{"id":25797,"date":"2015-01-21T11:12:27","date_gmt":"2015-01-21T16:12:27","guid":{"rendered":"http:\/\/terribleminds.com\/ramble\/?p=25797"},"modified":"2015-01-21T11:12:27","modified_gmt":"2015-01-21T16:12:27","slug":"arting-hard-like-an-artful-motherfucker-25-ways-to-be-a-bad-ass-maker-who-makes-bad-ass-stuff","status":"publish","type":"post","link":"https:\/\/terribleminds.com\/ramble\/2015\/01\/21\/arting-hard-like-an-artful-motherfucker-25-ways-to-be-a-bad-ass-maker-who-makes-bad-ass-stuff\/","title":{"rendered":"Arting Hard Like An Artful Motherfucker: 25 Ways To Be A Bad-Ass Maker Who Makes Bad-Ass Stuff"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Last week, here at ye olde bloggy grotto, Delilah S. Dawson came in and rocked your faces with 25 Writing Hacks From A Hack Writer<\/strong><\/span><\/a>. It’s an amazing (and epic) post — before the new year started, I was working on\u00a0this<\/em> post, below, kind of a ranty, yelly, gesticulating mess of a screed\u00a0about HOW TO ART HARDER, and looking at it now, I think (hope?) it serves as a complement to Delilah’s hai-karate dose of practical writing wisdom.<\/p>\n

It will feature a lot of inappropriate metaphors and crass vulgarity, to which someone out there will inevitably say: “You could say it without using so much nasty language, you know.”<\/p>\n

I do know.<\/p>\n

But that leads me to the first item on the list:<\/p>\n

1. Repeat After Me: “Fuck It, I’m Doing It Anyway”<\/h2>\n

Throughout your MYSTERIOUS AND WONDERFUL AND OCCASIONALLY MISERABLE ART JOURNEY, you will meet many naysayers, and you will be given enough advice that, if you wrote all this advice upon many pieces of paper, you would singularly destroy a significant portion of the world’s forests. You can always keep your ears open. You can always take in every piece of advice, every warning, every admonishment, and you can regard it the way one regards a strange animal skull in the woods (“Was this a possum? A cat? A Bandersnatch?”). But when you know what you want to do, do it anyway. Even if it seems unwise. Someone will always tell you that art is a bad idea. They will tell you that book you want to write won’t sell. They will explain to you how you’d be a far better lawyer, doctor, barista, horse whisperer, or orgy custodian. They will say: “You shouldn’t do that.” And you will say: “Fuck it, I’m doing it anyway.”<\/p>\n

2. Stop\u00a0Giving So Much Of A Shit<\/h2>\n

Said it before, will say it again: you have to\u00a0learn to care less<\/strong><\/span><\/a>. When all the pressures and stresses and anxieties and critics and haters and assfaces and shitbirds come knocking at your door looking to carve away their pound of mental flesh,\u00a0you<\/em> have to get out your purse, poke\u00a0through it while making hmm\u00a0<\/em>and\u00a0ahhh<\/em> sounds,\u00a0and then finally say: “Gosh, I’m sorry, I have no more fucks to give.” Then you pull out your cool 1980s-action-movie submachine gun and mow them all down. (Er, metaphorically! No actually shooting anyone.) The hills should be alive with the sound of you not giving two rat pubes to rub together. If we put too much pressure on ourselves, too much\u00a0weight<\/em> of expectation and consequence, then the creation of cool things becomes harder. If you build a mental wall, you have to climb it. That’s just extra work. So? Stop putting it between you and the things you want to make.<\/p>\n

3. Make\u00a0Stuff All The Fucking Time<\/h2>\n

What are you doing right now? Reading this? Get out of here. Go on! Shoo! Fuck off for five minutes and go create. Make\u00a0something. Then fix it. Then destroy it. Then recreate it. No, no, I’m not saying you literally have to take every minute of every day to be furiously and frantically shitting out\u00a0content<\/em> — I just mean, look at yesterday, look at today, look at tomorrow and make sure that those days feature a whole fucking lot of\u00a0doing art<\/em>. You wanna be an artist? Artists work their nipples off. Seriously. No artist even\u00a0has<\/em> nipples — they’re just\u00a0sanded off<\/em> by the sheer waves of creation that buffet them. Rhat might not be true. But the point remains: you wanna create stuff, you gotta do a lot of it. You should be doing it\u00a0more often<\/i> than not doing it.<\/p>\n

