Apple-Obsessed Author Fella

Year: 2012 (page 3 of 49)

Promote Thine Creative Wares, Storynauts

We’re wading into the holiday season, folks.

You may be one of them goofy creative-types what wants to get his creative story gibber in the hands of a welcoming and eager audience. You want your work known. Promoted. Discovered.

So, here’s your chance, word-burpers.

In the comments, tell us about one thing you created: a book, a comic, a film, an app, a song, a yarn-beard for dolphins, whatever. Keep it under 100 words (bonus points if you keep it at 140-character Twitter-length) and be sure to offer us a link.

Everybody else: do scan the comments, see if anything sounds spiffy.

Go forth and share.

25 Gifts For Writers

1. Books

This is about as obvious an answer as it gets (“What should I buy that starving child for Christmas?” “Um, food?” “Eh.”), but just the same I’m surprised at how rarely I receive books as gifts. The excuse is frequently, “Well, I don’t know your tastes.” Yeah, here are my tastes: I LIKE BOOKS. If it’s a book? I want it. I want it in my hands. I want to shove its information into my eyeholes and into the warm crawlspace around my brain. I want to lick all the stories. And yes, I have too many books shut up I don’t care. *snarls and swipes at you with a stapler*

2. Liquor

Listen, I know, not all writers have livers that look like ruptured kickballs. We’re not all taken with the spirit, as it were. Just the same, it remains an excellent present, and why? Because we can use them for barter! It’s like in jail how cigarettes are currency? For us, booze is currency. You want to get in good with that table of writers over there, bring ’em a bottle of something fancy. Or maybe just some wood varnish, whatever, WE’RE THIRSTY GIVE IT HERE.

3. Pants

I joke a lot about not wearing pants and how pants are the dutiful oppressors trying to keep us creative types down. Pants, after all, are a symbol of a stable job and common sense, two things writers shall never possess. Just the same, there comes a time when a writer must clothe himself in the guise of a successful human, and so pants (or “trousers” for you lovely scone-munchers on the other side of the ocean) are an occasional necessity. I have encountered many an instance where I’m caught at the last moment searching for pants prior to some… event. (“Honey, do I have pants from this decade?” “We have to leave in five minutes for your uncle’s funeral. You’re asking me this now?”) Think of it as buying them a costume for a Halloween party!

4. A New Pen

I don’t really use pens. Most writers probably don’t. Just the same, it’s nice to have one hanging around. Maybe to write some notes. Maybe to chew on or clean the inside of our ears as we noodle a new story. Maybe to stab a pirate who’s boarded our ship in order to steal our intellectual property! “Have some ink poisoning, you scurvy interloper!” *stab stab stab*

5. Coffee And Other Stimulants

Infallible correlation: when I drink more coffee, I write more words. I do. I get about 2-3k on a single cup of coffee. I can get another 50% boost to the old “verbal dumpage quota” if I guzzle a second cup early enough in the day. I go through a gut-ton lot of coffee, which means I’m ever in need ofreplenishment. (Sidenote about coffee: the lighter-roasted coffee has more caffeine.) Or hell, maybe the writer in your life likes Five-Hour Energy, which reportedly kills people and tastes like the Humbaba’s crotch-sweat. Buy ’em a case of that, instead. Just stay away from bath salts. I’ve eaten way too many human faces on that stuff. Last week I found an ear in my pocket. It had a bite taken out of it. So embarrassing.

6. A Helper Monkey

You know how often I could use the help of a charming little helper monkey? Uhh, like, always. “Hey, Admiral Monkeyshines, hand me my coffee. And my iPad. And can you scratch my back? No, not there. Over. Over. Left. Now up. Now down. Perfect. Can you brush the old taco meat out of my beard? Will you read me a book in your funny little monkey ooks and eeks? Ooh! No, no! Ride the dog around like you’re a a cowboy! HA HA HA I LOVE YOU, ADMIRAL MONKEYSHINES.” Of course, I’d never get anything written, but maybe I could make the helper monkey do that, too. It’d probably improve the quality of my work, to be honest.

