{"id":14952,"date":"2012-08-02T00:01:52","date_gmt":"2012-08-02T04:01:52","guid":{"rendered":"http:\/\/terribleminds.com\/ramble\/?p=14952"},"modified":"2012-08-01T22:02:18","modified_gmt":"2012-08-02T02:02:18","slug":"j-c-carleson-the-terribleminds-interview","status":"publish","type":"post","link":"https:\/\/terribleminds.com\/ramble\/2012\/08\/02\/j-c-carleson-the-terribleminds-interview\/","title":{"rendered":"J.C. Carleson: The Terribleminds Interview"},"content":{"rendered":"<p style=\"text-align: center;\"><em><a href=\"https:\/\/i0.wp.com\/jccarleson.com\/images\/biopic.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jccarleson.com\/images\/biopic.jpg?resize=200%2C300\" alt=\"\" width=\"200\" height=\"300\" \/><\/a><\/em><\/p>\n<p style=\"text-align: left;\"><em>Normally, I&#8217;m the one in control of these interviews. But when someone yanks you out of your Hyundai, throws a black bag over your head and drives you out to the middle of the desert so that you may interview someone, well, you do it. Not least because they&#8217;ve got a gun shoved up into your gonads. So! Here, then, is my interview with CIA spy and new author, J.C. Carleson, whose debut novel, <strong>Cloaks and Veils<\/strong>, <a title=\"http:\/\/www.amazon.com\/Cloaks-and-Veils-ebook\/dp\/B007264H0E\" href=\"http:\/\/www.amazon.com\/Cloaks-and-Veils-ebook\/dp\/B007264H0E\"><span style=\"text-decoration: underline;\"><strong>is out now<\/strong><\/span><\/a>. You can find her at her website &#8212; <a title=\"jccarleson.com\" href=\"http:\/\/jccarleson.com\/\"><span style=\"text-decoration: underline;\"><strong>jccarleson.com<\/strong><\/span><\/a>.<\/em><\/p>\n<h3><strong>This is a blog about writing and storytelling. So, tell us a story. As short or long as you care to make it. As true or false as you see it.<\/strong><\/h3>\n<p><strong> <\/strong><\/p>\n<p>A true, slightly embarrassing story about the relativity of language.<\/p>\n<p>I moved to Spain right after the birth of my first child, and right when I decided to get serious about writing. Between moving to a new country where I didn\u2019t know anyone, learning how to be a parent, and writing full time, I was pretty isolated. Okay, very isolated. My interactions tended to be limited \u2013 the cashier at the grocery store, the janitor in my apartment building, the nannies watching the other children in the park, etc.. In Spain, these jobs are held primarily by immigrants from South America \u2013 and so it was that I learned to speak a Latin American form of Spanish even though I was living in Spain. (The difference is akin to the difference between British and American English.)<\/p>\n<p>I was also fortunate to have a lovely woman from Ecuador as a house cleaner \u2013 to this day I swear that I learned most of my Spanish from the endlessly patient Dolores. We quickly developed a method of communicating that involved short words and lots of elaborate body language. My husband couldn\u2019t understand a word of what either of us was saying, but Dolores and I understood each other perfectly.<\/p>\n<p>Once I mastered the basic vocabulary I asked Dolores to teach me all of the bad words. She\u2019d only whisper the really bad ones, and would shriek, giggle, and go red in the face when I repeated them back. She preferred milder words, so among others she taught me \u201c<em>joder<\/em>\u201d (pronounced ho-dare). She assured me that it was a benign invective \u2013 along the lines of \u201cdarn\u201d or \u201cdang\u201d. It has a satisfying, slightly guttural sound to it, so I tossed it into my daily vocabulary. Couldn\u2019t find the right change while the taxi driver was waiting for me to pay? \u201c<em>Joder<\/em>!\u201d I\u2019d mutter while rooting through my wallet. Ancient elevator in our building creaking and groaning more than usual? \u201c<em>Joder<\/em>!\u201d I\u2019d say to the neighbor riding up with me. Particularly hot day out? \u201c<em>Joder<\/em>!\u201d I\u2019d say to the person next to me on the metro while fanning my face.<\/p>\n<p>I used the word <em>a lot<\/em>.<\/p>\n<p>And then one day I was pushing my baby in a stroller behind a slow-moving gaggle of pre-teens in my neighborhood. Unable to get by them on the sidewalk, I <em>perdona<\/em>\u2019d and <em>por favor<\/em>\u2019ed several times to no avail before finally saying \u201cjoder, ni\u00f1os!\u201d in a fairly loud voice.\u00a0 Now, I thought that translated roughly into \u201cgeez, kids\u201d, but the group went silent and turned on me with wide, shocked eyes. Several almost tripped in their hurry to get out of my way.<\/p>\n<p>I began to suspect that <em>joder<\/em> did not mean what I thought it meant.