Apple-Obsessed Author Fella

Tag: fiction (page 5 of 17)

Shooting Blackbirds: A Round-Up Of News And Reviews

Blackbirds is out now for just shy of a week, and this seems like a good time to do a round-up of stuff related to and orbiting around the book’s release? I’m totally geeked that the book is getting a lot of love (and, perhaps unsurprisingly, a lot of not love — it’s a tough book, no doubt, and is perhaps a bit polarizing, but I suppose I’d rather a book be polarizing than be shot straight down the gray mushy middle).

I’ll politely ask (beg, wheedle, plead, cajole) that if you have read the book and are interested in leaving a review somewhere (Amazon? B&N? Goodreads?) I’d be mighty appreciative.

On with the round-up, then. Load your rifles. Let’s shoot some blackbirds.

(If I missed anything, feel free to remind me in comments, I’ll add!)

Places I Pop Up Like An Unwanted Gopher

“I’m dying. Don’t get excited. You are, too.” I had me a big idea about writing Blackbirds, a notion about death and fate and powerlessness and hypochondria and all those crazy things, and as such, I’m over at John Scalzi’s space this past week talking about it. Check out: “The Big Idea: Chuck Wendig.”

I say make genre your bitch over at Criminal Complex, in an essay called “Genre Is A Moving Target.”

I exhort all you crazy writers to embrace your crazy over at Writer Unboxed: “Own The Crazy.”

I help you identify your shit-or-get-off-the-pot novel at Stephen Blackmoore’s space.

I join Uber-Human and Ultra-Creative JC Hutchins for the 100th episode of the Functional Nerds!

In this interview at Litstack, I say things like, “I procure hallucinogens from the Tuk Tuk people of Borneo, and then I kill my own doppelganger in hand-to-hand spirit combat.”

In this interview at My Bookish Ways (where they are also giving away a copy of Blackbirds, so don’t miss out), I say things like, “I like to drink a draught of bat’s blood before I write, and I can only write wearing a dead possum pubic wig.”

In this interview at LitReactor (with the one and only Keith “Rawdog” Rawson), I say things like, “You have bred true, penmonkey. Go rest now. Go die of the bird-flu, your work here is done.”

And finally, here at my own site, the 25 things I learned while writing the book.

Reviews That Don’t Suck

From Tor.com: “This is one of those novels that sucks you in and doesn’t let you off the hook until you’ve turned the final page… It’s a short, sharp tale that’s consistently captivating and a pure, dark delight from start to finish.”

From Shelf Awareness: “Wendig inserts surprising moments of humanity among all the profanity.”

From LitStack: “Wendig is not for the weak. Wendig is for the brave, the adventurous, those strong in mind and stomach.”

From Clear Eyes, Full Shelves: “And thus begins a visceral, blood-pumping (sometimes a lot of blood pumping out of someone’s body) ride filled with (minor spoiler alert) the obligatory Big Bad, his burned-out henchman, his amusingly sadistic henchwoman, an ironically named blackmailing conman and a mysterious metal suitcase.”

From Adventures Fantastic: “It’s a high octane ride through the dark recesses of humanity, a smashing blend of noir and the supernatural that combines the best of classic crime novels with downright genuine creepiness.”

From Violin In A Void: “It’s a quick and dirty brush with the seedier side of urban fantasy. A good kind of nasty, especially if you get a little tired of squeaky clean heroes and heroines who do no wrong.”

From The Book Stoner: “I enjoyed this very much and I spent half the time laughing my brains out. It’s just darkly hilarious? Hilariously dark? Anyway, read this if you’re into dark humor and gore and crime novels with a twist of fantasy.”

From Stefan’s Bookshelf: “Blackbirds is urban fantasy at it’s gory and violent best, 5 bloody stars.”

From Waiting For Fairies: “Blackbirds is a hauntingly macabre book… The prose is visceral and brutally beautiful.”

From Dice, Food, Lodging: “Blackbirds is a finely crafted story that didn’t disappoint me for even a page. The story is visceral and gripping and kept me reading straight through. I hate to call up the connotations of a “page turner,” as I have some distinctly non-stellar examples in my own head, but I honestly hated to put this one down.”

From Andrew Jack: “If you want the short version of this review, then here it is: I loved Blackbirds. I loved it as much as any other Urban Fantasy I’ve ever read, which, considering my almost inappropriate love of The Dresden Files is saying a lot.”

From Cupcake’s Cupboard: “Blackbirds, a rough, unflinching suspense tale from Chuck Wendig, introduces us to Miriam and the torture of knowing how people die, yet being powerless to stop it.”

From The Guilded Earlobe, a review of the audiobook: “In Blackbirds, Chuck Wendig has created a character who should be wearing a T-Shirt that says, ‘Spoiler Warning.'”

EDIT:

I’m told that SFX is giving the book a 4/5, saying, “Think Six Feet Under as written by Stephen King and Chuck Palahniuk.” So, that’s pretty sweet! (They didn’t much like Double Dead.)

From MyShelf Confessions: “This is a must read for fans of paranormal books on the much darker and grittier side of things.  I was hooked a few short pages in and could barely put Blackbirds down until I was finished.”

Flash Fiction Challenge: Random Title Generation

Last week: “A Traveling Tale”

Okay, tell you what, just go ahead and…

Click here.