7. Some Sort Of “Lard-Ass Alert”

They have these monitors for cribs that detect when an infant has stopped moving for 20 seconds so you can rush in and — well, I don’t know what happens then, but if you have our son you discover him climbing up your curtains with a pirate dagger in his teeth. Point is, writers need something like this. We need an alarm that reminds us that it’s time to get off our slugabed dumpers and push blood to limbs other than our typing fingers. “ALERT: YOU HAVE NOT MOVED YOUR BODY IN THREE HOURS. YOUR MUSCLES HAVE BEGUN TO ATROPHY. YOUR HEART IS WREATHED IN A SWEATER OF FAT. YOU WILL SOON DIE IF YOU DON’T GET UP AND TAKE A WALK YOU TORPID GRISTLY BLOB. I CAN SMELL YOUR HOAGIE SWEAT.”

8. Healthy Snacks

To go along with the Lard-Ass Alert, you could buy the writer some healthy snacks. If given half a chance you’ll find my desk littered with Haagen-Daaz containers, gnawed-up pork ribs, and empty sugar packets. But foods like that drag our brains down like high-fructose boat anchors — we need healthy snacks. Nuts! Or dried fruits. Or maybe just a desk drawer full of lettuce.

9. A Kind Review

I can’t speak for other writers, but fuck, that’s never stopped me before. So here, let me do it again! What we writers appreciate perhaps most in this world is a kind review of our work. Shimmy-shaking on over to your favorite review site (Amazon, Goodreads, B&N, your blog, Big Dave’s Discount Book Reviews, whatever) and leaving us a nice review will make our day brighter. Or, if you truly must leave a bad review, make it an entertaining one. Misspell a bunch of stuff. Write half the review in all caps. Insult us humorously and insert some random conspiracy theory in the middle. Maybe write the review in a series of poopy handprints.

10. A Major Award!

I don’t know how you would procure for us a major award, but I assume a hefty bribe will do it. Or you could always just make one, sell it on Etsy. I don’t think we’re particularly discerning. Carve our names into a wooden bar stool and swaddle it in Christmas tinsel and hand it over and tell us it’s an award from some blah blah newspaper or blah blah blog. We won’t check. We’ll just hug it to our chests and spin like we’re that girl in the Sound of Music. Don’t worry, we’ll hate ourselves again by morning. But for that one night, we’ll know: somebody really likes us. Even if that somebody is completely imaginary! That’s okay. Imaginary is our wheelhouse.

11. A Room Of One’s Own

Virginia Woolf was famous for — well, okay, she was famous for writing a bunch of really great stuff but she was also famous for that essay, “A Room of One’s Own,” in which she says, “A woman must have money and a room of her own if she is to write fiction.” It’s an essay that all women and all writers should read, and while I am not a woman (though I do look smashing in a sundress!), I am a writer, so, y’know, it’s good stuff. I too believe that writers should have a space to call their own, and so a good gift for a writer is to ensure that they have this territorial bubble in which to operate. If you cannot accommodate an actual room, try buying them four cubicle walls, or a piano crate! Or give them a space next to the rusty boiler in the cellar.

12. A Plant

A plant on our desk serves a powerful purpose: it is a little thumbtack that punctures the creative territorial bubble in which we live, a creative bubble that tells us nobody else matters and nothing else exists but us, this desk, and this story. The plant suddenly becomes a thing outside one’s egosphere (or, perhaps, egosystem) that reminds you that there lurks a real world beyond the pale, a true place beyond the artifice of fiction. And then you accidentally kill the plant and realize that you are the DIVINE MASTER OF LIFE AND DEATH HAW HAW HAW.

13. Neil Gaiman’s Magic Gazebo

Speaking of one’s own rooms and territorial bubbles, you could just steal Neil Gaiman’s magic penmonkey gazebo. I like to believe that it is Gaiman’s creative womb — the light-side equivalent of that evil black lacquered egg that Darth Vader hibernates in. I suspect that, whenever he takes a journey into story-land, the gazebo literally leaves this earth and penetrates the dimensional fontanelle and takes Gaiman to magical far-off-lands.

14. Or Maybe Just Neil Gaiman

Or you could just abduct Neil Gaiman. He could be a writer’s authorial spirit animal! A long-limbed Muse-imp gamboling behind the writer as she writes, giving encouragement and drinking tea and saying otherwise smart things (like, say, any of this). How great would that be? Don’t tell him I told you to abduct him. He can’t read this, can he? I’m sure he’s very busy.

