The End Of The Excerpt: Stop Posting Your Crappy Crayon Drawings On The Fridge

  • Pencils

    Writers are, in many ways, premature ejaculators.

    We start writing something — especially something of some length, ahem, and next thing you know we’re vibrating and making squee! noises and jizzing our word juice all over the computer monitor.

    Trust me, I’ve done it. Part of the way into a draft, you just get so dang excited. Plus, you want to show the world: “Hey, holy crap! I’m writing something!” You don’t want to feel like you’re squawking into the void. So what do you do? You took that chapter you wrote just this morning and you hastily affix it to the Internet with a few corners of masking tape. Then you stand there, displaying it with the open arms of Vanna White, a giddy grin on your face, a slowly-forming wet spot on your trousers.

    I don’t think you’re an asshole if you do this. I’ve done it, and Good Lord Willing And The Creek Don’t Rise I’ll probably fall prey to the urge and do it again.

    But I think I’m going to try to quit that practice.

    Fact is, I don’t know that it’s altogether the right move — not for you, not for the draft.

    Here’s my thought process.

    First, writing isn’t a flash fry. It’s a slow burn over low heat. It’s beef brisket, not a deep-fried Twinkie. Writing demands time, like the best alcohol. It has a process. You write. You read. Others read. You edit. You rewrite. You edit some more. You take a hatchet to it. Then you take a scalpel. Then you stitch and clip and bandage and graft. What you do when you post something that you just wrote, say, this morning is, you’re posting something truly fetal — you’re putting forth what is almost certainly the worst possible face of your work. It’s going to be sloppy. Even if the work is good (or good-ish) it won’t be great, not as great as it could be if you finished the project and let it be a part of the whole. If you were baking, and you had mixed only the dry ingredients (the flour, the sugar, the yeast, the anthrax, the cocaine, shut up I don’t bake), would you invite your spouse over to the bowl to take a mouthful of dusty pre-mix for comment? She’ll probably hack and cough and throw up. Because it’s just powdered nonsense at that stage. Sure, it has the potential to become something truly tasty, but for now? You’re feeding your readers the scree, the slurry, and they’re gumming it with a weird look on their face. (“Muhh? Ish… good? I guessh?”)

    Second, guess what? You don’t need feedback right now. Feedback in the midst of the draft is a worthless (and in some cases, dangerous) thing. You just posted something without context, without meaning, and the first thing you’re going to get is either people going “Yay! Yeah! Wooo!” because they are, quite nicely, your affirming fanbase — or, instead you’re going to get the guy who, perhaps even quite reasonably, tells you what’s wrong with it. Is that useful? Is that even apropos? The reader has no connection to the work beyond the 1000 words you just posted. They didn’t see what came before. They don’t see what does (or will) come after. Again, you just shoved a spoonful of salt, flour and sugar into their mouth. When they say, “This tastes terrible,” is that helpful? Does premature advice on a premature draft serve the end result?

    Third, posting a pre-draft excerpt way too early can in fact be the very opposite of helpful. Putting up an in vitro excerpt of your work can actually be quite enervating — it can steal the breath from your lungs, it can snatch the thunder from your grip. Here’s the scenario: you post the work, and it lands with a thud. Maybe not because it’s bad, but maybe because people just didn’t read your blog that day. Or maybe because people aren’t really too keen to read fiction on the web right now. Or maybe because the selection you chose is too free of context or simply not as good as you might want. And so you get no comments or a few iffy comments or whatever. You’ve tossed out the bait, and no fish took a nibble. Your conclusion? Wrong bait. Bad bait. That bait sucks. Stupid razzafrazza bait. Or maybe you’re just a bad fisherman. Maybe the problem is that you suck. Let’s not pretend that writers are not insane little marmosets, twitchy and winky and anxious. You put fiction out there and the response is anything shy of transcendent and you might suddenly feel like this thing you’re doing is just not worth finishing. You’ll spaz. You’ll shriek. You’ll make wee. And you, little marmoset, will fall out of the tree.

