Chuck Wendig: Terribleminds

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Thoughts On An Election

Before I do anything resembling a deep-dive on this election — or, at least, a drunken flail to try to contextualize events — I figure it’s worth saying up front that fuck yeah FUCK YEAH fuuuuuuck yeah F U C K Y E A H.

Listen, Biden was not my guy in the Main Event, but he got there. And I was wrong to think he couldn’t bring it home. I feared the worst (in part because it’s hard after 2016 not to be a little defensively cynical), and was wrong. He was the guy. He ran a great campaign and showed up with compassion and science and books that had plans in them instead of blank pages and bullshit, and he won. And I know there are some remnants in this country that still want to make a deal of, WELL, IT’S NOT OVER YET, but it really is. There’s not an expert in the house that has found any evidence of fraud or fuckery. In fact, such fuckery helped elect a lot of Republicans down-ballot, soooo — are those not legitimate, either? You can’t have it both ways. You can’t say that somehow the election is fair for the GOP wins on each ballot but false for the Biden ones? C’mon. Shut up. Be better, do better. ANYWAY. Biden won. I am ecstatic. I’m not saying I got misty-eyed, but I will say there was definitely mist in my eyes. Harris wasn’t my top pick either but I always liked her, and I look forward to her joy and her bringing the hammer down on all manner of shenanigans. I think they’re both deserving and gracious and their speeches the other night as Pres- and VP-elect were great — and maybe I’m grading on a curve, but it was nice to hear full-throated endorsements of all manner of American, of inclusiveness, of compassion, of science. All done in complete sentences that are not sauced with lies. Who knew that was an option? After the last four years, we needed the reminder.

Anyway.

Let’s get our teeth around this election. Not in a way that suggests any expertise on my part — hardly, since I’m mostly a dipshit and can stand to be educated on a lot of things, and please don’t hesitate to head to the comments to course correct on any points I make here. These are just some thoughts, some ideas, some bloggy grappling with what happened then and what happens next.

We can’t not talk about the Four Seasons Total Landscaping.

We can’t not. We can’t! Because it’s hilarious. It’s fucking amazing. Sometimes, in a story of fiction, there’s a thing called on-the-nose, where stuff lines up too nice, too neat, and you disbelieve it because of its perfection — it’s a narrative version of the Uncanny Valley, right? But sometimes reality actually does it, and when it does? It’s glitter and starshine. It’s Skittles and ponies. In case you don’t know what I’m talking about: I don’t know how, but instead of lining up the Four Seasons Luxury Hotel for Giuliani’s big “press conference,” they instead secured the lot behind Four Seasons Total Landscaping? Next to a dildo shop and across the street from a crematorium? (“Our neighbors got you coming and going!”) And then Giuliani held the conference and that’s when all the media called the race for Biden? Oh my god it was sublime.

Like I said on Twitter, it’s the perfect capper to all of this. Like a balloon squeak-farting out its air as it does an erratic orbit around the room before finally falling to the floor, limp and airless. It was like a vurp, a little splash of diarrhea, a sad trombone, it’s Bill Murray stepping off the curb in Groundhog Day into a crater of cold slush. It’s so inept! So absurd! So emblematic of this bare-assed clown-show that in order to defend the highest office in all the land, they got Rudy “America’s Mayor Turned Renfield Bat-Boy” Giuliani to stand out back of a landscaping company next to a sex shop to pitch his asinine conspiracy. It’s like you took Veep, Arrested Development, It’s Always Sunny, and Curb Your Enthusiasm and blended them up and then dumped it all over reality’s head. It’s the pinnacle of embarrassment comedy, the zenith of douchechills, it’s sighs and winces all the way down. And laughs. I laughed so hard at this. I’m still laughing. I think about it every, I dunno, 30-45 minutes and everything feels like sunshine. It may be proof we’re living in a Simulation, and

I

don’t

care.

Those Numbers Were A Real Good News / Bad News Situation

Biden won, and he won Bigly. Bigly Biden Bulwark of votes. Record-setting votes, and what will likely pan out to 306 electoral college votes. A landslide? No. A strong hand? Yes.

Trump also secured a lotta votes. A whole lot. A big-ass sack of votes, improving on his numbers in many places, and overall. I confess, I’m pretty pessimistic in general, but even I didn’t see that coming — not because of polls, but because I just couldn’t believe he would’ve improved after 2016. Like, four years ago, as much as I hate it, I think there were some voters who didn’t mind the racism and thought that all his bullshit was just part of the show. That he’d still be a capable leader in some capacity and get shit done, even if the shit he got done was horrible. And then in the last four years he didn’t do shit, and was by most sane accounts a huge embarrassment — a shame stain on the ass of America’s underpants. I didn’t think he’d lose many people.

But I was surprised that he gained them.

Not at the same rate that Biden did, obviously — Biden walked away with the popular vote and blessedly the Electoral College, too. But Trump had a strong showing, and you really have to reckon with that.

How? Why? What’s the situation there?

My guess is that we’re dealing with the problem of that side of the electorate narrowing their access to information and education to only a handful of sources: Fox, OANN, Breitbart, Facebook, and the like. Not to mention the empire that is Sinclair Broadcasting (and we’re really not talking about that enough these days). And I know, I know, that liberals are certainly capable of building their own echo chambers, too, but in my anecdotal experience liberals have a more diverse, diffuse media diet. (Cue the eye-rolling from conservatives.) And any time you argue with a conservative on, say, Facebook, they make some outlandish claim, you present them with a goddamn Trapper Keeper full of factual refutation, and then they basically say “nuh-uh, do your own research,” as if that’s not exactly what you just did. The Internet has only made this easier, offering a prismatic shattering of the early-era Limbaugh radio-show style — each broken fragment of that became an analog seed that landed in fertile digital soil, growing its own poisonous plant with a long, deep shadow.

That, and of course, all the racism. Lots and lots of racism. That comes from a place, too — both from the legacy of a country built on the literal backs of African slaves and in house to house, family to family, in people driven by lies and fear. If there’s one characteristic I see the most in conservatives, it’s fear. I remember one time, driving with my father somewhere when I was a kid, and there were what he was sure were a “couple of Mexicans” driving behind us, and they were driving a bit close, which freaked my father out — never mind the fact he was the King of Tail-gaters, always driving up somebody’s ass. But he was sure, sure they were coming for us. Why? Why would they? Who the fuck knows. But he formulated this insane plan — he’d forgotten (!) to put a gun in the car (!!) that day, so the answer was to drive home, and when they followed us into the driveway, he’d take the antlers that were in the back of the truck and use the antlers to fight the two guys while I ran into the house and grabbed the shotgun behind the front door. Of course, minutes after formulating this plan, the guys behind us turned off on a different road. Because they weren’t hunting us.