4. Stop Fetishizing The Future<\/h2>\n

One day<\/em>, a hypothetical person says,\u00a0I’m going to do the thing.\u00a0<\/em>Solve for X, and that ‘thing’ becomes — well, who knows? Travel the world. Quit your job. Rub your naked butt on the window at the Burger King where you used to work. But often, this is true of artists, writers, makers, creators. We say,\u00a0one day, I’m going to write that book.\u00a0<\/em>Or paint that painting. Or learn how to draw comics or write poetry or sculpt a statue of you rubbing your naked butt on the window at the Burger King where you used to work. But one day will never come. Because the future is always the future. The future is always tomorrow, the next day, the next year — forever out of reach of your grabby hands. Stop praising the future for its opportunity and start seizing the power of the present. Fuck “one day.” You have\u00a0this<\/em> day. Do not squander it.<\/p>\n

5. Carve Out Time — And Protect That Time<\/h2>\n

Art requires your time. It is demanding. When Malcolm Gladwell says you need 10,000 hours to learn to do a thing, it’s an arbitrary number, but the truth is there: you need time. And you need time\u00a0beyond<\/em> those 10,000 hours because once you figure out how to do what you’re doing you realize you haven’t really figured fuck-all and the only way out is through. You must carve out and claim time and\u00a0secure these minutes and hours to make stuff. And you must\u00a0protect<\/em> this time with tooth and claw. Anybody comes and tries to take your time away — they get shanked with a letter opener. If this thing is a priority to you, then that means you must actively seize the\u00a0time to do it and<\/em> ensure that other things get in line behind it, not ahead.<\/p>\n

6. Steal Space — And Guard\u00a0That Space<\/h2>\n

Artists\u00a0require territory. Whether it’s a kitchen table with a laptop on it, a walk-in closet where you keep your easel, or a muddy pit in the middle of your yard where you hide from the daystar in order to write poetry on stones with your own filth, you need space to do it. The artist puts up fences and says, THIS IS MINE. Put up metaphorical barbed wire. Guard it like a starveling wolf. I am fortunate enough now to have a writing shed<\/strong><\/span><\/a>, but I didn’t always — just the same, I always made sure I had space to sit down and do the work. That means a door that closes, or maybe it means noise-canceling headphones. Look at it this way: you can’t grow a garden without some dirt for planting. You’re growing a garden, so find a fucking patch of dirt and get to digging.<\/p>\n

7. Spend Your IEP Wisely<\/h2>\n

If ART were an RPG, every character would have IEP: Intellectual Energy Points. We don’t all get the same number, but we all get\u00a0some<\/em>, and we spend them throughout the day. We spend them on important stuff (day job, conversations with loved ones, ninja school). We spend them on… ennh, less important stuff (social media arguments, finding new porn, yelling at clouds). Thing is, the generative act of creating art and shaping it takes IEP. It\u00a0costs<\/em> us. So, if you have too few (or none) to give, then your art is a wilting flower, a sad trombone, a melting snowman. This means, again, giving priority. Do the work first. Make stuff as early as you can. Though, here’s a min\/maxing tip: in the ART RPG, your character can take a magic potion to regain IEP temporarily. This magic potion is called “coffee<\/strong><\/span><\/a>.” (Also worth reading: the spoon theory<\/strong><\/span><\/a>.)<\/p>\n