<\/p>\n<p>Later that day I asked a bilingual friend for help. Fuck. In Spain it basically translates into \u201cFuck\u201d \u2013 both the act and the exclamation.<\/p>\n<p>Dear Dolores hadn\u2019t intentionally steered me wrong \u2013 in Ecuador and in some other South American countries, <em>joder<\/em> is apparently a mild term. Company appropriate, you could say. Not so in Spain. Which meant that I had spent more than a year generously tossing \u201cfuck\u201d into conversations with strangers, neighbors, my child\u2019s daycare providers, my husband\u2019s co-workers, etc\u2026. <em>Joder<\/em>.<\/p>\n<p>Lesson learned: The nuances of language matter. Sometimes a lot.<\/p>\n<h3><strong>Why do you tell stories?<\/strong><\/h3>\n<p>I got used to being paid to lie in my old career and I wanted the paychecks to continue.<\/p>\n<p>More seriously, storytelling is a huge part of working undercover. Huge. You have to create a persona, live a cover story, and disguise your intentions \u2013 and you have to do it convincingly. I discovered that I was pretty good at storytelling while working for the CIA. I\u2019m also a lifelong bookworm \u2013 a true book lover \u2013 so stepping into fiction after leaving the espionage business felt like the most natural thing in the world.<\/p>\n<p><strong> <\/strong><\/p>\n<h3><strong>Give the audience one piece of writing or storytelling advice:<\/strong><\/h3>\n<p><strong> <\/strong><\/p>\n<p>Finish something. A novel, a screenplay, whatever. But <em>finish<\/em> it. I could write opening chapters all day long. It\u2019s only with the blood, sweat and tears of bringing something to The End, though, that you can truly learn about effective character development, plot coherence, and pacing.<\/p>\n<p>Plus, <em>everyone<\/em> has an unfinished manuscript in their drawer. Harness your competitive streak and actually get yours done.<\/p>\n<p><strong> <\/strong><\/p>\n<h3><strong>What\u2019s the worst piece of writing\/storytelling advice you\u2019ve ever received?<\/strong><\/h3>\n<p>You\u2019ll never make it as a writer without an MFA. Bollocks. <strong> <\/strong><\/p>\n<h3><strong>What goes into writing a strong character? Bonus round: give an example of a strong character.<\/strong><\/h3>\n<p><strong> <\/strong><\/p>\n<p>I may be the wrong person to ask, because I love a flawed character and I think that unreliable narrators tell the most interesting stories. Maybe I\u2019m weird, but as a reader I\u2019ve never felt the absolute need to side with or believe in the characters of books. I don\u2019t even have to like them. I just want them to tell a damn good story, even if that story is full of lies. I am aware, however, that some editors don\u2019t share this opinion. In fact, CLOAKS AND VEILS was rejected by several editors who felt that the protagonist of my book, a female CIA officer, was not convincing or likeable enough because she makes a few highly-consequential mistakes and has a tendency to let her personal life become intertwined with her professional life (to say more would be a spoiler). But as someone who spent nearly a decade as a CIA officer, I can tell you with absolute certainty that real-life spies are every bit as flawed as the rest of the world \u2013 and probably more so. They most certainly make mistakes, and they most certainly bring work problems home and personal problems to work. My protagonist is absolutely imperfect. She\u2019s also absolutely realistic.<\/p>\n<p>But if by \u201cstrong character\u201d you mean \u201cinteresting, well-developed character\u201d, then I think it\u2019s all about the voice. I love a character who can tell me a story just in the unique way he or she walks down the street or reacts to a mundane situation. Does he pet the stray cat, or does he kick it? I want to like the character or hate the character by the end of the first page \u2013 even if that opinion changes later on. As long as I\u2019m not indifferent, then character development is going well. A strong character transports readers in every scene just by walking and talking and reacting in a way that is intriguing, or different, or even shocking.<\/p>\n<p>Bonus question: Gillian Flynn does an incredible job of telling a great story via a deeply flawed, highly unlikable character in DARK PLACES. Her protagonist, Libby Day, is lazy, selfish, mean-spirited\u2026and utterly fascinating. As a reader you doubt half of what she says, but you can\u2019t help but listen anyway. She may be weak in spirit and morals, but she\u2019s sure as hell interesting. (Chuck do I get a bonus for my bonus question for coming up with a strongly written, weak character?)<\/p>\n<h3><strong>You&#8217;re former CIA. What can you tell us about the CIA that most people don&#8217;t know or wouldn&#8217;t expect?