But he sure thought they were.

That kinda fear comes from some dark place, some intense vulnerability that grows out of whatever his parents taught him, and what all the rich bosses who exploited him told him (while they pointed at The Other, they were picking his pockets), and what he heard and read, and from a place of hamstrung education, and, and, and. They’re scared and ignorant and that bores holes in people’s souls, and it’s easy to fill those holes with blame, and eventually, with hate.

It’s why so many of the narratives about Black Lives Matter are about the fear of that movement and who comprises it — ironically it’s not about the police abuse, which is off-the-charts scary, ohh no. It’s about how Black people might… loot your Wal-Mart? It’s insane, but it’s a fear that can be harnessed by malefactors and ginned up. And then it uses the conservative media pipeline to pump it into people’s brains. Fear, fear, fear. Other, Other, Other. Gonna take your guns, gonna defund your police, gonna take your homes, you’ll have nothing, you’ll be unprotected. And meanwhile the ones saying that are the richie-riches who have grown fat on a legacy of hate.

(It’s not a joke when I say the only people stealing from my father were his rich friends. They used him to do all kinds of work, and they were glad to help point his blame elsewhere.)

Point is, these people? They show up. They vote.

Good news is, we showed up, too. And we got it done. And we got it done in places like PA (home state woo) and Georgia and Arizona. Texas became competitive, holy shit. We’ve seen places like Virginia go from red to purple to bonafide blue, and it’s all proof we can keep doing that if we try. More to the point, if we listen to folks like Stacey Abrams and Alexandra Ocasio-Cortez. And if we continue to center the concerns of the whole electorate — not just rich white landowners, not just men, but the breadth and depth of America. It’s common sense: if you work to serve everybody, we all get something out of it. It’s candy shared with the whole class. But some assholes just want the bag of candy to themselves, and those people need to learn to fucking share.

On The Trap That Is Forgiveness And Civility

The “lol, die mad, libtard snowflakes gonna cry more, fuck your feelings” crowd is now upset, I guess, because their feelings are hurt by us libs? I don’t really understand it. What I do know is that there’s this sudden demand for civility, and it’s the same kind of thing like where the conservatives don’t give one hot shit about the national debt until a Democrat president steps in, and then it’s time to fix it. They make a mess, then hand us the broom. They’ve spent four years with some of the most vile shit around, and supporting policies that codify those vile insults into law. So without some kind of reckoning, without some manner of them stepping forward and saying they were wrong, there’s really no civility or forgiveness that will fix anything. It’s just a ruse: a way for evil to keep on doing evil, by asking for your complicity. I’m not saying we can’t be forgiving people, but forgiveness is a thing you work for. Bare minimum, you say you’re sorry, and then you go beyond that and do work to overcome the harm you caused. Without that, there’s no reason to even talk about this.

What I mean to say is, shut up, Megyn Kelly.

On Empathy Vs. Sympathy

Empathy’s good, because it helps us understand people. Right or wrong, good or bad, we need to know who a person is and how they got there — and that’s strategic, because it helps us figure out how to maybe help that person be better, or at the very least, stop other people from going down that path. Sympathy is where you go wrong. Sympathy means feeling bad for them. Empathy just means understanding it. We can’t fight it if we can’t understand it. And it’s not simple. It’s a many-headed beast — it’s not just, well, they’re racist, or bad, or uneducated. That can be true, but how that all happens, and what fosters that kind of outlook, what kind of poison gets in them, that doesn’t happen in a vacuum. So it’s important to figure out that path and cut it off. It’s systemic, not individual. I mean, yes, clearly it’s individual as well, but a system is what made that person the way they are. And that’s where we need to shine a light.

Dems In Disarray

I don’t really worry about the Dems-In-Disarray talk. It’s a popular headline, but never really tells the whole story, nor does it understand that the left is strengthened by its variegated nature — it’s a polyculture, not a monoculture, both in the people that fill its ranks as voters, but also in its points-of-view. The GOP is a monoculture — an aging base of white folks who stand, locking arms, even when it doesn’t actually suit them or their needs. They just line up. We don’t just line up and that’s gotta be okay. It does mean we have to do better at the time of voting and getting behind candidates, maybe, but in the run-up to that it should be messy, it should be a lot of jagged edges and mixed ideas and divergent priorities. Progress isn’t in a straight line but in a lot of directions.

That’s not to say we shouldn’t push the party leftward. We should, and must. This AOC interview is an essential read — and not just about a leftward push but also a push for competency and best practices inside the Democratic party. Also a good interview here with Stacey Abrams.

One Lesson: Politics Is Local

The reason we all had to wait like a buncha assholes for PA to tally votes was because the local PA GOP voted to delay counting until Election Day and, in some counties, until after Election Day. They did this to buy time for Trump to mount a challenge, but mostly I think it just irritated people — but it’s a good lesson that what we do locally has huge, national ramifications (in addition to obviously local ones, as well).

With Democrats, I think it’s important too to see that local matters — different races are going to highlight different challenges, and Pelosi can harp on all she wants about trying to stem some leftward tide, but in a lot of places, in more places than you’d think, leftward policies are surprisingly popular. Green New Deal, Medicare-for-All, these are things the GOP hates, but also things some rank-and-file Democrats also push back against. But that favors special interests and ignores, I think, the local people on the ground. Working class people are helped by these policies. Better health? Better world? More jobs? Rich people don’t fucking care. They’re going to the moon or some shit. We’re stuck with Earth, and that means we need to start saving it, and getting our asses some sweet sweet universal healthcare. Like, y’know, the rest of the developed world?

One lesson that didn’t occur to me either until far too late was that, nationally, we get involved in and invested in local races too early, and to the detriment of local choice. We see a candidate like Amy McGrath and right out of the gate are like, YEAH COOL PLEASE KICK THE TURTLE OVER ONTO HIS BACK HERE IS MY MONEY. But that gives her unearned advantage — and when a better candidate like Booker comes along, it’s maybe too late. Better to support these races when their primaries are decided. And also to embrace a holistic view of that support: don’t just support a candidate but their community. A healthy community has more voters and more ability to vote. Even something simple like supporting a food bank in an area where you want to support a candidate can have value. It’s just stuff I wouldn’t have thought about.

