Throw Your Links In The Ol’ Link Dump

Hello, Internet, my old friend.

Man, since doing away with a regular edition of Painting With Shotguns (originally mistyped as “Painting With Shoguns,” which is my cable access show wherein I learn how to paint from an ancient Japanese shogun who has been displaced in the timestream), I no longer get to just barf up a bunch of Internet links into your lap. Like, say, the way my dog just barfed on the kitchen floor a half-hour ago because the dummy drinks too much water, too fast. As if we’re going to suddenly make water illegal in this house. Seriously? He’s a very dumb smart dog, that dog.

Anyway. Links. Right.

First and foremost, your task, should you choose to accept it, is to drop a link of your own into the comments. (“Drop a link?” Shut up, you.) Anything will do. Something you find intriguing? Amusing? Controversial? Doesn’t matter if it’s LOLCats or related to the Large Hadron Collider. Bonus points for combining both LOL Cats and the LHC. But please, please, no “Large Hard-On Collider” references, because for fuck’s sake, this is a family site.

Second and secondmost, now I retch links into your open palms and eager eyeholes.

*splurch*

Ich Bin Ein Word Slut

First, because I am nothing if not a whore, did you see that a project I co-wrote with Lance Weiler — COLLAPSUS — is up for an International Digital Emmy? Even though I am not directly nominated, that does not mean I will not exploit the opportunity, placing “Emmy-Nominated” in front of every identifier I can think of. “Emmy-Nominated Pet Owner.” “Emmy-Nominated Liquor Pig.” “Emmy-Nominated Moron.” “Emmy-Nominated Narcissistic Sociopath.” I’ll be at Target:

“A 15-lb bag of dog food, one crate of oranges, and a mysterious vibrating sexual device that looks like a latex possum. That will be $147.82 cents, sir.”

“Don’t you mean, ‘That will be an Emmy-Nominated $147.82 cents, Emmy-Nominated sir?'”

“What?”

“Never mind, just hand me the goddamn Sex Possum.”

Second, because as noted I am nothing if not a whore, Robin Laws released the short story list for the new Stoneskin Press anthology, The New Hero. My short, “Charcuterie,” is in the mix, which is exciting because I actually don’t think it sucks. It’s even more exciting, however, given the fact that my story is clearly the lettuce in a Meaty Talent Sandwich.

Uhh, hello, Jeff Tidball? Maurice Broaddus? Rich Dansky? Monica Valentinelli? Ken Hite? That’s just a smattering of the goodness. All people I admire, so it’s nice to be in the mix with them.

Linkmonkey For The Inkmonkey

“The Hack Manifesto.” Priceless material from Lilith Saintcrow. “My advice on writing is geared pretty specifically toward people who want to make a living at it. It’s also geared to people who love language and want to tell a ripping good story. It is not for Artistes or for fragile speshul flowers who want only squeeful strokes for their delicate, heart-shattering, mindstopping genius.”

JD Rhodes: “Diversify.” JD talks about Amanda Hocking, Snooki, Borders, rejection, and other fiddly bits about publishing and writing in that post. Check it out.

Also: “The days of the “take-care-of-me” writer are gone, folks.  Those writers will not survive in the new environment.  We will lose a lot of talented writers.” Great big essay from Kristine Kathryn Rusch about the changing times in writing and publishing.

Stephen Blackmoore talks about writing his novels and about the soundtracks he gives them. His musical tastes are completely in line with mine: Poe? Massive Attack? Butthole Surfers? Poe’s Haunted is the best album you may have never listened to, by the way.

Miscellaneous Debris

Huzzah, data visualization: visual proof that movies are getting worse.

I’ve recently come to dig reading Ryan Macklin’s blog — here’s a good one about critiquing, and contained within are interesting lessons for any game designer. Follow the Macklin. Follow him into the jaws of Hell.

GQ UK: Top Ten Whiskies. Discuss.

The Army Did Psy-Ops on United States Senators?!

Julie Summerell blogs and inadvertently gives me a glimpse of my child-rearing future and the insidious interrogations I will undergo at the hands of said progeny — “Where Is The Microchip?”

And finally, and I guess this falls a little under self-promo whoring since I helped write and develop Danse Macabre, but here is a White Wolf video where Russell Bailey, Eddy Webb, and Kelley Barnes unbox the book and give a look into its blood-soaked pages: