Chuck Wendig: Terribleminds

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Bookish Turn-Offs?

Last week I asked: what gets you to read a book?

What works to convince you to pick up that book and start reading?

That post generated over 180 comments.

It’s actually pretty enlightening — I’d suggest that writers and publishers and anybody peripherally related to the publishing industry poke through those comments. It’s a long read, but contains some surprising answers (f’rex, blurbs figure in more than I would’ve imagined).

This week, I want to look at the other side of the question:

Once you’ve picked up a book, what gets you to set it down?

More importantly, what ensures you won’t likely pick it up again?

What is it about a story, the writing, the author that stops you from reading further? What for you is the story-killer? Something about the wordsmithy? Something about the content or about a character? I will, as always, hang up and wait for your answer.

*click*

Press Release: “Wendig Held Hostage By Angry Robots; Beard At 11.”

HEY, LOOK, NEWS.

Angry Robot has signed me on for another couple books.

That makes *does some quick math that takes two hours* six books with them.

Which is a lot of books.

I mean, I went from being not a novelist in 2010, then to having my first book published in 2011 and then… well, by the end of 2015 I should have 16 novels out in the world. I clearly have some sort of brain parasite. But it’s a fun parasite! I’m a fan!

Anyway.

One of these two books is definitely the follow-up to The Blue Blazes, tentatively titled Bloody Bride. Back down in the darkest Underworld beneath Manhattan with Mookie Pearl and his troublesome daughter, Nora.

The second is book is — well, we’re not sure yet. Consider it a “placeholder” for either the next Mookie Pearl or Miriam Black book.

As always, thanks to the fine cranky cyborgs at Angry Robot for having me. And thanks to my agent, Stacia Decker, who continues to spin publishing magic out of whatever nonsense words come out of my fool head. (Seriously, if you ever want to know why a great agent is a writer’s best friend, buy me a drink sometime and I’ll regale you with Tales of Team Decker.)

Oh, and since we’re talking a little bit about The Blue Blazes

Time for another preview:

“Cerulean. The bright blue mineral vein shot through the prehistoric schist of the Great Below. Equal parts pigment and drug. It goes by many names: Peacock Powder, Truth Talc, the Straight Dope, Blue Jay (or just Jay), Bluebird or Blue Butterfly or BB, Blue Mascara, Cobalt, Azure… But many just call it and the effects it engenders ‘The Blue Blazes.’ Users smudge some of the blue powder ont he temples to bring on effects that include: preternatural strength, preternatural toughness, as well as a wiping away of the illusions that keep mortal men from seeing the truth of the denizens of the Underworld. In first-time users the Blue Blazes create an adrenalin rush and an eerie, powerful focus… a high that peaks with initial use and is never again matched. Blazeheads are said in this way to ‘chase the blue’ or ‘hunt the peacock.’ Many never know that the visions they sometimes see are true — they believe them to be by-products of the drug, hallucinations that accompany the feelings of invulnerability and clarity. As a drug it is quite rare and fetches a high price among those who know of its existence. The Organization controls Cerulean. Or, at least they think they do.”

The Blue Blazes

Coming May 27th, 2013.

Pre-order:

Amazon

B&N

Indiebound

(text by Chuck Wendig)

Transmissions From Toddler-Town: B-Dub Birthday Number Two

Here’s what happens:

You have this baby.

This baby is boring.

I mean, the baby’s sweet and all. Chubby-cheeked and wrinkle-butted. But after a while you figure out the baby’s only got so many tricks in his bag: giggle, fart, coo, burble, squirm, fill diaper, start over again. You can connect with the baby on a kind of primal-spiritual level, like, you hold the baby and you stare into his eyes and contained there in those big blue orbs are the secrets of the universe. (The baby, of course, is just admiring your nose hairs or eyeglasses or thinking about boobs. Secrets of the universe be damned.) But all told, the connection you feel with the infant isn’t particularly deep.

It’s strong! It’s very strong. But it exists only on that primitive level.

