Apple-Obsessed Author Fella

Year: 2018 (page 8 of 32)

Terry Brooks: More Than The Story

Terry Brooks is legendary. Legacy. OG. So, when Terry Brooks wants to pop by your website to talk about his new book, you don’t simply say yes, you throw him the keys to the blog with such ardor and glee you nearly break the sound barrier. Here is Mister Brooks to talk about his newest, Street Freaks.

* * *

When I write a book I am always writing about more than the story you read. Street Freaks is no exception – and yet at the same time it is. Almost my entire life’s work has been in the field of fantasy, save for a couple of movie adaptations and a book on writing. Street Freaks is different. You might want to call it science fiction, but since my actual knowledge of anything scientific could be measured in a thimble, I’ve coined a different term. I call the book a futuristic thriller.

On a quick reading, I think you would agree with this designation. But there are other aspects to the book that transcend both ‘thriller’ and ‘futuristic’ – enough so that either or both terms are really not sufficient to describe it. There is a kind of weird and poignant love story. There is a vision of the future that suggests the United States will break apart and become the United Territories. There are transmats (aka matter transporters) by which we can now send our bodies to any point on the planet. Vehicles fly, but throwback versions of dragsters and muscle cars from an earlier time still race on the composite surfaces of city streets. There are elite police units with a license to kill.

More important to me than all of these are my efforts to address recognizable social issues that exist today and will almost certainly exist in the future in spite of all our efforts to change the culture. They will wear new clothes and speak different languages and morph into different forms, but they will still be with us. Prejudice is not about to go away because we decry the inhumanity and unfairness of it. Efforts to control people through government oversight are not going to become outdated or shunned by revelations of misuse. Prejudices centering on race, sexual orientation, nationality and religion are here to stay. They have been with us since the first humans walked the earth, and they are with us still. If you want to address the problems they pose, you have to come to terms with the reason they persist.

My solution to such conundrums has always been to write a story.

I decided to write this particular story as a way to showing how things might evolve, but not with any intention of solving the problem. I wanted to tell a story about how I saw the future and how those issues might evolve into something different than what exists today – but not so different that we wouldn’t recognize them for what they are.

So let me start at the beginning, because it took a long time to put the bones of the story together with sufficient clarity that I could attempt to write it. I can trace the nescient stages back to when my grandson was participating in a Christmas pageant, and my wife and I were there to lend support. It had been years since I had gone to something like this – our kids long since grown – and what startled me was how different the audience was. It wasn’t all one race, all of the same sexual orientation, or all family-traditional; it was a United Nations of people and families of every sort. I remember thinking that this was the future – not only of this state or this country but also of the world. Technology in communications, social media and travel was making it possible for a One World future to become a reality.

But what were the challenges to making this happen?

Prejudices, of course. All sorts of prejudices.

I decided to write about how prejudice of any form would always provide a challenge to common decency and the resilience of the human spirit. I wanted to write about what other prejudices might supplant the ones of race, nationality, sexuality and religion that were slowly becoming less and less of a hindrance to people understanding one another and accepting their differences.

One thing led to another. What, I asked myself, will be the prejudice of the future, and what will bring it about? The answer seemed obvious. We are engaged in genetic studies, in exploring new ways of rebuilding bodies and minds, of pushing the frontiers of expanding robotics, and of finding ways in which we can extend and even create life. Many would view such progress unfavorably. Successful creation of hybrid humans would create a new form of prejudice, which would join quite comfortably with those already firmly established.

So what if we have humans who are entirely synthetic? What if we can build robots that are as capable and intelligent as humans? What if we can repair damaged humans by using composite materials and synthetic organs to make them whole again? What if we were able to grow humans in test tubes and through genetic manipulation?

What if a human boy and a synthetic girl fell in love?

What if the boy wasn’t sure he was human after all?

Science and science fiction alike have posited as much for decades. Why couldn’t it one day become a reality of our lives?

Many would not like the idea. Many would proclaim it unacceptable. There would be prejudice and anger and mistrust directed towards these ‘fake’ people. They would be marginalized everywhere. They would band together as all marginalized people tend to do.

And what might their detractors call them.

Tweeners.

Freaks.

Or, more specifically for the purposes of my story, Street Freaks.

And these not-quite-entirely-humans would become the heroes of my story.

I was up and running. And I don’t think I’m done yet.

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Terry Brooks: Website

Street Freaks: Indiebound | Amazon | B&N

 

My NYCC 2018 Schedule, For Your Perusal

Why yes, that’s right, I will be at New York Comic Con this coming weekend — so, you should totally find me at one of the following event-flavored things and come say hi. I’ll sign stuff. I’ll sign books. I’ll sign body parts — attached or not. I’ll sign babies! I have literally signed a baby, seriously, so there’s totally precedent.