Sidenote, don’t forget you can donate to Fair Fight, Stacey Abram’s organization. And look for ways to get involved in the GA Senate run-offs in January — which means empowering Georgia and their voters, not just the candidates.

No Answers, Just Thoughts

Most of this is just me rambling, and I don’t have any real conclusions here of note — nothing firm, certainly nothing that can go unchallenged. Time will reveal more information to us. I think it’s fair to distrust any gory, elbows-deep autopsy of the election this early. Certainty is thin on the ground. I do feel good, not just because Biden won, but the races held surprising strides for LGBT Americans, Native Americans, the Black community, and so on — and I think as always we need to serve those communities, because they show up, get shit done, and then we continue to underserve them as a result. And I think it’s smart too to see that these underserved communities, when strengthened, strengthen us all in return. I think if anything this is all a clear sign that we mustn’t be complacent, the fight goes on. Take a breather today, but get back in it tomorrow. Let’s get control of the Senate and let’s push for holistic policies that serve everybody, not just the few. Let’s get big money out of politics. Let’s protect vulnerable populations. Let’s retrain police and focus on mental health. Let’s keep the fight up for Medicare-for-All, for the Green New Deal, for all of it. Gonna be hard, but nothing worth doing is every easy. Except eating cheesecake. Eating cheesecake is easy, and worth doing. Now I want cheesecake. Fuck.

ANYWAY, see you guys at the Four Seasons Dildo Crematorium And Lawnmower Rodeo.

p.s. buy my book or I die

I Don’t Know What’s Going On And You Don’t Know Either

Nobody knows what the fuck is happening. Or how it happened or didn’t happen or why it’s happening or isn’t happening or anything. Nobody knows shit. Is Biden winning? Maybe. Is Trump winning? I dunno, it’s 2020, any fucked up shit is possible. I’ve had four hours of sleep and each of those four hours was fraught with night sweats and fuckery, so, at this point I’m expecting the walls to melt. I’m not even sure I’m writing in a human tongue right now — it might just be beetle clicks and bird chirps. Who the fuck knows?

What I do know is this: I’m seeing a lot of newly baptized experts this morning, people who are SURE they know why Biden lost (or won) or why Trump lost (or won) or wasn’t buried in a landslide of votes or why PA did this or why this House race or that Senate race went sideways. This person didn’t go left enough. Not enough ground game. They went too far left. Masks, no masks. They didn’t sacrifice the right goat. They did this bullshit or that bullshit or, or, or.

I dunno.

Nobody knows what’s going on.

Or why it’s going on.

Exit polls are nonsense in this pandemic election.

The electoral college is wildly, inanely mis-representative.

It’s chaos! CHAOS.

This shit? The shit all around us? It’s going to take months, years to unpack — that, of course, coming after the mighty work of counting votes and holding off dictatorial legal challenges from our Menace-in-Chief. And that unpacking isn’t worth the 1s and 0s if it doesn’t first reckon with an unholy host of challenges that have long been stacking the deck. We have to grapple with conservative news media (Sinclair, OANN, Fox, radio) that plugs right into people’s brains and pumps them full of informational sewage and fear; with social media like Facebook; with active, malevolent racism that has a throughline all the way back to slavery; with gerrymandering; with voter suppression and disenfranchisement and intimidation; with USPS bullshit; and with all of the hobbling and harm and heavy anchors around our waists that makes it harder and harder to swim up to the light. Certainly the Democratic party has a lot of reckoning to do, then and now and going forward, but that reckoning isn’t on its own, and cannot be considered without all these other factors. Without the deck stacking — let’s remember there’s no more Voter Rights Act, for fuck’s sake — who knows where we’d be? If we got to run a race at the starting line instead of ten feet back, could you imagine? A lot of red states wouldn’t be red, for one. (And here it’s worth reminding that those red states are even now full of progressive voters busting their ass to change the temperature of their home states, just like what happened in Virginia, Arizona, and more.) Democrats wouldn’t be constantly facing the “won the popular vote, lost the electoral college” problem. We’re a messy, fucked-up country but one side has gamed the system to their advantage, and it’s really difficult to reckon with the weaknesses of the Democrats without first addressing the inequities spawned by those on the right, full stop. I wish that weren’t the case, but it is. Of course they swim faster and reach the surface more often — they’re not wearing the same cement shoes. Shoes they made for us and forced us to wear!

I’ve no idea what happens now or next or in five days or five weeks. Biden may pull this out and I’m sure we’ll endure challenges from that other motherfucker, because, of course he will. Beyond that, the how and what and why are chaos. I don’t know the answers and you don’t, either. Beware anybody who falls for the fallacy of the single cause here, as if ALL WOULD’VE BEEN WELL IF WE JUST DID THAT ONE THING DIFFERENTLY. Yes, different choices can lead to different outcomes good and bad, but until we build a time machine, we’ve no way of testing that. Be slow with accepting narratives right now. Be cautious with sharing information. Be sure-footed about your research. It’s difficult, and I feel it too, because you just wanna share share share all the things that feel like answers. But we must be better than that. We can’t just pretend gut-checks are gonna save us. We have a lot of reckoning to do but that reckoning isn’t coming overnight. And it must happen even if Biden wins at the end of this. The fight goes on. The fight for the soul of not just one party or the other, but the whole country —

This whole, messy, broken, busted-ass atlas of fiefdoms we call a nation.

What we do next is what must happen next regardless of who is in the Oval Office: we must aid our communities and lift them up, offering a hand especially to those who are most vulnerable; we must practice radical self-care; we must be ever-vigilant about changing this country in a game of inches and not necessarily of miles; we must push back against misinformation and disinformation; we must do what we can do to untangle the aforementioned deck-stacking limitations that plague free voting in the first place. I’m not alone, you’re not alone. Even if it feels like it.

You’re great.

We’ll get through this, whatever this shall be.

Even if we don’t know why it’s all happening yet or what the hell happened at all.

Stay frosty.

Be kind.

Be smart.

Sorry about the bird chirps and beetle clicks.

Chirp chirp. Click click.