8. Say Yes All The Time…<\/h2>\n

When you begin the path of ARTING HARD LIKE AN ARTFUL MOTHERFUCKER, you should learn to say\u00a0yes<\/em> with an almost automatic, thoughtless grace. I said yes to pretty much everything early on because, at that fumbling stage, being an artist of any kind is hard. You just wanna make stuff and you don’t know how or who will let you or who will\u00a0pay<\/em> you and so when someone is like, “I need you to write 1000 words about a goat fucking a pumpkin and I need it by 9AM Tuesday!” you’re like, yeah, yes,\u00a0yes<\/em>, just give me the work. Saying yes a lot early on allows you to rove and roam haphazardly toward the eventual goal of being your own self-sufficient\u00a0maker-person<\/em>, and at this stage you need to build the ladder out of any spare junk you can find.<\/p>\n

9. …Until You Have To Say No All The Time<\/h2>\n

Eventually, though, you hit a point where you’ve made this crooked ladder out of whalebones and Russian dictionaries\u00a0and frozen, goat-fucked pumpkins and then… you know, you need to stop doing all that crazy stuff. You need to stop saying\u00a0yes\u00a0<\/em>and you need to start saying\u00a0no<\/em>. This is a hard transition — you don’t always know when it is and even when you’re not a desperate artist you\u00a0remember<\/em> being desperate. It’s like how my Depression-era grandmother would always steal things from restaurants: salt packets, napkins, every piece of bread she could pilfer, children from neighboring tables. It’s like, it wasn’t the Depression anymore, but she\u00a0remembered<\/em> it well, too well, so<\/em> well that she was ready with every jelly tub or stolen fork. But beginning as an artist is like figuring out sex. You just kinda want to\u00a0do it everywhere. Eventually, though: you settle down. You focus up. You start saying\u00a0no\u00a0<\/em>more than you say\u00a0yes<\/em>.<\/p>\n

10. Burn Your\u00a0Parachute\u00a0(But Know When To Jump)<\/h2>\n

I fucked my own exit strategy. I gave myself no meaningful way out. I said, I’m either going to be a writer, or I’m going to toil in obscurity and write anyway. I never gave myself a doorway out\u00a0of the work that I wanted to do. I wanted to write, so I was always going to be a writer, and nothing was going to change that. Stubborn as a Viagra erection. I burned my own parachute — but at the same time, I knew (or tried to know) when to jump. I didn’t just disengage from all day jobbery and rip off all my clothes and leap into the shrieking maelstrom. I stayed in the plane for as long as I could. I practiced and made stuff and did the work and then, only then, did I figure out how to jump out of the plane without a parachute and, oh,\u00a0not die<\/em>. Which leads me to:<\/p>\n

11.\u00a0Be Hungry For Work, Not For, Y’know, Food<\/h2>\n

The\u00a0idea of the starving artist is an idea propagated by those who want you to make things for them for free. It’s a real-life trope, an idea that there’s something\u00a0romantic<\/em> and\u00a0precious<\/em> about starving for your art. It’s framed as a sacrifice: if you\u00a0care enough<\/em> about your art, you’ll do it anyway. It’s not about money, they say. It’s about the art. (As if those two things are somehow in opposition — which, uhh,\u00a0they ain’t.<\/em>) Well, don’t you love what you do enough to die for it? Aren’t you a soldier fighting in the trenches, in the mud and the blood, for your work? Sure you are. And soldiers still get paid, goddamnit. Soldiers still get three hots and a cot. Don’t go hungry for your art. We don’t make good art when we’re hungry for actual food\u00a0— we make good art when we’re fed and when we can focus on the work more than we can focus on\u00a0not dying<\/em>. Have a dayjob for as long as you can. And when it’s time to marry those two old friends ART and COMMERCE, well —<\/p>\n