I’m there Friday and Saturday, thought I will be bopping around Thursday, too.

I do not suspect this schedule will change, but it might, because LIFE IS CHAOS.

Hope to see you there!

Friday, October 5th

3:00-4:00PM

PANEL: Stories From A Galaxy Far, Far Away

Location: 1A10

Panelists: Michael Siglain and more

5:30PM-6:30PM

SIGNING: Chuck Wendig & Jason Fry!

Location: Del Rey Booth

Saturday, October 6th

11:00AM-12:00PM

PANEL: I’ll Take Dementors for $500, Obi-Wan: A Fan Game Show

Location: Room 1A18

Panelists: Delilah Dawson, Chuck Wendig, Sylvain Neuvel, Ryan North, hosted by Marc Thompson

12:15PM-1:15PM

Post-panel signing, Autograph Area, Hall 1A

5:30PM-6:30PM

PANEL: Sometimes, It Really Is Rocket Science

Location: Room 1A21

Panelists: Chuck Wendig, Dan Koboldt, Diana Pho

6:45PM-7:45PM

Post-panel signing, Autograph Area, Hall 1A

Macro Monday Is Bees, Bees, Bees

HELLO AND PLEASE TO REMIND:

You Might Be The Killer airs this Saturday, October 6th, 7pm, on SyFy Channel.

Tell your friends!

Tell your pets!

Tell your enemies!

But most of all, tell yourself. Because we all need reminders now and again.

Let’s see, what else —

Oooh oooh ooh there’s Chuck and Anthony: Ragnatalk. First episode (THE SON OF ODIN AS A CUSTOM VAN) is live and hopefully soon in your earholes. If you love Thor: Ragnarok as much as Anthony Carboni and I do (unpossible), then give a listen.

Finally, a bit of good news — Damn Fine Story, the elk-containing book that also happens to contain a lot of talk of story and narrative and character? Yeah, it earned out. (I suspect it actually earned out a good while ago, but the siren song of sweetly gathered royalties has confirmed this). Feel free to check it out if you haven’t — in print or e-book.

The world is feeling particularly poopy right now, so to medicate, here is a photo of a water lily I took at Longwood Gardens this weekend. It contains bees. Behold its meditative splendor. Or, if you’d rather, imagine those bees stinging the eyes of someone you despise. Dealer’s choice!

Hey, Who Wants A Little Hot Fresh Escapism?

SoooooOOOOooo, in case you hadn’t noticed, yesterday’s news cycle was…

Uhhh.

Ahem.

I mean it was?

Hrrrgh.

You know, it was…

*gesticulates wildly*

*makes a face*

*barfs in mouth a little*

*sweats*

WHAT I’M TRYING TO SAY IS, hey, I bet you need an Escape Hatch, however, temporary, to escape the horrific amusement park ride to which we all seem irreparably strapped to, and I am now here to deliver you that precious escape in the form of —

*thunder rumbles*

ME AND ANTHONY CARBONI TALKING ABOUT HOW MUCH WE LOVE THOR: RAGNAROK. AHHHHHHH. AHHHHHH. EEEEEE. OHHHHH.

Yep, that’s right, the first episode of Ragnatalk is live.

“The Son of Odin as a Custom Van.”

You just click that link with your clicky finger, and hear us talk about the first ten minutes of the movie. Every episode is exactly that — us, talking about how even more amazing one ten-minute-increment is than the last ten-minute-increment. That link too contains a number of wonderful subscription options for you, like iTunes and such. So!

HIE THEE HENCE. Take some time to escape, if only a little.

Art by the unstoppable Lar deSouza!

*cues up some Zeppelin*

Let’s do this.

It’s Official: YMBTK on The SyFy Channel

WHY YES, that’s right, it’s official — mark your calendars! Set your DVRs! Make up a drinking game! YMBTK — You Might Be The Killer — airs on the SyFy Channel on Saturday, October 6th at 7pm EST.

It’s happening! Sam Sykes and I tweeted some inane shit, it became a movie, that movie went to film festivals, and now SyFy is gonna air it on YOUR TV.

2018 may be the weirdest, stupidest timeline, but at least we’re milking it.

A Writing Career Is Basically A Really Weird RPG

It is assumed, quite falsely, that a writing career gets easier once it gets going. The assumption being, all you need is your foot in the door — just enough sneaker to wedge that fucker open so you can slide sideways through the gap — and now you’re in the Kingdom. After which it’s all, what, signing contracts delivered by courier and royalty money falling from the sky like rain and a dragon whose breath weapon is endless writing time, he just disgorges endless time upon you, whoosh, and now all you have to do is write, and write, and write.

But, as I’m sure you’ve anticipated already, it isn’t like that at all.

