{"id":10051,"date":"2011-08-04T06:58:09","date_gmt":"2011-08-04T10:58:09","guid":{"rendered":"http:\/\/terribleminds.com\/ramble\/?p=10051"},"modified":"2011-08-04T06:58:43","modified_gmt":"2011-08-04T10:58:43","slug":"adam-christopher-the-terribleminds-interview-part-two","status":"publish","type":"post","link":"https:\/\/terribleminds.com\/ramble\/2011\/08\/04\/adam-christopher-the-terribleminds-interview-part-two\/","title":{"rendered":"Adam Christopher: The Terribleminds Interview, Part Two"},"content":{"rendered":"<p style=\"text-align: center;\"><em><a href=\"http:\/\/www.adamchristopher.co.uk\/?page_id=2\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/i0.wp.com\/www.adamchristopher.co.uk\/wp-content\/uploads\/2008\/04\/AdamChristophersmall.jpg?resize=500%2C439\" alt=\"\" width=\"500\" height=\"439\" \/><\/a><\/em><\/p>\n<p style=\"text-align: left;\"><em>Adam Christopher is a guy I can&#8217;t help but like. He&#8217;s a great writer, a good friend, and a guy who doesn&#8217;t quit when it comes to writing. He&#8217;s a machine, which is apropos then that he&#8217;s got a couple of books coming out with Angry Robot Books (those fine cybernetic madmen who will also be publishing my first two original novels) next year. And we also share uber-agent Stacia Decker. Anyway &#8212; the fact I was able to get him to stop writing for ten minutes so I could strap him to a table and fire Query Particles into his brain is something of a small miracle. Check out <a title=\"http:\/\/www.adamchristopher.co.uk\/\" href=\"http:\/\/www.adamchristopher.co.uk\/\"><span style=\"text-decoration: underline;\"><strong>his website here<\/strong><\/span><\/a>, and <a title=\"http:\/\/twitter.com\/#!\/ghostfinder\" href=\"http:\/\/twitter.com\/#!\/ghostfinder\"><span style=\"text-decoration: underline;\"><strong>follow him on Twitter<\/strong><\/span><\/a>. Oh! And this is a HUGE-ASS MOFO of an interview. This is the second part of that interview.<br \/>\n<\/em><\/p>\n<p><strong>You&#8217;re a bit unique in that you were discovered &#8212;  &#8220;discovered?&#8221; &#8212; as a writer on Twitter. Can you talk a little about  being the first writer discovered on Twitter? How&#8217;d it happen?<\/strong><\/p>\n<p>Well,  that\u2019s true, I was \u201cdiscovered\u201d on Twitter, but not because I was  deliberately using Twitter to find a publisher or to market a  manuscript, and I certainly wasn\u2019t tweeting <em>Empire State<\/em> line-by-line (although there are plenty of Twitter novel projects which do just that).<\/p>\n<p>I  joined Twitter in early 2009 because it seemed like a neat way to meet  people with similar interests. I enjoy reading and writing and books,  and I enjoy talking about those subjects with other readers, writers and  fans. Twitter is great when you have a distinct interest like that,  because there are very strong communities that grow up around them.<\/p>\n<p>So  when Angry Robot was launched, they started with a very strong online  presence and I started following what they were doing pretty closely.  Lee Harris, their editor, and I sort of bumped into each other on  Twitter not just because of Angry Robot, but because we share similar  interests in books, film, TV, and comics. Having got to know him online,  we then met in person at a couple of events and got on well. Meanwhile,  almost incidentally, Angry Robot became one of my favourite publishers  because they produced some really good books \u2013 it became clear to me  pretty early on that they were a very rare example of a publisher from  which you could just buy anything on spec, regardless, because you could  trust their judgment. I\u2019m pleased to see they\u2019ve now introduced the  ebook subscription model, which does just that.<\/p>\n<p>Anyway, all the while I was writing first <em>Seven Wonders<\/em> (my second full-length novel), and then <em>Empire State<\/em>,  and was blogging my progress, as well as writing a few short stories  here and there which got into places like Hub. Of course I tweeted about  things like that, so everyone \u2013 Angry Robot included \u2013 knew what I was  doing.<\/p>\n<p>Then in mid-2010 I was going to be in Nottingham, where  Angry Robot are based, and I dropped Lee and Marc a line to see if they  wanted to grab lunch. We went to a pub, and over a drink and a bite to  eat Lee mentioned that I had a short story in Hub that week (Lee is the  publisher of Hub, although Hub is completely independent of Angry  Robot). That got us talking about writing, and then Marc asked a very  important question: Have you written anything longer?<\/p>\n<p>I actually hadn\u2019t gone to Nottingham with the intention of pitching <em>Empire State<\/em>,  but the opportunity arose and I went for it. After confusing them for  an hour, Marc said it sounded really interesting and he invited me to  send the manuscript in when it was ready. I was just finishing off the  final edit at that point, so it wasn\u2019t until a couple of months later  that I actually sent it in.