15. An Autographed Book By One’s Favorite Author

It is at the end of the day the story that counts, not the author, but to an author, other authors represent a kind of perfect ideal. Our favorite authors are our personal totems, our creative guides hanging out in our minds, helping us realize who we want to be and to what we must aspire. So, an autographed book by a beloved author is a wonderful thing, indeed. I have signed first editions of Christopher Moore’s Lamb and Robert McCammon’s Swan Song, and sometimes I get naked and hold them tight to my pasty flesh while rocking back and forth.

16. A Truly Awful Book

You may think, “What a spectacularly awful gift,” and to that I say, Au contrare, grumpy bear. Buying a hideously rat-fucked book for your writer pal sends a very clear message to that writer: “Sometimes terrible books get published which means, by golly, you can get published too.”

17. A Car Battery And A Pair Of Steel-Toe Boots

The Muse does not simply walk into Mordor. Or something. Whatever. What I mean is, sometimes the Muse needs a short, sharp shock. A car battery hooked up to her fairy wings or a steel-toe boot driven hard up into his fairy nuts will get that Muse jabbering into a writer’s ear, posthaste. And when that fails, the writer can loan the battery and the boots to someone else and they can shock-kick him into finishing his shit.

18. A Giftcard To An Office Supply Store

If you’re anything like me, an office supply store is like a vista of efficiency-porn. Pens and papers and hole-punches! Desk calendars! Helper monkeys! Really nice pens! Laser printers. Dildos! Wait, I might be mixing up “office porn” and “real porn.” Anyway. Point is, a giftcard to an office supply store is a very happy thing, indeed. It gives us an excuse to frolic.

19. A Really Nice Keyboard

A worker is only as good as his tools. A soldier with his gun. A chef with her knife. A robot with its DOOM LASER and BUZZSAW HANDS. And so a writer must have the proper tools, too. A really great keyboard — er, the kind on which you type, not the kind that says ‘Casio’ on it — is an essential tool. Plus, our keys are probably stuck together with moistened Cheeto dust.

20. A Hollowed-Out Book

We need a place to keep our secret things. Keys to demonic doors. Syringes filled with milky muse-juice. Handguns with the serial numbers filed off. Weird Canadian weed. As such, I recommend a hollowed-out book safe, like these. Where else are you going to keep your powdered unicorn horn? You… do have powdered unicorn horn, right? (Amateur.)

21. A Weird Old Gigantic-Ass Dictionary

I have a dictionary that is almost a foot thick. This is a dictionary so big you could drop it on a rhino’s back and it would shatter its spine. You could use it to choke a blue whale. It is a book that requires many men to carry it, like the Ark of the Covenant. It is an artifact of language, an obelisk of wordography. Sometimes I love to just flip through it and find weird words I’ve never heard of before. Thus: crazy-big dictionary makes for great writerly present.

22. Any Random Reference Book

In my experience, penmonkeys love bizarre reference books. Any book referencing any subject (the gods of India, English language homophones, typewriters throughout the ages, a dictionary of slang spoken by Ukrainian lamp-makers) is like fucking gold for us and our writing. And when our next book features use of some weird Babylonian sex toy (“THE FIST OF HAMMURABI”), you’ll know that you were the one responsible for bringing it into our lives.

23. A Reason To Leave The House

Writers sit so long at our desks our ass-fat starts to merge with the pleather of our chairs. Give us an excuse to get up and go outside. Invite us for a walk. For dinner. For drinks. FOR A ROLLER DERBY GANG WAR IN THE MIDDLE OF CENTRAL PARK. Travel with us. Provide us with a reason to escape the gravity of our offices. You may need to force us out, but we’ll appreciate it.

24. Anything But A Blank Goddamn Notebook

Listen, I get it — you think, Ah, he’s a writer, and so he must write a lot inside little notebooks. It’s not entirely inaccurate. But you know how some gift-givers get caught on that one thing you theoretically like and give it to you every year (“You once said you liked ceramic wombats, so now every year I will buy you a new ceramic wombat”)? Yeah, lots of people seem to think writers need blank notebooks. We probably don’t. Not because we don’t use them or don’t like them. But we have computers. And smartphones. I have a small vault now of notebooks, and every once in a while I pull one out and scrawl a couple pages of notes and then marvel at just how improbably bad my handwriting is. I’m not saying that writers don’t need notebooks. We just don’t need hundreds of them from dozens of people. Authors should select one person who is allowed to give them notebooks. (Mine is Rob Donoghue, who has impeccable taste.)