Babies aren’t even dogs. Dogs have that soulful look. They know what’s up. Sure, they crap on the couch or eat your trash, but they know they did something. An infant is like a human-shaped goldfish. Things happen and the baby’s like, “Nope, forgot already. Who are you?”

But then a weird thing starts to happen.

The baby nature begins to peel and fall away on the coming wind. And what emerges from this infant-shaped chrysalis is the weird, needy, hilarious individual known as The Toddler. This creature has a personality. He is different from other such creatures of his kind. He likes things and dislikes other things. He has preferences. And wants. And irritations.

And he starts to talk.

And he starts to defy.

And he starts to play pretend.

He sings and makes up words and dances around and runs full speed into things.

The infant becomes the toddler.

The toddler is a person.

And our toddler is rapidly becoming a little boy because today, B-Dub turns two years old.

Little B-Dub is a comedian.

He likes to do silly things and say silly things not merely because of their delightful silliness but also because he’s watching you like a hawk to gauge your reaction. He’ll fidget out of his pants and go “OHHHHHH” as if to say, dude, I just totally slipped out of your pesky pants trap. He’ll pretend that his truck is eating food and he’ll watch you with a puckish look to see what you say about it. He’ll call us by funny new names — “Moppy Boppy” for my wife (or “Moppy Poppo”), and “Daddy Tot-tee” for me — just so we can correct him and he can cackle.

He’s got empathy. If he hurts you or sees you get hurt, he’ll rush over to give a hug. If you tell him you’re sad — like, say, he decides to fight reading a book one night — he’ll come around and try to fix it. Then he’ll say, “Daddy happy!” and all is right with the world.

I don’t want to suggest that it’s all perfect.

He’s a sweetheart. And hilarious. And smart as a whip.

But toddlers, man. Toddlers. Some days I wonder if we’ll get PTSD. It’s like living with a hand grenade. One minute it’s all laughter and trucks and Curious George and next minute it’s like someone opened the door and invited a tornado in for tea. A rage tornado. Sometimes it’s rage that has a clear and present source: he wants a popsicle but it’s lunchtime so we say, yeah, no, we don’t eat popsicles for lunch, good try, A for effort. You tell him “no” and you might get him to comply or you might see him melt down as if all the bones in his body turned to beanbags, as if all he can do is pile up a sack of of spilled potatoes. But at least that has a cause.

Wants popsicle. No popsicle. Rage. Easy equation.

What happens sometimes though is that the rage has no known source of agitation. It’ll just be like — whoosh, the tides shift and a squall crashes through your seawall. The shriek, the tears, the incoherent inchoate frustration! You know what it is?

I’ll tell you what it is.

SATAN, THY NAME IS TWO-YEAR MOLARS.

Two-year-goddamn-molars.

I thought we were done with teething! I was like, “Great, whatever, he’s got all his teeth, he can chew his food better than most old people.” You feel like you won. But then it’s MORE TEETH. Big mamma-jammas, too, poking up through his gums. And it hurts. He’ll tell you it hurts. Parts of his jaw are breaking away and becoming teeth. It’s like something out of a horror movie.

So, you couple that with the fact he’s basically a turbulent broth of intellectual, physical and emotional development and you have there a recipe for what amounts to a Godzilla-attitude crammed in a very tiny person-shaped creature.

Good times.

When you’re a baby, your entire perception is that the universe exists for you and you are cradled at its starry center. All the people around you have manifested to serve you. You’re like a chubby little-big God-Baby. A divinely cherubic Jabba the Hutt.

At this point, your whole life is solipsistic.

But then, as Toddler Spirit begins to manifest, that solipsism is forced to the margins and you start to realize what must be a rather shocking reality: you are not the center of a universe created just for you. Imagine that. Imagine being God and then someone saying, “No, that was just a delusion cast unto you by a brain still forming itself inside your doughy little head.”

Oh, shit.