<\/p>\n<p>That meeting was really the key to  it all, because Angry Robot don\u2019t accept unagented submissions, unless  they know who you are and invite it in. After sending in a synopsis,  character sheet, the first five chapters and a brief document about my  inspirations and intentions, it was another month or so before they said  they liked what they\u2019d seen, and would I please send in the whole  manuscript.<\/p>\n<p>Then time passed and Christmas came and everything  sort of ground to a halt, as it does at that time of year! I had a  couple of positive emails in the New Year saying they were still reading  <em>Empire State<\/em> and still enjoying it, but the wait for a yes or  no was pretty hard so, as any writer should, I just kept on trucking  with other projects.<\/p>\n<p>Finally I got word in February 2011 \u2013 on my  birthday, no less, which happens to be Groundhog Day. I\u2019m a fan of  weird customs (and the Bill Murray film) so that day I was on a deadline  for the day gig while keeping one eye on a live stream of Groundhog Day  from Punxsutawney\u2026 while a plumber and gas engineer practically  demolished the kitchen downstairs to install a new boiler. In the middle  of all this, I got THE phone call from Lee.<\/p>\n<p>So that was quite a birthday to remember!<\/p>\n<p>To  be honest, I never really thought of myself as being \u201cdiscovered\u201d on  Twitter, because that implies I was doing something on Twitter like  posting novel excerpts or somehow using it primarily to get <em>Empire State<\/em> sold. But really Twitter was just a place where I met the right people \u2013  Lee and Marc primarily, but also a multitude of writers and editors and  publishers and agents and readers, all of whom are passionate about  books and writing and who form the most amazing online community. A day  or so after my Angry Robot deal was announced, Lee wrote a piece for The  Bookseller\u2019s Futurebook blog about how I had got the deal, revealing  that he\u2019d been surprised I have never pitched anything to Angry Robot  for nearly two years until that lunchtime in Nottingham. I think that  was interesting and important \u2013 I\u2019d been watching them, they\u2019d been  watching me, and it was only when the time was right that it all came  together.<\/p>\n<p>Seems playing it cool paid off. Also, I think my whole  experience does demonstrate some interesting facets of how publishing  works. Publishing is partly <em>who you know<\/em> \u2013 which is why things  like Twitter but also going to conventions and events are important,  because you need to get out there and meet the people who might, one  day, make it all happen for you. But this all has to be backed up with  something \u2013 none of this would have been worth a dime if I hadn\u2019t had a  kick-ass manuscript to show and hadn\u2019t been continuing to work on my  craft.<\/p>\n<p><strong>How can authors use social media to improve their careers?<\/strong><\/p>\n<p>That\u2019s  the $64,000 question, isn\u2019t it? Social media (Twitter and Facebook  predominantly) is a great innovation and obviously I think it\u2019s  tremendously important since it has pretty much launched my career! I  met my publisher on Twitter and I met other writers, one of whom *cough*  then introduced me to their agent, who in turn became my agent. And the  rest, as they say, is history.<\/p>\n<p>But I think it\u2019s important to do  a few things well rather than try and spread yourself around too  thinly. My main focus is on Twitter and my website. I find Facebook too  static, not to mention a great aggregator of spam, although it\u2019s easy to  keep it linked to Twitter and my blog and keep it up to date. Whatever  you might think of one particular site or service, there will be people  who absolutely love it and will use nothing else \u2013 for, this is  Facebook, so it\u2019s part of my job to use as best I can.<\/p>\n<p>I use  social media because I like talking to people and being part of the  conversation. If you use social media because you want to and you enjoy  it, not because you\u2019re trying to sell a book or a story, then I think  it\u2019ll work well for you. Be yourself, but be professional (this is going  to be the public face of your career, after all), and play it cool. As I  said above, if you do have that killer manuscript or great idea and are  working hard on it, then everything else will flow. Social media will  provide you with the contacts and networks that might make it easier,  when the time is right.<\/p>\n<p><strong>A better, and weirder question &#8212; how can authors use social media to improve their *stories?*<\/strong><\/p>\n<p>There\u2019s actually an obvious answer to that \u2013 in fact, two answers.<\/p>\n<p>Firstly,  by meeting readers, writers, editors, artists, agents, creators, etc,  you\u2019ll expose yourself to a wealth of advice and opinion and material,  everything from people discussing the writing process itself to great  fiction (free online fiction, book recommendations, reviews, etc) and  ideas. I think I\u2019ve bought more books and have learnt more about writing  in the three years on Twitter than at any time in the past!