    Fourth, this process can be a disservice to readers. Readers want to read your book, they don’t want to read an unfinished unedited Chapter 12 of the book. Posting an excerpt is meant to serve your own vanity. Think of the reader. Think of what you would normally want to give the reader: you’d want to give them the best possible iteration of your work, right? Top of the pops. Top-shelf whiskey. The finest you can muster. But what you’re instead giving them is a face full of word goo. You’re giving them the premature money shot. That, by the way, is risky. A quick story: a published author recently posted a brief excerpt of a novel he (or she!) is working on. I do not know a lot about this author, but I do know he has some small press work out there in the world. He was quite proud of this excerpt. I went. I read it. I wrinkled my nose. It was kind of crappy? Overwritten pap, really. Now, my initial gut response was: “Well, I don’t think I’ll be buying his books anytime soon.” I recognize that this is an unfair statement, and I was able to see past it and say, “Okay, okay, I get it, no editor has touched this, this is really raw stuff, it’s not fair to judge the total writer package by this excerpt.” Thing is, not everybody is going to come to a reasonable conclusion. The other thing is? I haven’t bought his (or her) books, either. (In case anybody is paranoid that I am somehow talking about them, I’m not. This is not an author that I know or have been familiar with in the past. So, everyone breathe easy. I do not know this author, and this author does not know me.)

    Why am I posting this? Part of it is a NaNoWriMo thing. I keep seeing participating writers throwing up their excerpts again and again. It got me thinking, is all. I know I’ve done this in the past, but I’m starting to turn around and revise my opinion on it. Writing a novel is a process that goes well beyond the day-to-day, and I look at Blackbirds and I see the many moons (and many drafts) it took to get it to where it was free to leave the stable and run around with the other word-ponies. And I know that anything before that was tantamount to a squirming horse abortion. And the last thing I want to do to potential readers is drop-kick a horse abortion onto their dinner table and be all like, YO YOU NEED TO READ MY SHAPELESS UNDERDEVELOPED NONSENSE CHECK IT.

    So, from me, I think you’ll stop seeing any excerpts of novels (i.e. “stunting”) from me in the future. I’d rather you taste the wine after it’s been in the cellar for the proper number of years. (I don’t want you to drink vinegar.) Further, I don’t think I’ll be reading any excerpts, either — I don’t think they’ll let me make reasonable judgments of the authors who are posting them. Your mileage, of course, may vary.

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    November 5th, 2010 | terribleminds | 23 Comments

About The Author

ChuckWendig

Chuck Wendig is equal parts novelist, screenwriter, and game designer. He is the author of the novels DOUBLE DEAD, BLACKBIRDS, and MOCKINGBIRD. In addition, he's got a metric boatload of writing-related e-books available, including the popular 500 WAYS TO BE A BETTER WRITER. He currently lives in the wilds of Pennsyltucky with wife, dog, and newborn progeny.

23 Responses and Counting...

  • Stephen Blackmoore 11.05.2010

    It’s tempting, isn’t it? I learned to stop a while back for exactly the reasons you’re talking about. It’s bad enough to get useless feedback at the beginning, but when your readers can’t get that early crap out of their heads it makes it worse.

    Now no one sees a draft until I’m done with the goddamn thing. Unless I’m collaborating with someone there’s really no point in sharing it early.

  • It’s tempting, isn’t it? I learned to stop a while back for exactly the reasons you’re talking about. It’s bad enough to get useless feedback at the beginning, but when your readers can’t get that early crap out of their heads it makes it worse.

    Now no one sees a draft until I’m done with the goddamn thing. Unless I’m collaborating with someone there’s really no point in sharing it early.

    Yeah, man. This is my plan going forward. Too many pitfalls otherwise. And again, sucks for the reader, too.

    – c.

  • I’m trying to think if I’ve ever done this. I don’t think I have (at least not open to wide public, which is what you’re getting at). Rory likes to read what I’ve done for the day, though rarely offers commentary and because I think he likes being able to see the process. But that’s beside the point.

    I am seeing a lot of excerpts floating around as a side effect of NaNo. Heck, your profile on the site actually has a space for you to do this. I … uhhh … can’t say I’ve read any good ones. Glaring grammar and structure mistakes aside, there’s no context and there usually isn’t a hook.

    Beyond that, I’m often not swayed by the excerpts put up for polished up-coming novels. Again, it’s the lack of context when that excerpt is taken from anything but the first few pages. I really wish more publishers would stop with random passages and offer up the first chapter or two (or 10 if you’re HarperTeen (but hey, it got me to buy those books)) or take a page from Amazon and let you take a peek inside.