So, B-Dub the Toddler is grappling with that, I think. And he acts out in ways that suggest he’s still trying to hold onto some measure of his flagging Divine Power. The kid’s like a Little Napoleon. He does this thing where he assigns one parent to a task — say, the washing of sticky hands or the ascendance of God-Baby up a flight of stairs — and you know who hath been chosen because he jolly well fucking tells you who hath been chosen.

“Mommy,” he’ll say after dinner, waving his food-crusted hands about. “Hands dirty.”

Go ahead, ask him: “Can Daddy wash your hands?”

“Nope.” (He prefers “yup” and “yeah-yeah” and “nope” to the more traditional yes and no.)

Sure, you can ask him again: “Can Daddy please wash your hands?”

No.” And now you hear the irritation in his voice.

Subtext: HOW DARE YOU DEFY ME, PUNY KERNEL OF HUMAN CORN.

And if you ask him again — or if you just say, yeah, fuck it, I’m going to wash your hands — you have invited a certifiable shit-fit. A nuclear toddler meltdown. A RAGE-DIAPER.

You have defied the God-Baby.

And now the God-Baby is mad.

See, but that’s the weird thing. You push it with your kids, right? You do this in part out of frustration and stubbornness (“You don’t tell me who washes your hands, I pay the mortgage around here and I can wash the hands of any sonofabitch who comes through that front door”). But you also sometimes capitulate instead for entirely different reasons — maybe you think, “Me washing his hands is really not the hill I want to defend right now,” or you think, “I really don’t want to make him cry. I want him to be happy, not sad.”

And it’s that last part that really trips you up as a parent.

Because your knee-jerk reaction at any given moment is to protect, protect, protect. To help them. To restrict from them all the sadness-making things that may happen to them. You might think, “Life is short and hard and so what’s the big deal if I let him eat a popsicle a half-hour before dinner?” (B-Dub would shank a dude for a popsicle, especially while teething.)

But that’s bad news, that attitude. Because whatever life is or isn’t, it’s filled with an endless array of potentially unpleasant moments — and there comes a point when you realize your job as a parent is less about making your children instantaneously happy and more about preparing them to deal with the unpleasant moments life will fling at their heads. You need to teach them ways to be happy in the midst of potential unhappiness, to be able to weather the slings and arrows of dissatisfaction. You want to give in and buy them every toy they see, but then you have to realize that not only is it your job to help them handle disappointment but sometimes it’s your job to actually foster that very disappointment. It’s like “disappointment training.”

Which is really very cruel.

But also really very necessary.

So you say no to things. You deny them things.

And you do so even when you want to do otherwise.

FINE YES HE SAID HIS FIRST CURSE WORD, OKAY.

He was in his seat eating.

I opened the door for some reason and our new puppy — the Red Dog named “Loa” — shot out like a bolt of lightning and so I went out to get her back in and whilst out there I uttered the — totally appropriate! — curse word of, “Oh, you bitch.”

I’m not proud, but there it is.

So.

The door was mostly closed behind me.

I didn’t yell it. I said it. Spoke it in my normal volume.

But B-Dub, he has some kind of SORCERER EARS.

Because he says to my wife:

“Bitch!”

And then you’re left with a struggle as to what to do. Laugh? Cry? Yell? We went with the: Just ignore it and hope we give him no satisfaction. It seems to have worked because he never said it again. Still: we’ve let slip a few half-cusses — “dick,” or “douche” — and sure enough, he plucks those words out of the middles of sentences like they’re delicious candies and immediately begins trying to say them and savor them.

He truly is my son.

He says lots of nice things, though, too.

He says please when he wants something.

He says thank you when you give him something.

He says thank you when he gives you something, too.

He’s just letting you know you owe him some gratitude, damnit.

It’s surprising what he’ll eat. He’ll eat kale. He’ll eat mushrooms. He’ll eat peas. Things that when I was a kid you couldn’t get into my mouth. My mother would try to sneak green peas in my food and I’d be like a dog sorting out a pill — I’d eat the rest and then ptoo. Bye-bye, pea.