<\/p>\n<p>Secondly,  social media is a source of inspiration. You\u2019ll meet people who are in  the same position as you and people who have taken those next few steps  that you hope to follow. The success of others should always be an  inspiration and, in part, a motivator \u2013 everybody who gets a deal or  creates something awesome is helping everybody else, and that\u2019s always  worth celebrating.<\/p>\n<p>Social media is a terrific gathering point  for weird and wonderful links and news. One of the primary functions of  social media is the sharing of information. From information comes  ideas, and ideas are the foundation of creative writing.<\/p>\n<p><strong>Deliver  unto us a single-serving dollop of writing or storytelling advice that  you yourself follow as a critical tip without which you might starve and  die atop a glacier somewhere:<\/strong><\/p>\n<p>Finish what you start. That\u2019s the key \u2013 in fact, that pretty much  sums up novel writing (my particular chosen field) rather well. If you  write a novel and you finish and it\u2019s great, then you\u2019ll have had an  adventure and learnt a lot. If you write a novel and it\u2019s horrible, then  you\u2019ll have had an adventure and learnt a lot. The dreams of millions  of would-be novelists come to nothing simply because they give up. You  have to keep going when times are good. You have to get going when times  are bad. And over the course of a novel, there will be plenty of both.  You can\u2019t wait for your muse to appear and you can\u2019t wait for  inspiration to strike. You have to sit down and type the words and write  the book. And when it sucks and it all goes wrong \u2013 and it will,  believe me \u2013 you have to keep going. There\u2019s no such thing as writer\u2019s  block and there\u2019s no such thing as a dead end.<\/p>\n<p>Sounds simple. I suspect a lot of people don\u2019t get it though. And  actually from this comes a piece of secondary advice \u2013 don\u2019t edit as you  go, finish the book first. Because what\u2019s the point of spending three  months polishing chapters 1-15 until they shine like mithril when (as  mentioned above) your heroine goes and changes <em>everything<\/em> in  chapter 16 in ways which were totally unforeseen and which (and here\u2019s  the kicker) require you to go back and adjust things in those first  fifteen chapters. Which you\u2019ve just wasted your time editing. You can\u2019t  see the whole thing \u2013 including what needs to be fixed and edited and  changed \u2013 until you\u2019ve reached the end.<\/p>\n<p><strong>Favorite word? And then, the follow up: Favorite curse word?<\/strong><\/p>\n<p><em>Cavalcade<\/em>. It&#8217;s a word that you really can\u2019t use ever,  because when the hell is there an opportunity? And if you ever did use  it, people would start backing away slowly. Cavalcade? Cavalcade.<\/p>\n<p>My favourite curse word is comparative mild: <em>sonovabitch<\/em>.  It\u2019s important that you string it all together. It\u2019s great because it  can be serious and it can be funny. I\u2019m not such a fan of dropping  anything much stronger than that in a story \u2013 but then again, if my  characters swear, they swear. Ain\u2019t nothing to do with me!<\/p>\n<p><strong>Favorite alcoholic beverage? (If cocktail: provide recipe. If you don\u2019t drink alcohol, fine, <em>fine<\/em>, a non-alcoholic beverage will do.)<\/strong><\/p>\n<p>I have to go with non-alcoholic and say: tea. But I mean real,  English tea. Not green tea, or Chinese tea, or herbal tea, or any  variation. Tea tea. Cold milk. I\u2019m going to be a heathen and say teabag  tea is preferable to leaf tea as it produces a cleaner brew.<\/p>\n<p><strong>Recommend a book, comic book, film, game: something with great story. Go!<\/strong><\/p>\n<p>Ed Brubaker\u2019s run on <em>Catwoman<\/em> from DC Comics. From 2001 to  2005 he wrote 37 out of 82 issues of this volume, and it\u2019s basically the  best damn comic book ever written, ever. I\u2019d even go so far as to say  issue 17 is the best single comic book issue I\u2019ve ever read.<\/p>\n<p>And I like me my comics.<\/p>\n<p>Ed is one of those writers where you if you see his name on anything \u2013  comic or not \u2013 just buy it and read it. Satisfaction guaranteed.<\/p>\n<p>That volume of <em>Catwoman<\/em> as a whole \u2013 all 82 issues of it \u2013  still stands as the best series DC ever ran. It was cancelled due to  lack of sales\u2026 which is usually a good sign that there is something  special going on. People often don\u2019t get \u2018special\u2019.<\/p>\n<p>Grab the trades or grab them digitally off Comixology (they look hot  on an iPad \u2013 way better than on paper, dare I say). Start with issue 1.  Keep reading. You\u2019ll thank me.<\/p>\n<p><strong>Where are my pants?<\/strong><\/p>\n<p>Dude, we\u2019ve been through this already. I didn\u2019t know she had a thing  for beards and how was I supposed to know it was against the law in  Pennsylvania? Hell, I haven\u2019t even BEEN to Fiji!<\/p>\n<p><strong>Got anything to pimp? Now\u2019s the time!<\/strong><\/p>\n<p>My first novel is coming out from Angry Robot at the end of this year! It\u2019s called <em>Empire State<\/em>,  and it\u2019s a science fiction noir, with detectives and trench coats and  fedoras and gas masks and a dude in a white hood and rocket-powered  superheroes. There\u2019s robots, airships, speakeasies, mysterious butlers,  dead bodies, and action.