You will see five randomly-generated military operation titles (I, for instance, got “Famous Wizard,” “Red Imperialism,” “World-Destroying Devil,” “Massive Justice” and “Flaming Bee”).

Choose one of the five. This is the title of your story.

That story doesn’t have to be about a military operation, though it can be if that’s what makes your grapefruit squirt. All I ask is that you use it to randomly generate your story title.

Any genre. Up to 1000 words. Due by Friday, May 4th, noon EST.

Post at your own online space.

Link back here so we can all see it.

Now generate a title and get to writing, penmonkeys.

Flash Fiction Challenge: A Traveling Tale

Last week’s challenge: “Death Is On The Table

I am traveling today, up at the hot spackled ass-crack of dawn to fly out to LA (“Come out to the coast, we’ll get together, have a few laughs”), so it seems only appropriate that this week’s writing challenge is about:

Travel.

Travel — a journey of some sort — must figure into your story.

Moving from one place to another.

Point A to Point B.

Any genre.

Up to 1000 words.

Post at your space and give us a link so we can see it.

You’ve got one week. Due by Friday, April 27th, at noon (EST).

Flash Fiction Challenge: “Death Is On The Table”

Behold last week’s challenge: “Just The Opening Line.”

So, in less than two weeks now, my debut original novel — Blackbirds — enters into the world. Hopefully with a mad flutter of wings and not the thud of a dead crow hitting the windshield of a parked car, but that’s a thing that’s out of my control. The book aims to be a sharp-toothed tale about fate and free will, featuring a girl who can see how you’re going to die just by touching you. (Let me add, in a moment of self-promo whorishness, that if you pre-order the book now from Amazon (US)Amazon (UK), or B&N, and you email me proof of said pre-ordering to terribleminds at gmail dot com, I will toss you my short story collection and the first Atlanta Burns novella. For free, in PDF or MOBI format.)

What all this means is, today we’re talking about death.

The Big “D.”

Demise. Dirt-Nap. Stick a fork in me, I’m done.

You have 1000 words to write a short story that prominently features death. What that means is up to you, of course. And genre is also in your court.

But a death — or the concept of death, or an exploration of death — must be front and center.

I’ll pick my favorite before Blackbirds releases on April 24th, and I’ll send the winner an e-book of my novel from either Amazon (MOBI) or B&N (ePUB).

You’ve got 1000 words.

Post the stories at your blogs or online spaces — don’t post here in the comments as the stories are too long to live at Casa Terribleminds. I’ll delete stories that post here. I’ll bring the hammer down.

Deadline is — well, given that I’m traveling next week, let’s short the deadline by one day.

Your new deadline is Thursday, 4/19, by noon EST.

EDIT:

AND WE HAVE A WINNER.

*pant, pant, pant*

Man, took me a while to go through these — I thought I’d have time traveling but I suspect I underestimated how many of you would enter.

Some really great stories here. The game has been upped. I found myself having to pick apart entries based on tinier details to count them out.

Spritzing death with a douche-spray? Death’s ride? Red and the Wolf? Many many good entries. A couple-few that were hard to read (blogs with images behind the text are unpleasant at best). But mostly top notch.

I’m calling the winner for:

A De/composition.

By Ilona Rose.

It’s short and strongly written and struck me in a very sad way.

A De/composition

Ilona, contact me at terribleminds at gmail dot com.

Thanks, all!

Flash Fiction Challenge: Just The Opening Line

Behold last week’s challenge: “A Terrible Lie.”

(Alternate name for this challenge: “Just The Tip.”)

Normally, this challenge is about utilizing brevity — be it with a 1000 words, 100 words, or three sentences — to tell a complete story. Well, not today, my little red balloons.

Today, I just want a single sentence.

I want to read the opening line to a story.

One you’re just making up now.

One whose opening line will drag me kicking and screaming and shove my face into wanting more.

One whose opening line is sharp, enticing, potent.

So. You’ve got a single sentence to promise a killer story.

I’ll keep the challenge open for a week.

Winner gets a postcard in the mail from yours truly.

This postcard shall contain a piece of writing advice on it for you and you alone.

You’ve got one sentence and one week. Enter by 4/13/12 at noon EST.

Enter below in the comments — normally I’d have you post elsewhere, but these will be brief.

EDIT:

To clarify, please enter only once.

Flash Fiction Challenge: A Terrible Lie

Last week’s challenge — “Choose Your Own Setting” — demands your eyeballs, so click, go, and read.

This week I said something like, “Blah blah blah, writers lie to themselves a whole lot.”

And therein lies this week’s challenge.

No, you needn’t write fiction in which you lie to yourself, but you must write fiction in which the characters lie to one another. The deception is the thing, you see? Every story thrives on conflict same as yeast thrives on sugar and bears thrive on honey (provided it was first stuffed in the chest cavity of a fleeing park ranger). Your task today is to make the core conflict of the story based upon or orbiting around a terrible lie.

If your story features no such lie, you will be ejected from the airlock and forced to fight space sharks.

There you go.

Other details?

Genre: Do as you will.

Length: 1000 words.

Due by: Friday, April 6th, noon EST.

Post online (not in the comments). Link back here.

That’s it. Go and write, my little lie-monkeys.