Half-Digested Thought Gruel, Ladled Into Your Blog Bowl

Been a while since I came here and just sorta painted the walls with a erratic spatter of thoughts and news musk, so here we go, let’s do it.

Hey, you can find me talking about writing in a couple places this week. First, The James Altucher show had me on, and it’s always fun to do a podcast like this where the curiosity level is off-the-charts and you get such good, brain-chewing questions. Then! I got to sit down with good buddy and writer extraordinaire Delilah S. Dawson for Gotham Writers and get into crunchy process questions about writing across both genre and medium and we even dig into some business-related writing stuff. Bonus: on both shows I talk about Star Wars, too, which leads me to…

The Mandalorian Has [SPOILER] In It?! I created the character for the Aftermath trilogy and now I guess that character is in the show, played by Timothy Olyphant of all people. I always envisioned the character with a bit of Raylan Givens in him, so this is a damn fine fit. It’s funny, the news about this had been percolating for months, but I truly, truly disbelieved it; it’s very rare in my experience that something makes the jump from the pages of a Star Wars book to the Star Wars screen. The reverse is a constant flow, but the content doesn’t usually swim upstream, so to speak. So, that’s very cool. It’s admittedly also… you know, a bummer, and I sorta wish that I could be just 100% all YAY about it. I have a lot of complicated feelings about it, ranging from harassment and death threats and then how you just sorta get left out there to deal with it, and soon you realize that it maybe exacerbates anxiety and depression and — you know, this isn’t fun to hear. Star Wars is supposed to be fun, not fuckin’ bummertown, so I’ll just say, yay, this is exciting, even if I don’t really get anything for it besides the Cool Points. It’s nice too because the Aftermath trilogy was always at the top of a ladder of really wonderful storytelling and character-building throughout the franchise’s legacy, and part of that ladder includes a lot of references to Clone Wars and Rebels, so to come full-circle and to have something from Aftermath then feed back in, as it were, is pretty rad. I’m excited to see the episode later today with the fam. (Some have suggested the story in the show for him is somewhat different, so I can’t speak to that. But I know despite people demanding canon be a rigid act of historicity, it’s generally far more flexible than that, and must be for any of it to exist at all without exploding.) If you want the spoiler character, here’s the sentence — just plug it into ROT13. Pboo Inagu vf va Gur Znaqbybevna. And actually PBOO INAGU sounds like a great Star Wars name, doesn’t it?

And in case anyone wants to be mad at me about this, for some reason: hey just fuckin’ relax, I’m not in the sandbox anymore, I don’t think I’m even allowed in the sandbox anymore, I’m not breaking your toys, calm down. I’m doing my own thing and you can go on not giving a shit about that and being cranky about space wizard social justice or something.

Let’s talk about writing advice for a second, by the way. There’s been a thing recently where people have been going through my writing advice and, I dunno, fisking it, taking it to task, ripping it apart — and please let me be the first to say, that’s good! Do that. I try to be very clear up front about writing advice that it’s all nonsense. As I’m wont to say, it’s bullshit, but for some people, bullshit fertilizes. Both of my writing books open with me pretty clearly saying, hey, don’t take this stuff too seriously. It’s why I write it in a way that’s absurd and obscene, so nobody reads it like I’m telling you WHAT MUST BE DONE LEST YOU DIE IN THE ABYSS. This is a lawless place and art is re-invented by the artist every time they choose to make something new, and I like to think I’ve been clear again and again that we need to constantly question the Sacred Cows of Writing Advice, because for every thing you MUST DO or CAN’T DO, there are countless authors who have gone the opposite way to great success. Shit, I don’t even agree with half my writing advice anymore — as I write more, I know less, and I’m good with that. Every book I write reminds me that I don’t know how to write a book. It’s as designed, I suspect. And the writing advice is always just a toolbox full of random tools; maybe you need that weird screwdriver, or maybe you don’t. Throw it away if it doesn’t help you. Stomp on it like it’s a baby. Wait no don’t stomp on babies. That is also bad advice. Unless you hate babies. In which case, ennnh, yanno.

Who doesn’t like scary stories? Been watching a handful of horror movies recently, some favorites, and some new stuff. The Autopsy of Jane Doe is the standout, I think — astonishingly creepy fucking movie, though I’d also argue it maybe wavers a little in the third act. (Though the third act waver is a horror movie problem in general, and probably deserves a blog post unpacking that problem at better length.) I won’t spoil, but I had NO idea what it was about going in, and it threw me for a couple good loops. Apostle on Netflix was great, if utterly brutal and dour. Ready or Not is a fave, and I’ve watched it a buncha times now — serves really well in a two-fer with Knives Out (which is not a horror movie, I know). Scare Me on Shudder was so fucking great — it’s hard to know if it’s even a horror movie or a movie about horror, but it’s funny and weird and twisted and entirely relies on the performances of its capable actors. It’s arguably better than any of the movies I watched, but I also wonder if it’s really even a horror movie at all. I feel like there’s something else I watched, too, but now I don’t know what the hell it was. WHATEVER. Yay horror movies. It’s weird that right now they’re comfort food? That, too, demands a greater unpacking — during times of stress and upheaval, horror stories do well. Again, I’m surprised Wanderers has sold as well as it has through the pandemic. It’s sales have been, up until the last couple weeks, ridiculously steady. Which boggled my bits, but hey, cool. Thank you for reading.

Oh oh wait, I remember! The last movie was One Cut of the Dead. Again, no spoilers because — well, I just can’t spoil it. You need to see it to know what I’m talking about.

Let’s talk fun horror stories. Let’s say I’m still in the mood for a fun horror movie — what’s your favorite? By fun, I mean, not a movie that crushes your soul. Not something that wrecks you after, but something that’s a blast to watch, even if it’s gross or scary or whatever. Also, was the most recent Halloween any good? Thinking on checking that out today.

You got your vote plan in place, right? Too late to mail a ballot if you haven’t, so go to a drop-box, or your polling place on the day of, or the electoral office nearest to you — get it done. Get those ballots out. Vote! Vote for your democracy, vote for your friends, for the kids of this country and the world, for the people at the border in cages, for climate change refugees, for those sick from COVID and those locked down trying not to catch it and those forced into more dangerous situations because there is no safety net to help them, vote for Senate and local and president and every initiative you think can help people and not hurt them. Vote, vote, vote. Have a plan. Talk to friends and family. Make your case, plead your POV, get it done. Love you all, whatever happens. We’ll figure it out.