Thankfully, we also haven’t had many instances of him eating things he shouldn’t. When I was a tot I choked on a bottle nipple. I choked on a penny. I almost died drinking well water where a possum had died (oops), though that wasn’t really my fault (thanks Mom & Dad for the dead possum water, which is like Vitamin Water except full of infant-killing bacteria).

Knock on digital wood, but B-Dub’s been healthy as a horse for the last two years.

Maybe it was the breastfeeding? Or the kale? Or the gamma rays we subject him to so he can become The Incredible Hulkbaby whenever someone won’t give him a popsicle?

HULKBABY SMASH

BUT FIRST HULKBABY POOP

THEN POPSICLE

THEN SMASH

We’ve had two years of miserable sleep. This kid has never slept well. Up every couple hours. Restless. Irritable at night. Like he always wants to be doing something, and sleep ain’t it. People told us all kinds of shit to fix it. Here’s the danger of parenting advice, by the way — parenting advice is geared toward One Specific Child, and as it turns out, all children are not built off the same template. We had everyone giving us advice on how to fix the sleep problems — attachment parenting, cry it out, give him a mini-bar bottle of whiskey, stick him on a northbound tractor trailer, let him read some Dostoevsky. We tried it all and all of it failed.

Eventually our doctor was like, “You know how some adults don’t sleep well? Some babies are like that.” She has two kids herself and one of them worked well with cry-it-out and so for a while she assumed that was the go-to advice but then it totally failed with her other child.

So, turns out, every kid is different. WHODATHUNK.

Just the same —

Suddenly, B-Dub is sleeping.

Two years later and he can finally sleep through the night. I can be up and writing in the morning before he wakes up which is some kind of divine intervention. It’s also horrifying at first because you’re like IS HE DEAD DID HE ESCAPE IS HE IN THE VENTILATION SYSTEM LIKE JOHN MCCLANE FROM DIE HARD WHY ISN’T HE AWAKE YET OH GOD OH GOD

But then you get over it and enjoy the relative peace. Short as it is.

He loves trucks. He loves trucks so much. I’m pretty sure he might marry a truck someday.

He loves every kind of truck out there.

Even trucks I would normally consider to be “lesser” trucks — like, an excavator is kinda bad-ass. Some tractor trailers are pretty bad-ass. But he’ll get excited over a garbage truck. Shit, he loves garbage trucks. Pick-up trucks, too. ALL TRUCKS EVERYWHERE.

I tried indoctrinating him early into other interests. Like, “Hey, dinosaur!” No, fuck that dinosaur. “Dude, robots!” I got a little bit of traction with the robots but it’s fleeting. “Here’s a cutesy-wootsy pre-school version of Batman!” No, Batman can eat a bag of bat-dicks. Stupid Batman. We’ve had some luck pushing other vehicle-types on him — he’s definitely into trains now and has some love of planes and boats, too. It’s a game of inches.

But at the end of the day, give him a truck and he’s happy.

Which is why we have approximately 4,000 trucks.

All of them sharp.

The bottom of my feet have truck-shaped calluses.

I walk through my kitchen like a lizard dancing across a hot desert.

The intellectual leaps-and-bounds occur daily, now. He’ll spit new words at you — words you never actively taught him. Like, for a while in terms of language development it’s you and him together in a concerted effort to pick up new words. You’re going, “Can you say antidisestablishmentarianism?” And he’s like “dibblesnot” and you’re like, “Fine, good enough, let’s move on.” He gets a cookie and everybody’s happy.

But eventually he just starts… repeating. Or saying words you don’t even remember telling him.

Which is so strange. You get the sense that someone is coming into his room at night and teaching him words. (Maybe that’s why he didn’t sleep for all those months.) It also reveals itself not just in parroting words but in the comprehension of those words. Like at one point he — of his own free will — picked a dandelion and went and gave it to my wife. And she was either genuinely thrilled or put on a really good show about it and then he runs back to me and is like, “Mommy, yellow, happy.” And this was a little while back when he hadn’t been saying three-word sentences — and here he put together a statement that wasn’t just an objective statement but is actually somewhat abstract and subjective. Happiness was not a thing we taught him about. Not even the word “happy.” And there it was. He made Mommy happy by giving her a yellow flower. And he recognized it and could talk about it.