A writing career is like an RPG. (Dealer’s choice whether we’re talking pen-and-paper or video game, but for this metric, let’s go with MMORPG.)

The beginning of your writing career is in fact your entrance to a new land, but for the most part, you’re probably some kind of Scrub Knight, some Pig-Farmer Squire-Scribe who has been tasked with using his rickety wooden sword to whack rats in the unicorn stable. You’re just a ratwhacker, bringing rat-pelts to the local Publishing Guild.

Point is, your book is out, but so what? Obviously, so what is so quite a lot, thank you very much, because having a book out is a glorious thing, an impressive wonder, and you should be pleased as peaches with yourself. But the important thing to note here is, dozens, literally dozens of books come out every week in your given genre. Your book coming out isn’t the toast of the town, most likely. There’s no secret library parade, no invitation to the monthly Publishing Orgy, no golden key that opens every bookstore in America. It’s a book, and now it’s out, and you hope it does well.

Now! Maybe, just maybe, the book does well. Or maybe, hell, you were the toast of the town — certainly some debut authors are lucky enough to be chosen in such a way, given a considerable marketing and promotional boost at the outset. Maybe you were lucky, maybe your book is amazing, maybe it’s a confluence of both of those things or some other quirk in the time-space continuum but ha ha now you’ve done it, now you’ve really Won the Publishing Game.

Nnnyeah not so much.

One does not win this game.

One simply tries to stay in the game.

Again, we return to the RPG metaphor — yes, once you’ve whacked enough rats, and earned enough Publishing XP, you are granted access to a new land. You have a Shiny New Word Sword.

YOU HAVE LEVELED UP. Ding!

One thing, though —

Your problems have leveled up with you. You have new skills, new cred, new weapons, but you also have new problems. You’re not just playing D&D anymore, now it’s Advanced D&D. Success breeds new concerns. Are you more branded? Too branded? Can you easily write outside the genre in which you have found success, or is that like re-speccing your build and starting over? What will the next book look like, and can it possibly match the success of the first? And when do the contracts run out? (See last week’s post about cliff mitigation for more on that problem.) Are you with the right publisher? Right editor? Right agent? Have you chosen your ADVENTURIN’ PARTY well? Have you collected the proper blurbs, the good reviews, the nice royalties? What happens when the money runs out? Or when the totally sporadic way of getting paid in this industry leaves your budgeting all out of sync? Or, hell, what happens if you discover… you’re not just having that much fun?

(Parenthood, by the way, is similar to this: you keep thinking, ah, once we have the kid past this next step, it’ll get easier, once she’s walking, or talking, or eating solid food, or in school, or out of school, or, or, or. And diapers give way to the kid running full-tilt into the corner of a coffee table which leads to dealing with second grade social circles which leads to middle school horror which leads to now they can drive which leads to oh hey now they rule over a band of apocalyptic hill cannibals at the end of the world and they’re some kind of chosen one?)

(Though of course every child is different.)

Success breeds new problems.

Failure breeds new problems.

A standalone novel, a trilogy, a series, an award win, a bestseller tag, a box of remaindered books, a bookstore going under, an editor orphaning you, a marketing budget that never manifests, an agent gets too big for your books, an agent quits, there’s a film and TV deal, some foreign rights, a publisher shutters, a genre tanks, a genre takes off, new successes, new problems, and on and on and on. The game doesn’t stop just because you get some victory in you. Every new sword and cool spell just means a new realm, a bigger dragon, more complicated decisions.

And that’s okay. It’s just good to know it. There is no comfortable plateau in a writing career, I imagine — not one that isn’t equivalent to some kind of literal or creative death. You left the stable, and now it’s a forest. You leave the forest, and now it’s a jungle. From rats to orcs to demons in the chasm. From slingshot to wooden sword to steel blade to diamond scythe. It gets more fun. It gets more dangerous. It gets more frustrating! It gets more confusing. And it never really stops transforming itself. There’s always a bit of a grind, always a need to level up, always decisions about how exactly you’re going to tweak and advance your character (aka, you) going forward. Then there’s the sweet ding of the next level, and again you climb. Onward you go.

And onward I go, too.

* * *

DAMN FINE STORY: Mastering the Tools of a Powerful Narrative

What do Luke Skywalker, John McClane, and a lonely dog on Ho’okipa Beach have in common? Simply put, we care about them.

Great storytelling is making readers care about your characters, the choices they make, and what happens to them. It’s making your audience feel the tension and emotion of a situation right alongside your protagonist. And to tell a damn fine story, you need to understand why and how that caring happens.

Whether you’re writing a novel, screenplay, video game, or comic, this funny and informative guide is chock-full of examples about the art and craft of storytelling–and how to write a damn fine story of your own.

Indiebound / Amazon / B&N