And that’s it, I think.

BYE.

With One Week To Go, Here’s My Prediction Of What Happens On Election Day

We are at the hinge point — the door is opening, or the door is closing. We are seven days away from Election Day, and millions of people have already voted. The Senate is up for grabs. The presidency is up for grabs. Our current president thinks women’s body parts are up for grabs. It’s a lot. So, I figured, why not offer my thoughts? Why not dig into the polls, do some nitty-gritty, examine the possible outcomes, and lay out what I think will be the likeliest course of action on that day.

Ready?

Here it is:

I HAVE NO FUCKING IDEA

AHHHHHHHHH

I am a wildly vacillating ping-pong ball in a table tennis game played by angels and devils — my heart goes from table side to table side, from WANTON FOOLISH OPTIMISM to GUT-CHURNING SOUL-CRUSHING PESSIMISM, with little chance to settle on either. My hope is Schroedinger’s Cat in the goddamn box: it is dead and alive at the same time, its fate unknown until the box is finally opened and the cat is revealed. I have literally no idea what is to come. How could you? This is 2020. This is the year of CHAOS INCARNATE. Come Wednesday we might’ve elected a hive of giant hornets to the highest office in the land, and honestly, it’d be an improvement on what we got.

I mean, in a logical year, I see how this goes, right? The polls are strong for Biden, stronger than they were for Clinton, and more stable across vital districts and states. None of the shit they’ve tried to stick to Biden has stuck, and Trump appears, from my window at least, to be flailing — and I don’t say that as a Triumphant Liberal, because generally liberals are the first to be like OH GOD MY CANDIDATE IS DROWNING IN THE ABYSS THE OTHER GUY IS GONNA WIN. There’s a stink around Trump that’s like what you get off a car-struck raccoon — a rotten, bloated odor. Doesn’t help that he’s incredibly unlikable, and has accomplished almost nothing in his four years. Certainly nothing good. Oh, rich people are getting richer, that’s nice, if you’re mega-rich. Otherwise, where’s his health care plan? Where’s his COVID plan? Where’s Infrastructure Week? Anything?

His priorities have been:

a) rich people

b) bigotry

c) judges

All in equal proportions.

Beyond that, he’s got nothing. He’s proposed no agenda for 2020, and the GOP’s agenda for 2020 is, “uhhh, what’d Trump say?” and round and round we go.

So, in a normal year, in a normal country, the writing is on the wall.

But this is America in 2020. The writing is centipedes. The wall is a glitching TV screen. There’s no stability. No sense to what’s going on. Part of that is intentional — it’s not that 2020 is some kind of CURSED YEAR (except it totally is), but that the Grand Ole Party has committed a violent psychological assault on our brains. They are hypocrites at every turn, they are liars, they question expertise, they lie, they turn their face from basic facts — the ground beneath us is unstable because they have committed to its instability. If we are unstable, they can get away with more bullshit. If we’re trying to catch a bunch of falling plates and cups from rattled cabinets, they can steal our money and jewels and pets while we flail. We’re constantly on the defense because they’re constantly on the offense. All we can do is block punches because it’s INFINITE PUNCHES.

Could Trump win? I didn’t think he could win the first time. Hell, one could argue that he didn’t — between losing the popular vote and a bevy of inference, it remains unclear how “legitimate” that election even was. Do I think it’s possible he’s built on his coalition from 2020? That he’s gained voters instead of lost them? It’s hard to envision, because I’ve seen anecdotally (local and nationwide) a number of Republicans who have bailed — they saw a “businessman,” wanted some change, and got nothing for the bet. He’s withered on the vine and spends his time just shit-barfing on Twitter all day, and meanwhile farms and factories and small businesses are kicked to the curb. So it’s really hard to imagine people getting onboard a hayride full of manure as it totters drunkenly toward a cliff.

But, it’s 2020. And white supremacy is a helluva drug.

Further, they’ve created a pipeline that pumps shit into people’s heads while convincing them it’s caviar. Fox and OANN are just a steady parade of lies, lies, lies, there to lube up King Dump and keep him slick and gooey. People have built for themselves not so much an echo chamber as a Jonestown enclave with all the “””definitely unpoisoned””” Flavor-Aid you require. I mean, you try to tell people “hey that’s not a true thing you just said” and they snap back with WELL DO YOUR OWN RESEARCH despite the fact they did literally no research at all except reading an e-mail from Old Uncle Dave who said that the Democrats are aborting babies in Brooklyn pizza ovens in order to appease the Demonic Socialist Treaties. “Someone on Facebook said that masks don’t work so I believe them unreservedly and that is my idea of ‘research,’ please and thank you. COVID is a hoax and it’ll disappear on November 4th like magic!”

So, in a normal time, he couldn’t win.

But this ain’t normal.

Could Biden win? I didn’t think he could back in the primaries. I was wrong. He’s run a far better campaign than I expected. He’s taken serious steps to actually bring onboard a diverse coalition of voices, and he actually did move in a more progressive direction in places it counts. He’s made it clear he’s the guy who embraces compassion and science and while normally I’d hope those would be obvious picks for campaign planks, it’s 2020 and we’ve got a president who jerks off to Q-Anon propaganda and who lacks basic competency in nearly everything. (God, I really wish for a journalist who would simply ask him to explain basic facts about our government. A journalist who plays dumb and who asks for his explanation, and then you watch him just stammer through some gibberish answer like an 8th grader who didn’t read the book he’s currently giving a report on.) So, Biden could win too. The numbers favor him. Sanity favors him. Basic humanity favors him.

But the Cursed Year 2020 may have other things in store.

And part of that is down to the fact that this binary outcome is by no means the only, or even likely outcome. We have far greater shenanigans that could occur, friendos. Biden could win, and Trump could contest it, and now that he’s got Supreme Court Justice Handmaid’s Tale in the seat, she could throw the election to him. Especially if Biden doesn’t win in a landslide, the kind that ends up decided on Election Night, even though no election is ever actually decided on election night. If we have anything approaching Bush V. Gore, they’ve packed the courts so hard with corrupt bastards, that fate is written. They’re glad to do the devil’s work on this one.