25. Terribleminds Merch Oh My God I’m A Shameless Trollop

HOLY ATOMIC TITTY TWIRLERS — did I say “Terribleminds merchandise?” By the blessings of Sweet Saint Fuck, I sure did. Art Harder, Motherfucker? Certified Penmonkey? Oh my stars and garters! Ahem. Okay, fine, fine, you don’t actually have to buy that merch for the authors in your life — and yes, yes, I’m utterly shameless. (The shame centers of my brain were destroyed in the war. What war, you ask? The war on Christmas. How dare you judge a veteran!)

In Which I Am Contacted By The “FBI”

The other day, I received this in my inbox:

Dear Sir/Madam

I am Ronald T. Hosko,the personal secretary to the FBI Director; Roberts Mueller III. After proper investigations, we discovered that your pending payment which has been withheld by imposters for a very long time and they have been claiming to be who they are not, But with the Help of FBI we have been able to trace them. Our Investigation revealed that you have spent a lot of money just to conclude the successful transfer of your funds by obtaining transfer documents as requested by the impostors, but to no avail.

With the help of some of the best Internet investigators attached to the FBI, we got your e-mail address from the Internet as the beneficiary of this Inheritance Funds. Series of meeting have been held over the past 7 months with the secretary general of the United Nations Organization. This ended 3 days ago. It is obvious that you have not received your fund which is to the tune of $9.5million due to past corrupt Governmental Officials who almost held the fund to themselves for their selfish reason and some individuals who have taken advantage of your fund all in an attempt to swindle your fund which has led to so many losses from your end and unnecessary delay in the receipt of your fund. Therefore you are advise to re-confirm your delivery information as stated below.

DELIVERY INFORMATION:

FULL NAME:

HOME ADDRESS/COUNTRY:

OCCUPATION:

AGE:

CELL PHONE NUMBER:

Note: You are to forward any email received from those Scammer to my email address ( mr.ronaldthosko2@yahoo.com ) so we can be able to trace them and eradicate them from cheating innocent people.

Mr.Ronald T.Hosko

Mr.Robert S. Mueller III

FBI DIRECTOR

So, y’know.

CLEARLY IT’S ALL REAL AND I’M GOING TO RECEIVE MILLIONS OF DOLLARS.

I feel like this very important e-mail deserves dissection.

“I am Ronald T. Hosko,the personal secretary to the FBI Director…”

Wow, must’ve been quite a demotion, Ronnie-boy. Since the last time I checked, you were assistant director of CID at the FBI, not some go-fer who runs and fetches coffee and scrubs the calluses on Mueller’s gnarly feet. Sorry to hear about the downgrade. It’s tough out there for everyone, I guess.

“After proper investigations, we discovered that your pending payment which has been withheld by imposters for a very long time and they have been claiming to be who they are not, But with the Help of FBI we have been able to trace them.”

That is possibly the worst sentence I have ever read. My pending payment? What? Withheld by… imposters? Who are they, uhh, “imposting” as? Me? Why didn’t they just take the money and run?

Why are they “withholding” it? Those dummies.

And “But with the help of the FBI…” — dude, you are the FBI. You don’t need their help. YOU ARE THEM. You used to be assistant director of CID until you blew the wrong field agent or lost your iPhone in a Tuscon meth trailer and ended up getting dropped down to being a personal secretary.

Be proud of who you are, Doc Hosko!

“Our Investigation revealed that you have spent a lot of money just to conclude the successful transfer of your funds by obtaining transfer documents as requested by the impostors, but to no avail.”

No, I have not. I have not spent any money trying to transfer money. I spend a lot of money at Target. Is that what you mean? I love Target. Hell, my toddler loves Target. Any time we tell him we’re going somewhere in the car, he makes the car noise — b-r-r-r-r-r — and then says, “Tar-uh? Tar-uh!” and then we have to tell him we’re not going to Target today and he gives us a look like he’s going to fill his diaper with pure anger.