The last two months have been a springboard of brain development.

He can count stuff.

He knows his ABCs — well, not the ABC song itself because it blew my mind one day to realize that the actual order of the alphabet is largely meaningless and what’s meaningful is that he can identify individual letters and know their sounds. Words don’t give a shit that C comes after B comes after A — words just care that you know what each letter does on its own and in relation to the letters next to it in that given word. So, we’ve concentrated less on the rote memorization of ABC and more in a, “I’ve emptied this bag of letters let us identify them together or you will be eaten by this Kodiak bear I’ve invited to our learning session.”

Every parent thinks their kid is a genius, I know, I know.

BUT MINE IS HE’LL RULE YOU ALL SOMEDAY FEAR HIM FEAR THE DIAPER

So, now he’s two.

I don’t know what happened.

I don’t know what happens next.

But that’s really part of the fun, isn’t it?

He’s fun. And sweet. And strange. And occasionally a rampaging monster.

Happy birthday, little person. We love you very much.

 

Under The Empyrean Sky: The Final Cover!

UNDER THE EMPYREAN SKY

Final cover!

Preorder: Amazon / B&N / Indiebound

Corn is king in the Heartland, and Cael McAvoy has had enough of it. It’s the only crop the Empyrean government allows the people of the Heartland to grow—and the genetically modified strain is so aggressive that it takes everything the Heartlanders have just to control it. As captain of the Big Sky Scavengers, Cael and his crew sail their rickety ship over the corn day after day, scavenging for valuables. But Cael’s tired of surviving life on the ground while the Empyrean elite drift by above in their extravagant sky flotillas. He’s sick of the mayor’s son besting Cael’s crew in the scavenging game. And he’s worried about losing Gwennie—his first mate and the love of his life—forever when their government-chosen spouses are revealed. But most of all, Cael is angry—angry that their lot in life will never get better and that his father doesn’t seem upset about any of it.

Under the Empyrean Sky is an imaginative, page-turning adventure that will delight science-fiction fans and have them impatiently waiting for the next installment.” – Joelle Charbonneau, author of The Testing

“A lunatic, gene-spliced, biofueled thriller, Wendig’s story flies faster and slicker than his teen crews’ hover racers. Fear the corn.” – Tom Pollock, author of The City’s Son.

Under the Empyrean Sky  is like a super-charged, genetically-modified hybrid of The Grapes of Wrath and Star Wars. Wendig delivers a thrilling, fast-paced adventure set in a future agri-dystopia. Fascinating world-building, engaging and deep characters, smooth, electric prose.” – John Hornor Jacobs, author of The Twelve-Fingered Boy.

Flash Fiction Challenge: The Random Fantasy Character Generator

Last week’s challenge: “Smashing Sub-Genres.”

Ah, first a bit of administrative: I have finally picked my favorite “opening line” story from way back when (SO MANY ENTRIES, and so many good entries, too), and I’m gonna toss the ring onto the hat of Valerie Valdes. Valerie! You should email me at terribleminds at gmail dot com.

Now, onto the challenge.

I admit that I’m kind of a sucker for random generators of various types and stripes. And so I point you to this one — “Fantasy Character Concept” generator.

Click that, you’ll get five different concepts. (Example: “A desperate air pilot is trying to get a date.”) It gives you that short little bit about the character and part of their conflict or desire. Simple, elegant, and ripe for the picking in terms of a flash fiction challenge.

Choose one of those random concepts.

Write a story (~1000 words) about that character.

Post at your online space.

Link back here.

You’ve got one week — due by Friday the 24th, noon EST.

Please to enjoy.

Ten Questions About Cahill’s Homecoming, By Patrick Hester

I adore me some Patrick Hester. He’s a nice guy. He’s a smart dude. He writes a cracking tale. And he doesn’t throw things at my head very frequently. He’s got a new novella out, so I ask you to sit down and let him tell you about it. He’s got a laser gun, so. You might wanna hold still.