Then there’s all the extra fun add-ons — protest! General strike! Civil war! Shit, if I woke up on Wednesday and the news said, “Both presidential candidates were eaten by starving polar bears, which throws the election to Kanye West,” I’d be like, yeah, that tracks. Because I don’t know! I don’t know what’s happening! I don’t know what’s coming down the pike! It’s probably not going to be great. Shit’s on fire! We’re under the boots of a burgeoning theocratic kleptocracy, and even just saying those words makes me feel like I’ve lost my marbles. It sounds too extreme, too fearful — it can’t be that bad, right? Except the majority is ruled by a minority who is increasingly pushing religion over science, who urges white supremacy and misogyny over inclusion, who is continually working to undermine the vote rather than get the vote out, who is expecting grand overtures of gratitude for doing literally nothing except hurting people, who supports a president that routinely makes comments about being president for an extra four years, or eight, or for life, or demanding his children become president next, or, or, or. It’s seeing a house and saying, “Well, that house is clearly fine, it’s a house, it’s just standing there,” while simultaneously realizing the whole thing is riddled with termites and will fall down in a stiff breeze. It looks okay from the outside, but it’s rotten to the core.

I don’t know what happens! I have no prediction! Revolution! Coup! Evangelical pogroms! Trump eats babies while accusing Democrats of eating babies! Democrats treating all this as normal until they’re thrown into jail! Boogaloo-slash-Proud Boy TV network! Fire bees! Laser bears! Holes! Holes opening up underneath all of his, holes from whence goblins crawl, holes that stink of sulfur and moan and gibber! Aaaah! HAhahahaahAHAHA AAHHH WHAT THE FUCK IS HAPPENING WHAT THE SHIT IS GOING TO HAPPEN ARE WE GOING TO BE OKAY ARE WE NOT GOING TO BE OKAY JESUS EFFING CHRIST ON A CRAPWAGON THERE’S STILL THE PANDEMIC AND STILL THE RISING BOIL-TIDE OF CLIMATE CHANGE AND AAAAAAAH PLEASE MAKE THE SHITTY PRESIDENT SHUT UP AND GO AWAY I NEVER WANT TO HEAR HIM OR SEE HIM OR LAY EYES ON HIS MAGGOTY FUCKING TWEETS EVERY AGAIN AAAAAAAAEEHhhghghhhrrble

Ahem.

I got nothing.

What I got is this:

The one place I have some hope — some persistent, steady hope — is in each other. I’ve seen that in the last four years a lot, where people — a lot of people — come together and stand for one another, and who have stood up for what matters most, which is a democracy that benefits not only the few, not even the many, but a democracy that serves everyone. And I know that if the shit hits the fan, we can count on the people to get on some comfortable shoes and a jacket and hit the streets, particularly for those who can’t. And I think we need to be ready for that. To raise a ruckus. To cause that good trouble. To disobey non-violently and to choke the gears of the machine until it shudders and breaks. I hope it doesn’t come to that, but I know it could. Anything could happen now. This is the final run-up and the chaos will continue. The chaos will worsen. We must be there for each other and for our democracy, in the voting booths, on the streets, in the charities that need us, for everyone who is reaching out and will be hurt by four more years of this venomous, inept administration.

You’re not alone.

I’m not alone.

I have hope in you.

Also, the laser bears.

I have hope in laser bears.

Because, I mean, at this point, why the fuck not?

LASER BEARS 2024

pyoo pyoo

*bear noises*

James S. Murray And Darren Wearmouth: Five Things We Learned Writing Don’t Move

Megan Forrester has barely survived the unthinkable. Six months ago, she witnessed a horrific accident that killed her husband and son, and lives with the guilt of knowing she could have done more to save them. Now, Megan hopes to mend the pieces of her broken spirit by attending a local church group’s annual camping trip. But the church group members—riddled with dark secrets of their own—make a catastrophic navigational mistake, leaving them stranded in an untouched canyon in the West Virginian national forest.

Isolated from any chance of help or rescue, Megan and the others quickly realize why this side of the canyon has never been surveyed by humankind: it’s home to a terrifying prehistoric arachnid that patiently stalks its prey through even the slightest movement or vibration in the forest. And it’s desperate for a meal.

Grief-stricken and haunted by her tragic loss, Megan now faces her ultimate test of endurance. Can she outwit a bloodthirsty creature hellbent on ensuring that no one gets out of alive? When a single wrong turn can mean death, she only has one option: DON’T MOVE.

***

Nothing Beats Terror in the Woods

There’s something uniquely spine-chilling about forests. When night falls, the enclosed space of the trees mixes with an infinite chorus of sounds: creaking, crackling, buzzing, unexplained echoes, you name it. It’s almost otherworldly. Darren and I wanted to capture that deep sense of uncertainty—that feeling of being preyed upon. And of course, we aren’t the only ones who’ve used the woods as our setting. I grew up on classic movies like Friday the 13th and The Evil Dead, and even more recent films like Cabin in the Woods. All of them remind us that forests are a perfect playground for bloody, nightmarish mayhem. I think what makes it so personal is that we’ve all been on camping trips. We’ve all been hiking. Culturally, we use the woods as a place to escape, to get away from the lights of the city. But it’s also a place that’s far away from any potential help. It’s a lot like being willingly stranded. And if we’ve done our job right with this book, you might think twice about your next woodland getaway!

Grab Them From The First Chapter and Don’t Let Go

Creators must compete. Whether we like to admit it or not, our work and the things that we create need to capture an audience. Why would someone read your book when there is a lifetime of amazing shows on Netflix or cute puppy videos on YouTube? Your story needs to start strong, stay strong, and end strong. Make it so the reader can’t put the book down. You need to end each chapter with something that scares the hell out of you. Thrillers are called thrillers for a reason. Because if you’ve written a good one, that’s exactly what it should do. It should thrill you even as you write it. If it’s boring to write, it’s damn sure going to be boring to read.

Zoom Call? Turn Your Camera On

Like most authors, this was our first experience writing and working through a pandemic. With Darren living in Toronto and me in New Jersey, the physical distance alone was enough to drive us crazy. When the whole world is shut down, your creative process can either go one of two ways. The first is that you finally feel like you have all the time in the world to write and get stuff done. The other is that with the whirlwind of stress and other factors going on, all of that can blend into your work and bring the writing process to a complete stand still. My advice for those trying to create in a virtual, socially distanced world is to always turn your Zoom, Skype, FaceTime, whatever camera on. Whatever method you use to communicate, make sure you’re getting the most out of it. Coordinating with our publisher, editors, managers, agents, and each other was almost entirely virtual on this book. Working on a novel is such a personal project and being able to connect with each other in that way (even during a pandemic) was crucial. Not to mention that it helps us stay focused. Plus, it’s always nice to see Darren face-to-face. What can I say? His smile lights up a room.