  • I used to do the same thing. It’s like a kid when they get their first magic kit. They want to show everyone the new trick they are working on before it is perfected.

    “Look what I can do,” the child says as he stumbles through a trick where his Mom can obviously see him palming a quarter.

    “That’s nice Billy,” Mom pats him on the head and he feels a nice glow.

    Eventually, if the child gets serious about it, he spends a lot of time behind closed doors, and not necessarily for the reasons she suspects. He only shows off his tricks once he has practiced them in front of a mirror and even he can’t see how he did the trick. It becomes a matter of professional pride to him.

    It may be hypocritical of me to agree with you, considering the project on my site is to release a first draft short story every week, but no one is reading the site but my friends, family, and a few classmates. It’s really more of a shaming tool to get me to commit to writing in spite of my five-class schedule, four children, and the many and varied other distractions.

    So, on the whole I agree with you. If you are still using your training wheels, share all you want. Once you start taking your craft seriously, it’s time to stop showing off every piece of writing that you see as the finest piece of writerly gold ever. You may end up doing some serious operating to trim the fat that you didn’t notice in that excerpt the first time through. Then how are you going to feel, grasshopper?

  • holy crap. Better get my zero draft off there then.

    No, kidding. I do post on a blog that’s pw protected. Just helps me see the missing puzzle pieces. That’s all. No contamination danger to readers.

  • I have a pseudonym who’s doing this, but it’s the nature of the project. I spend more time revising those “first draft” postings than I do anything else, I think.

  • I’ve actually taken it a step further, and stopped *talking* about what I’m working on — in my case, that’s because I’ve found that the excitement I get from sharing my thoughts on the subject actually leeches the energy away from my desire to actually finish writing the damn thing.

    It’s almost like there’s only so much potential “story energy”, and telling it drains it quicker than writing it.

  • @Gareth: I have that precise issue as well. I get all jazzed up about the WiP and find myself talking the ears off of friends and family about the fresh idea/chapter/character.

    This has its upside as well, though. I sometimes find myself in the throes of a small creative seizure while I’m talking about the project, and this can help fill in some of the gaps. Overall, it’s a bad idea for me as well, since the energy does seem to dissipate somewhat with each re-telling.

    Damn, it’s so hard to keep my mouth shut about it though…..

  • That made me feel dirty…which is kinda cool.

    Shannon, who will ejaculate no words before their time.

  • Shannon –

    If you take away one thing from this blog and one thing only, let it be that after reading it, you might need a shower. Possibly one of those delousing showers.

    – c.

  • But what if you’re not offering dry cake ingredients, but lovely, unbaked cookie dough? Sure, it’ll taste good once it’s baked, but people don’t like the beaters or mixing spoons for nothing. Maybe the rule should be: “Don’t offer people dry cake ingredients, because no one likes that, but *do* offer them yummy cookie dough, if you’ve got it.”

    QED.

  • To abuse this metaphor until it cries and weeps –

    Ahh! But cookie dough can give your eater/reader salmonella.

    Hah! Eat that!

    – c.

  • This actually mirrors what I’m thinking lately, if a little more coherently fleshed out. See, I’ve decided to try this NaNoWriMo thing, and there’s this place for an excerpt in with the novel info. My first reaction was “hey, I’ll put up that section where we meet this awesome character, I like that bit!” But then I looked it over, and guess what? It was already stale. There were bits that needed revising to account for what had happened since, which just tempted me to start revising that section before the first draft was finished which is something I’ve been trying no to do… so yeah. Short version here is: no excerpt from me.

  • @Gareth: That’s actually why I didn’t post anything for my Tour de Holmes until I was about a third of the way done — because I knew that I would chew up cycles in responding to the posts, which would slow my pace down. If I’m always ahead, I’m less likely to poke at what’s out there right now, so I can keep my energy up but still indulge in my secret love of providing teasers through comments like “Oh, I’ll address this in more detail in later posts.”

    @Chuck: I wonder what value there would be in rebranding excerpts. Something like “here’s something that I’ll likely cut or heavily rewrite, so you can see what you won’t get in the project.” It’s a way to chuck out bits you don’t like, but still provide some value and excitement about the project overall, like the cut scenes on DVDs.