<\/strong><\/h3>\n<p><strong> <\/strong><\/p>\n<p>&#8211;\u00a0\u00a0\u00a0\u00a0\u00a0 There\u2019s a Starbucks inside CIA headquarters. And a Dunkin\u2019 Donuts.<\/p>\n<p>&#8211;\u00a0\u00a0\u00a0\u00a0\u00a0 The CIA has a writers\u2019 club. I was a member, but I traveled too much to make many of the meetings.<\/p>\n<p>&#8211;\u00a0\u00a0\u00a0\u00a0\u00a0  The CIA has a dedicated publication review board. Like all CIA  officers, I\u2019m required to submit my writing to them prior to publication  for the rest of my life. (They even reviewed this blog interview!)<\/p>\n<p>&#8211;\u00a0\u00a0\u00a0\u00a0\u00a0  CIA officers hate being called spies. They\u2019re not spies \u2013 spies are  people who commit espionage against their own country. CIA officers  RECRUIT spies.<\/p>\n<p>&#8211;\u00a0\u00a0\u00a0\u00a0\u00a0 The overwhelming majority of CIA employees are not undercover.<\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<h3><strong>How did &#8220;telling stories&#8221; come in handy while at the CIA?<\/strong><\/h3>\n<p><strong> <\/strong><\/p>\n<p>There  is a great deal of motivation to develop excellent storytelling skills  when angry and heavily armed men are asking you questions like: \u201cWhat  are you doing with this top secret file from our prime minister\u2019s  office?\u201d or \u201cWhat were you doing meeting with the president\u2019s top aide  at 3:00 a.m. in a deserted park?\u201d or \u201cWhy are you sneaking across our  border with $200,000 in cash and passports in three different names?\u201d<\/p>\n<p>Storytelling is a survival skill in the CIA.<\/p>\n<h3><strong>What kind of person becomes a spy?<\/strong><\/h3>\n<p><strong> <\/strong><\/p>\n<p>May  I let one of my characters from CLOAKS AND VEILS answer that question?  Here\u2019s Caitlin (she has good reason to be cynical), on page 53:<\/p>\n<p>\u201cYou  know, the people who recruit CIA officers think that they\u2019re looking  for Boy Scouts. The perfect patriot who speaks four languages, ties  sailor knots, jumps out of airplanes, and goes to church on Sundays. But  you know what they really want? They want people who can cheat and lie  and steal\u2014and <em>then <\/em>go to church on Sundays without the least bit of remorse. They need people with a hidden dark side.\u201d<\/p>\n<p><strong> <\/strong><\/p>\n<h3><strong>Do you have bad-ass spy gear? Will you share?<\/strong><\/h3>\n<p><strong> <\/strong><\/p>\n<p>Of course I do. But I\u2019m not sharing. I\u2019m saving it all for the zombie apocalypse.<\/p>\n<p><strong> <\/strong><\/p>\n<h3><strong>What&#8217;s the strangest place you&#8217;ve been, and why?<\/strong><\/h3>\n<p><strong> <\/strong><\/p>\n<p>In  Kabul, Afghanistan, in the back of a jeep driven by a chain-smoking  Afghan man, with my feet propped up on a Stinger missile. The missile  was just slightly too long to fit, so I was holding the unlatched door  to keep it from flying open. Every time we hit a big bump the driver  would turn around, cigarette dangling out of his mouth, laugh  hysterically, and say \u201cBoom!\u201d.<\/p>\n<p>Why? Business as usual.<\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<p><strong> <\/strong><\/p>\n<h3><strong>Sell us on Cloak and Veils. First, the 140-character Twitter pitch&#8230;<\/strong><\/h3>\n<p>CLOAKS  AND VEILS: A disturbingly authentic spy thriller about one CIA  officer\u2019s fight to survive after an operation goes terribly wrong.<\/p>\n<p><strong> <\/strong><\/p>\n<h3><strong>And then by telling us exactly how this is a book only you could&#8217;ve written.<\/strong><\/h3>\n<p>ER  was a popular TV show when I was in high school, but my father had to  leave the room every time I watched it. He was a doctor, and he used to  get so upset about the technical errors that he would end up yelling at  the TV set. \u201cYou don\u2019t do <em>that<\/em> during open heart surgery!\u201d \u201cWhat kind of an idiot would give <em>those<\/em> medications at the same time?\u201d \u201cAn ER doctor would never do <em>that<\/em>!\u201d \u00a0These were things that most viewers would never notice, but were glaringly obvious to him.<\/p>\n<p>I  feel the same way about many spy thrillers &#8212; particularly when it  comes to female protagonists. I just cannot bring myself to read a book  in which the buxom stripper assassin pulls a throwing star from her  cleavage and hurls it expertly at the Russian mafia thug at the same  time as she detonates the explosive device hidden in her stiletto heel,  all the while holding witty conversations in fluent Japanese and German.  Just\u2026no.