TELL US ABOUT YOURSELF: WHO THE HELL ARE YOU?

I’m the kid from Fresno who watched too much television, read way too many comic books, played D&D in the library at school with my friends, and always made a point of being home on Saturday nights to watch Doctor Who on PBS.  I’ve been writing stories since high school, but got serious about it in 2000.  Since then, I’ve written a lot, including two and a half novels last year alone.

I’m a writer, a blogger and a twice Hugo Nominated podcaster.  I produce and host the SFSignal.com (Hugo nominated in 2012 and 2013) and the FunctionalNerds.com (Parsec Award nominated) podcasts.  I also produce Mur Lafferty’s I Should Be Writing podcast.  I’m also nominated for a Hugo for Best Fanzine as an editor at SFSignal.com in 2012, which blows me away.  My novels are currently being shopped by my agent, and include the Samantha Kane Urban Fantasy series (Into the Fire, Cold as Ice and Shattered Earth), set in Denver (where I now live), and an Epic Fantasy series that begins with The Queen of Shadows.  I’ve been releasing some of my shorter fiction via Amazon this year, including Consumption, Witchcraft & Satyrs, and of course, the latest, a novella named Cahill’s Homecoming.  All of this Amazon stuff started, though, with the release of Conversations with my Cat, a humorous collection of entries from my blog that you, Chuck, suggested I put together as an eBook – so I did.  ‘Cuz, when Chuck freaking-Wendig tells you to do something, you listen.  And people have loved it, so, thank you!  I also have a couple of short stories out in the anthologies Space Battles: Full-Throttle Space Tales Volume 6 (First Contact) and An Uncommon Collection (Charisma).

GIVE US THE 140-CHARACTER STORY PITCH.

Cord Cahill, Sentinel, returns to his home planet to discover the truth behind his sister’s death. What he finds changes him forever.

WHERE DOES THIS STORY COME FROM?

I was sitting in the comfy chair one night, working on one of the Urban Fantasies, and realized that I hadn’t written any scifi in a while.  A long while.  One of the things I like to do as an exercise in writing, is to put two things together that don’t normally fit or that you wouldn’t normally think of as mashing together, and see what kind of story I can pull out of those two things. That’s how Consumption (I can’t tell you what one of the two things in that story are without ruining the story, but the other one is an old Iroquois legend about a ‘ghost-witch’), and Witchcraft & Satyrs came about – with the latter, I wanted to write a story that felt southern (my mother’s family is from Kentucky), so I set it in a small, rural Kentucky town, added a witch, beans and cornbread, homebrew, and then some creatures from Greek mythology – and it worked.  On this night, though, I wanted to write a space-based scifi story and, given that I love westerns, add in a western flair.  Cord Cahill was born.

HOW IS THIS A STORY ONLY YOU COULD’VE WRITTEN?

It’s a mash-up of several of my favorite things: westerns, science fiction, John Wayne and serials.  I do intend to write many more Cord Cahill stories (may have, in fact, already written some… shhh….).  My love of serials come from watching Doctor Who (of course), and the movies and tv shows I used to watch with my grandmother, including The Lone Ranger, Zorro, The Charlie Chan Mysteries and anything from Agatha Christie.  There are nods throughout the story to different films, characters, actors and stories I have enjoyed throughout the years.  I added these little Easter eggs with the hope that anyone who may have seen or read them, would realize and recognize them.  Think of it like watching an episode of Castle and looking for Han Solo frozen in carbonite somewhere in the scene; not a distraction, just a neat little extra bit for fans of those stories or flicks.  (and yes, Han Solo does get placed in the background on Castle.)  But you don’t have to know any of that to enjoy the story.

WHAT WAS THE HARDEST THING ABOUT WRITING CAHILL’S HOMECOMING?

