Ahh, the protagonist. The main motherfucker. The top dog. The mover-and-shaker of your story. Feels like it’s time to crack open the protagonist’s ribcage and get a good long look at his still-beating heart. Another list of 25, incoming. Check your six, and please enjoy.
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Let’s just get that out of the way right now. You do not require an agent to survive or be successful in this business. If you are without an agent you will not be shot in the streets by roving gangs of publisher-thugs. It is a myth that you cannot get published or produced without an agent to get you there. You may want an agent.
We’ve thought about the one side of that equation — the writer — but nobody seems to be talking about the other half of that. Nobody’s talking about how self-publishing benefits readers. The reason? It doesn’t. Not yet, and not directly. If anybody’s left out in the cold when authors self-publish it’s readers.
Looking back, staring forward. Standing on this head-of-the-pin moment between two years — an arbitrary distinction, perhaps, from when one calendar becomes useless and a new one must be hung, but a distinction just the same and a fine enough moment to pause and reflect.
Been thinking a bit about “brand” recently in terms of being an author. What I’m trying to suss out is, where does this leave an author in terms of branding himself or being branded? Is this more a symbol of what the author represents to customers, or is it instead an indelible mark scorched into the author’s metaphorical flesh?
If you’re a writer, a writer who writes, a writer who puts her work out there, you’re going to face rejection. It’s like saying, “Eventually you’re going to have to fistfight a bear,” except here it’s not one bear but a countless parade of bears, from Kodiaks to Koalas, all ready to go toe-to-toe with you.