12.\u00a0Get Goddamn Fucking Paid Because Art Has Goddamn Fucking Value<\/h2>\n

Goddamnit. GODDAMNIT. Get paid, artmonkey. Put the thing you made on the table and be like, “I want money for it.” Not Twitter followers. Not a high-five. Not angel farts and chocolate coins. Actual filthy lucre. Yeah, yes, you can make art without getting paid (and more on that in a moment) — but art is not just a hobby and a habit. For many, it’s a career. That’s respectable. That’s not nothing. But the reason so many people look down on a creative career as a choice is that for so long<\/i>, people in power have told you that art has only ephemeral, creative value. Oh, you do it because you love it, not for this gross money, yuck, ew — gosh, if you take money for your art, you’ve compromised, you’ve\u00a0sold out<\/em>, you’ve basically poisoned your own water glass. Commerce makes art\u00a0impure<\/em>, they’ll say. And to that, I say,\u00a0SHENANIGANS. That is CLOWNPANTS. That is a FOUL\u00a0TREBUCHET FLINGING SCORCHED DIAPERS OVER OUR CITY WALLS. The real tragedy is when artists start to get sucked into this lie — and soon they tell themselves and worse,\u00a0other artists<\/em>, that getting paid is somehow dirty pool. It’s not. Stop buying the lie. Stop spreading the myth. Art has value, so claim value for your art.<\/p>\n

13.\u00a0(But If You’re Gonna Be Exposed, Expose Yourself)<\/h2>\n

Yes, you can ART FOR FREE. Yes, you\u00a0should<\/em> art for free. But here’s a tip: when you do it, do it because you want to. Control it. Expose yourself, like I do at JC Penney’s every Tuesday. WAIT, no, I mean — uhh. Never mind. What I’m saying is: control your work. If you put it out there for free, let it be for a real reason, a\u00a0measurable<\/em> reason.\u00a0Again, you’ll find lots of people promising you lots of things if you just make something for them for free. If they’re earning out? You should earn out. If they’re a friend, or if it’s for charity — or better yet, it’s part of an avenue or platform you\u00a0actually control<\/em>, then hey, let it all hang out. Not everything is about the money. Sometimes it\u00a0is<\/em> about the love. But when someone asks you to create something just for the exposure, well, remember — you can die from exposure LIKE THIS GUY WHO WAS PROBABLY A WRITER:<\/p>\n

14. Love Your Bad Reviews<\/h2>\n

Listen.\u00a0Listen<\/em>. You’re an artist, an author, a maker-of-stuffs, and you get a bad review and your first impulse is to fire up the old ragemachine and respond very crankily to said reviewer about how they’re wrong and they don’t get it and huff-a-puff-a-poopy-doo. No, no, no, no, no. Embrace the bad reviews. Enjoy the criticism. Here’s why: they are an indicator of your reach.\u00a0<\/em>They are a whittling down of your audience. Your audience will not be Everyone On Earth, awesome as that might be. Some people will love your work. Some people will hate it. I’ve had bad reviews where I wanted to like,\u00a0literally bite my computer<\/em>, grr, chomp-chomp. But then I read some of the comments at the bottom of those reviews. Sure, some of the comments were extra-mean with a dollop of scalding snark-sauce, but I also saw comments that said, “You know, that actually sounds like a book I want to read.” Bad reviews are awesome. Good reviews are even awesomer, sure, but hey, it’s all part of the game. Just be happy you’re out there, doing what you do, gathering the battle scars that prove you’ve been in the arena.\u00a0(Extra credit: Five Ways To Respond To Negative Reviews: A Helpful Guide!<\/strong><\/span><\/a>)<\/p>\n

15. Laugh When You Fall Down<\/h2>\n

You’re going to fuck up. Your career will have peaks and valleys. Your art will sometimes be shit, sometimes be gold, and you won’t always know the difference. Throughout this ARTFUL LIFE, you will fall down and skin your knee and bust your lip. Laugh it off. Enjoy the failure. Learn from it. Sometimes you fall down, you get to see a new perspective — in the gutter, looking up at the stars. Or maybe there’s two ladybugs down there making sweet ladybug love. That’s nice. That’s real nice. You gotta fall. You gotta take the hits. You have to learn to enjoy it. A creative life is a little bit BDSM. Learn to love the sting of the whip.<\/p>\n