For me, it’s always the ‘science’ in science fiction that trips me up.  And not because I don’t obsess over it to get it right (cuz I do), but because I know WE ALL OBSESS OVER IT!  I can’t tell you how many times my writing group has digressed into long debates over some bit of technology, real or imagined, in a story and how it does, or doesn’t, make sense.  So when I add things like faster than light travel, integrated cybernetic body implants and AI’s, all of which exist in Cord Cahill’s world, I always pause to consider how the reader will respond.  The trick is not letting those pauses become walls between you and finishing the story – which has happened to me more often than I like to admit.

WHAT DID YOU LEARN WRITING CAHILL’S HOMECOMING?

Going back to my point above about the science in scifi, I don’t want people to focus on the science so much that it distracts them from what’s important; the characters.  The science fiction – that’s the setting.  I establish in the first paragraph where we are, what the level of technology is, and then I run with the characters because that’s what’s important to me, and really, that’s what is going to be important to the reader.  A reader isn’t going to identify and connect with a faster than light drive, but they will connect with an older brother trying to do right by his family, a sister who set him on the right path, a husband grieving the death of his wife, and parents who just wanted to give their children something more than they ever had themselves.  These are the stories I want to write, and the science fiction element and setting needs to lend itself to telling those stories, not detract from it.

WHAT DO YOU LOVE ABOUT CAHILL’S HOMECOMING?

I love it all.  It’s everything I wanted from this character and this story.  Cord is damaged and he doesn’t even realize it.  By the end, he does.  The question becomes, is it too late?

WHAT WOULD YOU DO DIFFERENTLY NEXT TIME?

I went through several rewrites, so I’m not sure there is anything I would do differently that I haven’t already tried, except maybe to get it done a little quicker.  (I think the first version was written in 2009…

GIVE US YOUR FAVORITE PARAGRAPH FROM THE STORY:

If I have to choose one, it’s a flashback memory.  Returning home, Cord is confronted with a lot of memories.  One in particular stands out when he is reminded of the time he and his girlfriend were caught in a compromising position at a dance.  The father of his girlfriend wanted Cord’s father to punish him severely, but Cord’s father saw it as two teenagers full of hormones ‘exploring’.  That isn’t to say Cord won’t be punished, though, and when his father informs him that he will be kept so busy with chores and duties on the family ranch that he won’t have time for any other such explorations to happen, Cord objects.  His father tries to set him straight.

 “I’m not a little kid.  I’m a man!”

His father laughed at that.  “You’re a man now, Cord?  Poking a girl in the hay don’t make you a man,” he said, pushing his finger into Cord’s chest for emphasis.  “If you’re a man, then are you going to grow up and start acting like one instead of running around like a damned fool?  Fighting, stealing horses for joy rides in the desert, painting your little brother white head to toe and convincing him to run through town pretending to be a ghost, and now this mess with the Spalding girl?  These are not the actions of a man, Cord, they’re the actions of a boy acting out. I won’t be here forever, and I’m getting tired of waiting for you to step up and show me the kind of man you’ll be.  Are you going to be the kind that skates through life, always running away from responsibilities, or the kind people can count on and know that he will be there for them, for his family?  When you figure that out, that’s the day you will be a man, Cord Cahill.  That’s the day when you’ll show me and everyone else who you are.”

WHAT’S NEXT FOR YOU AS A STORYTELLER?

I continue to write, tell stories.  I’m polishing up the Epic Fantasy right now, and I’m 40,000 words in on a Space Opera I’m pitching as ‘the Hunt for Red October in space’.  I intend to write more Cord Cahill stories, and work on more short stories to release via Amazon.  Folks who sign up for my email list on atfmb.com get to see those stories for free before I put them on Amazon.  Hopefully, the novels I’ve written will be out there soon, too.

Thanks to you for spurring me on to try the Amazon route, and for posting this on your blog.  I really appreciate it, Chuck!

If folks are interested in more from me, I have some links:

Patrick Hester: Blog / SFSignal / Functional Nerds / Kirkus@atfmb

Cahill’s Homecoming: Amazon / Barnes & Noble