We’re Never Really In Control

In a similar vein—if this pandemic has taught us anything, it’s that no matter what goals we’ve set for ourselves or how we expect certain years to go, the world has a way of slapping us in the face. Mother Nature, especially, has her own methods of making us feel small. I think that’s part of what makes DON’T MOVE feel so relevant. It plays on that idea of helplessness. How do you build yourself back up after senseless tragedy strikes? Our lead character is forced to ask herself these questions. When you’ve seemingly lost everything, how do you gather the courage to face something potentially even scarier? Or more specifically, how do you outsmart a gigantic prehistoric arachnid that has survived for thousands of years as an evolutionary apex predator when it wants to eat you for lunch?

Every Character Deserves A Second Chance

Darren and I started this novel with a clear idea of our protagonist. We went into it knowing Megan Forrester would be a master problem solver—someone with a highly logical and methodical mind who faces enormous challenges every day as a part of her job. (She was inspired by the real-life people I met while touring the Hunts Point Food Distribution Center about a decade ago.) But in a moment when her family needs her to make a life-or-death decision, she freezes. It’s an instant that will haunt her for the rest of her life. She becomes riddled with grief and for the first time in her life, she’s uncertain about everything. Her foil is Ricky Vargas, a streetwise, tattoo-covered man who’s always been alone and as a result, hasn’t always made the best decisions along the way. That’s why the church-sponsored camping trip Megan and Vargas embark on seems like a perfect chance for a fresh start for both characters. But throw a murderous beast into the mix, and what do you have? You’re left with two flawed characters who both need to overcome their demons and their pasts while simultaneously fighting for their lives. That begs the question: Are we destined to repeat history? Or is it possible to override fate by working together?

***

James S. Murray is a writer, executive producer, and actor, best known as ”Murr” on the hit television show Impractical Jokers along with his comedy troupe, the Tenderloins. He has worked as the Senior Vice President of Development for NorthSouth Productions for a decade and is the owner of Impractical Productions, LLC. He recently starred in Impractical Jokers: The Movie, and also appears alongside the rest of the Tenderloins, and Jameela Jamil, in the television series The Misery Index on TBS. James is author of the internationally bestselling novels Awakened, The Brink, and Obliteration.

Darren Wearmouth spent six years in the British Army before pursuing a career in corporate technology. After fifteen years working for multinational firms and a start-up, he decided to follow his passion for writing. He is the author of numerous internationally bestselling novels, including AwakenedThe BrinkFirst Activation, and Critical Dawn. He lives in Hamilton, Ontario.

Don’t Move: Blackstone | Indiebound | Bookshop | Amazon

Mike Monello and Nick Braccia: Five Things They Learned Editing Video Palace: In Search Of The Eyeless Man

In the popular podcast, Video Palace, Mark Cambria, aided by his girlfriend Tamra Wulff, investigated the origins of a series of esoteric white video tapes. Cambria went missing in pursuit of these tapes, but not before hearing whispers of an ominous figure called the Eyeless Man.

Fascinated by these events, Maynard Wills, PhD, a professor of folklore, embarks on his own investigation into the origins of the tapes and the Eyeless Man, who he believes has lurked in the dark corners of media culture and urban legends for decades. As part of his study, he has invited popular writers of horror and gothic fiction to share their Eyeless Man stories, whether heard around the campfire or experienced personally.

Those who participated and shared their tales include Bram Stoker Award® winners, Owl Goingback and John Skipp, Brea Grant and Graham Skipper.

As Professor Wills chases the shadowy Eyeless Man he’s increasingly unable to separate fact from folklore. Only his protege, Daniel Carver, strives to save him from the fate that befell Mark Cambria and untold others. Read this thrilling and terrifying collection at your own risk; you might just get swept away, too.

THERE ARE PROS AND CONS TO COMMISSION VS SUBMISSION

Once we got the approval to start on Video Palace: In Search of the Eyeless Man, we only had about three months to get a manuscript together in order to hit the necessary pre-Halloween release date. Since we both have full-time jobs and Nick was wrapping his forthcoming book on The Sopranos, we knew an anthology approach was the only option, with the two of us acting in a producer/director/editor capacity. At first, we thought we’d light the beacons and solicit submissions, but when we thought about it, the risk seemed too great. Would we have time to read everything? And what if we read everything and didn’t love what we got? To paraphrase a line we both use with our daughters, “You get what you get and you don’t get upset.” We ultimately decided that we couldn’t guarantee we’d get to great this way. Instead, we decided to commission stories. Between our personal networks, plus a big boost from Ben Rock and Bob DeRosa (our podcast writer/director team) we were able to wrangle a varied and talented group of voices who we believed could deliver so long as they were set up with the proper info and received the right guidance. Going the commission route gave us more confidence and control. It also meant a lot more hours prepping, chatting and working through our vision; remember, if we went submission, we would probably have received 100+stories. We were contractually obligated to deliver a book with 10-12 stories and we could only afford that many before going deep(er) into our own pockets. We’d have to budget, brief and coach to greatness or else we’d be left to write stories to cover our remaining word count; whether we had a great idea (and the time to nurture it) or not. What did we miss out on by going commission? Well, we were limited in the people we could approach (though lucky we know so many great writers) and we’re fairly certain we would have been able to surface some new and amazing voices had we rolled the dice on submissions. This being our IP, our baby, the control meant more to us. We’ve got some ideas for how we can open up Video Palace storytelling opportunities in the future, though. 