  • @Eddy –

    It’s an interesting idea. Not necessarily a bad one, but my thought would be, if you know it’s wonky to begin with (gonna rewrite, gonna cut, gonna edit), why send it out? It’s like saying, “Hey, this shirt makes me look like an asshole, but I’m going to go out in public and wear it for ten minutes.”

    It’s interesting from the perspective of people looking to see a writer’s process, and I’m all for seeing how the sausage if being made — but I don’t know that it’s any benefit for the writer or the work.

    – c.

  • I’m conflicted. Of course, I’ve done WAY more that post excerpts. I wrote a whote draft of a novel online, posting a chapter a day once I got rolling until the draft was done. The up side? Because I’d gone public with my plan, it forced me to keep moving, so I wrote the sucker in record time. The down side? Yeah, it needs a mess of work, and, should it ever get published, it will be VERY different from what people read on line.

    Do I think posting the draft as I went along harmed the final product? Nah. I always figured I’d be going back through the thing and all the attendent ugliness associated with the editing process was going to happen — lipsuctioning chunks of verbal fat, lopping off vestigal plot limbs, grafting on new, firmer plot tits, etc. Did it harm the readers? I dunno. It’s not like they paid for it. And it’s not like I look back at that first draft and am embarassed by it. I liked it for a first draft.

    So, like most things, I’m of two minds. Or at least two minds.

    Danb

  • @Dan:

    The difference in what you did is that you posted the entire thing. Not a context-free snippet. We’re not talking tail and snout: it’s them and everything in between. The whole damn animal.

    If it worked for you, then I’d say thumbs-up.

    I’m generally pulling back from “creation in public,” as it doesn’t personally give me the proper energy. It actually robs it, as GMS noted earlier. I’m also afraid of the danger of putting a whole work out there unfinished. The fear from my perspective is either a) they’re going to be just unimpressed enough to not want to buy it later on or b) they’re going to be impressed so much they’ll find no reason to buy it later on.

    That leads back into a discussion of the values and dangers of “FREE,” though, which is a whole other piglet.

    – c.

  • One of the guys in my small writing group wants to share a chapter of his book as he goes along. I know I won’t be able to get my head around things as much as if he just one day gives us the entire manuscript.

    I know I’ll read things and think, “I wonder if he explains this question I have later?” and a pile of other things. And, because he’s planning to hand things over as he goes along, he’s obsessing about every word as he goes along, so it’s taking him a long time to write.

    I’ve always been quiet about what I’m working on, even with people close to me. Part of it’s through no choice: my wife refuses to read partial work or listen to me talk about what I’m writing because she wants to go in not knowing what to expect. And I love hearing feedback from people who didn’t know what was coming their way.

    Not being able to talk about what I’m doing or share excerpts as I go along–for me–works. It’s natural to want good feedback. It’s tough to wait when working on a novel, but it’s also a great motivator in getting me off my ass and writing.

  • If your sample text gives the reader salmonella, doesn’t that mean that your words have gone viral? What writer doesn’t want that?

    #ametaphoricalbridgetoofar

  • [...] and ‘how the writing went this morning/this afternoon/this evening/yesterday’, fewer posted excerpts, less time “getting in the [...]

  • On the topic of recycling cut material and giving it as a teaser… How much of your material is cut for word count or space considerations rather then because it fails to make the grade as something good? If you’re talking about material that is the worst of the best, that’s still pretty damned good. And it makes people go “Wow, if this is what FAILED to make the cut, what kinds of awesome did?” The trick is to make it clear that it’s overflow and that it’s a kind of a gift. Think of it more like the bits that go into the directors cut version of a film rather then the bonus blooper reel.

    For an example, take a look at what’s been going on with the Ink Monkey stuff at the White Wolf forum boards… some of it is writers writing for free because they love it, some of it is what would otherwise be cut material from the books… and it certainly seems to drum up interest in the books, at least with the fanboys over that way.

  • [...] also mentioned this article by Chuck Wendig about why story excerpts in mid-first-draft are a bad idea. I think there’s some value to [...]

  • I am way guilty of generally posting a blog entry without doing more than minimum scan on it. Sometimes it’s because I’m tired, other times I feel like I’m playing ‘beat the clock’ (which is silly in terms of librarian blogs because no one is racing), but I have to say being lazy is pretty much at the top there.

    At least I’ll edit it if I see a mistake later. That’s a good thing, right? =P

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