I don’t know who these imposters are, by the way, but they sound very ineffective.

“With the help of some of the best Internet investigators attached to the FBI…”

HOLY SHIT THE BEST INTERNET INVESTIGATORS? Like Earl “The Cyber-Hawk” Dingowhistle? Or Mary-Alice Krebs, the so-called “Mata Hari of Reddit?” Or what about that robot detective, 110100101 Jones? I feel so fucking lucky to have them on my case!

And apparently they’re attached to the FBI.

One assumes with zip-ties or Velcro.

“…we got your e-mail address from the Internet as the beneficiary of this Inheritance Funds.”

Yeah, I don’t know what that means.

I assume you got my email off the Internet. I mean, it’s not on billboards or cool enough to be some celebrity’s tattoo. Or wait, is the Internet a dude? Like, did you meet him somewhere and he gave you my address? I always thought the Internet might be a person.

“Series of meeting have been held over the past 7 months with the secretary general of the United Nations Organization.”

HOLY SHIT, THAT GUY IS INVOLVED NOW? Man, my case must rate like right up there to bring in the secretary general of the UNO. (I love their deep-dish pizza, by the way! It’s like cake! With cheese and sauce and meat! It’s cholesterol cake! I ate some last year and it’s still inside my heart! Literally!)

You know, you can tell me — are my impostors Al Qaeda agents?

I bet they are.

Oh, by the way, “meeting” should be pluralized there.  I guess I’m just happy you didn’t pluralize with a possessive. That kind of thing will cause a writer to fill his diaper with pure anger.

“It is obvious that you have not received your fund which is to the tune of $9.5million due to past corrupt Governmental Officials who almost held the fund to themselves for their selfish reason and some individuals who have taken advantage of your fund all in an attempt to swindle your fund which has led to so many losses from your end and unnecessary delay in the receipt of your fund.”

First, can we just be honest here? You need to learn the art of shorter sentences. I took a short nap in the middle of this one, hope that’s okay! Anyway, let’s see here —

I have not received my $9.5 million, that’s true.

And past Government Officials? Who almost held the fund to themselves for their one collective selfish reason? OH FUCK NO. I wonder what that selfish reason was? Maybe they were going to buy a speedboat. Like, I figure, if you have a shit-ton of money, a really flashy speedboat is a pretty good way to blow some illicit cash. Or like, the world’s biggest warehouse of styrofoam peanuts. It’d be like swimming in packing peanuts. You could have such adventures! You could recreate the hunt for the White Whale! “ARRR CALL ME ISHMAEL. THERE I SEE ME THE ALABASTER WHALE, AHAB.” Or whatever.

I never actually read Moby Dick.

Anyway.

Those selfish impostor assholes! Maybe they just wanted to buy everything inside Target. Lord knows I do!

I will say that them trying to “swindle” and “take advantage of” my fund makes it sound like the fund is also a person. Are the Internet and the Fund two dudes having crazy cyborg adventures in the American desert? Some sci-fi version of Fear and Loathing? *eyes go wide*

*begins taking notes*

I call dibs on that idea, by the way. Dibs! DIBS. Hands-off. *points gun*

In the meantime, let me just give you all my so-called “delivery information”…

There we go. I assume that such an epic amount of money will have to arrive via like, UPS? Or maybe you’ll back up a truck. OR A SPEEDBOAT OMG. Maybe you’ll air-drop it onto my lawn? That’d be pretty sweet. The last thing I had airdropped onto my lawn was a chunk of human waste frozen to the underside of a 747 like a frosty dingleberry. It crushed my treehouse. And my heart.

What will I do if the impostors keep, er, imposting?

“Note: You are to forward any email received from those Scammer to my email address ( mr.ronaldthosko2@yahoo.com ) so we can be able to trace them and eradicate them from cheating innocent people.”

THOSE DAMN SCAMMER.

I will email you, Ronaldo, old boy. That way we can — as you say — eradicate them.

Fuck yeah, we’ll trace the shit out of them.

And then eradicate even more shit out of them.

FUCK YEAH.

I appreciate it, Ronbo. Kick-ass.

I look forward to my air-drop of money.