16.\u00a0Finish, But Never Be Finished<\/h2>\n

Finish your shit. But never\u00a0be\u00a0<\/em>finished. A first draft needs a second draft. Any effort needs a second, and a third, and as many as it takes — and sometimes you scrap one thing to make another thing, and sometimes one thing is a success but what about the next, and the next, and the next after that? There never is a last<\/i>. A hard-arting motherfucker doesn’t think about\u00a0one<\/em> thing. It’s about all the things. It’s not singular. It’s not even just a career. It’s a life. A whole life of creating and fixing and destroying and creating anew. It’s a cosmic cycle. One thing down: an eternity to go. That shouldn’t be scary. That shouldn’t be stressful. That should feel\u00a0amazing<\/em>. It never ends until your heart quits kicking and the grave makes its call.<\/p>\n

17.\u00a0Life Is Both Medium And Material<\/h2>\n

Art is not reiterative. It doesn’t feed itself in the same way you can’t just barf up food and eat it again (though my dog believes differently). Yes, you can fuel part of your ART-TASTIC ODYSSEY through creating things and looking at that which is made by others, but art also requires a life. It demands escape. The hobbit must leave his cozy little berm and go have a crazy adventure before he comes home to write. There must be a there<\/em> before there’s a back again<\/em>. A life must be lived. The hobbit has to go and run from dragons and drink with dwarves and get high on wizard drugs before streaking through Mordor (“One does not simply run naked\u00a0through Mordor”). Life is fuel for what you make because art is a reflection of life. Even when it’s fantastic, impossible, insane — the art we make must still be grounded in the life we live.<\/p>\n

18. Complacency Is The Mind-Killer<\/h2>\n

It’s always sad to see complacency settle into an artist and that artist’s creations — a samey-samey feeling, a smug feeling of comfort, a settled<\/em> sense of easing back into the chair and doing it all over again. Nothing new. Everything old. Habit, pattern, a hamster in a wheel, a dog eating its own barf. Never be complacent. Look for ruts. Try to figure out when you’re in one.<\/p>\n

19. Always Be Reaching<\/h2>\n

You get out of ruts by reaching. By aiming beyond your talent. This happens right at the beginning — when we first seek to create a thing, we do so and\u00a0we know nothing, Jon Snow<\/em>. We’re basically infants, toddlers, pawing with boogery fingers at a thing we do not understand and yet a thing we are compelled to grab anyway. We don’t know how pieces fit together but we try anyway and we fuck up and choke on a DUPLO block and it doesn’t matter because we do it anyway. But somewhere along the way, some of us stop that reaching. We stop trying new things. We stop trying to outpace our own talent. Fuck that. Always reach. Always look for the next level, the new thing, a level up,\u00a0ding<\/em>. Muscle grows when we tear muscle.\u00a0So tear your artistic muscles<\/em>.<\/p>\n

20. Work Is The Fear-Killer<\/h2>\n

Afraid? Uncertain? Anxious? Of course you are. We all are. But you punt fear in the crotch by working. Work through fear. Work begets work begets skill begets talent. You build confidence by doing. Riding a bike for the first time is scary. Riding a bike for the seventh time, less so. The 70th time? Not at all. Art is not so plain as that — some fear will always be present, and doubt will forever be a goblin in your pocket. And some of that is good: it keeps you moving, keeps you making and working. But the way through is always to do, do, do.<\/p>\n

21. Self-Promote Your Art With Art<\/h2>\n

The artist promotes. Nobody else is going to do it for you. The trick is to do it with as much art and aplomb as you bring to the work you are promoting. Self-promotion is not an angry badger you shake at people — BUY MY ART OR YOU GET THE BADGER. Self-promotion isn’t even external from the art you’re making. Self-promo is\u00a0part<\/em> of the art. Consider it as organic as you can. You made a thing and now you want to talk to people about the thing. Engage and connect and create. Self-promotion\u00a0is<\/em> itself an art.<\/p>\n