<\/p>\n<p>It\u2019s also one of those books that is hard to describe without giving  it all away. But, essentially, it\u2019s the story of Rad Bradley, a shabby  private detective in the foggy, rainy city called the Empire State. He  gets followed by a couple of strange, masked agents, and then rescued by  a deceased superhero. To top it off, he\u2019s then hired to find a missing  person and quickly finds the body instead, which draws him into a  conspiracy which crosses dimensions\u2026 because there\u2019s another place,  another city which bears a strange resemblance to the Empire State  called New York, and Rad uncovers a threat to the existence of both.<\/p>\n<p><em>Empire State<\/em> is out in the US on December 27<sup>th<\/sup>, and in the UK on January 5<sup>th<\/sup>,  and will also be available on the Kindle and from Angry Robot\u2019s own  ebook store as a DRM-free, region-free epub file. At the moment you can  pre-order the US edition at Amazon.co.uk and Amazon.com \u2013 or just take a  look at your favourite retailer. The UK and Kindle pre-orders will go  online shortly.<\/p>\n<p>Later in 2012 I\u2019ve got another book coming from Angry Robot, <em>Seven Wonders<\/em>,  which is out-and-out superheroes \u2013 it\u2019s all spandex and primary colours  and people shooting laser beams out of their eyes. I love comics, but  more specifically I love <em>superhero<\/em> comics. Although I\u2019ve tried  and read an awful lot of comics and graphic novels across a whole range  of genres, superheroes and crime are the only categories that have ever  really worked for me in comics. There\u2019s something primal about  superheroes that strikes a chord within me \u2013 superheroes are, broadly  speaking, about boundless optimism and limitless potential. So I wrote <em>Seven Wonders<\/em> as a big honking superhero adventure which tries to explore those  themes. I\u2019m still editing the manuscript, but it\u2019s actually turned into  the longest book I\u2019ve written yet. It should be a lot of fun once I  hammer it into shape!<\/p>\n<p><strong>What&#8217;s next after Seven Wonders? What are you working on now?<\/strong><\/p>\n<p>I\u2019m  lucky in a way in that when I got the deal with Angry Robot \u2013 and  indeed when I found my agent \u2013 I already had a miniature back catalogue  of completed novels. Angry Robot have an option on a third book, and my  agent is working through another completed manuscript (science fiction)  and a proposal (post-apocalyptic horror). But right now, after I\u2019m done  with the <em>Seven Wonders<\/em> edit, I\u2019m starting a new novel called <em>Night Pictures<\/em>,  which is about a woman coming back to her home town after the death of  her mother and the disappearance of her sister. The town is a nice place  in the country but there are some mighty odd things going on, including  spooky sightings at a nearby ghost town and a mysterious pirate  television station that comes and goes. <em>Night Pictures<\/em> is about  nostalgia and memory and street light interference phenomena and  parallel universes at the bottom of swimming pools. And people wearing  Max Headroom masks.<\/p>\n<p>I\u2019m also one of those writers who has like a  zillion ideas for stuff \u2013 I have a corkboard on my office wall with  little index cards pinned to it, each one representing a future novel.  There\u2019s enough on the board for the next five years\u2019 of writing! Plus,  being on display like that means I see the board constantly, and am  always reminded of titles, ideas, characters, etc. I think that\u2019s a  pretty good way to do it rather than just making a list which can be  very easily forgotten about.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Adam Christopher is a guy I can&#8217;t help but like. He&#8217;s a great writer, a good friend, and a guy who doesn&#8217;t quit when it comes to writing. He&#8217;s a machine, which is apropos then that he&#8217;s got a couple of books coming out with Angry Robot Books next year.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[39,1],"tags":[77],"class_list":{"0":"post-10051","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"hentry","6":"category-guestpost","7":"category-theramble","8":"tag-interview","10":"no-featured-image"},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pv7MR-2C7","jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/posts\/10051","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/comments?post=10051"}],"version-history":[{"count":5,"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/posts\/10051\/revisions"}],"predecessor-version":[{"id":10291,"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/posts\/10051\/revisions\/10291"}],"wp:attachment":[{"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/media?parent=10051"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/categories?post=10051"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/terribleminds.com\/ramble\/wp-json\/wp\/v2\/tags?post=10051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}