Oh, and hey — thanks for helping out here. Tell Mueller and the sec-gen of PIZZERIA UNO that I appreciate them looking out for me like this. And I’m sorry to hear about your demotion.

*sits on lawn, waits for cash*

*dreams of speedboats and Target shopping*

The Albee Agency Deception

It sounds like a really horrible Dan Brown knockoff.

It ain’t.

It’s some kind of book publicity site — er, scam.

Because I didn’t give that testimonial.

Nor did, as I understand it, any of the authors there.

My testimonial would’ve included more profanity. And a video of me seductively stroking my beard.

So, just a head’s up.

Scam. Avoid. Awooga, awooga.

 

The Sound Of Hammers Hammering And Saws Sawing

Obviously, as you might could tell, I’m tweaking the site here more than a little. It’ll be in flux for the next week or so, I wager — so, until the dust settles, apologies for any wonkiness that happens here.

And, also, I’ve been made aware that the site, as it republished the static pages menu, shit-bombed some folks’ RSS feeds — so for that, another heaping helping of apologies. (The weird part is, I think it sent out some unsent cached  contact emails from the Contact Form? Why the fuck it would do that is beyond me.)

I’m going to get my portfolio sorted between today and tomorrow.

Also: the font in these blog posts is too damn small. Anybody know how to up the font size? I was to understand it was part of my blog’s theme settings but that doesn’t seem to be the case. I’m obviously going to have to tweak CSS but I am no CSS expert. Thanks again for your patience and help and liquor-hugs.

J.D. Rhoades: The Terribleminds Interview

J.D.’s one of those authors who’s out there in the trenches fighting the good fight. He writes what he wants and finds a way to get it out there, whether that means through traditional means or through DIY channels. Here’s the man himself to tell you what he’s got going on. You can find him at his website: jdrhoades.blogspot.com or on them thar Twitters @JD_Rhoades.

This is a blog about writing and storytelling. So, tell us a story. As short or long as you care to make it. As true or false as you see it.

There was this guy. And he lived a pretty comfortable life. Then something happened, and things got pretty scary. He met this girl, and he really liked her, but then things got scary for her too. Things got worse and worse. Some other guy who knew a lot about scary stuff helped him out, and it looked like he might make it, but then a really bad thing happened, and some people got killed, and some other people he thought were his friends turned out to be secretly enemies, and it looked like all hope was lost. But at the end, the guy conquered his fear and the danger and he got the girl. The end.

Why do you tell stories?

I see movies in my head that no one’s ever made. I hear conversations between people who aren’t there. I write this stuff down so I can tell people I’m a writer and not someone having a psychotic break.

Give the audience one piece of writing or storytelling advice:

Other than the obvious (“Get your ass in the chair and write!”), I tell people: always remember that everyone in your book has his or her own story, from the protagonist right down to the cab drivers and delivery guys. Take the time and get to know them, even if you don’t use all of them. You may be surprised when a minor character suddenly takes the stage. It happens to me over and over. Tim Buckthorn, the Deputy in BREAKING COVER, started out as a walk-on. When I was finished, he was a major character. I’m actually spinning him off into a lead. Mimir, the sentient AI in MONSTER, started as a plot device, a McGuffin. Then he became a bit of comic relief. By the end of the book, he takes a much, much bigger role. So big that…

Well, check it out.

What’s the worst piece of writing/storytelling advice you’ve ever received?

“Don’t write (fill in the blank with whatever I happen to be in the middle of writing). No one’s buying that right now.”

What goes into writing a strong character? Bonus round: give an example of a strong character.

Recognizing two facts: (1) No one is a villain in his own eyes–everyone has his reasons that seem perfectly logical and valid to him; and (2) No one is one thing all the time. A complete bastard may surprise you with an act of generosity, or a saint may have a bad day, come home and kick the dog.

Recommend a book, comic book, film, or game: something with great story. Go!

Robert Gregory Browne’s TRIAL JUNKIES. First time in years I’ve gotten to the surprise near the end and said “I totally did NOT see that coming, and yet, it makes sense.” Also, Alex Sokoloff’s HUNTRESS MOON. Great, kick-ass female lead.

Favorite word? And then, the follow up: Favorite curse word?

Favorite word: Kerfluffle.

Favorite curse word: Fuckwit.