<\/p>\n<p>Please note that I\u2019m not bashing the genre as a whole \u2013  there are many, many outstanding books, and I\u2019m a huge fan of many  authors in the field. But far too often, CIA officers are portrayed as  invincible super-heroes. They have unlimited resources, they are experts  at everything, \u00a0and they never, ever screw up. Personally, I find this  level of perfection <em>boring<\/em>. I wanted to write a spy thriller in  which the protagonist, a CIA officer, is a real person who makes real  mistakes within a real, flawed organization, and then and has to use  real skills to survive. Trust me \u2013 there\u2019s nothing boring about  authenticity when it comes to the CIA!<\/p>\n<h3><strong>Recommend a book, comic book, film, or game: something with great story. Go!<\/strong><\/h3>\n<p><strong> <\/strong><\/p>\n<p>Jose Saramago\u2019s BLINDNESS. (Do NOT judge it by the execrable movie.) It\u2019s post-apocalyptic brought down to a personal level \u2013 everyone losing their vision, one person at a time. It shows the basest of human behavior right alongside the most heroic. It\u2019s at times gruesome and at times poetic, and it makes you cringe and then turn the page anyway, over and over again. (It seriously makes you think about cleanliness and plumbing in a whole new way\u2026not for the faint of heart.)<\/p>\n<h3><strong>Favorite word? And then, the follow up: Favorite curse word?<\/strong><\/h3>\n<p><strong> <\/strong><\/p>\n<p>Favorite word? Mistral. As in <em>le mistral<\/em>. (Come on, try it. It totally sounds better with a French accent.) It\u2019s the name of the strong, Mediterranean wind that blows through the south of France. It just sounds romantic, and maybe a bit spooky. It\u2019s a word that transports.<\/p>\n<p>Favorite curse word? As you\u2019ve probably already guessed, I\u2019m a sucker for learning curse words in foreign languages. But I always come home to good, old-fashioned \u201cfuck\u201d as my favorite. It\u2019s just so damn versatile.<\/p>\n<h3><strong>Favorite alcoholic beverage? (If cocktail: provide recipe. If you don\u2019t drink alcohol, fine, <em>fine<\/em>, a non-alcoholic beverage will do.)<\/strong><\/h3>\n<p><strong> <\/strong><\/p>\n<p>I\u2019m a red wine gal. Big, full-bodied, grab-you-by-the-throat reds \u2013 you\u2019ll win my friendship forever if you serve me a Cabernet from Heitz Cellar, for example.<\/p>\n<p>Don\u2019t ever serve me anything pink. If I ran the world I would banish Ros\u00e9\u00a0 wines and pink cocktails. Blue cocktails too, come to think of it.<\/p>\n<h3><strong>What skills do you bring to help the humans win the inevitable war against the robots?<\/strong><\/h3>\n<p><strong> <\/strong><\/p>\n<p>I worked for the CIA, remember? We\u2019re the ones who <em>built<\/em> the evil robots. So I know where the secret off button is.\u00a0 (Note to tinfoil hat-wearing conspiracy theorists: I\u2019m joking. There is no off button.)<\/p>\n<h3><strong>What\u2019s next for you as a storyteller? What does the future hold?<\/strong><\/h3>\n<p>I\u2019m taking a brief break from fiction for my next book, but storytelling is most definitely still involved. WORK LIKE A SPY: BUSINESS TIPS FROM THE CLANDESTINE WORLD is coming out in February 2013. It\u2019s a leadership\/management book in which I apply lessons learned from my CIA career to the business world. After that I think I\u2019ll return to fiction, though I haven\u2019t decided whether to write a sequel to CLOAKS AND VEILS or start something completely new.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Normally, I&#8217;m the one in control of these interviews. But when someone yanks you out of your Hyundai, throws a black bag over your head and drives you out to the middle of the desert so that you may interview someone, well, you do it. Not least because they&#8217;ve got a gun shoved up into [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[77],"class_list":{"0":"post-14952","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"hentry","6":"category-theramble","7":"tag-interview","9":"no-featured-image"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pv7MR-3Ta","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/posts\/14952","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/comments?post=14952"}],"version-history":[{"count":5,"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/posts\/14952\/revisions"}],"predecessor-version":[{"id":14977,"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/posts\/14952\/revisions\/14977"}],"wp:attachment":[{"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/media?parent=14952"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/categories?post=14952"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/tags?post=14952"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}