CONTRACT & LEGAL RIGAMAROLE IS THE REAL HORROR STORY

Legal work is the bane of any creative endeavor, but it was especially challenging for us as we were taking characters and mythology we created with Shudder for the Video Palace podcast and adding entirely new stories and characters for the book with the folks at Simon & Schuster/Tiller press. Because we wanted to offer our contributors an up-front payment and royalties as well, we had to form an LLC to act as the legal entity between ourselves, Shudder, Simon & Schuster/Tiller, and our contributors. The first step was getting Shudder and Simon & Schuster on the same page over all the various rights and character issues while protecting ourselves and our contributors. Fortunately, both organizations made it as easy as possible, and everyone wanted to make this book happen, but the details of the law and contract language really bogged us down on occasion. This was especially challenging as we were moving forward with the book while still working through the contracts. Making sure that the interests of all the involved parties were being handled appropriately was far more time consuming than we expected and significantly more expensive than we budgeted. In fact, we would have lengthy conversations between ourselves about everything before we would get on the phone with our legal team just to minimize the amount of time logged on the legal meter. We kept our legal emails to a minimum and would preface any internal discussion about issues we wanted to address by asking ourselves if it was a battle worth fighting, as the cost of the battle came out of our own pockets.

IT’S ALL ABOUT THE BRIEF

Working with commissioned authors (who had varying degrees of familiarity with the podcast) on a tight timeline, we knew we had to strike the perfect balance of material and inspiration so that our collection would feel “of a piece.” Give too much mythology and an author might burrow down a rabbit hole, don’t give enough and you can end up receiving 5000 words that hit a beautiful but entirely wrong note when considered against the whole. We had to get it right at the start to imbue everyone with confidence and spark inspiration. First we constructed an enticing invitation doc that focused on tone, theme and length with some broad examples of the kind of stories that might work. Once an author showed interest, we delivered a much more focused and tactical brief that we hoped would set each writer up right. These documents really helped to level set everyone and I think we did a good job making the assignment–to create in somebody else’s world–seem fun and open. We wanted everyone’s story to feel more theirs than ours, but it was also crucial that they all hung together. In addition to the documents, we spoke to everybody via phone, some for as much as an hour, (and with plenty of follow-up emails and chats), to ensure comfort level and same-pageness. These conversations really helped. We both have an enormous palette of references, thanks to our voracious (and, shall we say, irresponsible!) media diets. To get individual writers aligned, we drew comparisons and built bridges to specific IP, books and movies that our contributors loved to help cover the gap. We absolutely believe we would have mucked this “kick-off” up if not for our combined four decades of marketing and advertising work. Every day we have to communicate to clients and colleagues with documents, presentations and conversations that keep business moving efficiently. It all starts with Goldilocks Guardrails. Not too overbearing, not too precious, but not wishy-washy either. Clarity up front saved us so much time and, frankly, made the editing and feedback process a snap.

HELP YOUR PUBLISHER’S MARKETERS HELP YOU 

Thanks to all the authors and editors who came before us, we were aware that the marketing capabilities of most publishers are typically stretched thin. Since we both hold day jobs in marketing, we know how challenging it is to manage the sheer volume of titles released each month by a publisher like ours, so we decided rather than be the squeaky wheel asking for more marketing support, we took it upon ourselves to be an engine for ideas and enthusiasm with our team. We brought marketing ideas to the table and found everyone super-receptive to hearing them, and enthusiastic enough to invest in the ones they felt would move the needle and be manageable given their insane workloads. 

And while the legal hassle up front was painful, having both Simon & Schuster and Shudder onboard for the marketing has been amazing. We asked if we could have some stories from the audiobook production to create three bonus episodes for podcast fans and everyone agreed to it — the first one drops Monday, October 12. We asked for specific assets to be made for sharing across their social feeds as well as for our contributors and they delivered. They are even making a special premium item we requested that will be used to help generate more attention for the book. We’re currently in full self-promotion mode and we’re so much better equipped to handle it because we listened to their suggestions, they listened to ours, and we’re all working towards the same outcome. The choice we made–being marketing production partners, rather than worried authors–resulted in us having a real sense of agency around the book’s success and stronger collaboration with our publisher.

DIFFERENT MEDIUM, DIFFERENT RULES 

The criteria for success in a prose collection is completely different than for an audio drama. We couldn’t just dive in and try to tell written Video Palace stories without having a conversation on how to achieve that. So much of what made our podcast work well is specific to dramatic performance: actors who emote, sound design, editing and score, for example. We had to get on the same page–and quickly–about what makes the DNA of a Video Palace story, regardless of medium. Once we crystalized that, through a kind of reverse engineering, we focused on providing guidance around prose techniques, so that we–and our writers–would understand how to explore the universe through language only.

There’s certainly some crossover. In both mediums, you want to withhold just enough information and, when you do provide answers, they need to spark new questions. Ultimately any Video Palace story needs to transport the listener and create competing feelings of curiosity and vulnerability; a must in horror fiction. You’ve got plenty of tools to do that in audio, plus the podcast is a first person story, so listeners benefited from the immediacy of their connection to Mark. But in prose, everything–all the pressure–is on language to achieve these feelings. To help set up the stories to feel more personal and dangerous, we invited each author to determine how they came upon their story. Did it happen to them? If not, who did they hear it from? In the case of first person stories, the immediacy is there, but even in second-hand ones there’s a clear connection to the author. We gave each writer the chance to write a little upfront intro about the origin of their story. The ones we got worked so well, we made sure everybody included one in their final draft. This helped make things all the more personal and relatable. Ultimately, the smartest move we made was commissioning extremely talented writers and storytellers. In prose stories, rife with menace and woe, just one awkward metaphor or wrong note can torpedo the immersion. The mastery of evocative language was a must and everyone delivered.

***

Nick Braccia is a Cannes Lions– and Clio–winning writer, director, and producer. In 2018, he cocreated and coexecutive produced the horror podcast Video Palace for AMC Network’s streaming service Shudder. While working at the marketing agency Campfire, he helped to develop immersive, narrative experiences for TV shows like Outcast, Sense8, Watchmen, The Man in the High Castle, Westworld, and The Purge. Braccia is a member of the Producers Guild of America and lives in Manhattan with his partner, Amanda, and daughter, Evie Blue.

Michael Monello is a pioneer in immersive storytelling. In the late 1990s, Monello and his partners at Haxan Films created The Blair Witch Project, a story told across multiple media, which became a pop-culture touchstone. Monello cofounded Campfire in 2006 which creates groundbreaking participatory stories and experiences for TV shows such as True Blood, Game of Thrones, The Purge, The Man in the High Castle, Westworld, Hunters, and more. He cocreated and co-executive produced Video Palace, a scripted fiction horror podcast for Shudder. Monello lives in Brooklyn with his wife Julie and daughters Ava and Lila.

In Search Of The Eyeless Man: Indiebound | Bookshop | Amazon