Favorite alcoholic beverage? (If cocktail: provide recipe. If you don’t drink alcohol, fine, a non-alcoholic beverage will do.)

Rum and Coke. I started drinking that when I was a club DJ and friendly cocktail waitresses (are there any other kind?) would sneak drinks up to me in the booth. Best damn job I ever had. I’ve had to go with the caffeine free Diet Coke in recent years, though. And give up cocktail waitresses.

What skills do you bring to help humans win the inevitable war against the robots?

I’m a trained and experienced trial lawyer, so I can do that Captain Kirk logic loop thing that ties the robot’s brain in knots and makes smoke come out of his ears until his CPU locks up. If that fails, I just throw buckets of water and hope to short them out.

You’re a “hybrid” author, which is not to say you were grown in a lab, but rather, that you choose to go “both ways” in terms of traditional and self-publishing. What’s the value and danger of each?

The value of traditional publishing is they do a lot of the boring, non-writing stuff for you:  editing, proofreading, cover design, and especially marketing. The danger of it is that how much of these you get–or whether you get picked at all–is too often determined by factors other than how good the work is. Editors at traditional houses will go on panels and conferences  and glibly proclaim “the secret is to write a good book,” then go back and write a dozen e-mails saying “this is a good book, but we don’t think we can market it” or “this is a good book, but no one’s buying this genre right now.”

As for self-publishing, the upside is the freedom. You can write whatever the hell you want, and not have some dewy-eyed recent Ivy League graduate with a marketing degree deciding whether or not it’s “commercial” or “big” enough. The downside is that all that work I mentioned earlier gets done by you, or by someone you have to pay out of pocket. This takes time away from the writing, and it’s easy to let it take up all your time so that you soon find yourself without new product.

Jack Keller is your primary “series character.” What’s it take to write a strong character for a series? Should a series character change? Or is an audience comfortable with inertia?

I think probably some people in the audience are comfortable with inertia; they’d like to read the same book they loved over and over again. There are some great, strong characters that don’t seem to change much book to book. Nero Wolfe comes immediately to mind, as does Richard Stark’s Parker. But I can’t write that way. Real people change. They take damage, they heal or they bear the pain of their wounds, they grow or they regress as a result of the terrible stuff that happens to them (and if you’re not doing terrible stuff to your characters, why not?) I think resilience in the face of all that is what makes them strong, and therefore interesting.

You’re publishing some work under J.D. Nixx — why the choice to go with a pseudonym? What is the power of a false name?

I wrestled with the decision for a while.  I wanted people to know that this was something different from my usual crime fiction.  I’d read some accounts by a writer friend of mine who’d gotten nasty-grams from fans of her previous romance work when she switched to crime fiction. Apparently some people, God love ’em, like their favorite writer so much that they’ll just grab the latest title without checking to see what it’s about. But then they get really upset when the sweet romance they expected turns out to be one of those icky, bloody crime thrillers.

On  the other hand,  I knew there’s some overlap between crime fiction fans and science fiction  fans, and I wanted my previous fan base to know that it was me writing about vampires in space. So I stole an idea from Nora Roberts, who also writes across genres. That’s why MONSTER is by “J.D. Rhoades writing as J.D. Nixx.”

Under the Nixx name you’ve now got Monster: Nightrider’s Vengeance. Sell us on it in 140 characters or less. “Tweet-style.”

Sexy Female Vampire Death Commandos! In Space!  With a sword! Werewolves! Zombies! Sex! Violence! Twisted Science!  Betrayal! Revenge! WHAT MORE DO YOU NEED?

What’s next for you as a storyteller? What does the future hold?

I live by the words of Indiana Jones: “I don’t know, I’m just making this up as I go.” I’ve recently re-released a couple of short pieces under that sci-fi/fantasy pen name of J.D. Nixx.  They’re  legal thrillers/medieval fantasy — think Perry Mason crossed with GAME OF THRONES. As you might have noticed, I love doing genre mash-ups. Right now, I’ve gone back to thrillers and the J.D. Rhoades name and I’m writing a follow-up to BREAKING COVER that reunites Tony Wolf and Tim Buckthorn. That’ll inevitably be another self-pubbed piece, but that’s what seems to be working for me right now.