Austin Chronicle<\/a>:<\/p>\n “Basing his script (unlikely as it sounds) on a now near-legendary\u00a0Twitter exchange<\/a>\u00a0between authors Sam Sykes and Chuck Wendig (don’t read it now \u2013 it’s pretty spoilerific), Simmons has some real fun with a back-and-forth timeline (and ever-shifting kill clock for the counselor body count), and some of the most Karo syrup-drenched deaths this side of a\u00a0Hatchet<\/i>\u00a0film.”<\/p>\n Slash Film<\/a>:<\/p>\n “Maybe order a beer or two for this one? Crowd-pleasing horror with a roaring campfire aroma flipped upside down and hilariously mindfucked with just enough subjective damnation.”<\/p>\n Collider<\/a>:<\/p>\n “You Might Be the Killer<\/em>\u00a0also benefits from smart structuring. Told through a series of flashbacks that unfold as Sam fills in the blanks for Chuck, we witness the murder count grow (written out on screen in a fun tally gag) until the film ultimately catches up with it timeline, leading to a third act where Sam and Chuck actively try to prevent his death, despite the ever-mounting body count. The more Sam remembers, the more we learn, and sometimes we circle back to scenes we\u2019ve seen before but see them in an entirely different way. It\u2019s a sharp script structure and it helps what might have been bland meta horror entry stand above the pack.”<\/p>\n Rue Morgue<\/a>:<\/p>\n “Though the title is reminiscent of a thankfully almost forgotten Jeff Foxworthy bit, and the film was apparently inspired by a Twitter discussion, the film YOU MIGHT BE THE KILLER is a damn fine, and darn funny, self-referential little horror comedy.”<\/p>\n Also for those asking when they can see it? It goes, I think, to Telluride Horror Show and maybe some other festivals? Toronto After Dark? More as I know it!*<\/p>\n A reminder that I’ll be at NYCC in a couple weeks. Hope to see you there.<\/p>\n And at Hal-Con in Halifax at the end of October.<\/p>\n AND IN YOUR HOUSE FOR THANKSGIVING<\/p>\n Okay maybe not so much that last one.<\/p>\n
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