the tot is a year, things start to make more sense. Everybody’s getting more sleep. Routines are fairly well dug in. He’s more fun. More talkative. He appreciates things — like, actually seems to appreciate them.

Maybe it’s not that they get easier. Maybe it’s just that they make more sense. Maybe it’s that you come out of the storm and find peace even though your life has been tossed ass-over-shoulders by the human hurricane and tottering tornado known as a “baby. ” The dark clouds have passed and you can comfortably start to rearrange the pieces without worrying about getting smooshed by a flying bovine.

I know it’s temporary. I know as we level up with each year he’ll gain new tricks just as we gain new tricks and sometimes the battles will get easier and sometimes they’ll get harder. I am assured, in fact, that when he one day becomes a teenager we will find ourselves living with some grumpy emo hell-beast who will revert once more to the take-take-take of his infant predecessor. But that’s okay. We have time.

Hardest, weirdest, and most wonderful year.

Time blows up, blows out, implodes, goes sideways.

From order to chaos and back to order. At least, a little bit of order.

From taker to giver, from loved to giving love.

It’s been an awesome year in the truest sense of the word. Just as he’s different than from when he emerged into this world, I’m different from when he emerged. I’m more confident and driven and happier and, well, a lot more tired (and I probably get twice the sleep that my wife gets). Everything has changed and it has changed for the better. As Jonathan Coulton sings, “You ruined everything — in the nicest way.”

Happy birthday, Baby B-Dub.

I love you, your mother loves you.

You’re the best thing that ever happened to us. I am happier every day because of you.

Now please stop trying to touch the dog’s butthole.

Flash Fiction Challenge: The Paint Color Title Scheme

Last week’s challenge: “Over The Top Pulp Fiction Insanity

I love shopping for paint because the paint colors are so bizarrely and uniquely named.

And I thought, hey, a challenge based on some of those colors would be kinda rad.

So, here’s the deal.

I’m going to list ten paint colors. Choose one. This chosen paint color forms the title to your story.

Bonus challenge: try to make color a big part of the story. In imagery, plot, character, whatever.

Here, then, are the colors:

Grasshopper Wing

Bone China

Timeless Lilac

Pageant Song

Burnt Tile

Fuchsia Kiss

Flamingo Dream

Glorious Gold

Mermaid Song

Flint Smoke

You, as usual, have one thousand words and one week to complete.

Due by Friday, the 25th, at noon.

Post at your blog. Link here. Now go color.

Blackbirds Giveaway

So, I’m the luckiest writer-boy in the world.

As you’ll note here, Angry Robot failed to notice the curious blue powder I drizzled into their drinks and, as such, were bombed into such a stupor that they decided to re-up with me for another two books. I know, right? What’s wrong with them? Whatever the case, that means that you’ll see a new book from me called The Blue Blazes, and a third (!) Miriam Black book, The Cormorant.

Somewhere in the last year, seems I’ve built for myself a career as a novelist. Blackbirds, Mockingbird, Double Dead, Gods & Monsters, Dinocalypse Now, Beyond Dinocalypse, Dinocalypse Forever, Heartland Book One, Book Two, Book Three, Blue Blazes, The Cormorant, and of course, Bait Dog. It’s like I fell into a big bucket of sweet, sweet story-juice. This in addition to all the other ink I sling.

I’m going to be a busy dude.

And, again, to clarify: lucky, lucky, lucky.

As such, I feel like giving away some copies of Blackbirds.

To win, go to Twitter.

There you will play the, “Tell the world how you die” game.

Play on fear, play on fantasies, be real, be funny, be sad, whatever you want.

In a single tweet, tell the world how you think you’ll die.

Here’s the second — and very important — part.

You must use the hashtag:

#carpetnoodle

Okay? Tag your tweet with that hashtag or I just plum won’t see it.

(And that hashtag will make sense only to those who have read the book.)

I will pick three winners. Three favorites.

The most favoritest will get a signed copy of the book mailed to them.

The other two will receive unsigned copies.

(All mass market paperbacks.)

Open only to those in America, if you please. (International shipping is a bear.)

I’ll accept these until 10PM EST tonight (5/17). At which point I’ll announce the winners shortly thereafter.

You get one entry. Oh, and I get to use them at THIS IS HOW YOU DIE should I so choose.

Go forth and tweet your doom! #carpetnoodle