22. Write With Your Filters Off<\/h2>\n

We put up lots of walls between us and the work we do. We think conservatively.\u00a0This<\/em> won’t work.\u00a0That<\/em> isn’t right. There’s a\u00a0rule<\/em> against that.\u00a0Nobody has done this before<\/em>. *blows a vuvuzela in your face* No! Wrong! Destroy those walls. Eliminate your filters. Art\u00a0without them. Already the act of creating art is a mechanical separation from the idea in our head — don’t insert\u00a0more<\/em>\u00a0roadblocks and locked doors and angry badgers. Create with blissful ignorance. Maybe it works. Maybe it doesn’t. Maybe you’ll have to fix it in post. But rip\u00a0away the filters with ruinous hands. Filters are NSFA — Not Safe For Art<\/strong>.<\/p>\n

23. And Also, Your Pants<\/h2>\n

Because, really, pants are stupid. Pants are a tool of the oppressor. Fuck pants. Which was actually my nickname at the Rock Dove Ranch brothel outside Reno, Nevada. “HEY, CAPTAIN FUCKPANTS,” they’d say. “IT’S TIME TO MAKE LOVE FOR MONEY. NOW DRINK THIS PINK DRINK, PUT ON THIS CROTCHLESS ASTRONAUT COSTUME, AND GET IN THAT BEDROOM.” And I’d do it. Because I’m committed to my work. Anyway. So what happens when you remove thine pants?<\/p>\n

24. Two Words: Epic Genitals<\/h2>\n

We think of artists as soft, gooey creatures. Wifty, wispy, bending in the wind. But art perseveres. Art is a hammer on an anvil. It’s carvings in walls, books that live inside history, images that mark our minds indelibly like a boot pressed into wet cement. You make things? You’re a bad ass. You have epic genitals. You are a\u00a0creator<\/em>. You\u00a0urge unreal things into reality<\/em>. You shit out gods and create fire from your mouth and spray\u00a0ink and paint and unicorn blood from all your pores. Don’t think yourself weak. Don’t see making art — whether you write comic books or build whole goddamn buildings — as anything less than the generative, proliferant,\u00a0tectonic<\/em> act that it is.<\/p>\n

25.\u00a0Return To Center<\/h2>\n

Things will be difficult. Art is a rough road up a weird mountain. Life seems impermissible when it comes to living a live of making cool stuff. When things are hard? When you feel distracted, overwhelmed, pulled apart like soft, seedy bread — return to center. Go home to the worlds you create. Make things. Do the work. Create something new. A splash of blood on a canvas. A spatter of brain matter on the page. A bone chisel against a lump of stone. Be generative.<\/p>\n

Art will not destroy you.<\/p>\n

Art will save you.<\/p>\n

<\/h2>\n

* * *<\/p>\n

\"The<\/a><\/p>\n

The journey to become a successful writer is long, fraught with peril, and filled with difficult questions: How do I write dialogue? How do I build suspense? What should I know about query letters? How do I start? What the hell do I do?<\/em><\/p>\n

The best way to answer these questions is to ditch your uncertainty and transform yourself into a Kick-Ass Writer. This new book from award-winning author Chuck Wendig combines the best of his eye-opening writing instruction — previously available in e-book form only — with all-new insights into writing and publishing. It’s an explosive broadside of gritty advice that will destroy your fears, clear the path, and help you find your voice, your story, and your audience.<\/em><\/p>\n

Amazon<\/strong><\/span><\/a><\/p>\n

B&N<\/strong><\/span><\/a><\/p>\n

Indiebound<\/strong><\/span><\/a><\/p>\n

Writer’s Digest<\/strong><\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Last week, here at ye olde bloggy grotto, Delilah S. Dawson came in and rocked your faces with 25 Writing Hacks From A Hack Writer. It’s an amazing (and epic) post — before the new year started, I was working on\u00a0this post, below, kind of a ranty, yelly, gesticulating mess of a screed\u00a0about HOW TO […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-25797","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"hentry","6":"category-theramble","8":"no-featured-image"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pv7MR-6I5","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/posts\/25797","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/comments?post=25797"}],"version-history":[{"count":37,"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/posts\/25797\/revisions"}],"predecessor-version":[{"id":25957,"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/posts\/25797\/revisions\/25957"}],"wp:attachment":[{"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/media?parent=25797"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/categories?post=25797"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/tags?post=25797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

\"\"<\/a><\/p>\n